“Carry On My Wayward Son/ There’ll Be Peace When You Are Done/ Lay Your Weary Head to Rest/ Don’t You Cry No More”

The Supernatural Series Finale

Yes, I said in the last post that I’d be taking a break for the holidays (because life gets nuts), but did you really expect that I wouldn’t say something about the end a beloved show?  The heart wrenching finale aired last night and I will mark spoilers. (And yes, I had to do that title)

I never expected to become a Supernatural fan, or part of the SPNFamily.  I did not watch it when it premiered; I probably wasn’t even aware it existed at that point.  I was still in high school; getting into Lord of the Rings and Harry Potter, so definitely into the fantasy genre, but not horror.  I don’t do horror movies.  I remember seeing the DVD covers at my cousin’s and thinking, “I will never watch that.”  (Pretty sure it was the cover with a giant snake on Sam’s arm and thinking, “that must be a bad guy”…oh how wrong was I).  I think my friend in college mentioned it and I still resisted.  At that point I watched NCIS, NCIS: Los Angeles, and Castle.  Mainstream shows.

2015 rolls around; I’m working two part-time jobs, life is a bit nuts (when is it not, but there are phases), and my friend begins suggesting that I would like Supernatural.  My cousin chimes in (I should thank her for letting me borrow the series on DVD).  A guy friend offers that if I don’t like the show, I can come back and punch him.  So I give it a whirl…and I still don’t like the horror bits.  Then, I get hooked.  It becomes, how many episodes can I watch before I go to work?  Oh, let’s watch one in the evening.  Which then becomes, how many can I watch before I fall asleep?  The eleventh season was getting ready to air and I only had up through season nine on disc.  So I bought season ten to watch on Amazon, because I had to find out what happened.  (And this was just about the point that “binge” watching was becoming a thing). I know my friend got numerous texts from me as I watched, usually like “What!!” or “this just happened!”  I mean, it did take a little suspense away from the early seasons because hey, I knew they survived till season nine or whatever.

I utterly fell in love with Sam and Dean Winchester.  I fell in love with brothers who would do anything for each other.  They were tough guys, but they showed vulnerability around each other.  I wanted to wrap them up in hugs.  I also probably yelled at them for being stupid idiots.

And of course, I dived into the fandom and found it thriving.  And I discovered Jared’s “Always Keep Fighting” campaign.  And that helped.  Because life it hard sometimes.  I could look at Sam and Dean, and I could look at Jared and Jensen, and see strength, and see the love they have for each other.  Finding out that Jared and Jensen are like brothers in real life is heartwarming.  And if the Winchesters can face down death and demons and monsters, I can face down the dark thoughts in my head. 

Sadly, all good things must come to an end, as much as we wish this show could go on forever.  And these wonderful men have their own families they want to be with.  Even though I’ve never attended a convention, I’ve watched bits online and I think it is utterly wonderful that Jared and Jensen, and Misha, and all the rest have embraced the fandom so much.  I’m grateful for what we’ve had from this show.  And the fandom will never die.  Heck, look at Harry Potter, Star Wars, and Lord of the Rings, all still going strong.  And I will certainly continue to re-watch and re-watch this show.

*SPOILER ALERT*  It didn’t really hit me that the show was ending until Castiel’s goodbye.  There have been sacrifices throughout the show; John for Dean, Dean for Sam, Sam for Dean.  But this was a final sacrifice.  We know there won’t be any coming back.  And Cas’s voice changes a bit.  It’s now Misha.  And he’s saying everything we know and feel about Dean.  And I have tears pouring down my face.  (I’m re-watching it and I still cry).  Cas says “I love you,” to Dean…which could run from and include friendship love to romantic love…and I’m okay with that.  Then Dean crying at the end of the episode, my heart breaks.  I had to sit for a minute and process everything once it ended.

The penultimate episode went differently than I expected.  I figured there would be a huge, bloody showdown.  There was, a little…then Chuck is de-powered and Jack is the new God.  And leaves the boys.  I cry a little, for the boys.  I felt it was a satisfying conclusion for Jack; in all, I think the finale was well thought and planned out.  I know there are shows that just suddenly end, or the writers quickly have to come up with a way to conclude everything and it’s rushed and it shows.  The montage at the end had me in tears and it almost wrapped up the series there.

I reiterate SPOILER ALERT: Going into the final episode, I had hope that maybe it would end happy; the boys live and have families, or just carry on doing their job.  Originally, I figured the show would end bloody.  And it had to be both boys going, together.  And I kind of wanted Jody and Donna and all the other alive characters to gather to say goodbye to the boys.  And all the ones in heaven to be gathered there to greet them.  Starting the interview portion with the musical episode rendition of Carry On Wayward Son had me in tears early.  Then the episode didn’t start with the original version and I was a bit confused.  I’m glad Dean has a dog (especially since both Jared and Jensen have dogs).  Masked bad guys are creepy, but we’re getting to the hunt a bit early.  I don’t really remember that girl from the earlier season.  Then Dean’s pinned.  And it’s only halfway through…and I’m sobbing into a pillow (I’m crying again). 

Because yes, Dean was always going to go out fighting.  Saying he’s proud of Sam, oh, there’s a stab in my heart.  Beautiful acting on Jensen’s part, the hitches in his breath.  And they echo from the pilot “I can’t do this alone. …  I don’t want to.”  And Dean will always be with us, and he urges all of us to keep fighting.  I’m just begging, “not without Sam.”  Like I mentioned, I figured they both had to go at the same time.  Dean just can’t leave Sam alone.  There was the single man tear…and sobbing alongside Sam.

Heaven was beautiful (I think the crew took the opportunity to showcase Canadian scenery) and yes, it was nice to see Bobby again.  And the car.  Carry On Wayward Son finally plays and Dean’s smiling and driving.  I’m still crying.  Sam gets a life, like Dean always wanted for him (I kind of wonder who he married).  Sam was weird looking as an old guy, and honestly, I expected him to pass in the car, though it was touching that his son told him it was okay.  And of course I’m happy Sam is back with Dean, where he belongs.  A final hug for us.  I can see how there may be a short run sequel or movie or something…Dean and Sam’s Adventures in Heaven or something.  So yes, satisfying.  And so heart wrenching.

Let’s all take a breath… (Spoilers are finished)

I know both guys have projects coming up soon; they’ve already started teasers for Walker, and I’ll record it and watch it.  Not sure I’ll try to get into The Boys, but I might find scenes with Jensen to watch.  Not sure I’m ready to see these boys in something other than Supernatural, as characters other than Sam and Dean.  I keep reminding myself of the Dr. Seuss quote that is very applicable now: Don’t cry because it’s over, Smile because it happened.  I will be forever grateful to this wonderful show (and to my friend for introducing me).  The fandom and the SPNFamily will live and carry on.  I’m sure there will be dissenting views on the ending, but hey, that’s what fanfiction is for.  A huge thank you to Jared and Jensen for these wonderful characters and all the cast and crew and writers for a show about love and family, even through dark times.

(Because we could all use some hugs right now)

“I also have a mortgage, and two cats to feed.”

Spectre

The most recent Bond film and this is the first movie in my blog series that I have not previously watched.  I enjoyed this more than I thought I would.  Of course, Daniel Craig is back as James Bond, Ralph Fiennes as M, Ben Whishaw as Q, and Naomie Harris as Moneypenny.  Andrew Scott (Moriarty in Sherlock) slinks through as C, Dave Bautista (such a surprise to see Drax of Marvel’s Guardians of the Galaxy) as the mostly silently and basically never named Hinx.  We briefly see Léa Seydoux, who plays Madeleine Swann in this film, in Robin Hood as Isabella of Angoulême.  Christoph Waltz (Richelieu in the newer Three Musketeers film; making him the second Bond villain to come out of that movie; Mads Mikkelsen was Le Chiffre in Casino Royale before he was Rochefort) is creepy as Blofeld.

This is the first of Craig’s Bond films to open with the gun barrel sequence.  It opens properly on a Day of the Dead celebration in Mexico and everyone is walking around wearing skeleton masks…off to a creepy start.  The camera follows one man in a skeleton suit, he follows a woman to her room and removes his mask to reveal Bond.  Except he has more important things to do that bed an all too willing woman.  He just causally walks along the roof’s edge to set up an assassination shot.  The building ends up blowing (though I’m not certain that was caused by Bond) and crumbles towards him.  A well placed sofa saves him from breaking bones when he falls.  He then pursues his target through the parade towards the city’s square.  A helicopter is waiting for the bad guy.  Bond jumps in after him and there is a terrifying fight between the two men; terrifying because it causes a helicopter to spin wildly over a crowd of people.  Bond manages to kick his target out of the helicopter, then the pilot, and regain control of the helicopter and steers it safely away from the crowd [because it’s hard to view the main character as a hero if he kills loads of innocent people just to get his man, ten minutes into the film.]

The opening credits continue the creepy vibe by featuring an octopus.  There are flashbacks to Silva, Vesper, M, and Chiffre (and I will admit, Daniel Craig does not look too bad shirtless).  In London, Bond is in trouble with M again.  His mission to Mexico was not sanctioned and it does not help the situation that MI6 is merging with MI5, calling the double-0 program into question.  Bond is introduced to the man overseeing the change, Max Denbigh, whom Bond refers to as C.  Denbigh’s brilliant plan is that human agents are no longer needed; drones can gather all the intelligence they need (continuing the debate from Skyfall).  Bond has Moneypenny bring his personal effects from Skyfall to his sparse apartment.  And he trusts her enough to reveal that his mission is a dying request from the previous M.  A video had arrived in his mail shortly after her death, instructing him to hunt down a man and attend his funeral.  Moneypenny agrees to help cover for Bond and do some research for him on “the Pale King.”  In the personal effects, we see a copy of temporary guardianship paperwork for a young James Bond, along with a photograph.

Tanner fills Bond in further on C’s new plans.  The old MI6 building will be demolished and an impersonal glass skyscraper has been erected to house C’s surveillance.  He wants to get the whole world in on it and give access to those countries.  Q has set up shop away from prying eyes.  He implants nanotechnology to keep track of Bond, per M’s orders.  Oh, there’s a new car, but not for Bond.  Q is working on rebuilding the vintage Aston Martin, but Bond misunderstood his instruction to bring the car back in one piece, not bring back one piece of the car.  Q has a new watch for Bond; it tells time.  Bond asks Q for a favor; make him disappear, for forty-eight hours.  [And yes, Bond is totally flirting with Q; Q gets flustered; and it’s rather adorable.  And a bit hilarious]  Q returns to his bunker later in the evening to discover the new Aston Martin gone. 

Bond jets off to Rome to observe the funeral as M instructed.  He saves the widow’s life and seduces her to get information on her husband.  He was part of a dangerous organization that is now meeting.  Bond takes the man’s ring as his ticket into the meeting.  The bad guys have organized and are reporting how their criminal activities are progressing.  The leader remains in the shadows and they are all silent as a henchman kills a member for the honor of going after “the Pale King.”  The leader is aware that Bond is present and welcomes him.  Bond gets out, but the silent henchman follows him in an equally fancy sports car.  The gadgets aren’t all quite installed, but the rear flame throwers at least work.  And the ejector seat (so Bond lets a brand new shiny car just sink into the river).  He calls up Moneypenny while he’s driving and she reports that Bond has run into the Pale King before; he was known as Quantum, or Mr. White.  Bond has a new direction, but he needs Moneypenny to also look up Franz Oberhauser, someone presumed dead.

Back in London, C is getting closer to success with his goal.  Q lies to M to cover for Bond.  Bond jets off to Austria and finds Mr. White.  The old man is already dying, but he’ll let Bond protect his daughter in order to lead him to the organization he’s searching for.  Then commits suicide to cut short his agonizing death.  Bond meets up with Madeleine Swann, though she has no desire to be involved with her deceased father’s life.  Q also shows up, with orders to bring Bond in.  Bond hands off the ring and goes after Swann’s kidnappers, led by the silent Rome guy.  Q is almost nabbed, but escapes in a crowd and Bond utterly crashes a small airplane (bit by bit, losing wings, then the tail).  Swann finally agrees to go with Bond.  Q fills them in that Bond was right; there is something to this ring.  All of his previous enemies, Greene, Chiffre, Silva, are all connected to Oberhauser, the head of the villainous organization Spectre.

The L’Americain that White mentioned is not a person, Swann reveals, but a hotel in Tangier.  She resists Bond’s advances, but insists on accompanying him.  Bond discovers a secret room (and a tape of Vesper Lynd’s interrogation…even after this time, he still mourns her).  He and Swann are now off to the desert.  Back in London, C is continuing to succeed with his intelligence data plan.  M points out, just like Bond did in Skyfall, that a  man on the ground is the only way to make the decision whether someone needs to die or not.  Unfortunately, C has managed to shut down the double-0 program.  C mocks M, calling him the past.  M retorts that C is a cocky little bastard.  Q and Moneypenny go to M with information on Bond, but he orders them to hide it.  C is watching MI6 agents; they’ll just lead him to Bond.  They must abandon him (even though Bond is a pain in the butt, M still protects him).

Rome guy attacks Swann and Bond on their train and Bond almost loses.  Madeleine luckily knows how to use a gun (side effect of her father that she dislikes) and rescues Bond.  He manages to get Rome guy off the train.  What to do now?  Why have sex, of course.  The pair eventually make it to a complex in the middle of the desert.  And their host is playing mind games, leaving personal pictures in their rooms.  Blofeld, the leader of Spectre is their host and his complex houses intelligence gathering; C is one of his stooges…meaning if C’s program goes online, Spectre will have further access, spelling trouble for governments.  While Bond has come to kill Blofeld, Blofeld has brought Bond to his complex to die.  He is the author of Bond’s pain; he is behind the villains Bond has faced recently.  He is ultimately responsible for Vesper’s death, and M’s death.  “You interfered in my world; I destroyed yours,” Blofeld comments.  Blofeld also turns out to be Franz Oberhauser.  His father was awarded guardianship of Bond and asked Franz to be the orphan’s brother.  Franz disliked the notion and arranged to kill his father and has spent his life seeking revenge on Bond by destroying all he loves (cause that makes a whole lot of sense).

He knocks Bond out and straps him into a chair.  Swann will watch as Blofeld probes Bond’s mind, ultimately killing him.  Yeah, those drills are disturbing.  While Blofeld monologues to Madeleine, Bond removes his watch.  Madeleine comes over to whisper she loves Bond when they figure Blofeld’s next move will be the killing one.  Bond hands Swann the watch and it starts an explosion in the complex.  Bond escapes, with Swann.  Explosions ramp up until the whole complex is engulfed in flames (this set the Guinness world record for the world’s largest film stunt explosion ever).

But it’s not the end.  Bond meets with M, Q, Tanner, and Moneypenny.  They’re going after C.  Q will hack in and stop C’s program.  But Bond is taken hostage on the drive over; M escapes and joins up with the other three (Madeleine has decided she cannot be part of this life and leaves…dangerous move).  Bond is  taken to the old MI6 building, which is rigged with explosives and escapes his captors, but follows the arrows down into the depths of the building [by the way, that trick with the zip-tie cuffs; you can legitimately escape that way {it’s even explained in The Official MacGyver Survival Manual}].  M continues with the plan and confronts C (who sounds so much like Moriarty…can we push him off a building yet?).  M gets the upper hand and Q is finally successful in shutting down C’s program.  M and C struggle for the gun and C falls down several floors.  Pictures of those who have died around Bond are posted to mess with his head and Bond discovers Blofeld isn’t dead yet.  Scarred, yes, over one eye, but not dead.  And he has Madeleine.  Will Bond choose to save himself and live with the regret, or die trying to save the woman who may understand him, being the daughter of an assassin?  Of course, Bond races after Madeleine, the three minute countdown on.  He rescues her, but they only have seconds.  They jump through the floor, caught by a net.  Blofeld and the four MI6 agents watch as the old building collapses.  Bond and Swann escape by boat and chase after Blofeld.  Bond brings down the helicopter and strides towards Blofeld who is crawling from the wreckage.  M watches at one end, and Swann at the other.  Bond does not shoot.  He chooses Swann, tossing his gun.  M makes the arrest.

Bond visits Q one last time, to retrieve his original Aston Martin.  Swann is in the passenger seat.  The Bond theme plays as Bond smiles and drives off.  So, did Bond just retire?  According to press released on the upcoming twenty-fifth Bond film, No Time to Die [why is it that “die” features in a lot of Bond titles?], Bond did indeed retire.  The new film will take place several years after the events of Spectre.  Blofeld and Madeleine Swann will both return and Rami Malek is slated to portray the villain.  I do hope the movie makes its November release; after watching Spectre, I am geared up to watch what is possibly Daniel Craig’s final Bond film.

I enjoyed this film more than I thought I would, but I still consider it creepy.  I’m not as likely to watch this one over and over like I do with Skyfall.  So, Pierce versus Daniel?  Pierce is the classic James Bond to me; suave, charming.  His Bond has the highest body count, but there’s an elegant style.  Daniel; they just like to beat him up.  And there’s lots of action, lots and lots of action.  Chase scenes within chase scenes.  But I prefer the storylines from Daniel’s time, despite being darker than Pierce’s.  That may have to do with how movies have changed over twenty years or so. 

As mentioned, Skyfall is my favorite Bond film (a bit to my mother’s disappointment, I believe).  I do like the direction they’ve taken Moneypenny and Q; making them more active.  Samantha Bond and Pierce Brosnan had excellent flirt chemistry and that Moneypenny certainly wanted to sleep with Bond, despite his reputation.  Naomie Harris’s Moneypenny is an action girl, a good pairing with Bond.  And Ben Whishaw as Q is adorable.  [And I certainly subscribe to the fan notion that he is the third Holmes brother; his resemblance to Benedict Cumberbatch’s Sherlock is uncanny.]  Judi Dench is the primary M I know and she played it marvelously.  She was more ruthless with Daniel Craig, but you saw how much Bond cared for M in Skyfall.  I have determined that Bond needs someone to protect.  That is how he operates.  And I love that about the character; I think I love that in a character period (the Winchester brothers, Hiccup in How to Train Your Dragon…characters who will throw themselves into danger to protect someone).

I haven’t quite decided with the reboot if it changes the notion that James Bond is a bit like Doctor Who: the Doctor has many faces, but they are all the Doctor.  So mayhaps, James Bond is a codename.  Skyfall insinuates that this is the true James Bond.

As just mentioned; I hold to the idea that Q is a Holmes.  And there are several fanfiction authors who have written brilliant pieces.  And warning; they often pair the new Q with Bond.  I’m okay with that.

I highly recommend ktwontwo’s series starting with Brothers Three.

A Wandering Minstrel has several good oneshots

And I recently discovered over on AO3, White_Noise’s series The Other Life of Quentin Holmes, Quartermaster

Also on AO3, Beginte has a wonderful Work and Play series, amongst other oneshots.

Threshold by AtoTheBean is a wonderful Spetre fix-it where Q is actually the one who gets kidnapped by Blofeld.

And I have utterly fallen in love with Only­_1_Truth’s stories.  The Chaos and Logic Chronicles are delicious at times and are apparently a play off of Neil Gaiman’s American Gods book [which I have not read, but I now might be interested in].  I’ll Be Your Light, Your Match, Your Burning Sun is rather good, as is Alley-Cat Quartermaster.

Next Time: Another film series based on bestselling books; these by Tom Clancy, starting with Hunt for Red October

“Cry God, for Harry, England, and St. George!”

Partaking in something that satisfies both the historian in me and the English major: Shakespeare.  Now, I believe I have mentioned before that I am not a dutiful English major; I don’t like Shakespeare, well, I don’t like reading Shakespeare.  It’s boring and most teachers pound it into our skulls by analyzing it to death.  I hate that.  But, BBC put together a phenomenal cast and put Shakespeare’s histories on screen (which I am aware has been done before, heck, I tried to watch a version of Macbeth starring Patrick Stewart and couldn’t make it through it.  Now, there was a slightly modern version of Hamlet done with David Tennant that was fantastic).  They timed the first arc to coincide with the 2012 London Olympics; this arc included Richard II, Henry IV parts I and II, and Henry V.  Their second arc included Henry VI and Richard III in 2016.

Gut reactions?  Richard II was a bit odd.  Henry IV was wonderful to see and Henry V is utterly magnificent.  Henry VI is simply everyone changing sides and the start of the War of the Roses and is interesting to see from this perspective.  As for Richard III; I remember doing a segment on the historical accuracy of the play in a British history course in college and I can certainly see the Tudor propaganda in the play (oh, they all cut out and condense history, but then, these are plays, not true histories…actually, I’d like to see historical documentaries on these people), yet I now see what all the hype is about.

Above all, these are a veritable who’s who in British acting.

Richard II stars Ben Whishaw (Q in Craig’s James Bond and Michael Banks in Mary Poppins Returns) as the king.  Opposite him is Rory Kinnear (also appears with Whishaw in Skyfall, and Spectre as Bill Tanner, which he briefly played in Quantum of Solace as well) as Bolingbroke, who goes on to be crowned Henry IV.  The great Patrick Stewart appears as John of Gaunt.  If Thomas Mowbray, who argues with Bolingbroke, looks familiar, that’s because he’s played by James Purefoy, who portrays Colville aka Edward, the Black Prince of Wales in A Knight’s Tale [making this a bit funny to a historian, because Edward, the Black Prince of Wales was Richard II’s father: his father was King Edward III, but he died before his father did and so thus, his son inherited the throne].  David Morrissey appears as the Earl of Northumberland.  He’s also been the Duke of Norfolk in The Other Boleyn Girl [uncle to Anne], and has appeared in a 2008 episode of Doctor Who, “The Next Doctor”.  We briefly see David Bradley (Filch in Harry Potter and Walter Frey in Game of Thrones) as the gardener and Lindsay Duncan (also appeared in a 2009 episode of Doctor Who, “Water of Mars,” she was the mother in Tim Burton’s Alice in Wonderland, a queen in two episodes of Merlin, and Lady Smallwood in several episodes of Sherlock) as the Duchess of York.

The very gifted Jeremy Irons (Scar in The Lion King [the animated classic], Tiberius in Kingdom of Heaven, Brom in Eragon, Aramis in The Man in the Iron Mask, and Alfred in several of DC’s newer Batman movies) takes over as the older Henry IV.  Tom Hiddleston (we love him as Loki in the MCU) shines as Prince Hal.  Julie Walters (Mrs. Wealsey in Harry Potter and Rosie in both Mamma Mia movies) is Mistress Quickly, Robert Pugh (he’s Craster in Game of Thrones, amongst other roles in Kingdom of Heaven, The White Queen [which also depicts the War of the Roses], and Master and Commander) is Owain Glyndŵr [that is the proper spelling, IMDB lists him as Owen Glendower; a real Welsh rebel that I’ve got a book on].  Oh hey, there’s Michelle Dockery (Mary in Downton Abbey) as Kate Percy, and Harry Lloyd (Baines in 2007’s Doctor Who “Human Nature” and “The Family of Blood,” Will Scarlett in BBC’s Robin Hood, and insane Viserys Targaryen in Game of Thrones) is Mortimer, and Joe Armstrong (Allan a Dale in Robin Hood) is Hotspur.  His father, Alum Armstrong (he’s had roles in Van Helsing, Braveheart, and Patriot Games amongst others) plays Hotspur’s father Northumberland, and Iain Glen (Jorah Mormont in Game of Thrones, Sir Richard Carlisle in Downton Abbey, and 2010’s Doctor Who “The Time of Angels” and “Flash and Stone”) pops up as Warwick.

Of course, Prince Hal graduates to King Henry V in the next installment.  This was the bit that makes me almost like Shakespeare.  Tom Hiddleston delivers some of the best known speeches with such quiet passion.  “Once more unto the breach,” stirs my blood, and he got the role of Henry V with “St. Crispin’s day,” which includes that famous line: “we few/ we happy few/ we band of brothers.”  One almost cries.  And his wooing of Katherine…if a dashing man ever said those words to me, I’d be weak-kneed.  I remember rehearsals for faire, male cast members are encouraged to woo female patrons (worked on me when I was a patron), and so they practiced on female cast members; I was just happy some guy was saying nice words to me, I didn’t really care what he was saying.

If Corporal Nym [grrr, I hate his name’s “Nym,” because I want to use it for a headstrong female character in my saga] looks familiar, he’s Tom Brooke and he’s appeared briefly in a few Sherlock episodes.  And look, there’s Richard Griffiths (Vernon Dursely in Harry Potter, King George in On Stranger Tides) as the Duke of Burgundy [this was one of his last roles].  The ever talented John Hurt (the dragon Kilgarah in Merlin, the War Doctor of Doctor Who, Ollivander in Harry Potter, Professor Oxley in Kingdom of the Crystal Skull, Montrose in Rob Roy, and other roles going back to the 60’s)  acts as the chorus [and he just passed away in 2017].  Some other familiar faces join us in Henry V; Anton Lesser (Qyburn in Game of Thrones, an episode of The Musketeers, Harold Warne in Miss Potter, and other roles) as Exeter [he’ll stay on through Henry VI and Richard III] and Owen Teale (part of some older Doctor Who episodes, The Last Legion, and the Headmaster in Tolkien, but I’m sure we recognize him as Thorne in Game of Thrones ) as Captain Fluellen.

Tom Sturridge takes up the mantle of Henry VI.  Sophie Okonedo (Liz Ten in “The Beast Below” and “The Pandorica Opens” in 2010’s Doctor Who) joins him as Margaret of Anjou, and Hugh Bonneville (Robert Crawley in Downton Abbey, Monuments Men, several episodes of Doctor Who as a pirate captain, he was even in Tomorrow Never Dies) is so encouraging as Gloucester.  Michael Gambon (Dumbledore in Harry Potter, Lord Charles Fox in Amazing Grace, and he’s even appeared in Doctor Who 2010’s “A Christmas Carol”) briefly appears as Mortimer.

In the second part, Benedict Cumberbatch (Doctor Strange, Sherlock, Khan in Star Trek: Into Darkness, amongst other roles) pops up as the Duke of York [called Plantagenet in Shakespeare as a claimant to the old royal dynasty]’s son Richard.  Phoebe Fox (the Duchess of Savoy in The Musketeers) is Anne Neville.  James Fleet as Hastings has been in several period pieces.  And say hello to the appearance of Andrew Scott (C in Spectre and Moriarty in Sherlock) as King Louis of France.  Somerset is played by Ben Miles (Peter Townsend in The Crown), and George, the Duke of Clarence is played by Sam Troughton (Much in BBC’s Robin Hood).

Benedict takes center stage in Richard III.  He is brilliant in the role.  I dislike the character of Richard, but Benedict delivers exquisitely.  Let me go on a little historical accuracy rant: historical evidence proves that Richard was not a hunchback; he may have had a slight difference in shoulder height, but is regarded to have been a tall, broad-shouldered man.  Nor was he the “Machiavellian villain” Shakespeare depicts him as, at least, no more than any other man of that time.  Shakespeare wrote him as a villain to please the Elizabethan court in order to paint her grandfather as a benevolent conqueror.  As another historian pointed out to me, if Richard had the princes of the tower in his custody, he could have produced them in order to throw suspicion off himself.  We also get the addition of Judi Dench as Richard’s mother, Cecily.

Historical note: there are several “Duke of Gloucester” throughout the plays and throughout history, because it is a title, typically a relative of the monarch.  Same as the Duke of York, and Mortimer is a title (which I got confused a bit, seeing a Mortimer in Henry IV and one in Henry VI.)  I swear, one needs a family tree to reference when watching these histories.  I’ll try to explain the central plot of the War of the Roses as best I can.  Edward III had several sons, the eldest of which was Edward, the Black Prince of Wales.  His third son (his second died young-ish) was John of Gaunt, Duke of Lancaster, his fourth son was Edmund, holding the title Duke of York, and his fifth son was Thomas, the Duke of Gloucester.  The Black Prince’s son was Richard II.  The way that Bolingbroke claimed the throne was that he had a right to it as the son of Edward’s third son (hence, Richard and Bolingbroke were cousins and until Bolingbroke’s exile, they were close).  Bolingbroke became Henry IV [Lancaster], who has at least four sons, the eldest of whom became Henry V.  Henry V died tragically young and his son, Henry VI, assumed the throne incredibly young, only nine months old.  England was ruled by the Lord Protector, his uncle, Humphrey, Duke of Gloucester (one of Henry V’s brothers).

Then along comes Richard, Duke of York (the great-great-grandson of the Edward III’s second son by way of Lionel, Duke of Clarence’s daughter, then grandson, then great-granddaughter).  Just like Bolingbroke challenged Richard II for the throne due to ineptitude, the Duke of York [white rose] challenged Henry VI [followers wore a red rose].  The Duke of York’s son, Edward took the throne, becoming King Edward IV.  He had three children with Elizabeth Woodville; Elizabeth of York, Edward (briefly Edward V), and Richard (also holding the title Duke of York).   Edward IV has several younger brothers, including George, the Duke of Clarence, and Richard, the Duke of Gloucester.  Once Edward IV and George were dead, Richard declared Edward IV’s marriage to Elizabeth Woodville unlawful, making his offspring with her illegitimate.  He took the throne as Richard III.  There’s the York contingent.

But back with John of Gaunt, Duke of Lancaster, his second marriage produced several generations, to John Beaufort, the Earl of Somerset, then his son John, then his daughter Margaret Beaufort, who married Edmund Tudor, the Earl of Richmond, and then had Henry, who in Shakespeare was called Richmond, thus making him the Lancastrian claimant.  [Edmund Tudor was the son of Owen Tudor (a Welshman), who married the widowed Katherine (wife of Henry V)…as for Henry V’s claim of “I am Welsh, as you know,”…well, he was Prince of Wales and born there, but not actually Welsh by blood; I would guess it was a line Shakespeare inserted to play to Queen Elizabeth’s Welsh ancestry].  Henry Tudor became Henry VII and he married Elizabeth of York (remember, Edward IV’s eldest daughter) and uniting the Lancastrians and Yorkists and ending the War of the Roses  From here, we should know how things go from there for a bit.

This is the sort of stuff that fascinates me as a historian; how the different lines come together and play out.  And I understand Shakespeare’s language a bit better watching it performed, more of a dialogue rather than verse.

On a different note: I highly recommend Netflix’s Enola Holmes film.  Millie Bobby Brown is precisely the female heroine we need; smart and not afraid of action.  Henry Cavill is a calmer Sherlock Holmes, but I greatly desire to see more of these characters.  I may just check out the novels the film was based on.

Dead Ends

Quantum of Solace

Craig’s second outing as Bond.  Gemma Arterton (Tamina in Prince of Persia: Sands of Time) briefly appears as Strawberry Fields [homage to the Beatles perhaps] and there’s a brief appearance at the end by Stana Katic (Kate Beckett opposite Nathan Fillion in Castle [loved that show; and there was mention in an early episode of Richard Castle potentially ghostwriting James Bond books, lol], and Simone Renoir in The Librarian: Curse of the Judas Chalice [we’ll be covering those soon]).  This is a direct sequel to Casino Royale, picking up within twenty-four hours of the previous tale ending.  Oddly, it starts silent with a fast car chase, until the sound drops in and you have to rush to turn down the volume.  I almost thought they were going to wreck an Aston Martin within the first five minutes; it loses a door and is certainly scraped up, but still drivable at the end.  Bond naturally dispatches with his pursuers and pulls Mr. White out of his trunk to face interrogation.  M is clearly worried about Bond before they go in to interrogate Mr. White.

But he holds a card up his sleeve, so to speak; his organization has so far stayed off MI6’s radar and they have people everywhere, including M’s own bodyguard to her surprise.  Bond chases him and ends up shooting him (after causing destruction along the way in typical Bond fashion).  When he returns, Mr. White is gone.  M is angry with the turn of events and frustrated to learn that Mr. White was correct; how does an organization like that exist and MI6 doesn’t know about them?  How did one of their people get to be her personal bodyguard for several years and not get flagged?  MI6 does manage to track tagged money used by Le Chiffre to pay off associates.  Bond heads to Haiti to hopefully pick up a new contact.  But a fight breaks out easily in the man’s hotel room and Bond kills him in self defense.  He then takes the man’s briefcase and meets a young woman named Camille.  Inside the briefcase is her picture and gun, so she throws Bond out of the car.  But he pursues her and discovers that her boyfriend, Dominic Greene had arranged for her to be killed.  Well, that didn’t work, so he passes her along to an old enemy to cement a deal he’s working in Bolivia.  Bond goes after the girl again, ending in a high speed boat chase (they still like to beat this Bond up; apparently Daniel Craig was injured three times filming this movie).

Bond asks MI6 about Dominic Greene and M checks with the CIA.  They claim to not know anything; in fact, they’re tracking the man and he’s even getting on a private jet with them.  They make the deal to ignore the upcoming regime change in Bolivia in return for oil.  M orders Bond to follow them, but please avoid killing every possible lead.  Bond winds up at a party, sneaking into a tux and getting a hold of an earpiece.  He overhears a business deal amongst the wealthy and interrupts them.  Several of the key players leave and he snaps photos, then goes after Greene.  It’s still a bit of a mess and M tries to restrict Bond’s movement; Bond responds by staying in Italy and looking up Mathis.  He was found innocent of betrayal from the previous movie and agrees to accompany Bond to Bolivia.  The pretty Miss Fields is waiting for him with orders to return directly to London.  Bond insists in his usual manner on staying.  He quickly charms Miss Fields (and she hates herself for it) and they’re invited to Dominic Greene’s charity gala.  Camille shows up to confront Dominic and Bond gets her out.  Miss Fields helps by tripping Greene’s bodyguard.

The police, who are supposed to be on Bond’s side, stop him.  Greene’s already gotten to them.  Mathis is discovered in the back of the car, beaten.  He’s then mortally shot and Bond consents to stay with the man as he dies.  Mathis’s final words to Bond are to forgive Vesper, who truly loved him, and for Bond to forgive himself.  Bond then takes Camille into the desert to look into Greene’s property.  A fighter plane chases them after they get a plane of their own.  Bond forces it into a cliff, but they have to dodge a helicopter.  They jump out of their plane with one parachute and discover once they land that Greene has dammed the water, creating a drought.  There is no oil.  The pair manages to get back to Bond’s hotel.  He meets with M and finds out that Miss Fields was killed; she’s lying on his bed covered in oil (an homage to Goldfinger).  M has already been told by the higher ups that they are fine with dealing with Greene; there is no evidence of foul play and they need the oil.  Bond is running wild and may have been turned; the Americans have orders to kill him.  She suspends Bond from duty and he seems to go quietly.  Until they’re in the elevator and he escapes.  He assures M that he is good.  M knows he’s on to something and she’ll protect her agent, to hell with the CIA.

We see Greene’s deal, handling the regime change and he confesses that the Quantum organization now controls over sixty percent of the water in Bolivia; the new leader will have to use them for utilities.  If he doesn’t comply, they will simply find a new leader.  Camille moves in on the general, who murdered her family and burned down her house.  They fight and Camille manages to kill the man, but a huge fire has started, thanks to Bond trying to take Greene, trapping her in the room.  Greene and Bond fight as explosions rock around them.  Bond makes the choice to save Camille, rather than killing Greene there.  The worm crawls away.  Camille is terrified by the fire and Bond is willing to shoot them before the fire takes them, but at the last minute, causes another explosion to create an opening out of the room.  He picks up Greene, gets his information, and leaves the man in the middle of the desert.  Camille returns to Bolivia to help in the wake of recent events.  Bond’s next stop is Russia.  He has tracked down Vesper’s boyfriend; who is not in danger and already has another girlfriend [Hello, Stana].  She is Canadian intelligence and Bond advises her to report to her agency that they have a leak; the boyfriend will get captured and she will be blackmailed for information…just like Vesper.  Bond does leave him alive, to M’s surprise.  She’s squared the situation with the U.S.  “Bond, I need you back.”  “I never left.”

This film is very disjointed.  A reason for that may be that it came about during the writers’ strike and the script was finished by Craig and the director.  The villain is bland and at least Bond doesn’t sleep with the main girl this time (though he sleeps with Strawberry Fields and bad things happen).  Admittedly, we do see Bond risk his life to save the girl and he tries to not leave destruction everywhere he goes; it’s just the side effect of him doing his job.  Yet, it’s still not a well like movie.

Up Next: My favorite Bond film, Skyfall

I apologize for the brief absence; between work and a well-deserved vacation, I haven’t been on my computer often.  But I’ve got the next batch of posts already drafted up to the point I tend to take a holiday hiatus.  Plan seems to be to finish off James Bond (and the latest movie release date still seems up in the air…I’d really like to see it!) then round up the Tom Clancy Jack Ryan films.  At that point, it will be hiatus time, but I’ve got the next several months planned out after that (yes, most likely will only be one post a week so I can maintain some other writing and reading projects.  But I love these action films, so I will not abandon them).

Besides, I went on a bit of a Shakespeare stint for a few days off, so you get a bonus post today.  I guess it would fall under the “Random Fandom” label, though it’s not a fandom I tend to fall into.

Speaking of fandoms: the final seven episodes of Supernatural begin airing this week and I am…looking forward in a way to see what will happen.  I may share some thoughts on the end.  The new MacGyver has been renewed for a fifth season, but no word on when it will air because I don’t think they’ve even started filming yet.

Coming Soon to a Theatre Near You…Maybe

A Random Fandom Update!

Since this topic of conversation came up, thought I might go over my musings on some upcoming films.

Enola Holmes: Saw the ad for this, coming to Netflix September 23rd.  It looks exciting!  The premise is Enola is the younger sister to the famous Mycroft and Sherlock Holmes.  Her mother (not sure if it’s their mother as well) has gone missing and she’s called them in for help.  Sherlock, played by Henry Cavill, seems nice.  Mycroft looks like a prick who wants to turn their younger sister into a “proper young lady.”  And I love that Enola is decidedly not.  Looking forward to this!

Black Widow: I will admit, I was excited when this was first announced.  Black Widow totally deserves her own film and Marvel did great with Captain Marvel.  Then the trailer released and I finally read that it takes place between Civil War and Infinity War, which helps make sense.  Yes, I totally want to see Black Widow’s origins and her kicking butt, however, the armor looks out of place.  Black Widow wears sleek suits so she can slide between her opponents and she’s trained to avoid hits.  And the “family” aspect…seems a bit out of place.  Honestly, we want the movie that is Hawkeye and Black Widow in Budapest, teased in Avengers. Will I see it?  Of course.

Mulan: I am not going to pay the higher premium to watch in on Disney+, I’ll wait till it’s properly released and you can rent it like normal.  I get that Disney is taking the story back to its more original roots, but I feel like it’s going to lose that Disney touch.  It’s not a musical, though they seem to be using the Reflections theme.  And with the more serious tone, they’ve probably lost Mushu and he was half the fun!  At some point I’ll watch it.

Wonder Woman 1984: Still excited about this one because I love the first one.  Steve Trevor is back and I’d love to know how.  The most recent trailer shows Diana’s adversary who transforms into a cat somehow?  I will admit, I am not up on Wonder Woman lore, but it just makes me cock my head and go “huh.”  The gold suit looks ridiculous, especially after how awesome they made her armor in the first film.  Will still see, possibly in theatres.

No Time To Die: The twenty-fifth James Bond film and appears to pick up after Spectre.  Bond has retired with Madeleine Swann, though they don’t appear to still be a couple in the trailer.  Bond is called back to action.  I mean, now that I’m caught up on the new Bond films, I definitely want to see this and see how things play out.  I am currently enjoying a slew of James Bond/Sherlock crossover stories; some of the dialogue is absolutely hilarious.

Of course there is also the final seven episodes of Supernatural due out in October and November.  I guarantee I will cry.  I go back and forth on how I think they will end it.  I believe Jensen Ackles has stated he would be willing to come back and do a movie; so they can’t fully kill the boys off, but then how else are you going to end the show?  In case there isn’t a film?  Pretty sure their destiny is to die, saving the world (as long as you make sure idiot Chuck goes first)

We shall eagerly wait and see how all these stories play out.

Bond film blogs will continue.

Tiding Over

A Random Fandom Update:

I happen to be listening to the Pirates of the Caribbean soundtracks recently, which makes me want to re-watch the first trilogy.  They also have inspired a few scenes and notes for my eventual fantasy epic (which is good, because it needs some major work).  And yep, still love the first three movies!  The original is still the best and looking back, I feel some pity for the special effects team because it could not have been easy timing all the moonlight skeleton effects.  Orlando Bloom is young a dashing (he was a celebrity crush when I was a teen) and still swoon at the kiss at the end 🙂

I like elements of Dead Man’s Chest soundtrack and the battle against the Kraken is thrilling.  And the ending of At World’s End is full of emotions.  That flourish in the orchestra during Will and Elizabeth’s wedding times perfectly with the spin, squee!  And Most.  Epic.  Kiss.  Ever!  Of course, I have to find the few clips of Will in the fifth movie and I think it’s sweet that they use Will and Elizabeth’s theme in the background while he talks to his young son, Henry.

I also really want a good crossover fic between Pirates of the Caribbean and Once Upon a Time because there is such a realm of possibilities between Killian Jones knowing either Jack and/ or Will.  If anyone finds a good story,  let me know so I can check it out!

In the meantime; I’ve read several novels off my shelf, re-reading a couple different fanfiction stories, but haven’t gotten much writing done.  The action-adventure blogs will be starting soon, just gotta get my brain to focus, lol!

Let me know what fandoms have been keeping you entertained!

A Random Fandom Update

Thought I’d take a step away from my musical blogs (don’t worry, already got the next one planned) and mention the elephant in the room: staying at home because of coronavirus. I work retail, so I have not been to work in several weeks. For the most part, I’m handling it fine; I’ve managed to work on other writing projects, I’ve crocheted several afghans, I’ve gotten back to my books (huzzah!), and I’ve caught up on some movies and shows.

So let me go ahead and state: SPOILERS ALERT!

Finally watched Frozen II; I liked the story. I don’t think the music was quite as memorable as the first and I still can’t stand Olaf, but the sisterly bond was great and very interesting to delve into their family history. (Puts to rest the fan connection between Frozen and several other Disney movies, including Tangled).

Also finally watched Crimes of Grindlewald. Excellent. Though while watching, I had to remind myself that Leta Lestrange was not a direct relation of Bellatrix (same family, but distant cousins). And the Dumbledore angle was better than I feared it to be; I thought they would focus entirely on Dumbledore’s infatuation with Grindlewald, but SPOILER a blood pact is a more solid excuse. And I totally do not believe Grindlewald about Creedence’s real name; the only plausible way he is a Dumbledore is as a cousin.

Supernatural has put filming their final season on hold, but it’s ramping up to be a doozy. News was just released that the final seven episodes will air in the fall. Jack is back, yay I guess. I have loved seeing some old favorites again; Benny was seen briefly. Loved that Eileen was back (then dead, then back!) and I really wish that she could get together permanently with Sam. (Then we find Dean someone, unless they make Destiel canon, which would be cool). And it was hilarious to have both Daneel Ackles and Genevive Padalecki back and in the same episode! The alternative universe Sam and Dean were hilarious as well (though can’t beat their father coming back; love that episode and cried along [unless you watch the blooper where Jared hits Jeffrey somewhere with the pearl; everyone is on the floor in laughter]). I really want to punch Chuck in the face and I hope Amara may come back to help. The boys are shaping up to fight God; I believe they will win and save the world because that is what they and the show are all about; but it’ll cost them. I still figure there is a decent chance the show will end with both boys dead; unless they are serious about producing a film later. If not, the only way for the fans to accept that it is over, is for our beloved boys to die. Even then, we’ll still write fanfiction.

Speaking of fanfiction; I was reading something on Facebook the other night about how fanfiction started. I mean, I had an idea, but it was interesting and a little unnerving. I realized why disclaimers are always posted at the top because you don’t want some bigwig suing you, but to find out that fan writers were punished… Some of the more recent successes give me hope; but I still am not likely to post what I have written. I share with a few friends, but I use it for my own practice. And some of this may end up as an essay or article. In case you’re interested, Supernatural accepts its fan writers and the fandom that has sprung up around it, which makes me love the fandom and the stars even more.

MacGyver just finished its fourth season, which went in a different direction than I originally imagined, and has been renewed for a fifth season. Yay! Their season got cut short due to the virus, but they must have filmed enough ahead to finish things up. I personally miss Jack and wish they would at least mention him in the story. Mac’s spiraling a bit and the fans know that Jack would help him. Still not a hundred percent sure of Russ’s motivations, but he at least tries to keep Mac alive; and Matty is still there, yay! I adored the episode with the plane and Mac in Tesla’s house; the writing has been excellent this season. Personally, I have never been fond of pairing Mac with a woman because I feel it detracts from the story and female characters should exist in shows outside their connection to a man. I’ve warmed up to Desi, but still not wholly sure. I like Riley, and I’m liking the Riley – Mac dynamic, but this triangle is only going to end badly. I shed tears when SPOILER James died. And I’m even sad that Auntie Gwen died; because she had just decided to protect Mac and it would have been great for Mac to have a familial connection, particularly to his mother. Though, baby Angus MacGyver is the cutest baby in the world! (And I refuse to believe that he’s named Angus because of a sign for beef; that’s demeaning to the character). Fanfiction should keep me occupied until it’s back.

Also been re-watching Hallmark’s Good Witch, going through the most recent episodes and the movies and now starting at the beginning of the show. Some days I can handle Hallmark and some days I just get annoyed; real life does not give us the right guy and the right job to keep us happy. But I love the magical elements of Cassie and the story. She and Sam are adorable. I’d love to live in Middleton. And when things get rough, there is a comfort in knowing that things will turn out alright; it’s Hallmark.

My mother and I have also managed to catch up on Outlander; we got behind. I miss them in Scotland; that was a reason I loved the show. Not fond of the time they were in the Caribbean, but now that they’ve settled in the colonies, my interest is peaking again. I’m glad Brianna has joined her mother and is bonding with her father. And proud that Roger has followed (though at times he was a bit of an idiot). I’m glad Stephen Bonnet finally was stopped; though I wished it had happened sooner. Whenever I would see Billy Boyd, I kept commenting “bad Pippin!” though I had to explain to my mother what I meant. I like the family that is growing at Fraser’s Ridge, and Ian has returned. Brianna, Roger, and Jemmy have also ended up staying, yay. The final episode; they actually found Claire sooner in the episode I thought they might, but we did get to see Claire’s struggles with the aftermath. I’m sure the time-traveling Native American will return; we’ll have to see what sort of time jump there may be before the next season.

Also enjoying watching the original MacGyver series with my parents and catching episodes of Race to the Edge (still love the show!). We’ve put on a few other movies, like some older James Bond (which was a bit weird), and re-watching the Librarian films (I’ll be covering all of those and the show upcoming. And it also gave me a writing idea). We are also going back and re-watching the newest Star Wars movies in preparation for finally getting to Rise of Skywalker (never fear, they are on the list to cover…down the road; MCU stands between us and them).

As for books; since I am first and foremost a reader; I have made a tiny dent in my “to-read” pile (and bought a few to add). Finally finished Raging Heat, a Richard Castle book (based on the show Castle that I don’t think I’m going to be covering, due to length) and Ireland’s Pirate Queen about Grace O’Malley, which have been on the back burner for a while. Enjoyed Castle and Lost Symbol by Dan Brown. Read Jeffersonian Key by Steve Berry. Few other books in there that weren’t great, but a relatively quick read; got around to Sense and Sensibility and that was a bit boring; the movie helped make sense. Just finished a Philippa Gregory book, The Lady of the Rivers which is a prequel in a way to White Queen (my mother and I have watched the first episode of the series). Parts are interesting and it is relatively well-written, but parts are now appearing a bit implausible (which happens with her books). Now I can move on to other books on my list. My Richard Castle, Nikki Heat series is up to date, but I want to get to some others first. I’ve got half a shelf of romances that I need to catch up on, so I can go looking for those newest books. Picked up another Librarians novel (based on the show) and some Peter Jackson/ Lord of the Rings books (like I need more of those). Some history series and the first book to a couple fantasy series I’d like to try. Some fun books I am holding off on as a reward, like behind the scenes of MacGyver, the last How to Train Your Dragon art book (I am that much of a nerd).

What are you guys doing to keep your minds occupied? Any good movies or books? Creative projects?

One Hundred Strong

One hundred posts…wow. I had no idea when I started this exercise that I would carry it on this long (seriously; I originally figured less than a year, then I finally laid things out and understood what all was invovled). I am blown away by the reading response I have built up and the fact that I have over fifty followers – thank you all.

Yes, my posting schedule has lessened a bit, but I am also trying to work on some other writing projects. I’d love to write some short stories to enter in contests to get published. And I have a massive fantasy series that needs laid out…when my brain cooperates. Right now it likes to play around with fanfiction and in turn focus on like the fourth and fifth generation of characters rather than background and world building. And my books also beg my attention; they cry to be read.

With the…current situation, I do have some more free time, so we’ll see how everything best fits in. I do apologize for the breaks that have occurred and I cannot promise that they won’t happen again. When not watching movies for this blog, I’m keeping up with the current MacGyver series (some of the episodes this season have been excellent), the final season of Supernatural (which will end in tears, when it finally does end…my guess is that both boys will die) and also working my way through the original MacGyver series (there are times it is hilarious; though personally I prefer Lucas Till to Richard Dean Anderson, that may be based on my age). Also catching up on Outlander (I finally read the first book; along with the first book of Game of Thrones; both are good, but I kind of prefer the show so I can see the full scope. I prefer the earlier seasons of Outlander, when it is more based in eighteenth century Scotland [a time period I like to study].)

But, I still have a huge collection of movies (one of these days, in a few years hopefully, I will have a place of my own and space to display and organize all of them) and I am looking forward to the upcoming genres. Next are musicals, which I love. Then action/adventure films (another genre I am more fond of) which will phase into the superhero genre (yep, I will attempt to tackle a good portion of the MCU…that’s going to be practically a year on its own). And I will finally get to some of my favorite series, like Star Wars, Harry Potter, and nearest to my heart, Lord of the Rings and Hobbit, and How to Train Your Dragon. And once we get into some newer and more popular films, I can add in the various fanfiction stories that I have read (and keep re-reading…which is how I distract myself from reading proper books).

Let me know what you think and here’s to another hundred!

The Adventures Continue

Sherlock – Season Four

The final season of Sherlock, so far. Not terribly sure we’ll get another season, since Martin Freeman and Benedict Cumberbatch are both busy with other projects. This is not my favorite season, but I guess the ending is somewhat satisfying. The Six Thatchers picks up where season three ended, Sherlock is back in England to solve the final Moriarty mystery. In the meantime, while he waits for clues, he continues to solve cases. And Mary and John’s baby arrives, a little girl they name Rosamund Mary, “Rosie.” I adore the scene where Sherlock is minding Rosie and speaks in eloquent sentences that boil down to: “If you’d like to keep the rattle, than don’t throw the rattle.” To which Rosie promptly responds by throwing the rattle back in Sherlock’s face!

Sherlock is put on the case of the mysterious death of a young man in a parked car in England when he was supposedly on vacation a week prior. Turns out, he wasn’t gone, he had hoped to surprise his father at his birthday the week prior, but had suffered some sort of stroke or something and died in the midst of the surprise and wasn’t discovered for a week. But what fascinates Sherlock is a smashed plaster bust of former Prime Minister Margaret Thatcher. A slew of alike busts end up smashed. He stakes out the final bust and confronts the criminal, thinking it’s connected to Moriarty. It’s not, it goes back to Mary and her past as an agent. Her team was betrayed on their last mission and the only other survivor thinks it was Mary’s fault. it wasn’t, but Mary doesn’t want to put John and Rosie in danger, so she sneaks away, using her old skill set. Sherlock and John track her down and the old teammate dies when the police interrupt their discussion.

Sherlock promises to keep Mary safe and they all return to England. Sherlock first suspects Lady Smallwood, then realizes it was her secretary. He confronts her, as does Mary. The woman essentially did it for money, pulls a gun on Sherlock and Mary and hopes they will let her go if she promises to stop. Sherlock annoys her, but Mary jumps in front of the bullet. Mycroft, Lestrade, and John are on the scene. Mary apologizes to Sherlock for shooting him last year; they’re even now. She dies in John’s arms. John’s anger and grief are a bit hard to watch (meaning wonderful acting).

At home, there is a disc that arrived for Sherlock, labeled “Miss Me?” We all think it’s from Moriarty. No, Mary, getting Sherlock’s attention. She has one last case for Sherlock, save John Watson. Except, John doesn’t want to see Sherlock.

This carries over to The Lying Detective. John has gone to another therapist and during his session, a fancy red car shows up. Then we jump to Culverton Smith (played by Toby Jones; we’ve seen him in Ever After, Amazing Grace, The Hunger Games and the Captain America movies as Dr. Arnim Zola. He was the Dream Lord in an episode of Doctor Who during Matt Smith’s stint as the Doctor; he has also voiced Dobby in Harry Potter) hosting a gathering of his friends; he wants to confess something. Honestly, he creeps me out from the start. From there we see that Sherlock is not doing well separated from John. Smith’s daughter approaches him; she wants Sherlock to stop her father, he wants to kill someone. But Sherlock is off his game, he’s not able to keep up with his brain. Though he comes around in time to stop the woman from killing herself with the gun in her purse; and gives an excellent message (still reeling himself from Mary’s death):

Taking your own life. Interesting expression, taking it from who? Once it’s over, it’s not you who’ll miss it. Your own death happens to everyone else. Your life is not your own, keep your hands off it.

And Sherlock, well, Benedict, is rather impressive quoting Henry V‘s “once more unto the breech” speech. At that point, Mrs. Hudson coerces Sherlock into the trunk of her red sports car and drives to John, bringing us back to the start of the episode. Then they meet Culverton Smith and follow his day to a hospital, where the man creeps everyone out asking about serial killers (Sherlock had accused him of such on Twitter earlier). Sherlock hopes that Smith’s daughter will help put the nail in the coffin of his accusation, then it turns out the woman he met was not Smith’s daughter. Sherlock is very high at the moment. Smith won’t press charges, but he’ll take care of Sherlock.

John (after he beats up Sherlock a bit, Sherlock is fine with he, he did kill Mary) meets up with Mycroft in Sherlock’s flat. Mrs. Hudson takes control of the situation; she understands Sherlock where the other two men do not. Sherlock is emotional; that’s why he shoots the wall and stabs a problem. There is another disc, waiting for John. She orders Mycroft’s team out, and even Mycroft Holmes himself: “Get out of my house, you reptile.” John watches her message to Sherlock (he’s been seeing her ever since her death. It’s rather funny when “Mary” points out what Sherlock is doing to John and that what she is saying is John’s own brain). For Sherlock to save John, he must go to Hell; John will save him and in saving Sherlock, will save himself.

Back at the hospital, Culverton Smith has snuck into Sherlock’s room. Sherlock reveals that he wants Culverton to help kill him; increase the dosage on the drugs. But that takes too long for Culverton; smothering will be quicker. John bursts in at that point. Sherlock has managed to capture Smith’s confession in a listening device in John’s cane. Once in Baker Street again, “Mary” urges John to remain with Sherlock. Emotions come out and are dealt with. John reveals that he was cheating on Mary; he was texting a woman from the bus. It never went farther, but he wanted it to. And John urges Sherlock to respond to Irene Adler because he knows there is no guarantee how long you have with someone. John breaks down and Sherlock hugs his friend.

sherlock hug john

Things are better. Sherlock and John solve cases, Sherlock wears the hat. There may be a “thing” between Smallwood and Mycroft, interesting. John visits his new therapist again. She brings up the secret Holmes sibling that has been hinted at for years. Turns out the therapist was the woman that Sherlock met and talked out of suicide and she was the woman from the bus that was texting John. She is Eurus (the East Wind), the Holmes’ sister. The episode ends with her holding a gun on John.

The Final Problem is Eurus. Sherlock gives his elder brother a fright in his own home in order to make deductions (part of that may have been influenced by John). Though we do discover that inside Mycroft’s famous umbrella is a sword! Then a pistol! (Though, why is there a clown?) Mycroft reports to Baker Street the next day and finally reveals that Eurus is indeed the youngest of the Holmes’ siblings. But Sherlock doesn’t remember her. Childhood trauma, Mycroft explains. Sherlock blocked it. Eurus is a quantifiable genius, but she didn’t process things the same way as most people. She locked up Redbeard and wouldn’t tell anyone. Then she set fire to the family home. She had to be locked away. Mycroft eventually told his parents that she started another fire and died. Instead, she’s in Sherrenford, a maximum security prison. A drone flies into the flat with a motion sensor grenade. The three men wait until Mrs. Hudson is out of danger, Sherlock even brings up the possibility of John calling his daughter but there is no chance, then they move. Sherlock and John leap out a window and Mycroft is to make for the stairs.

Sherlock gets to be a pirate for a moment and commandeer a boat to get to Sherrenford. John is taken into Sherreford with a sea captain, who turns out to be Mycroft. Sherlock is already disguised as a guard and makes his way down to meet his sister. Mycroft berates the governor of the prison for the compromise in security; obviously Eurus made it out of the prison against his orders. And there was a psychiatric exam against his orders as well. Eurus can reprogram people, never to good results. This unfortunately includes the governor of the prison. And there is no glass on Eurus’s cell. She attacks Sherlock.

Mycroft’s Christmas gift is revealed to have been an unsupervised five minute conversation with Moriarty. Moriarty recorded lots of things for Eurus. (Yeah, not a good idea to put the two most dangerous psychopaths in the same room, especially when they both have a vendetta against Sherlock.) Eurus is now in control of the facility and has a series of tests lined up for her brothers and John. She is testing Sherlock’s emotions and logic First, either Mycroft or John will have to shoot the governor in order to save his wife. Mycroft refuses. John accepts, but ultimately can’t do it. The governor does it for them, but that breaks the parameters and Eurus shoots his wife anyway. Next, Sherlock is to solve a case with little information and pass judgment on three brothers for a murder. Eurus in due course kills all three, not understanding the hesitancy to take someone else’s life. Next, Eurus has wired explosives in Molly Hooper’s flat. Sherlock has three minutes to get Molly to say “I love you.” Poor Molly. It’s true, she has always loved Sherlock. Molly asks Sherlock to say it and mean it first. And he does. Molly whispers it in return. Turns out, there were no explosives; she just put her brother and a dear friend through emotional turmoil for nothing. Sherlock smashes the coffin in the room. All three men need hugs. But they must solider on.

In the next room, Sherlock is to choose which man to kill; only he and one other can continue on. Interspersed is a phone call with a scared little girl in a plane about to crash. Sherlock can be remarkable with children. Mycroft first tells Sherlock to shoot John, which John agrees. But Sherlock realizes that Mycroft is trying to goad him into killing his older brother. He cannot choose; both men are important to him. They are tranquilized. Sherlock wakes up in the burnt out family home, Musgrave Hall. Now, he has to find where John is trapped; the same place as Redbeard. Though there was one detail that Mycroft never told Sherlock. Redbeard was never a dog. “Redbeard” was Sherlock’s childhood best friend. They played pirates together. And Eurus had wanted to join, but boys being boys, they didn’t let her, so she chained the boy to the bottom of a well and let him drown. The little song she sang comes into play, along with the mismatched dates on the gravestones. Sherlock finds Eurus and figures out there was no actual plane that was about to crash; it was Eurus being scared and confused all her life.

A change comes to Sherlock and his family (which includes John). Sherlock now supports Mycroft, especially when the elder has to explain all that has happened to their parents. Sherlock visits Eurus and they play violin duets; she can never rejoin society, not after all she’s done. There is a sweet scene of Sherlock playing with John and Rosie. The parting words are Mary’s; she has always known what her men are. In the end, it’s all about the legend, the stories, and the adventures of the detective and his doctor. Her Baker Street Boys.

One element that I do like about this season is it humanizes the characters, particularly Mycroft and Sherlock. Sherlock admits that he can get full of himself. He is willing to kill himself to save John, even though he really doesn’t want to die (oh my goodness, whoever has to listen to that recording and hear Sherlock almost in tears saying “I don’t want to die…”) He truly views John and Mary as family. He lets Mrs. Hudson handcuff him to take him to John. And Mycroft is revealed to have always cared for Sherlock, and not just in passing. He protected him from the truth of what their little sister did (I can’t scrounge up too much sympathy for a person who knowingly and willingly let another child die, then wished the same upon their brother). As Lestrade says at the end, Sherlock Holmes is a good man.

The Eurus spin doesn’t quite sit well with me. The reveal of Mary’s old team seemed rushed. And Culverton, while extremely creepy, also seems contrived.

Now, for my favorite part of Sherlock…the fandom!

The Hillywood Show has done a parody video. I’m personally not familiar with the song they parodied, but the video is quite excellent. And check out the behind the scenes videos and video diaries; they filmed on the same location as scenes in the show, to the confusion of some British fans (their make-up is spot on). And Percy Weasley from Harry Potter guests stars at their Mycroft and Osric Chau (Kevin Tran from Supernatural and he has worked with the Hillywood girls before) is their Moriarty. There is a whole slew of other parodies; I started with the two Supernatural videos.

The fans already thought that there was another Holmes sibling long before Season Four, though it was a younger brother. Notice the new, young “Q” in Skyfall? (This is the theory I abide with) Could “Q” stand for Quentin, keeping with the unusual names? Ktwontwo has a whole series written about this family. Another fanfiction author, A Wandering Minstrel, suggests Trevalyan.

superwholock crowley
This is an actual conversation that came up at a convention. Mark Sheppard is a staple to fantasy shows including Doctor Who and Supernatural; of course he knows about Superwholock.

And then there is the whole “Superwholock” crossover deal. It’s a combination of Supernatural with Doctor Who and Sherlock. It’s funny, though I don’t quite understand how all three get squashed together. Maybe it’s angels? Sherlock states he’s not one of them, Doctor Who has the Weeping Angels, and Castiel is an angel. Ultimately it may boil down to they were the three most popular shows at the same time for a while.

After the Holidays: We’ll get back to some other historically based movies, starting with Master and Commander

Sherlock Still Has to Wear the Hat

The Abominable Bride

The special 2016 New Year’s Sherlock special we got, set immediately after season three. They do a quick recap, “so far on Sherlock” then pose “alternatively…” All of our favorite characters are back, but set in Victorian England like the original work. We start with a Victorian re-telling of how John and Sherlock met, complete with Sherlock whipping a corpse in the morgue. Some time has now passed and John has been publishing his Sherlock stories in the Strand magazine (which is how they were originally published). The Abominable Bride is a case, briefly prefaced by Mary disguising herself as a client in order to visit her husband. A few comments made about a woman’s place in Victorian England; they are right on the cusp of the right to vote. Lestrade enters with the tale of a woman dressed as a bride shooting into a crowd, then committing suicide. But the strange part is, the next day, she appears in physical form to kill her husband. Molly Hooper poses as a man and Anderson works beneath her (a bit funny). She/he stands up to Sherlock, which is also awesome and reflective of hr progression in characterization. Sherlock begins to wonder if this is connected to Moriarty’s resurrection.

Months have passed and Mycroft calls for Sherlock, though he is humorously obese. Five more murders have occurred and he knows that a woman will be waiting for Sherlock and Watson at Baker Street upon their return. Her husband has been sent orange pips and knows his death is imminent (played by Tim McInnerny, who has appeared in Game of Thrones, Outlander, the live-action 101 and 102 Dalmatians, and Black Adder). John wonders if it could be an actual ghost, Sherlock insists it isn’t. They fail to save the husband. A note is later attached to the body: “miss me?” Some newer phrases start popping into Sherlock’s dialogue, like “virus in data” (this is alongside popular phrases like “the game is afoot;” they changed it to “the game is on” in the new series since most people don’t say “afoot” anymore). Floating newspaper clippings are a stand in for the Mind Palace. And Sherlock’s famous seven-percent solution is openly mentioned. Sherlock confronts Moriarty but finds no answers.

victorian sherlock

We’re jarred to the present by the airplane (from the end of season three) landing. Sherlock has delved deep into himself, wondering how he would have solved the famous case if he had been around at that time. Mycroft interrupts his younger brother, demanding if Sherlock has made a list. Ever since he found Sherlock years ago overdosed, he has made his brother swear to make a list of everything he has taken. Sherlock was high when he got on the plane; turns out solitary confinement is the worst thing for Sherlock. Mycroft reminds his brother “I will always be there for you.” I adore the sentiment we are seeing; I am a sucker for brotherly relationships [ooo, that gives me an idea of an essay to write]. Moriarty was wrong about Mycroft and Magnuson was correct; the eldest Holmes is not the Ice Man, but Sherlock is his weakness.

Back in Victorian times, word gets to Sherlock and John that Mary is in danger. Sherlock will always protect Mary, of that John can be certain. I also adore that they show Mary kicking butt!. She’s working for Mycroft and has found the heart of the conspiracy. Sherlock proposes that it was a group of women who banded together to extract revenge on the cruel men of their lives. The bride did not actually shoot herself the first time. Which left her able to kill her husband, then had help killing herself so a positive identification could be made. The rest were copy cat killers. There are tricks that can be used to make a ghost appear and in conclusion, the wife killed her husband. But underneath it’s still Moriarty. Sherlock is stuck dreaming between the present-day world and Victorian world. Again, he confronts Moriarty, though at the famous Reichenbach Falls. John comes as back up and kicks Moriarty into the falls. This aids Sherlock in waking up (though he has to fall again).

And he’s back and ready for the case. Mycroft asks John to look after Sherlock and there’s a note in his book about “Redbeard;” that’s been popping up lately. Sherlock knows that Moriarty is dead and he knows what he’s going to do next. A tiny kicker with Victorian John and Sherlock discussing the future; Sherlock has always felt that he was a man out of time. And now we’re ready for Season Four!

Up Next: Season Four