The sequel to the previous movie (and there is news of a third movie in the works) bringing back Robert Downey Jr, Jude Law, and Rachel McAdams (briefly). Stephen Fry (veteran British TV actor and he pops up in The Hobbit trilogy) joins the cast as Sherlock’s older brother, Mycroft. Jared Harris (Hodge in The Mortal Instruments movie, the father in Pompeii, and King George VI in The Crown) plays the conniving Professor James Moriarty. The soundtrack is once again entertaining.
The film opens with Watson typing, informing us that it is 1891 and the world is on the brink of war. Bombs have been set off in big cities and countries blame each other. Sherlock meets up with Irene once again, attempting to intercept a package. He warns her of men following her, turns out, they’re her escort. Sherlock beats off the four of them and races after Irene. She’s delivering the package during an auction and receives a note in return. Sherlock manages to stop the bomb from taking out its target, but Irene gets away. The victim is ultimately killed and Sherlock is on his next case. Sadly, Irene misses her dinner date, due to having lunch with Moriarty (whom Sherlock refers to as the Napoleon of crime…[I thought that was Macavity…we’ll get to that with the musical Cats down the road]). He chides her for succumbing to her feelings for Holmes and poisons her with a form of tuberculosis. We witness her pass out.
Watson visits Sherlock and discovers his map work of crimes tied to Moriarty, a shadowy game of cat and mouse. But before he can delve too deeply into the madness of Sherlock’s mind, they have plans for the evening, Watson’s stag party. He’s getting married in the morning and Sherlock Holmes is his best man. Sherlock uses it as an opportunity to work more on his case, so Watson goes off to the gambling tables. Congress Reel plays as Sherlock fights off a Cossack from killing a gypsy, whose brother is involved in Moriarty’s scheme. The gypsy, Sims, helps in fact; I always like it when they let a woman fight her own battles. Both Watson and Sherlock are worse for wear when they arrive for Watson’s wedding, but it goes off without a hitch. At the end, Sherlock is called to meet Moriarty. The mathematics professor reveals that Irene Adler is indeed dead, giving Sherlock her bloody handkerchief. And the only reason Moriarty has left Sherlock live so long is professional respect. And Moriarty intends to go after Watson, even though he no longer works with Sherlock.
Which means that Sherlock has to crash the newlyweds’ honeymoon. He gets Mary off the train (don’t worry, Mycroft picks her up) and he and Watson take care of the regiment of soldiers….It’s rather entertaining. Sherlock is in a dress. Then they’re off to Paris, to meet up with Sims. They try to ruin Moriarty’s plans at Don Giovanni, but that was a decoy from the bombing that covers up an assassination. (To the Opera is my favorite track on the soundtrack, because I don’t mind a little opera music in my life.) Watson and Sherlock deduce that Sebastian Moran is working for Moriarty (the middle man we keep seeing); an expert shot and once served with Watson. The mastermind’s plan is ramping up and next stop is Germany, which they have to sneak across the border. A moment of humor; Sherlock dislikes horses: they’re a danger at either end and crafty in the middle. Why would he want something with a mind of its own between his legs? (That could be taken another way…both movies are full of innuendos).
In Germany, Sherlock is captured and interrogated by Moriarty, which involves having a large fish hook stabbed into his shoulder, raised up, and Moriarty spins him about. The Napoleon of crime broadcasts Sherlock’s screams over a loud speaker. Watson faces off against Moran, ultimately using a bigger gun: “Come at once if convenient, if inconvenient, come all the same.” They meet back up with their gypsy friends and make a run for a train involving some excellent use of slow-motion. Once safe, Sherlock stops breathing. Watson thinks to use his wedding gift, a vial of adrenaline. They then meet up with Mycroft at the peace summit in Reichenbach, Switzerland. Morarity’s plan is to create a world war now that he has ties to everything from bullets to bandages. The final push will be an assassination of an ambassador at the peace meeting.
Sherlock leaves Watson and Sims to deduce which ambassador, determining that her brother’s face was changed surgically and he’ll take the fall. The genius moves Moriarty outside to play chess. He reveals he got Moriarty’s little red notebook which tracks all of his fortune and has sent it safely to Mary Watson and Scotland Yard. The two brilliant men are about to face off, each planning out their opponents moves and counter-moves, when Sherlock realizes that with his injury, his demise is inevitable, but he can take Moriarty out with him. Watson and Sims stop the assassination and Watson opens the door just as Sherlock pushes off.
Watson ends with Sherlock’s funeral. Mary checks on his progress and reminds him they need t leave soon for their second attempt at a honeymoon. But there’s a package first. Inside is Mycroft Holmes’ oxygen supply, which Sherlock had been toying with. When Watson runs out of the room, Sherlock reveals himself to have been catalogued as his armchair. Is this truly “The End?”
I enjoyed seeing Sherlock face Moriarty; they were well matched. Sherlock deserves, or requires a brilliant opponent, or else life is dull…and then he causes problems for Watson. The criminal mastermind did have a point; this is very similar to how the first World War began: tensions between nations rising before as assassination kicks it off. Jude Law and Robert Downey Jr. once again play well off of each other, Watson always being right where Sherlock needs him. A good sequel, an equal to the first.
One of the most famous literary characters ever created. I am once again a horrible English major and have not read the tales. They’re sitting on my bookcase; I’ll get to them…eventually. There have been many incarnations of Sherlock and his faithful sidekick Watson throughout the years. Basil Rathbone from the Golden Age of Hollywood is iconic. Christopher Lee was involved as well. Peter Cushing (Grand Moff Tarkin from the original Star Wars), Christopher Plummer, John Cleese, Ian McKellen, and of course, BBC’s smash hit Sherlock made starts out of Benedict Cumberbatch and Martin Freeman. And I love that show, though along with new fans everywhere I was confused when the episodes ran long and at the end of the third one; “where’s the rest of the season?”
This iteration features Robert Downey Jr (this movie came out a year after the first Iron Man) as Sherlock Holmes, Jude Law (now part of the MCU with a role in Captain Marvel, he’s also recently portrayed a younger Albus Dumbledore in Grimes of Grindewald [which I still have not seen], and I adore him in The Holiday) is his partner John Watson. Irene Adler, “the woman” is played by Rachel McAdams (again, now part of the MCU as Christine from Doctor Strange [made even more ironic since Strange is played by Cumberbatch, she has now starred opposite two Sherlock’s. Oh, there are a bunch of fans who want the line “No shit, Sherlock,” to show up and Downey and Cumberbatch just look at each other], also famous from Mean Girls and The Notebook [that movie will not appear in this blog]). Mark Strong (we just saw him in Young Victoria, and know him from Robin Hood) made his mark as Lord Henry Blackwood, accompanied by Hans Matheson (Mordred in Mists of Avalon and Thomas Cranmer in The Tudors) as Lord Coward. And if the palm reader looks familiar, she was Isolde’s maid in Tristan and Isolde. The soundtrack is composed by Hans Zimmer.
We jump right into the middle of a case. Sherlock enters first and begins taking down the guards. I like how this movie frames some of his analytical thoughts, when he imagines how an opponent will react and plans his own defense. He finds a man practicing dark arts, ready to sacrifice a woman on an altar. Watson joins Sherlock and they capture their adversary, Lord Blackwood. Quick time jump, we’re at 221 Baker Street where Watson is preparing to move once he marries. First, he has to rescue his roommate from his own mind; Sherlock’s mind rebels at stagnation, he requires work. Taking down Blackwood was their last case, but they’ll attend his hanging together. Watson wants Sherlock to meet Mary.
Dinner…could have gone better. Mary insists that Sherlock make deductions about her, even though he and Watson protest at first. Sherlock, concerned for his friend, deduces that Mary has been engaged before, but assumes that she broke the engagement for better prospects. Actually, the man died, and Watson was aware. Sherlock finds his way to a boxing match (Rocky Road to Dublin is played underneath) and expertly takes his opponent down, despite a brief distraction from a woman. Come morning, Sherlock is Blackwood’s last request. Blackwood warns Sherlock there will be more deaths. The criminal is hung and Watson pronounces him dead.
Back at Baker Street, Sherlock has a visitor, Irene Adler. She has a case for Sherlock. When she leaves, Sherlock demonstrates he is a master of disguise and follows her, glimpsing her mysterious employer. His day is ruined when word arrives that Lord Blackwood has risen from the dead. Watson accompanies him, just until he has to meet Mary’s parents, and find a ring. Buried in Blackwood’s coffin is the man that Irene is looking for, which leads them to a lab that combines sorcery and science. A few thugs show up to tie up loose ends and there is a smashing fight between Watson, Sherlock, and the three men (one of whom is large). This carries on to a shipyard and results in a partially completed ship sailing into the water and promptly sinking. Watson and Sherlock are arrested.
They bicker like a married couple. “Get that out of my face.” “It’s not in your face, it’s in my hand.” “Get what’s in your hand out of my face.” Mary kindly bails Watson out. Sherlock has to wait until Lestrade comes with orders from friends in high places. They blindfold Sherlock, but that doesn’t prevent him from deducing where he is and who he is dealing with. They are a secret society with the intention to steer the world to their liking. Blackwood has grown too powerful and is a threat. Sherlock will stop him, but not for the society and not for a price.
Sherlock tries to warn Irene about the dangerous man she is now dealing with, but she drugs the wine. A bit hilarious later when a maid enters the room to find a naked Sherlock (modesty covered by a pillow) handcuffed to the bed. There has been another death, Blackwood’s father in his bathtub. Sherlock discovers a secret room. At a meeting of the secret order, another member dies, who opposes Blackwood. This leads him, and Watson, to a factory where they find and rescue Irene, only to be caught in an explosion, Watson more so than Sherlock. A friend on the police force finds Sherlock and warns him that there is a warrant out for his arrest, and assures him Watson is still alive. Sherlock briefly visits his friend, in disguise, and is encouraged by Mary to find the man responsible, Watson would say it’s worth the wounds.
Irene tries to leave her employment, but the professor will not allow it. She was supposed to manipulate Sherlock’s feelings for her, not succumb to them herself. He wants what Blackwood is working on. Sherlock descends down the rabbit hole (reference to Alice in Wonderland) and deciphers Blackwood’s spell. Then fills is in to Irene and Watson the next morning. It involves the sphinx and the four elements. Sherlock sends his two companions away so he can be arrested by Lestrade so he can see Lord Coward. The final puzzle piece fall into place and the trio prevent Blackwood from unleashing a chemical weapon upon Parliament. Irene gets away with the radio control feature and Sherlock faces off against Blackwood on the Tower Bridge, which is under construction. Blackwood does hang this time, permanently.
Mary and Watson stop by for a visit, Mary sporting a large engagement ring; a present from Sherlock, featuring a stone Irene stole. And Sherlock is on to a new case, involving Professor Moriarty.
This was my first true exposure to Sherlock Holmes and I was hesitant going in to it. But I love it. Robert Downey Jr. (this was also one of the first roles I watched him in, I didn’t get into Iron Man until afterwards) is excellent; the fight scenes are superb. Watson is serious and suffering. Sherlock is quirky and eccentric; Jude Law and Robert play off each other well. The music almost has a steampunk vibe to it, with the persistent tempo underneath and making use of some rather unconventional instruments. The story line keeps me intrigued. Overall, a very good film.
Another Scottish hero story, though adapted for Hollywood; it came out the same year as Braveheart and followed in the wake of Prince of Thieves. Bears no connection to Walter Scott’s novel.
“Rob Roy MacGregor has become the quintessential Highlander – a curious blend of patriot, freebooter, outlaw, and frontiersman; a man of honour who was also a bandit, a cattle-rustler and the chief of the protection racket….Rob Roy MacGregor was a frontiersman of his times, in that he and his clansmen lived in the frontier lands between Highlands and Lowlands – the Trossachs at Loch Lomond [Lomond is mentioned once or twice in the film]…the third son of the fifth chief of his clan…grew up to be immensely strong, with exceptionally long arms, and became renowned for his skill with the broadsword….Like so many Highlanders he was a Jacobite (Scotland: The Story of a Nation, Mangus Mangusson, pgs. 568-9).”
The Clan MacGregor had been outlawed by King James I (of England, VI of Scotland…a bit confusing) in 1603, so Rob actually used his mother’s clan name of Campbell. “To some he was nothing but highwayman and a gangster; to others he was a latter-day Robin Hood, robbing the rich to give to the poor, ambushing government troops and freeing their prisoners. He was captured on several occasions, but always managed to escape. His exploits became legendary for their audacity (pg. 570).” But the main plot points of the story are correct in the film. They made up one of the villains, Archibald Cunningham. Rob Roy was eventually pardoned and when he died, he was considered a hero. “In a treacherous age he had never betrayed a trust nor broken his word. He had always been his own man (pg. 571).”
Ironically, Irishman Liam Neeson was cast as the titular Scottish hero, Rob Roy (most famous as Jedi Master Qui-Gon Jinn in Phantom Menace, the voice of Aslan in the recent Narnia movies, an action star in the Taken films, and the titular Oskar Schindler in Schindler’s List [which I have not seen, not sure I want to, due to subject matter]. He played an famous Irishman in Michael Collins [I have seen, but it’s more political and confusing], Hannibal in the rebooted A-Team film, and Ducard in Batman Begins [and another funny note; years ago Disney had cast Scotsman Sean Connery to play an Irishman in Darby O’Gill and the Little People]). John Hurt (the War Doctor, Ollivander from Harry Potter, and the Great Dragon from Merlin) is the Marquis Montrose, Tim Roth (Emil Blonksy in The Incredible Hulk, which is part of the MCU and the villainous Febre in The Musketeer) is Archibald Cunningham – he wears foppish clothes, but you know he really wants to be wearing black. Andrew Keir (who has a filmography going back to the fifties, including the epic Cleopatra) is the Duke of Argyll and Brian Cox (we just saw him in Braveheart amongst his other movies) is Killearn.
The opening of the film tells of the hard times in Scotland; “this story symbolises the attempt of the individual…to retain respect and honour.” Rob Roy and his kilted men are chasing other Highlanders who stole cattle from the Marquis of Montrose. Rob kills their leader to prevent further bloodshed. He also has it in his mind to ask the Marquis for a loan, in order to turn a profit on another herd of cattle. The Marquis has already butted heads with the Duke of Argyll (Duke outranks Marquis). Montrose’s ward (maybe nephew?), Archibald Cunningham bests the Dukes champion…because English nobility like to wager on two Scotsmen fighting each other for sport. Montrose’s right hand man, Killearn, has an idea involving Archibald and Rob’s money. Instead of the promised creditor note, Killearn gives Rob’s chosen man a bag of coin (making it easier to steal and more dangerous to transport). Then Archibald lies in wait and ends up killing the poor man; Archibald in place due to Killearn’s scheme. When Rob does not receive the money, he has to go before the Marquis again. Montrose will waive the debt, if Rob agrees to swear that the Duke of Argyll is a Jacobite.
Historical note: Jacobites supported the Stuart claim to the throne of Scotland and England, meaning James Stuart and his descendants. In 1603, when Elizabeth I died without an heir, the line of succession picked up with the offspring of Henry VIII’s sister, Margaret, who had married James IV of Scotland. They had a son, James V, who had a daughter, Mary, Queen of Scots [a contemporary of Elizabeth and there’s a whole story there], who had a son, James VI. Thus, he ascended the throne, joining the two crowns. This began the reign of the Stuarts in England. His son, Charles I, ascended at James’ death. Charles was executed for treason and Oliver Cromwell stepped in (hated by many…there are murals of the Irish hatred of him). His son, Charles II was eventually restored to the throne. After him was his son, James II, but he was deposed in the Glorious Revolution. This is when the famous Jacobite uprisings occurred, sporadically from 1689 to 1759 [the film states it takes place in 1713], again, think Outlander. The Jacobites wanted James II, or his son back on the throne. Instead, English parliament awarded his Protestant daughters, Mary and Anne joint rule. Mary died and her husband ruled for a while until his death, then Anne took the throne. Though Anne had seventeen pregnancies, none of her children survived, which is when this story takes place. If we continue on, since England wished to remain Protestant, despising Catholics (thank you, Henry VIII), none of Anne’s Catholics relatives (like those in Scotland) could claim the throne, thus picking up the line of Charles I’s sister, Elizabeth and through her picked up the Hanover title, leading to George I (of many George’s) and thus the House of Hanover. Yes, it’s all quite complicated and I barely understand it since it was never properly covered in my undergraduate history courses. I obviously know of the Jacobite rebellions and support them (thank you, Scottish romances) and England needs to keep its nose out of Scotland’s business. To sum it up, political tensions are bubbling and the English and Scottish don’t like each other.
Carrying on: Rob refuses to bear false witness as it would be dishonorable for him; he doesn’t care about the Duke. Montrose shouldn’t be so shocked; it would be breaking a commandment, but he calls for Rob’s arrest. Rob escapes and takes to the hills. Cunningham is given permission to hunt him down and starts at Rob’s home. His wife, Mary, sends their boys for help, while Cunningham (and Killearn watches) burns the land, shoots the cattle, and rapes Mary. Killearn has the gall to tell her as she proudly holds her head high amongst English soldiers, “they say it’s not a sin if you don’t take pleasure in it.” Rob’s younger brother finally runs in to try to pick a fight once the soldiers leave. Mary tries to wash Archibald off her and the brother is horrified. She insists that Rob is not to be told; it’s what they want, it will only get her husband killed. “If I can bear it to be done, you can bear to be silent!”
In retaliation, Rob and his men steal Montrose’s cattle and rent and hurt him in his purse. Honestly, Montrose has suspicions of what Cunningham and Killearn cooked up, but he does not want his name mocked. A serving girl that Cunningham got pregnant reveals what she knows to Mary when Cunningham does nothing about the baby. Rob takes Killearn and plans to hold his own trial, with the serving girl as a witness. But she’s desperately in love with Cunningham and kills herself. Mary tries to reason with the man and he attempts to turn the tables on her. She cuts his neck, terribly wounding him. The brother aids Killearn in drowning. Retributions escalate. The brother fires on soldiers who are plundering the Highlands. He’s shot for his trouble and reveals Mary’s secret to Rob before he dies. Rob tries to escape, but is ultimately captured by Cunningham. He’s taken, bleeding and worn to Montrose. Montrose, who really does know what kind of man Cunningham is, orders Rob to be hung. Rob tries to hang Cunningham instead and escapes into the river.
In the meantime, Mary has gone to the Duke of Argyll for help. Since Rob won’t stand against the Duke for Montrose, Argyll will help. He offers protection to the outlaw and when Rob returns home, he arranges a meeting between Rob and Cunningham. Mary admits to Rob about the baby; she can’t know who the father is (she and Rob are shown in a very loving (cough cough) relationship. Rob seems alright with the baby, even telling his children that an addition is on its way. Argyll makes an agreement with Montrose, if Rob wins, the debt is called off, if he loses, Argyll will pay the amount and the matter will be settled. Cunningham holds the advantage most of the duel, staying out of reach of Rob and landing damaging hits. But he allows Rob the chance to grab his sword when Cunningham has him at his mercy and lands a deep blow to Cunningham, killing him. Rob returns home.
My feelings on Rob Roy; I found it long after I was already in love with Scottish history. It fits right in the time period I am used to reading but since it deals more with Rob’s grievances against Montrose and Cunningham, I just don’t get into it. Admittedly, the duel at the end is very cool. It’s well done and has a good cast; I just don’t swoon (unlike certain parts of Outlander; but it’s against probably due to the difference in genre). Another interesting note; at several points in the film, they use O’Sullivan’s March, an Irish tune. Aye, Scottish and Irish music do share many similarities, but why could they not find a Scottish tune to use for a film about a Scottish hero?
Next Time: Carrying on to the latter 18th century with The Duchess
I’ll be honest, I watched this film originally because it has Orlando Bloom in it. And I probably only bought the DVD because I found it in a bargain bin at some point. Released a year after Gladiator, it is part of the early 2000s rash of “epic” movies. It’s an adaptation of Homer’s great epic poem The Iliad. Greek mythology is not what I tend to study, so I have not read this (I think part of it is that I can never keep their names straight; same with Roman names. They’re all the bloody same!) It has an all-star cast as well. Brad Pitt stars as Achilles. Brian Cox is Agamemnon, the king of the Greeks and Julian Glover is Triopas, king of Thessaly, an opponent of Agamemnon. Brendan Gleeson is Agamemnon’s brother Menelaus, king of Sparta (yes, when I hear Sparta now I think of 300. Yes, I’ve seen the movie; no, we will not be covering it [that was far too much death for me; though it was fun to learn about it a bit as part of A.P. English class]). Diane Kruger (she’ll later be in Copying Beethoven and the National Treasure movies) is the famous Helen. Peter O’Toole is king Priam of Troy; Eric Bana and Orlando Bloom play his sons Hector and Paris, respectively. James Cosmo is back as Glaucus, Julie Christie is Thetis, Achilles’ mother. Oh yes, and that’s Sean Bean as Odysseus! It’s been pointed out that Odysseus stars in the sequel to the Iliad, the Odyssey, so he can’t die in this story. Huzzah for Sean Bean.
The film opens telling us these events took place 3200 years ago, with a scrawl setting the stage; Agamemnon has spent decades warring with the kingdoms of Greece and forcing them into an alliance. His greatest warrior is Achilles, but Achilles disdains Agamemnon and threatens all that the king has built. Sean Bean narrates part of the prologue, that we ask ourselves, will our actions echo across the centuries, will strangers wonder how bravely we fought and how fiercely we loved? The idea of being remembered for all time crops up throughout the film.
Achilles is called to defeat Thessaly’s hero in single combat. He does so in one move. He asks the opposing army “Is there no one else?” Meanwhile, Sparta is working on a peace treaty with Troy, tired of fighting all these years. Seems to be going well; until Paris meets up with Menelaus’ wife, Helen. They’ve actually been meeting secretly for several nights and they have fallen in love (apparently, Menelaus is a terrible husband). Now they wish to run away together. And they are dumb enough to do it. I get this is an epic poem and a literary classic, but reading and watching enough royal shows, I have to point out; they knew what they were doing was wrong. There would be terrible consequences and they really don’t want those consequences; and yet they did it anyway! Yes, they loved each other. But a war got started because of it. People died. You couldn’t have left well enough alone, Paris? Hector is a nice older brother and will protect his young brother. Troy welcomes their new princess.
Agamemnon doesn’t care about the slight to his brother’s honor; he’s just happy to start a war with Troy. But, he’ll need Achilles, however much the warrior annoys him. There is one man that Achilles will listen to: Odysseus. His argument to his friend is “this war will never be forgotten, nor the heroes who fight in it.” Even Achilles’ mother says the same; he could stay where he is and have peace and a family, but eventually forgotten. Or he could fight in Troy and win more glory and the world will remember him; but it will be his doom. We all know what Achilles chose. His ship is the first of the fleet to land on Troy. The Greeks take the beach and Achilles attacks Apollo’s temple and has a short encounter with prince Hector. He tells the Trojan prince “go home, tomorrow we will have war.” Another twist is thrown in; Briseis, the niece of the king is a priestess of the temple and is gifted to Achilles. He’s surprisingly gentle with her. But Agamemnon tries to take her for Achilles disobedience. Achilles is ready to defend her, but Briseis declares “I don’t want anyone dying for me.”
Paris challenges Menelaus to single combat to prevent more death. But he loses the duel, saved only by crawling to his brother and Hector killing Menelaus. Agamemnon attacks and Troy proves why they are so hard to defeat. Odysseus finally suggests retreat. He speaks to Achilles after the fight, insisting that the Greeks need him, the soldiers need the morale boost. Achilles rescues Briseis. He once again tries to care for her and she resists at first, holding a knife to his throat. Until he starts kissing her and she drops the knife. I swear, this movie is more about their connection than Helen and Paris. Achilles still insists that he is sailing for home; he will not fight for Agamemnon.
The Trojans attack at night with giant fire balls, which leads into the Trojan army advancing. Achilles joins the fight and faces Hector. Hector cuts his throat and reveals that it is Achilles’ beloved younger cousin. Hector declares enough for one day. Achilles’ second in command delivers the news. The next day, Achilles rides alone to the gates of Troy and demands Hector to face him. Hector, an honorable man, faces Achilles. And behind the scenes trivia reveals that Eric Bana and Brad Pitt did not use stunt doubles for the duel. (They also has a gentleman’s agreement to pay for every accidental hit; $50 for each light blow, $100 for each hard blow. Brad Pitt ended up paying Eric Bana $750; Bana didn’t own anything to Pitt.) It’s a good duel, but really didn’t enrapture me. Achilles defeats Hector, then ties his body to his chariot to drag back to the Greeks. That evening, king Priam comes to Achilles to beg for his son’s body, so he can have an honorable funeral. “Even enemies can show respect.” Achilles relents and allows Troy to have their twelve days of mourning, and lets Briseis return to Troy. Agamemnon is furious.
Odysseus has a plan; his men start building. He makes it look like the Greeks have left and they have left an offering of a large wooden horse. Paris advises his father to burn it. He’s ignored. His father ignored Hector’s advice as well. The Trojans drag the horse into their city and celebrate. At night, Odysseus, Achilles, and others emerge from the horse and set about taking the city down from the inside. They get the gates open to let in the army. Well, Achilles is off running to find Briseis, who is looking for Paris. Helen, Hector’s wife and son, and as many others as they can find escape through an old tunnel that Hector showed his wife (because he was smart and knew what could happen). Paris refuses to leave and passes the sword of Troy to a young man so the Trojans will always have hope and can start over. Paris joins the fight with his bow (which is hilarious, because Orlando Bloom is Legolas).
Agamemnon kills the king and tries to take Briseis back. She stabs him and Achilles finishes the guards. But Paris finds them and misunderstands the situation. He shoots Achilles in the heel, slowing the warrior down. Another four arrows strike him. Achilles manages to tell Briseis, “it’s alright. You gave me peace in a lifetime of war,” and sends her with her cousin Paris. He pulls the arrows out of his chest, but the one in his heel is left, so that is how he’s found. Odysseus burns Achilles and the movie fades out as he says “if they ever tell my story, tell them I walked with giants.”
This movie moves slow at times. And I swear it’s more about Achilles than either of the Trojan princes. Helen is not terribly developed. From a certain point of view, one can easily agree that the whole war is her fault. She was unhappy with her husband and a younger, more handsome man took interest in her and she ran off with him. Though Hector does later stop her from running away, knowing that it won’t stop the war that has already come. We witness more nuances of Achilles’ character. He’s more than just a hardened warrior; he cares for his younger cousin and is downright tender with Briseis (this is after seeing him willingly bed other women). Hector is noble; I prefer him to Achilles. Paris is an idiot, though he tries to make up for it at the end. Priam is a bit of an idiot as well, listening to other advisors over his experienced sons. Agamemnon is an idiot as well, the definition of warmonger.
Overall, I’m underwhelmed by the movie. The duel between Hector and Achilles was alright; but they’ve shown all those moves previously in the movie. I didn’t connect with the characters. No, the thought I had running through my head after I heard Sean Bean at the beginning was “does he live?” I put Pompeii on again afterwards. I watched it for the same reason that I did Troy and yet I became more invested in it.
(Not to be confused with “Aragorn” from Lord of the Rings) Based on the first book of Christopher Paolini’s Inheritance Cycle of which I have not actually read the final book. Flew through Eragon before it was even mentioned as a movie, and the second, Eldest. By the time the fourth, Inheritance came out, I wasn’t able to immediately get it and it had been so long. Now…I’ve forgotten most of the actual plot. I do remember being impressed by the world building; but after getting involved with other fantasy series and doing my own research and work; it borrows heavily from other classics. Which all writers do. Heck, most of my work currently resides as a sort of fanfiction until I develop where I actually want things to go.
The movie differs from the book at times, but is filled with familiar faces. Eragon is played by Ed Speleers, who has gone on to appear in Downton Abbey and Outlander. And he looks remarkably like Lucas Till (new MacGyver) at times. Brom is the ever-talented Jeremy Irons (voice of Scar, Henry IV in Hollow Crown, Aramis in Man in the Iron Mask, and we’ll see him in Kingdom of Heaven). Man in the Iron Mask alum John Malkovich (Athos in that film, he’s also Edward ‘Blackbeard’ Teach in Crossbones [I watched the first season or so once, another series that was a bit too violent for me]) is the evil king Galbatorix. Robert Carlyle (Rumple/Mr. Gold from Once Upon a Time, also in the Stargate TV series, and in the Bond film The World is Not Enough) plays the evil magician Durza. Other people that you may recognize: Dijmon Hounsou as one of the Varden, as well as Gary Lewis (he appeared a couple times in Merlin and Outlander), Steve Spiers (a bit part in Dead Man’s Chest and Phantom Menace, as well as Porthos in The Musketeer) lives in Eragon’s village, and Joss Stone (Anne of Cleaves from Tudors) is a soothsayer.
We are informed in the opening narration (done by Jeremy Irons) that this fantasy land was once ruled by dragon riders and enjoyed peace. Until one turned and took power for himself: Galbatorix. He has crushed all rebellion. Well, until a woman (elf? I think?) steals a stone, is chased, then magics the stone away. A young lad, Eragon discovers the stone and hides it away. Except it’s not a stone; it’s a dragon egg. When it hatches, he touches the baby dragon (which is rather adorable) and is burned. Others throughout the land sense this moment, including the elf (Arya), an old man (Brom) and the king.
Eragon has to bid farewell to his cousin/brother (I forget the precise backstory). Then his village is set upon by evil creatures (who look a lot like Orcs). He’s not home when they find his uncle; his dragon (who has miraculously grown in a matter of days) Saphira keeps him away for his protection. Like Luke Skywalker in Star Wars (which this film plot borrows elements), he returns home to find his uncle dead. Brom finds him instead (and like Obi-Wan, tells the lad that it is good he was not home, for he also would be dead) and carts him off. They must make it to the resistance, to the Varden, to be safe. Druza is still hunting Eragon.
Brom is a wise mentor. He demonstrates that Eragon is not as skilled as he thinks he is and his sole purpose at the moment is ensuring that Eragon and Saphira make it to the Varden alive, in order for there to be any hope for the land. Eragon starts discovering his powers and also discovers that Brom was once a dragon rider. But his dragon was killed years ago. A rider can live past their dragon; but if the rider is killed, the dragon dies. So Eragon shouldn’t do stupid things. Well, he’s a teenage boy; he does stupid things.
He gets a vision of Arya in danger (courtesy of Durza) and decides to rescue her. Walking straight into a trap. Good thing a mysterious young man shows up and is on his side (he reminds me of Will Scarlett in Prince of Thieves). Brom is also killed, protecting Eragon. The new trio manages to make it to the Varden with Arya (who has also been poisoned by Durza). Then they start preparing for battle. Because yeah, personalized armor appears overnight. Durza is on his way with an army (which reminds me of Saruman at the Orthnac in Two Towers).
The duel between Eragon and Saphira and Durza and his dark magic shadow monster is rather good. Eragon defeats Durza, but we wonder for a minute if the good guys will actually survive. They do, yay. Except now Galbatorix is pissed; and has a dragon of his own.
I liked the film when it first came out, since it had dragons! And sword fights! And magic! The effects are rather well done. Elements of the book have sunk in to influence my own fantasy series; like magic has consequences and there is a language. But those are common to other fantasy series. Now…it’s like a knock-off of Lord of the Rings. After watching it this time round, I had to put on scenes from How to Train Your Dragon to see better dragons. The performances by the veteran actors are well done. Druza is reminiscent of Rumple in retrospect. Jeremy Irons is his usual badass self; John Malkovich plays a villain well. The film overall just seems like it’s trying too hard. And hmm, in retrospect, Arya is a bit of a peculiar choice in name. Nothing like the Arya in Game of Thrones. This one, we are told is badass. Arya Stark is no doubt a badass. And any sort of romance between this Arya and Eragon is stupid. They barely know each other! Rescuing someone or thinking they are pretty does not make a solid foundation.
As I commented above, the film plot (since I do not remember the variations of the book plot) has strong similarities to Star Wars, which follows the hero’s journey laid out by Joseph Campbell and explained in The Hero with a Thousand Faces. It examines the common elements that make up popular hero stories, that date back to mythology. Star Wars follows it, Harry Potter follows it. I have an article sitting on my computer comparing it to How to Train Your Dragon, waiting for me to find somewhere to publish it. And it’s fine for a story to follow that path; my objection is that this story follows it a little too closely.
In the first leg, the hero is called to another world and initially resists the call (here, to dragons and being a dragon rider), then meets a mentor (Brom). There is a road of trials (get more into in the books), involvement of a woman (Arya), atonement with the father (not per say in this case, but delved into in the books in an interesting way from what I recall), and finally the return and mastering two worlds; which would occur in the sequel books. There’s supernatural help and a magical flight – Saphira. It just seems like the movie is going down a checklist of “must haves in a fantasy story.” Dragons, magic, crazy old guy, and they don’t try to mask it.
Let me know your thoughts. If you have any opinion on Campbell’s Hero Journey.
Next Time: We jump into historically-set movies, starting with Troy
Based on the book, which I believe I actually read before I saw the movie; a friend lent it to me in high school to demonstrate how to write dueling scenes. Since I had already fallen in love with Lord of the Rings by that point, I just take it as a fun medieval/fantasy story. I have friends who dearly love the movie. Billy Crystal appears in the film as Miracle Max. Fred Savage, older brother to Ben Savage (Boy Meets World) is the grandson. Andre the Giant plays the giant Fezzik. Robin Wright who played Buttercup, kicks butt in the 2017 film Wonder Woman as General Antiope. This is probably Cary Elwes’s most famous role as Westley, though he’s gone on to play Lord Arthur Holmwood in Bram Stoker’s Dracula (I’ve seen parts of it), starred as Robin Hood in Men in Tights, played against type as the villainous Edgar in Ella Enchanted and I guess is now part of Stranger Things (no, I am not going to watch the show; I’ve fallen into too many fandoms as it is).
This is a case of a story within a story; the premise is that a grandfather reads this story to his grandson when his grandson is sick. The tale opens with a beautiful young girl named Buttercup, who torments the farm boy Westley, ordering him about. He always responds with “as you wish.” One day, Buttercup comes to realize that he is secretly telling her he loves her. She then realizes that she loves him; they are true loves. (Fans picked up on this notion in Once Upon a Time, when Hook tells Emma “as you wish,” when she orders him to wait after they share a searing kiss.) Westley leaves to seek his fortune so he could marry Buttercup, but word comes that his ship was attacked by the Dread Pirate Roberts, who never leaves survivors. Five years pass and Buttercup is now raised to a princess and engaged to marry Prince Humperdinck. But she does not truly love the prince. She is abducted during one of her daily rides the day of her engagement announcement by Vizzini, Inigo, and Fezzik. They have orders to kill her and blame it on a neighboring kingdom, thereby starting a war.
First, they set sail. Inigo notes that they are being followed. “Inconceivable!” Vizzini declares (Inigo later points out: “I do not think it means what you think it means.”) Buttercup attempts to escape by jumping overboard, but the water is filled with shrieking eels. They next come to the Cliffs of Insanity; only Fezzik is strong enough to climb, they should lose their tail. Nope, a man in black makes his way up the cliffs as well. Vizzini cuts the rope, but still he persists. Inigo is left behind to deal with him. It is a rather fantastic duel; both are gentlemen about it, Inigo even helping his opponent finish the climb and giving him a chance to catch his breath. (Behind the scenes notes state that the actors performed the duel themselves, tutored by legendary sword masters). We learn that Inigo is hunting for a six-fingered man who killed his father. The man in black wins after a dizzying circle of his sword, knocks Inigio out and continues. He faces Fezzik next and manages to choke him asleep, after being rammed into a rock a few times. Finally, the man faces Vizzini in a battle of wits. He pours iocaine powder into a goblet and Vizzini is to guess which one. Vizzini is a smug man, believing he is smarter than any famous philosopher. Then he relies on a simple trick to switch goblets, thinking he’s won. The man in black was more cunning; he put powder into both goblets, but he’s spent the past several years building up an immunity to it. He then pulls the princess along, even though Humperdinck is tracking them.
Buttercup admits to her new captor that she does not love the prince; her first love was killed by the Dread Pirate Roberts, whom the man admits he is. Then admits he remembered the lad, but calls Buttercup out for being unfaithful, moving on to Humperdinck. “I died that day!” she declares. Humperdink is close; she pushes the man in black down a hill, telling him “you can die for all I care.” “As you wish,” the man stutters down the hill. She realizes it is her beloved Westley and follows him down the hill. Westley’s mask is now off, revealing it is the same man. They take refuge in the Fire Swamp to evade Humperdink, facing bursts of fire, lightning quick sand, and R.O.U.S (Rodents of Unusual Size, which are creepy and remind me in hindsight of creatures from Merlin). Westley is injured in a fight against a rodent. When they emerge from the Fire Swamp, Humperdinck is waiting for them. Westley is all ready to return to the swamp to protect Buttercup. But she sacrifices her happiness so Westley won’t be killed. Humperdinck promises his fiancée that he will not harm Westley and will return him to his ship. He takes his bride-to-be back and rides off. Westley makes eye contact with Count Rugen; they both know the prince is lying. Interestingly enough, the Count has six fingers on one hand.
Rugen takes control of Westley and plans to torture him on his machine, which sucks the life out of people. Buttercup in the meantime has decided she cannot marry the prince; she loves Westley and will be reunited with him. Humperdinck then promises that he will send word to recall Westley, but if that does not come to fruition, Buttercup will still marry him. In truth, he was the one who had hired the trio to abduct and kill Buttercup; now he plans to murder her on their wedding night; still planning to blame another kingdom and start a war.
Fezzik is reunited with Inigo before the wedding and they decide the break the man in black out, discovering that he is the princess’s true love. Except Buttercup has figured out that Humperdinck never followed through with his promises. She believes that Westley will still come for her and calls Humperdinck a coward. Humperdinck is enraged and cranks Rugen’s machine up to fifty, killing Westley. Everyone can hear his scream. Fezzik and Ingio recover Westley and buy a miracle; they need his brains to sneak into the castle so Inigo can have his revenge. It works only because Westley is “mostly” dead, compared to completely dead. Miracle Max creates the pill to get back at Humperdinck for firing him.
Our heroes storm the castle with some illusions, breaking up Buttercup and Humperdinck’s wedding (the priest has a hilarious manner of speaking), though Humperdinck gets the priest to declare them “man and wife.” Rugen faces off against Inigo, who simply advances on the man despite his wounds declaring “My name is Inigo Montoya, you killed my father. Prepare to die.” Buttercup, despaired that she is married to Humperdinck and Westley is dead, per Humperdinck’s word, decides she will kill herself before Humperdinck reaches their marriage bed. But Westley is waiting for her. He is still not back to full strength but gives the prince an epic speech; they will fight to the pain and Westley will leave his ears so the prince can hear every word against him and his promised hideousness. He stands and orders the prince “Drop your sword.” Humperdinck complies and Buttercup ties him up. Inigo finds them and Fezzik is waiting with horses. Westley and Buttercup share the most epic kiss that has ever been recorded.
The boy decides that he doesn’t mind the kissing and maybe his grandfather will read him the story again tomorrow.
There are times this movie reminds me of Mel Gibson’s work, or a bit of a spoof on traditional fantasy movies. Maybe it’s the inclusion of typically comedic actors. Vizzini is a laugh, there’s a little bit between Miracle Max and his wife whom he calls a witch. Maybe it’s the fact that it simply includes a lot of typical fantasy elements, presented straight forward, without trying to add anything. Buttercup is admittedly not a simple damsel in distress. She does try to help Westley fight off the giant rat, after standing there most of the time. They speak of true love often and I can see it once Westley and Buttercup are separated, but not so much while they’re growing up. Westley is an excellent, dashing hero. The costumes are over all fine; but those huge crowns are ridiculous. There is admittedly some epic dialogue. At the end of the evening, a fun movie to put on, not something that needs to be processed deeply.
I’d love to hear from anyone who truly loves this movie as to their reasons, since I didn’t really connect with it. Maybe I found it too late to completely fall in love?
A 2001 film set in medieval Europe featuring jousting…and rock music. It’s a fun movie that’s good to throw on when bored with TV. It stars Heath Ledger (later to reinvent the role of Joker in Dark Knight; he also features in Brokeback Mountain, 10 Things I Hate About You, The Patriot [haven’t seen those], Brothers Grimm [saw it once, don’t remember liking it], and Ned Kelly [eh, all star cast, the plot confused me] as peasant squire William Thatcher. This is the first role I saw Rufus Sewell in, playing the antagonist Count Adhemar (he’s an antagonist in Legend of Zorro, good guy Marke in Tristan and Isolde, decent guy in Amazing Grace, bit of a jerk in The Holiday, and lately was Lord Melbourne in the show Victoria). Paul Bettany (voice of Jarvis in the first Marvel movies, then became Vision in Age of Ultron. He was Lord Melbourne in the movie Young Victoria, bit ironic. Also featured in as the albino in The Da Vinci Code, and surgeon Dr. Stephen Maturin, best friend of Russell Crowe’s Captain Jack Aubrey in Master and Commander: Far Side of the World) is Geoffrey Chaucer, yes, that writer. Alan Tudyk (now known for his voice acting abilities in Frozen and Star Wars, but would later play pilot Wash in Firefly) is fellow peasant Wat alongside Roland, played by Mark Addy (Robert Baratheon in Game of Thrones and Friar Tuck in Russell Crowe’s Robin Hood). And if Sir Ector in the flashback looks familiar, he’s played by Nick Brimble, who was Little John in Prince of Thieves.
The film opens with the death of Sir Ector, master of Wat, Roland, and William. He’s due to joust again in a few minutes, or else they forfeit and the young lads haven’t eaten in three days. William gets the idea to wear Ector’s armor and finish the match, with Queen’s We Will Rock You occurring in the stands. Then, when he wins, this could be their chance to change their stars. He takes the name Sir Ulrich von Lichenstein from Gelderland (and apparently, a real knight and real place; though not as used in the movie). They come across as naked Chaucer trudging the road. Being peasants, no, they have not read any of his works (takes place before The Canterbury Tales), but they do have use of a writer to forge papers of nobility. He also becomes Sir Ulrich’s herald, to announce him at tournaments.
William discovers a beautiful woman, Lady Jocelyn and decides to woo her. He’s…somewhat successful. He starts following her, on horseback, into a church. And doesn’t even get her name. Count Adhemar also discovers Jocelyn and helpfully explains the rules of jousting for the audience while Taking Care of Business plays in the background. William faces Sir Thomas Coleville (another historical character, but not from this time) and mercifully draws on the last pass so they both retain honor.
Will continues to compete and pines after Jocelyn. She sends him a token to wear at the next tourney. William faces Adhemar, who proves why he has never been unhorsed. They break lances on each other on their first pass. The second pass, Will scores and avoids Adhemar’s lance. But on the third pass, Adhemar knocks William’s helm off, causing a flashback to when Will was a child and seeing knights with his father. Adhemar returns Jocleyn’s favor to her and tells “Ulrich” “see me when you’re worthy.” William loses the jousting portion, but wins the sword. He now had enough to pay Kate the blacksmith, who fixed his armor. She wants to join his crew and even offers to make new armor for him. He dismisses her first, until he finds out he needs to attend the ball in order to see Jocelyn. Chaucer, does not do the best job of teaching Will to dance, so Roland makes Will politely ask Kate (since he’s going through the trouble of making a new tunic for his friend). Chaucer and Wat are not boon companions, but they’re funny. And we’re treated to Golden Years, and modern dancing. Knight’s Tale does not try to be wholly accurate (most certainly in their female costumes. Which is disappointing, because some of the gowns from that period can be gorgeous).
Some of the heralds’ introductions are hilarious; Adhemar’s messes up at one point and declares his master “a shining example of chivalry and champagne” and “defender of his enormous manhood.” Chaucer certainly has a way with words and whips the crowds into a frenzy for Sir Ulrich. When Adhemar is about to face Coleville, he withdraws when he finds out that the other knight is actually Prince Edward in disguise. Chaucer in turns reports this to William, but he still jousts. The royal endangers himself and has obviously disguised himself so he can truly compete. Coleville appreciates the gesture. William wins the tournament, but his victory his hollow since he did not defeat Adhemar.
William goes on to win the next slew of tournaments, aided by Prince Edward sending Adhemar back to the front and the Battle of Poitiers. In the meantime, Will has Chaucer help him write a rather romantic letter to Jocelyn, aided by all his friends. The couple meets for the Paris tournament and William unfortunately cannot produce poetry on demand. Jocelyn insists that if “Ulrich” truly loves her, he will lose the tournament, rather than win it in her name. She’s got a point. But, Will has to take a pounding first (this is also after his friends have made a substantial bet with a group of Frenchmen). Still loves her. Mercifully, she sends word that he is to win the tournament, which he does. Chaucer sees Jocelyn enter William’s tent after the tournament and remarks “as Guinevere comes to Lancelot. Bed him well, m’lady. Bed him well.” (By this age, I knew what he meant). She discovers what exactly Will went through to prove his love, and has noted that his friends slip call him “William” instead of “Ulrich.” His name matters not, only that she can call him hers, and the good that comes with the bad will be of her doing as well.
William and his friends return to England, bring about another flashback of when they left. They enter London for the World Championships to The Boys Are Back in Town (and now I cannot hear that song and not think of that scene). Adhemar will compete; Prince Edward has recalled him for his company’s behavior in France. Will takes the opportunity to visit Cheapside, where he grew up and finds his father still alive, though blind. Unfortunately, Adhemar manages to spy on him and uses the information to prove the lie William has been leading. The next day, Jocelyn and Chaucer bring word that guards will arrest Will if he competes. His friends all urge him to run. He refuses. He is a knight. (Only those of noble birth can become knights; but Will points out in the beginning that many became noble by taking the title at the point of a sword).
Adhemar visits Will in jail, declaring “you have been weighed; you have been measured; and you have been found wanting.” Will is put in the stocks the next day; his friends stand alongside him. The crowd easily turns on their champion; earlier chanting his name, now throwing food. Prince Edward emerges from the crowd and declares that his own research has proven that William is descended from an ancient royal line; and as prince, his word is above contestation. He frees Will and knights him. William will face Adhemar.
Knowing he stands a chance of losing, Adhemar cheats and tips his lance. On the first pass, he embeds it in William’s shoulder. On the second pass, William drops his lance. Adhemar murmurs to his opponent, “in what world can you ever have beaten me? Such a place does not exist.” William can’t breathe and has his friends remove his armor. Neither can he hold a lance, they must strap it to his arm. To buy time, Chaucer has missed his introduction. “Here he is! One of your own! Born a stone’s throw from this very stadium and here before you now. The son, of John Thatcher…Sir William Thatcher!” Will’s father is in the stands; he heard that. He sits near Prince Edward. Revitalized, William unseats Adhemar. We pause, as the group tells Adhemar “you have been weighed; you have been measured; and you absolutely have been found wanting. Welcome to the new world.” The crowd goes nuts as the action picks back up. Edward kisses his wife. Jocelyn races down to see William, who dismounts and removes his gloves and such so they can share an epic kiss. The film closes as Chaucer decides he needs to write this tale down and we go to black on Shook Me All Night Long.
As I stated, it’s a fun movie. I like the music they feature for the most part. I understand some of the costuming choices; I believe one feature states that they were going for a rock ‘n’ roll look with the knights, since they held that sort of status in medieval times; a more modern fit pant, lots of leather. It’s the women’s costumes that drive me nuts. The exotic hair styles that you know could not have been done at that time. Sheer fabric on display, an Audrey Hepburn hat. Now, after being blown away by other films, the romance falls a bit flat. Will sees that Jocelyn is pretty and that’s why he loves her. Not because he sees her do anything particularly good or special. Jocelyn likes Will because he’s not like other nobles who have courted her.
We’ve come to the end of the series. I feel they rushed this series; maybe they were surprised how quick they would have to wrap things up. My one friend came back and asked me where the season was that they end up in modern times, since she had seen pictures of it everywhere (I can find them on Pintrest, maybe they’re on Tumblr; I’m not on Tumblr, I don’t know). Sadly, no, that’s not how this season ends. I feel that they should come back and do that season, or a movie at the very least.
Arthur’s Bane, begins the season in two parts. Three years have passed since Guinevere’s coronation. Arthur meets with his knights at the Round Table. Unfortunately, Gwaine and Percival are missing after an expedition. Morgana is suspected, even though they haven’t heard from her in the three years. Morgana is indeed behind the disappearances; she’s capturing men to work searching for the key to the knowledge of Arthur’s Bane, his downfall. Joined by Liam Cunningham whose character isn’t named until the second episode. (Since I’ve been wandering down the Game of Thrones path, when I saw his name in the opening credits I was surprised. I haven’t seen this season as often as the previous ones, so a lot of this was unfamiliar to me.) Arthur and his knights, and Merlin, go looking for their brethren. Merlin receives a vision that Arthur is in danger and even Gwen worries about Arthur going on the mission himself; he is Camelot’s king, he needs to be cautious. But Arthur is the type of king who will show his people he is not afraid of any task.
Sadly, Gwen’s new maid who is adorable with Merlin is also a traitor, for her father who is harboring Morgana. Her father (played by Liam Cunningham) ultimately rescues his daughter, but also dies in the aftermath. Morgana doesn’t seem particularly bothered, more concerned with the overarching search for Arthur’s destruction. Arthur is injured on their quest and he and Merlin are captured by Saxons, and a familiar looking young man. Mordred is back and now a young man (don’t think too hard on what ages they look). He shows Arthur and Merlin kindness even though Merlin does not trust him. Arthur saved his life as a child and he will repay that debt. Arthur and Merlin manage to escape and sneak into the castle where they find Percival.
Gwaine has been missing for a few days. An alien-looking being (really BBC? Let’s bring aliens into the mix) finds him and heals him after guards beat him. (And they’re all shirtless for no apparent reason. Again, does BBC really need to do this to attract viewers?) Percival starts gathering men and taking out the guards. Morgana comes across Arthur while Merlin is chasing after Aithusa. Mordred is with her and prevents her from killing Arthur. He recognizes that Morgana has gone a bit crazy; she has chosen hate. He has not. He carries Arthur to his knights. Merlin finds Gwaine and the creature. He is granted one question. Who is Arthur’s Bane? Himself.
Everyone is back in Camelot; Arthur knights Mordred. Merlin honestly likes Mordred, but doesn’t trust him. He asks why Mordred saved Arthur. “Because he’s right, the love that binds us is more important than the power we wield.” Merlin knows that for good or ill, the die is cast. Albion’s greatest trial has begun.
The Death Song of Uther Pendragon brings to light Arthur’s doubts whether he is being a good ruler. He does a lot of things his father wouldn’t approve of. He’s then gifted a chance to see his father again when he saves an old sorceress for a horrible death and no trial. And Uther is disappointed with his son. He knighted commoners, he married a commoner and not for an alliance for the kingdom. He feels that his son has failed to strengthen and protect the kingdom; he’s destroying Uther’s legacy. Meanwhile, we, along with Merlin, counsel Arthur that he is better than his father. His people love and respect him and his is a more wise and just ruler. But Uther’s spirit is released and haunts the castle. Percival is attacked. Gwen is almost killed. Merlin and Arthur set out to put Uther’s spirit back. Uther attacks Merlin and discovers that he has magic. Uther tries to warn Arthur, but Arthur sounds the horn dismissing the spirit before he is able.
Mithian’s kingdom is attacked, bringing her back to Camelot in Another’s Sorrow. It’s a ploy between Odin and Morgana. Morgana disguises herself as Mithian’s maidservant so Mithian will persuade Arthur to rescue her father. Merlin suspects the maid and discovers it is Morgana, but she knocks him out before he can warn Arthur. Arthur proceeds with the plan and walks into the trap. Merlin comes to, with magical aid from Gaius, in time to take Gawine and rescue Arthur. Arthur faces Odin and Merlin prevents his friend from killing the other king. There is a better way. Arthur asks for a truce; else, their blood feud will simply continue on. Odin accepts. And we start a trend this season of seeing Merlin injured more often. I think it’s good, because it shows that he is vulnerable and we like vulnerability in our heroes.
The Disir, the mouthpiece of the Triple Goddess, pass judgment on Arthur and find him lacking. He has persecuted sorcerers as a carryover from Uther. His fate is set; while Camelot flowers, already the seeds of its destruction are sown. Arthur argues he makes his own path, but he still wants to protect his people, so he appears before the Disir. He is not respectful the first appearance though and they attack. Mordred takes a spear meant for Arthur. Arthur now has a choice; to save Mordred, he must allow magic to be freely practiced in Camelot again. If not, Mordred dies. We can see Merlin struggle to advise his friend. Merlin desires for magic to return, for his sake and his people. But even Kilgarah warns him that Arthur’s fate is bound with Mordred. So Merlin tells Arthur there is no place for magic in Camelot, thereby sentencing Mordred to die. Yet when they return to Camelot, Mordred lives. This gets terribly confusing for Merlin; every step he takes toward not bring the future to pass actually helps it along.
Morgana kidnaps Gwen in The Dark Tower and tortures her in a way. She locks her former maidservant in a dark room with mandrake root, listening to screams, and seeing visions of people she loves. Elyan and Arthur mount a rescue attempt, though they are waylaid in a magical forest. Merlin trusts his magic and leads them out, but Elyan darts ahead to rescue his sister. An enchanted sword runs him through. At the very end of the episode, we see Gwen sneak out to visit Morgana. She now believes that only Morgana has her best interest at heart; after all, they were close friends for many years, they know each other best.
Gwen begins to work behind the scenes to help Morgana and bring down Camelot and kill her husband. Accidents begin to befall Arthur in A Lesson in Vengeance. (Yes, the stable hand is played by John Bradley, who plays Samwell Tarly in Game of Thrones. And due to when this season was filmed, he had already begun playing Sam. So we are correct to gasp, “Oh my gosh, it’s Sam!”) The stable hand Tyr Seward takes the fall and Gwen stabs him to prevent him from talking. Morgana gives Gwen a magical poison to slowly and painfully kill Arthur. She has no hesitation in giving it to Arthur; she plays her part as grieving wife well. Gwen next arranges for Merlin to take the fall; he’s close to Arthur and has access to cause him harm. Gaius helps Merlin out of the cell while Leon pledges the knights to follow Gwen who will succeed Arthur should he die. Merlin ages himself (we can see he is having a lot of fun in his Dragoon character). Only Merlin’s magic can save Arthur, but he doubts he has the strength for both the aging and the healing. Gaius informs his ward that the only one who doubts Merlin’s abilities is Merlin. Merlin cries when he thinks Arthur has died, but Arthur survives. Merlin sneaks back into his cell so he can be released the next day. Arthur never suspected Merlin. Well that’s good, but why didn’t the knights stand up for him? Gwen gets the credit when she finds a new suspect and pins the blame correctly on Morgana.
Arthur meets with potential allies in The Hollow Queen while Gwen arranges a distraction for Merlin. A “Druid” boy sneaks into Camelot and asks Merlin for help. He leads Merlin into a trap by Morgana (she and Gwen are just trying to get Arthur’s biggest defense away while Gwen arranges for Arthur’s assassination). She poisons Merlin and throws him into a ravine. The boy returns for Merlin; the young man had shown him kindness and helps Merlin heal. They make it back to Camelot just as the assassin sets up. The boy is killed helping Merlin. Gwen had fed Arthur the tale that Merlin was sneaking off to see a girl when Arthur began to worry about Merlin. Now Gaius and Merlin know that Gwen is working against them.
They come up with a solution in With All My Heart. Merlin helps Arthur spy on Gwen when she meets with Morgana. They know it’s Morgana’s magic this time betraying Arthur. Which means it will take even more powerful magic to undo the spell. Merlin gets the solution off of an old sorceress and must lead Arthur to a magical lake and summon the White Goddess. Gwen must enter the lake of her own will. Arthur and Merlin sneak Gwen out of the castle, keeping her unconscious. Mordred follows them, which was a good thing because both Merlin and Arthur fall off a cliff and Arthur’s arm is pinned. Merlin has to transform into an old woman so as to not arouse suspicion (though Mordred does note that Merlin is missing at one point). The magic works and Dolma (Merlin in disguise) asks that Arthur remembers that magic can save, as well as hurt. “She” tells him off when they almost forget Merlin and tells Arthur “one day, he will recognize the true worth of those around him.” Mordred finally realizes that Merlin has magic, but promises to keep his secret. They share the dream of magic returning to Camelot.
Alator returns in The Kindness of Strangers; Morgana has hunted him down and tortures him to reveal Emrys’s identity. He refuses, but has recruited others to his cause. An old woman warns Merlin that the great battle is approaching. Mordred and the other knights give chase when they discover the old woman, since Gaius does not trust her. She is not in league with Morgana, but Morgana finds out about her, so she too is hunting for the woman. Merlin goes to help and is injured. The woman sacrifices herself to protect Merlin and he is not discovered. He hears the prophecy of Camlan and receives word that Morgana has declared war.
A familiar face for us pops up in The Drawing of the Dark. Alexandra Dowling (Roslin Frey in Game of Thrones and Queen Anne of Austria in Musketeers) is Kara, an old friend [and love interest] of Mordred’s. She’s injured and Mordred tends to her in the woods. Merlin finds out, but Mordred swears him to secrecy. Arthur and Merlin discover Kara themselves, even after Merlin tries to lure Arthur away. Kara attacks Arthur and is arrested. She proudly defies the king; “I will not rest until you are dead and your kingdom is no more.” Mordred pleads for her life, but she shows no repentance. Arthur cannot risk her being free. Merlin even pleads on Mordred’s behalf, but Arthur believes Mordred will see that Arthur had no choice and eventually forgive him. Merlin suspects that Mordred will try to free Kara, Mordred throws in Merlin’s face, “wouldn’t you do the same for a woman you love?” We know that Merlin tried, but Arthur killed Freya when she attacked Camelot. And Merlin forgave Arthur and serves him faithfully to this day. Merlin does not tell Mordred this (there is a fanfiction story Love Lost by Revhead where Merlin does tell Mordred and changes the story a little).
Mordred breaks Kara out, she kills a guard along the way, but they’re captured. Arthur offers her one last chance, but she will not change her ways. Mordred is in a cell when she is led to her execution. His magic breaks him out of his cell and he goes directly to Morgana. He has information for her, which will lead to Arthur’s death. He knows the identity of Emrys: Merlin.
The Diamond of the Day completes the season in two parts. Morgana sends a mook into Camelot to sneak into Merlin’s chambers, planting some sort of slug. It attacks Merlin’s face and somehow steals his magic. While that happens, Morgana and Mordred attack on outpost. Gwaine rescues a young woman and they make it back to Camelot to give word. Arthur decides to ride out and meet Morgana and her army on the field, to keep the fighting away from the people and other villages. The best place is Camlan, where the path narrows. Merlin sadly cannot accompany Arthur on this great battle; he must secretly journey to the Crystal Cave in an effort to restore his magic. But Gwaine’s new friend is a spy for Morgana, she passes along the information about Arthur and Mordred surmises where Merlin is heading. Morgana is waiting for the warlock and causes a cave in.
Merlin is injured and when he wakes, he sees his father. Balinor urges his son to not let go, don’t give in. Merlin is magic itself; he cannot lose what he is. Rest, he advises, believe in the crystals. When Merlin wakes again, he is healed and sees a secret path that Mordred plans to cut Arthur off with. Merlin warns Arthur in a dream, then bursts out of the cave.
Arthur misses having Merlin with him; the man who has stood beside him in every other instance is now gone for this vital confrontation. Gwen has accompanied him, not to fight, though she will help behind the scenes, but so they can spend what time they have together. She knows there is a good chance that Arthur may not return from this battle. Arthur receives Merlin’s message (Gwen has already begun to suspect there is more to Merlin that appears) and sets the camp to business. Percival and Gwaine will meet the band coming around behind. Arthur rallies his troops; fight for a united kingdom, fight against tyranny. The battle has begun.
Aithusa spews fire on Arthur’s troop, but a sorcerer (an aged Merlin, his true Emrys form) calls him off, then directs lightning on the Saxons, saving Arthur. He knocks Morgana down. Mordred hunts down Arthur on the field and stabs him with a blade forged on Aithusa’s breath. Arthur kills Mordred. Merlin finds Arthur on the field, bypassing Mordred, and carries him off.
When Arthur wakes, Merlin is back to his normal form. Merlin apologizes to his friend; he thought he was in time to defy the prophecy. Arthur doesn’t know what Merlin is talking about. Merlin reveals he was the sorcerer.
Arthur…doesn’t take it well. He responds to Gaius, when the old man finds them, but shies away from Merlin. They need to get word back to Guinevere in Camelot. Leon is giving her updates; but they have not found Arthur. Gaius tells Arthur that Merlin is his friend; he needs him far more than he needs Gaius. The wound is fatal, due to the blade. The only place Arthur could heal is the Isle of Avalon. Gaius can take the royal seal to Gwen.
Back in Camelot, they realize that truth of Gwaine’s traitorous female friend. She is executed, after passing along misinformation to Morgana. Percival and Gwaine set out to take down Morgana. Sadly, she bests them, knocking out Percival, then torturing Gwaine. Percival frees himself in time to watch his friend die. And so starts the “how many stabs does it take to kill Morgana?” Gwen confronts Gaius about the truth of Merlin. She seems pleased and knows that Merlin will care for Arthur.
Merlin continues to care for Arthur, confusing the man. Arthur slowly comes around to the fact that his manservant has had magic all along, but it still takes time for him to get over the fact that Merlin lied about it the whole time he knew Arthur. Merlin insists, it has always been to help Arthur; he is proud of what he has done and he wouldn’t change a thing. Arthur finally apologizes for the way he has treated Merlin. Morgana finds them just as the reach the shore of the lake. Merlin faces her and stabs her with Excalibur. That does her in. He has brought peace at last to Albion. But Arthur is fading fast. “It’s too late,” he tells the young warlock and asks his friend to hold him in his final moments, and says what he has never said before: “Thank you.” We cry alongside Merlin.
Merlin calls Kilgarah one last time to carry them to the Isle. But it is too late, the dragon tells his young friend. Fear not, he has not failed. All that he has dreamt has come to pass. “I can’t lose him! He’s my friend!” Merlin cries. Some lives are foretold, Kilgarah counsels. Arthur is the Once and Future King. When Albion’s need is greatest, Arthur will rise again. Merlin throws Excalibur into the lake, caught by a hand. Again, we cry alongside Merlin as he lays Arthur to rest in a boat and sends it to Avalon. Gwen is crowned queen; Leon, Gaius, and Percival are alongside her in Camelot. The parting shot of the show is a truck passing the tower on the Isle of Avalon and an old man, Emrys, walks along the side of the road.
Gosh, the last two episodes hurt. Part of me expected, hoped, that it would turn out different than legend, that Arthur and Merlin would work together and see the fruits of their labors. There is a chance that Gwen was carrying Arthur’s child at the end, maybe the writers threw in her accompanying Arthur to the camp in order for that to be a possibility. I have no doubt she made a just and wise ruler, but it’s not the same as if Arthur would have been around. Yes, it’s a deviation from legend, but I prefer a happy ending where heroes get some peace and quiet and rewards. You make us love these characters and then you separate them. We have no idea if Merlin even returned to Camelot, or just stayed away. (Check out fanfics, we’ve got lots of ideas. And fixes!)
Heck, I was even beginning to hope that Mordred would turn out alright. Again, doesn’t follow legend, though I like how they wrote around the incest nature of Mordred. And Merlin’s reveal has so little time to sink in. (Again, check out fanfics!) I would have preferred at least another season to the show. Again, I think they were surprised at when they had to wrap and had to bring about so much to end it, it all ended up rushed. Did not like Gwen’s storyline for several episodes. You’ve already done the “Gwen is a threat to Camelot.” They keep her a good character since none of it is her actual fault, she’s always influenced by Morgana. Still haven’t gotten over her turn and sudden descent into madness. “Oh, I’m a witch, so I must turn evil.” I don’t buy it. Never bought that mentality. (That is why my female characters who have magical powers are good. Well, they fight bad ones, but they’re still good after wielding phenomenal power).
I still like the show and I love the portrayal of characters, most specifically the relationship between Arthur and Merlin. Banter is my favorite. Yes, they insult each other, but they genuinely care for each other and they see that, even though they don’t say it (until the end and that makes us cry). I just wish it had ended different. Please, BBC, do a movie!
Next Time: Continuing a bit with fantasy type movies, Knight’s Tale (Well, it fits with the medieval setting).
The intro to season four upgrades Merlin to “young man” instead of a boy. We pick up in the two-parter The Darkest Hour about a year after the events of season three. Morgana is walking with Morgause in a cart and is discovered by knights. They report back to Arthur that she is on her way to the Isle of the Blessed. Arthur has taken over the running of the kingdom; Uther is frail and aged; he has taken Morgana’s betrayal hard. Agravaine, apparently Ygraine’s brother has shown up to help Arthur as a promise to his deceased sister (why there has been no mention of him before, we’re never told). It is Samhain and Morgana sacrifices Morgause, ripping a tear in the veil between worlds, unleashing spirits of the dead to attack the living. Merlin feels this and collapses. Attacks begin in outlying villages so Arthur, Merlin, and the knights ride out, but they can do nothing against the spirits. Then Camelot is attacked. Not even Gaius knows how to defeat their new foe, but he suggests maybe a sacrifice on the Isle of the Blessed. Arthur, being the self-sacrificing hero who will take on any challenge to protect his people, volunteers. Merlin secretly plans to sacrifice himself in Arthur’s stead. Oh, and Agravaine is in league with Morgana, reporting that the throne will be open to the “rightful heir.” The knights of Camelot ride out, Merlin continues to protect Arthur, even jumping into a spirit and collapsing frozen to the ground.
Arthur sends Lancelot back with Merlin to Camelot, despite Merlin’s weak protestations. On their way, Merlin has Lancelot lay him next to a river. Those spirits heals Merlin so he can return to Arthur and fix the veil. There’s an adorable scene when Lancelot returns to the knights and tells Arthur “bad news…he’s still alive.” We see that Arthur has really come to rely on Merlin. They make it to the Isle of the Blessed and Merlin knocks Arthur out before he can make his sacrifice. But while Arthur is dealing with the old woman in charge of the veil, Lancelot has offered himself as a sacrifice. The world is returned to rights, but now Merlin, Arthur, and Gwen must mourn their friend.
Meanwhile, Morgana has begun to receive visions of a powerful old sorcerer, Emrys, who will be her downfall. Merlin overhears Agravaine asking Gaius about the sorcerer.
It is Arthur’s birthday in The Wicked Day (another title from Mary Stewart’s Arthurian Saga) and a circus arrives in Camelot for the occasion. Uther breaks out of his stupor to attend the festivities. Unbeknownst to the inhabitants of the castle, the circus owner wishes to kill Arthur. They drug him and then try to attack him. Uther steps in the way, taking the blade meant for his son. Arthur is desperate to save his father and considers asking an old sorcerer “Dragoon” for help. (Really, it’s Merlin in a disguise. Arthur actually almost sees through it; he recognizes the eyes). Meanwhile, Agravaine has gone to Morgana and she places a charm on Uther that will reverse any healing magic. So when “Dragoon” goes to heal Uther, the effect is reversed and Uther dies. Arthur blames Dragoon and Merlin feels like it is his fault. But a new day has come and he and Arthur must face their new roles. Merlin waits outside the great hall for Arthur all night, so the young man wouldn’t be alone. Arthur is crowned King of Camelot.
Merlin and Arthur are drawn into a journey to discover a dragon’s egg (if the thief looks familiar, he is; he played Bonaire, the thief in Musketeers) in Aithusa. Merlin manages to save the egg and takes it to Kilgarah. He calls to it in the language of the Dragon Lords, giving it the name “Aithusa.” A white dragon is extremely rare. Kilgarah tells the young warlock that it bodes well for Albion, Arthur, and Merlin.
Arthur is tested as king in His Father’s Son. Agravaine talks Arthur into killing the King of Carlion. Word gets back to his wife, who marches on Camelot. Morgana joins her, referring herself as Gorlois’s daughter and wishes payback on Camelot as well. Arthur decides to fight single combat against the Queen’s champion in order to spare lives; he’s reconsidering his earlier decision, starting to make his own decisions about what kind of king he wants to be. (He even tries to break off his relationship with Gwen, considering to be inappropriate). Merlin helps a little in the battle; Morgana is helping her side as well, so it’s not really cheating. Arthur gets his large opponent to the ground, but does not kill him. He seeks peace with the queen and she agrees. She has a few choice words for Morgana, telling her she clings to bitterness.
Morgana attempts to turn Merlin against Arthur in A Servant of Two Masters, using magic. Luckily, Merlin is very inept at killing Arthur (it’s a bit funny to see him try, and Leon doesn’t bat an eye when Merlin says he’s going to kill Arthur). Merlin manages to disguise himself as Dragoon, who Morgana takes to be Emrys, and destroy the mother beast that’s inhabiting him. There are a few endearing scenes; Arthur is genuinely worried about Merlin when he’s missing and sends knights out to find him. Even when he gets a more efficient servant, he misses Merlin and the banter they have. Gwen happens to see Arthur without clothes while she’s trying to knock Merlin out.
Morgana and Agravaine suspect that Gaius knows the true identity of Emrys, so they come up with a plan in The Secret Sharer to kidnap the old man and use a magical interrogator to wrangle the truth out of him. Agravaine makes accusations against Gaius, but Merlin won’t listen to them and goes after his mentor. He saves Gaius, but Gaius has unfortunately revealed to the interrogator (played by Gary Lewis, he is Colum Mackenize in Outlander and Hrothgar in Eragon) that Merlin is Emrys. But the interrogator is loyal to the old ways and won’t reveal his identity to Morgana. He helps Merlin escape. Arthur apologizes to Gaius; he knows the old man has always had his best interests at heart. Gaius tells the young king that there are others out there protecting him.
Arthur sends Merlin as a physician to a village in trouble in Lamia. Merlin quickly deduces that the ailment the victims are suffering is the result of magic. He and the knights begin to make their way back to Camelot, until they run into bandits who are tormenting a young woman. Proving themselves gallant, the knights rescue the girl. But she shies away from Merlin and Gwen. And then the knights start arguing with each other and turn on Merlin. (There are several fanfiction stories that detail the emotional toll that takes on Merlin; his friends, who have protected him against others, now scorn him). Merlin determines this Lamia girl is the cause of the problem and it’s due to magic. Indeed, Gaius informs Arthur when they go to investigate that the Lamia were created by the Priestesses of the Old Religion to control men, but they grew too powerful. The knights start falling prey to her; Gwen and Merlin to the rescue, well, Arthur helps a bit.
Lancelot is back from the dead in Lancelot du Lac. Morgana finds out that Arthur proposes to Gwen and decides to bring Lancelot back to throw a wrench in the works. Lancelot enters the jousting tournament held in honor of the proposal. Merlin and the knights are pleased that Lancelot is back, but Merlin quickly discovers all is not well. Lancelot doesn’t remember that Merlin has magic. (That’s because Morgana didn’t know, so couldn’t plant that information in Lancelot). Merlin starts to worry that Lancelot is after Arthur. No, Lancelot means to beguile Gwen, through an enchanted bracelet. Arthur discovers the couple kissing (with some help from Agravaine; it’s all a trap). Lancelot and Gwen are thrown in the dungeon; Lancelot, coached by Agravaine, drinks a potion to die. Agravaine counsels Arthur to put Gwen to the death for her betrayal. Arthur cannot see her dead, so exiles her. They were one day from their wedding; she had waited years, why could she not wait one more day, Arthur asks. Gwen cannot answer. She still loves Arthur but she couldn’t help herself around Lancelot. Merlin, who had figured out that Lancelot was a shade, takes his friend for funeral rights and rids him of the enchantment. Lancelot wakes for a moment to thank Merlin, dying peacefully again. Merlin knows Morgana is behind the events, but cannot prove it to Arthur.
An old mission comes back to haunt Arthur in A Herald of the New Age. The knights accidentally disturb a druid shrine; Elyan drinks from the well. He’s taken over by the spirit of a child who had been slaughtered and goes after the king. The other knights assume he’s acting out due to his sister being banished. Arthur in the meantime is out of sorts after visiting the shrine. Merlin and Gaius investigate the shrine and try to stop Elyan’s attack. Arthur eventually admits to Merlin that Uther had ordered Arthur to lead a raid on a druid camp. Arthur was not able to stop his men from killing innocent women and children, resulting in the restless sprits at the shrine. He was young and inexperienced and wanted to prove himself. Elyan, still possessed, confronts Arthur and Arthur apologizes, offering himself for the mistakes he made. The child spirit forgives Arthur and leaves Elyan. (A little jolt from the episode when I realized that they were using salt circles to repel spirits; a basis of Supernatural, lol).
We catch up with what Gwen is doing in The Hunter’s Heart. She has moved to a village where she has old friends; but it’s attacked by bandits. Their leader spares her and speaks to her. Unfortunately, he’s in league with Morgana. Morgana discovers that Gwen is at the camp and sets after her. She catches her and transforms her into a deer. Meanwhile, Arthur has made an alliance with the promise of marriage to the Princess Mithan of Nementh. Mithan is beautiful an kind and we really can’t dislike her. She gently chastises Arthur for causing Merlin more work. She genuinely likes to hunt, a favorite pastime of Arthur’s. Merlin tries little tricks to put Arthur and Mithan off each other, due to loyalty to Gwen. Then comes the hunt, and they cross paths with a transformed Gwen. Merlin realizes the disguise and goes after the deer after Mithan shoots her. He heals her, but Gwen refuses to return to Camelot; she understands the damage she did. Arthur has also found the ring that he had proposed to Gwen with, that Gwen was still wearing until her transformation. He is in no mood to continue the hunt. Arthur realizes that Merlin was right; he still loves Gwen, despite her betrayal, which confuses him. But he cannot marry Mithan. He draws up a new treaty, giving her the disputed lands. She graciously leaves.
Morgana’s plans come to fruition in the two-parter season finale The Sword in the Stone, bringing in more elements from classic legend. Agravaine signals the attacking army into Camelot. Arthur is injured, but Merlin drags him out of the castle, magically taking his will (though there’s not much left after seeing both Morgana and Agravaine at the head of the army). Gaius, Elyan, and Gwaine are left in Camelot to aid Arthur’s escape. Morgana tortures Elyan for information and makes Gwaine fight to win supper. Leon and Percival are in the woods with the townsfolk who could escape. Merlin plans to take Arthur to Ealdor. They come upon battle couple and smugglers Tristan and Isolde. Arthur acts as a simpleton until his will returns, but Tristan dislikes kings and they butt heads. Arthur also feels defeated; he must not be the king he should be if his family members keep betraying him. Merlin points out that it’s not his fault; they just desire Arthur’s power for themselves. Morgana sends Agravaine after Arthur (I can’t tell if Agravaine truly cares for Morgana or if he just doesn’t trust her and wants to stay on her good side).
Merlin and Arthur do make it to Ealdor, along with Tristan and Isolde. They reunite with Gwen, but have to run again when Agravaine catches up. Merlin offers again to hang back and protect the rear. Kilgarah comes in handy to destroy most of the force chasing them and in the caves, Merlin uses magic to defeat the rest. Agravaine is impressed by Merlin’s deception, claiming that they are more alike than they had realized. Another toss when he makes a move against Merlin and Agravaine is dead. Tristan is surprised that Arthur risks his life to go back for Merlin.
They reunite with the other knights, but Merlin still has to convince Arthur to continue the fight. He spins a tale for his friend, claiming it’s from Gaius, about a sword that the first king of Camelot had buried in a stone. When Camelot’s need was most, only the true king of Camelot could retrieve it. Merlin convinces Arthur to try. Arthur struggles at first, but Merlin urges him to believe. And the sword comes clean out (well, it was Merlin who had put Excalibur in the stone in the first place). Arthur is back and leads his knights into Camelot. Tristan and Isolde agree to fight alongside him. Sadly, Isolde is killed in a face off against the leader of Morgana’s army. Merlin had earlier snuck into Camelot disguised as Emrys and puts a burning straw doll under Morgana’s bed. So when he and Arthur face her, she cannot cast any spells. She flees. She faces off with Gwen and almost finishes the other woman, but Merlin secretly rescues her at the last minute. Morgana is wounded and flees into the woods.
Arthur mends his relationship with Gwen and proposes again. She is crowned queen. And the little white dragon, Aithusa returns and heals Morgana in the woods.
I liked the twist that the sword in the stone was more about raising Arthur’s confidence. Merlin keeps leading Arthur to his destiny to become the greatest ruler Albion has ever known. Gwen’s brief affair with Lancelot did not bring down the kingdom and it was more brought on by magic. Merlin is proving to be Arthur’s most loyal companion and I love that Arthur is recognizing that. There’s times he will be kind and sincere to his friend, but they keep up their banter. I don’t think they would know what to do with themselves if they weren’t giving each other and hard time and calling each other names.
My apologies that I forgot to post this last week.
We come back to Camelot a year after the ending of season two with the two-parter Tears of Uther Pendragon; Morgana has been missing a year. Uther refuses to give up on finding her. She wanders into a camp that Arthur and Merlin are investigating. And for a moment everything seems well. She’s happy to be home in Camelot, telling Uther she’s seen the evil he’s fighting and promises to be a better ward. She puts Merlin’s mind at ease over his worry that she’ll remember him poisoning her. Morgana forgives him; he was just trying to protect his friends. Then, the smirking starts. She rides out to meet Morgause, calling her “my sister.” Morgause has a spell that requires the tears of Uther, which Morgana has collected. They’re put into a cauldron along with a mandrake root, it emits a magical cry. Morgana is to tie the dripping root under Uther’s bed every night. It will twist his unconscious fear and make him lose his mind. Back in Camelot, the root takes effect; Uther starts seeing those who died at his hand, ghosts of the past haunting him.
Merlin stumbles upon the root, hiding under Uther’s bed and witnesses Morgana change it. He follows her and discovers her meeting Morgause. He’s subsequently captured, tied up, and left to die. Those creepy scorpions are back and sting Merlin. He cannot break the chains, even with magic. He calls Kilgarah and the dragon saves him. The dragon counsels the young warlock; the boys did what he thought was right, which takes courage. But his seeing goodness in people could be his undoing. Morgana is the darkness to Merlin’s light, the hatred to his love. Back in Camelot, Cenred’s army marches on the citadel (I equate it to Helm’s Deep). Morgause and Morgana are aligned with Cenred, Morgana their traitor on the inside. Merlin and Gwen show their support for Arthur, who has to take control while his father is incapacitated. Merlin tells his friend “it is your fate t be the greatest king Camelot has ever known…victory today will be remembered for every age until the end of time.” Gaius follows Morgana when she sneaks away and discovers that the young woman has raised an undead army. Merlin rushes down to stop her. Morgana makes the same mistake as Morgause and underestimates Merlin, not knowing he has magic. He triumphs and the skeletons collapse. Cenred leaves when that force fails.
Goblin’s Gold is a lighter story, after the dramatic start to the season. Merlin accidentally releases a goblin into the castle. When he tries to capture the devil, it flies into Gaius and overtakes him. He then plays tricks on the castle, at one point hilariously giving Arthur the ears and bray of a donkey. The goblin, as Gaius, frames Merlin for magic and he’s arrested. The young man escapes and takes refuge at Gwen’s home. They come up with the plan to temporarily kill Gaius to force the goblin out. Things get hairy when they have to scramble for the antidote, but everything is put to right. Arthur believed Merlin about the goblin and even laid a trap for Gaius; he knew that Gaius would never condone Merlin executed. It shows that he views his servant truly as a friend.
Gwaine is introduced in the episode named after him. He ends up helping Merlin and Arthur during a bar fight; he’s injured in the process, so they take him with back to Camelot for Gaius to heal. Merlin instantly befriends the young man. A melee is to take place in Camelot and two of the thugs from the tavern intend to kill Arthur for standing up to them, using magic blades that appear blunt but really aren’t, and crystals to disguise themselves as knights. As knights, they harass Merlin. He stumbles upon the truth and intends to get proof for Arthur. Gwaine helps and takes the blame. But Uther is firm in his knight’s code; a peasant cannot accuse a knight. Gwaine is banished from Camelot. Arthur tries to argue for his new friend, but Gwaine distrusts nobles (even though his father was one) and willingly leaves. During the melee, Merlin has no choice but to secretly use magic to protect Arthur. It ends up Arthur against the two thugs, though another knight steps into help. The thugs are killed and Gwaine is revealed. Uther holds to his decision to banish the man, even though that’s twice he’s saved his son.
The Crystal Cave recalls common elements of Arthurian legend. (The Crystal Cave is the first book in Mary Stewart’s Arthurian saga series). While Arthur and Merlin are out in the woods, they’re attacked and Arthur is injured. Merlin tries to use magic to heal when an old man appears; Taliesin. He heals Arthur then shows Merlin to the Crystal Cave, where magic began. Merlin is a powerful sorcerer and can use the crystals to see all of time. Merlin sees a future where Morgana stabs Uther. Back in Camelot, Gaius cautions that all may not be as it seems. But things start happening that Merlin saw in his vision. Arthur gives Morgana a dagger for her birthday, matching the one that Merlin saw, at Merlin’s inadvertent advice ironically. When Morgana sneaks off to see Morgause, Merlin follows and causes her to fall down a flight of stairs. She’s slowly dying. When Merlin can no longer stand watching everyone else’s grief, he goes out to call Kilgarah. The great dragon at first refuses to help save Morgana, but Merlin uses his power as Dragonlord to force the dragon. Merlin has also overheard Uther reveal to Gaius that Morgana is actually his daughter, begging the older man to use magic to save her. Gorlois was away fighting and Viviane had gotten lonely, he explains. No one can know, for Arthur’s sake. We see Morgana’s eyes move minutely. Later, after Morgana is healed, she tells Morgause. The older woman realizes that this gives Morgana a legitimate claim to the throne. Now they’ll redouble their efforts to kill Uther. Merlin’s vision proceeds, he’s stopped nothing. He races after Morgana who decides no time like the present to kill the king. She uses magic and accidently starts a fire and blows a window, waking Uther, but smoothly covers, cowering like a damsel in distress. Life is more complicated now; Arthur is all that stands between Morgana and the throne.
The Sidhe return in The Changeling, the hid a faerie in a baby princess and twenty years later, she’s old enough to wed Arthur in an effort to permanently bind the two kingdoms. This will put a Sidhe at the heart of Camelot (and that can’t be good). Her nurse, Grunhilda, is played by Professor Sprout from Harry Potter. Turns out, Grunhilda is a pixie, servant to the Sidhe. Arthur struggles with his love for Gwen, which Morgana has begun to notice. Uther insists that Arthur for the sake of the kingdom, his own feelings be damned. Arthur goes through with the proposal. Merlin slips Elena a potion to eject the faerie, killing it, Grunhilda, and the leader of the Sidhe. An instant effect takes on Elena; she’s more polished and prim, but still her personality (which is kind of awesome). She and Arthur stand in front of Camelot, prepared to take their vows, but come clean to each other that they don’t have feelings for the other. The wedding is called off and her father tells Uther that Arthur has the makings of a great king; times are changing. Merlin tells Arthur he knows what it’s like to have a destiny you cannot escape, for everything to be planned out and have no say.
Gwen is reunited with her brother, Elyan in The Castle of Fyrien. She is kidnapped by Cenred as a way to get Arthur. Cenred threatens Elyan if Gwen does not bring Arthur to him. She doesn’t want to tell Arthur, but Merlin convinces her that the best way to have help is to tell Arthur. Merlin, Gwen, and unfortunately Morgana ride out with Arthur to rescue Elyan. They’re caught, since Morgana is a traitor and Cenred plans to torture Arthur. The young people escape, grabbing Morgana in the process. Elyan is reported to have been away for four years and felt like he couldn’t come home, even when his father died.
Arthur takes on a quest in The Eye of the Phoenix to prove that he is worthy of the throne. He is to retrieve the trident from the Fisher King in the Perilous Realms. Legends state that the Fisher King was a powerful sorcerer and when he was wounded and it became infected, so did his land. But he’s supposedly still alive. Arthur is to undertake this quest alone and unaided. Merlin worries for Arthur, but the prince orders him to stay home. Then Merlin spots the bracelet Morgana gifts Arthur and its strange stone. Gaius uncovers that it is a phoenix’s eye and it will consume Arthur’s life force. Merlin races after Arthur, but stops for help; Gwaine. Arthur, steadily weakening, makes it to the bridge in the Perilous Lands, guarded by a dwarf (we recognize Warwick Davis, famed as Wicket from Return of the Jedi, Professor Flitwick and Griphook from Harry Potter and Nikabrik from Prince Caspian). He informs Arthur “you must be Courage,” he will need Strength and Magic to complete his quest. When Arthur dismisses magic, he warns the lad not to. Arthur almost drowns, due to the bracelet and Merlin and Gwaine come to the bridge, meeting the dwarf. Magic and Strength have arrived. Back in Camelot, Gwen reveals to Gaius that she suspects Morgana to have magic. Wyvern, an offshoot of dragons, almost eat Arthur in the Dark Tower, but Merlin’s there to save him. He’s separated from Arthur and Gwaine and speaks to the Fisher King. The king has been waiting for the right time. This was truly Merlin’s quest. The real prize is water from the lake of Avalon. When need is greatest, it will show Merlin what to do. In exchange, Merlin gives the king the cursed bracelet so he may be released to death.
An old friend of Gaius’s return in Love in the Time of Dragons. Alice was his fiancée years ago, right before the Purge. Gaius helped her escape, but stayed behind to not draw suspicion. Now she’s returned to Camelot with magical remedies, and a creature in a box: a manticore. Merlin hears them speaking one evening and doesn’t trust Alice. Gaius won’t hear it. Alice helps Gaius with his potions, including one for Uther. She drops poison in it one day and administers it to Uther. At that point, Gaius believes Arthur and they rid the world of the manticore. Uther blames Alice (Arthur figured out she was the one to give Uther is remedy) and sentences her to death. Gaius cannot plead with the king, but still manages to help his old love escape.
Morgana tries to split up Gwen and Arthur in Queen of Hearts when she has a vision of Gwen as queen. She gets the couple to spend alone time in the woods (it is a rather romantic picnic), then arranges for Uther to ride by them, catching the couple kissing. Uther orders Arthur to end the relationship, Arthur refuses. Morgana then plants an enchantment in Arthur’s room, so Gwen will be arrested as a witch. Merlin plans to invent a sorcerer to get Gwen freed; he’ll disguise himself as an old man, Dragoon the Great. That part works. The changing back doesn’t. He’s arrested and sentenced to be burned at the stake; though he gets a chance to tell Uther and Arthur off. Gaius works out a potion to change him back and Merlin escapes long enough to down it. This is the start of the running joke that if Arthur cannot find Merlin due to magical needs, people claim the young man is in the tavern. Gwen is free and the young couple’s feelings haven’t changed, but they cannot show it.
Another sorcerer comes to Camelot for a tournament in The Sorcerer’s Shadow. Ghillie (Harry Melling again [Dudley]) is tired of being bullied and uses magic to help in the tournament. Morgana has also pitted Uther and Arthur against each other (probably hoping that Uther will be killed in the tournament). When the two face each other, Arthur has to let his father win to save face. Then Uther has to face Ghillie in the finals. Merlin tries to get Ghillie to promise not to use magic, but Ghillie is enjoying the fame he’s gotten. He even shows the other man his powers; he understands how lonely it is to be more powerful than any man you know and live like a shadow. To be special and pretend to be a fool. Merlin has to make the choice; let Ghillie kill Uther, or protect Uther and harm another sorcerer. Kilgarah cautions that if Uther is killed by magic, it will harden Arthur’s mind. Thus, Merlin works against Ghillie. Uther spares the boy in the end (obviously not knowing about the magic). Uther reveals he knew what Arthur had done; he’s followed his son’s progress all along, but he’s grateful for the actions. Arthur is truly ready to be king.
Another two-parter ends the season, The Coming of Arthur. It opens on a scene of slaughtered knights, figures moving through them. They come to Sir Leon and heal him with a magical cup. Sir Leon returns to Camelot and reports that Cenred was responsible for the attack and it was the Druids who healed him. Gauis and Uther realize that the Druids have the Cup of Life, as Gauis informs Merlin, it was not destroyed on the Isle of the Blessed, it is eternal. Uther wants the cup and sends Arthur after it, for there is another legend attached to the cup; a warlord used it to create an immortal army. Camelot is in danger. Arthur doesn’t tell Merlin where they’re going but takes him anyway. Morgana overhears the plans and reports to Morgause, who instructs Cenred to be ready. But a slave trader captures Merlin and Arthur first. There, they’re reunited with Gwaine, whom Arthur has to face in a challenge. The boys try to throw the fight without appearing to do so, but Merlin causes a distraction that gets them out. The trio continue on the search and find the Druid camp. The Druids hand over the cup to Arthur, but really to Emrys. An attack from Cenred’s men injures Arthur and lets the cup fall into enemy hands. Morgause creates an immortal army, then kills Cenred and marches on Camelot. The trio does eventually make it back to Camelot to discover dead littering the streets from the attack, they discover Elyan and make their way into the castle. Arthur and Merlin go after Uther, the rest are to wait for them in the woods. Uther is being led into the great hall, facing Morgause. She takes his crown and Morgana steps out. She claims the throne, as daughter to Uther. Arthur is shocked by the news and he and Merlin withdraw.
The second part picks up a week after that ending; Merlin, Arthur, Gaius, Gwaine, and Elyan are hiding in the woods. Morgana is trying to persuade the knights of Camelot to her side, but they resist. She lines them up in front of a firing squad and instead shoots the crowd. Gwen plays along as a loyal servant, but plans to help Sir Leon escape; Leon will know where Arthur is hiding and he is the only hope Camelot has. Morgana and Morgause eavesdrop and figure they can use Gwen as a way to find Arthur, a simple tracking potion in a drink does the trick. Merlin uses the water from Avalon that the Fisher King gave him, revealing Freya. She tells him that only one weapon can slay the dead, a sword burnished by dragon fire, which lies in the lake. Kilgarah still serves Merlin and helps the young sorcerer retrieve the blade, but has him swear that when he is finished with the sword, he put it where no man can wield it. If the blood is emptied from the Cup of Life, the immortal army will fall.
Arthur and his companions are forced to retreat once Leon and Gwen finds them. They’re aided by Lancelot and a new man, Percival (Merlin had sent word to Lancelot), taking refuge in an abandoned castle from the time of the ancient kings. Inside, Arthur discovers a round table. He instructs his companions to sit and speaks of the old tradition of equality for all. Tomorrow, he will rescue his father, who is with him. Lancelot is the first to stand. These men believe in the world that Arthur will create. All join him; well, Merlin tries to stay seated as a joke, but he doesn’t have a choice. Arthur then does something he know his father would disapprove of, he knights Elyan, Lancelot, Gwaine, and Percival. Lancelot comments to Merlin that evening that the servant is the bravest of them and Arthur should really be knighting him, but doesn’t know. The men make their way back to Camelot, Lancelot planning to help Merlin destroy the Cup. Gaius enters the fray against Morgause after she flings Merlin, giving Merlin the chance to knock over the Cup. The immortal army explodes. Morgana enters to find an injured Morgause and screeches. Her magic is out of control, the walls start crumbling and they disappear.
A new time is dawning. Arthur may need to take charge; Uther is very distressed by the events with Morgana and her betrayal. Gaius tells Merlin, since no one else will, “Well done.” Merlin follows his promise and sticks the sword in a stone.
I liked the inclusion of more traditional elements of Arthurian legend, such as the Crystal Cave, but Merlin does run into the problem that often arises from prophecies; as Yoda has taught us, the future is always in motion. This is one possibly future and Merlin gets consumed by it. In trying to prevent that future from happening, he almost causes it. But he also doesn’t get the best instructions. Downfall of many fantasy wizards: I’m going to warn you about this but be very cryptic. Like the dragon. The Fisher King story was a nice inclusion as well and more and more Arthur is being shown that magic is not inherently evil, but circumstances always come about that he can’t trust it. Woo at seeing the knights of the Round Table, finally! Arthur is coming into his own now. Merlin still staunchly supports him, even behind the scenes. They’ve come a long way from wanting to kill each other.
Now, my Shide and Fae are not like the ones in this show, but it’s good to see differing views, so I can craft my own. Pick and choose which bits I like. As much as Morgause is the enemy, there is something I admire in the way she deals with Cenred, an attitude I hope to emulate in my characters: commanding, she does not outright threaten Cenred until the end. She pulls him along and I swear Cenred wants to sleep with her and she may even let him, knowing that ultimately she has the upper hand.