The final season of Sherlock, so far. Not terribly sure we’ll get another season, since Martin Freeman and Benedict Cumberbatch are both busy with other projects. This is not my favorite season, but I guess the ending is somewhat satisfying. The Six Thatchers picks up where season three ended, Sherlock is back in England to solve the final Moriarty mystery. In the meantime, while he waits for clues, he continues to solve cases. And Mary and John’s baby arrives, a little girl they name Rosamund Mary, “Rosie.” I adore the scene where Sherlock is minding Rosie and speaks in eloquent sentences that boil down to: “If you’d like to keep the rattle, than don’t throw the rattle.” To which Rosie promptly responds by throwing the rattle back in Sherlock’s face!
Sherlock is put on the case of the mysterious death of a young man in a parked car in England when he was supposedly on vacation a week prior. Turns out, he wasn’t gone, he had hoped to surprise his father at his birthday the week prior, but had suffered some sort of stroke or something and died in the midst of the surprise and wasn’t discovered for a week. But what fascinates Sherlock is a smashed plaster bust of former Prime Minister Margaret Thatcher. A slew of alike busts end up smashed. He stakes out the final bust and confronts the criminal, thinking it’s connected to Moriarty. It’s not, it goes back to Mary and her past as an agent. Her team was betrayed on their last mission and the only other survivor thinks it was Mary’s fault. it wasn’t, but Mary doesn’t want to put John and Rosie in danger, so she sneaks away, using her old skill set. Sherlock and John track her down and the old teammate dies when the police interrupt their discussion.
Sherlock promises to keep Mary safe and they all return to England. Sherlock first suspects Lady Smallwood, then realizes it was her secretary. He confronts her, as does Mary. The woman essentially did it for money, pulls a gun on Sherlock and Mary and hopes they will let her go if she promises to stop. Sherlock annoys her, but Mary jumps in front of the bullet. Mycroft, Lestrade, and John are on the scene. Mary apologizes to Sherlock for shooting him last year; they’re even now. She dies in John’s arms. John’s anger and grief are a bit hard to watch (meaning wonderful acting).
At home, there is a disc that arrived for Sherlock, labeled “Miss Me?” We all think it’s from Moriarty. No, Mary, getting Sherlock’s attention. She has one last case for Sherlock, save John Watson. Except, John doesn’t want to see Sherlock.
This carries over to The Lying Detective. John has gone to another therapist and during his session, a fancy red car shows up. Then we jump to Culverton Smith (played by Toby Jones; we’ve seen him in Ever After, Amazing Grace, The Hunger Games and the Captain America movies as Dr. Arnim Zola. He was the Dream Lord in an episode of Doctor Who during Matt Smith’s stint as the Doctor; he has also voiced Dobby in Harry Potter) hosting a gathering of his friends; he wants to confess something. Honestly, he creeps me out from the start. From there we see that Sherlock is not doing well separated from John. Smith’s daughter approaches him; she wants Sherlock to stop her father, he wants to kill someone. But Sherlock is off his game, he’s not able to keep up with his brain. Though he comes around in time to stop the woman from killing herself with the gun in her purse; and gives an excellent message (still reeling himself from Mary’s death):
Taking your own life. Interesting expression, taking it from who? Once it’s over, it’s not you who’ll miss it. Your own death happens to everyone else. Your life is not your own, keep your hands off it.
And Sherlock, well, Benedict, is rather impressive quoting Henry V‘s “once more unto the breech” speech. At that point, Mrs. Hudson coerces Sherlock into the trunk of her red sports car and drives to John, bringing us back to the start of the episode. Then they meet Culverton Smith and follow his day to a hospital, where the man creeps everyone out asking about serial killers (Sherlock had accused him of such on Twitter earlier). Sherlock hopes that Smith’s daughter will help put the nail in the coffin of his accusation, then it turns out the woman he met was not Smith’s daughter. Sherlock is very high at the moment. Smith won’t press charges, but he’ll take care of Sherlock.
John (after he beats up Sherlock a bit, Sherlock is fine with he, he did kill Mary) meets up with Mycroft in Sherlock’s flat. Mrs. Hudson takes control of the situation; she understands Sherlock where the other two men do not. Sherlock is emotional; that’s why he shoots the wall and stabs a problem. There is another disc, waiting for John. She orders Mycroft’s team out, and even Mycroft Holmes himself: “Get out of my house, you reptile.” John watches her message to Sherlock (he’s been seeing her ever since her death. It’s rather funny when “Mary” points out what Sherlock is doing to John and that what she is saying is John’s own brain). For Sherlock to save John, he must go to Hell; John will save him and in saving Sherlock, will save himself.
Back at the hospital, Culverton Smith has snuck into Sherlock’s room. Sherlock reveals that he wants Culverton to help kill him; increase the dosage on the drugs. But that takes too long for Culverton; smothering will be quicker. John bursts in at that point. Sherlock has managed to capture Smith’s confession in a listening device in John’s cane. Once in Baker Street again, “Mary” urges John to remain with Sherlock. Emotions come out and are dealt with. John reveals that he was cheating on Mary; he was texting a woman from the bus. It never went farther, but he wanted it to. And John urges Sherlock to respond to Irene Adler because he knows there is no guarantee how long you have with someone. John breaks down and Sherlock hugs his friend.
Things are better. Sherlock and John solve cases, Sherlock wears the hat. There may be a “thing” between Smallwood and Mycroft, interesting. John visits his new therapist again. She brings up the secret Holmes sibling that has been hinted at for years. Turns out the therapist was the woman that Sherlock met and talked out of suicide and she was the woman from the bus that was texting John. She is Eurus (the East Wind), the Holmes’ sister. The episode ends with her holding a gun on John.
The Final Problem is Eurus. Sherlock gives his elder brother a fright in his own home in order to make deductions (part of that may have been influenced by John). Though we do discover that inside Mycroft’s famous umbrella is a sword! Then a pistol! (Though, why is there a clown?) Mycroft reports to Baker Street the next day and finally reveals that Eurus is indeed the youngest of the Holmes’ siblings. But Sherlock doesn’t remember her. Childhood trauma, Mycroft explains. Sherlock blocked it. Eurus is a quantifiable genius, but she didn’t process things the same way as most people. She locked up Redbeard and wouldn’t tell anyone. Then she set fire to the family home. She had to be locked away. Mycroft eventually told his parents that she started another fire and died. Instead, she’s in Sherrenford, a maximum security prison. A drone flies into the flat with a motion sensor grenade. The three men wait until Mrs. Hudson is out of danger, Sherlock even brings up the possibility of John calling his daughter but there is no chance, then they move. Sherlock and John leap out a window and Mycroft is to make for the stairs.
Sherlock gets to be a pirate for a moment and commandeer a boat to get to Sherrenford. John is taken into Sherreford with a sea captain, who turns out to be Mycroft. Sherlock is already disguised as a guard and makes his way down to meet his sister. Mycroft berates the governor of the prison for the compromise in security; obviously Eurus made it out of the prison against his orders. And there was a psychiatric exam against his orders as well. Eurus can reprogram people, never to good results. This unfortunately includes the governor of the prison. And there is no glass on Eurus’s cell. She attacks Sherlock.
Mycroft’s Christmas gift is revealed to have been an unsupervised five minute conversation with Moriarty. Moriarty recorded lots of things for Eurus. (Yeah, not a good idea to put the two most dangerous psychopaths in the same room, especially when they both have a vendetta against Sherlock.) Eurus is now in control of the facility and has a series of tests lined up for her brothers and John. She is testing Sherlock’s emotions and logic First, either Mycroft or John will have to shoot the governor in order to save his wife. Mycroft refuses. John accepts, but ultimately can’t do it. The governor does it for them, but that breaks the parameters and Eurus shoots his wife anyway. Next, Sherlock is to solve a case with little information and pass judgment on three brothers for a murder. Eurus in due course kills all three, not understanding the hesitancy to take someone else’s life. Next, Eurus has wired explosives in Molly Hooper’s flat. Sherlock has three minutes to get Molly to say “I love you.” Poor Molly. It’s true, she has always loved Sherlock. Molly asks Sherlock to say it and mean it first. And he does. Molly whispers it in return. Turns out, there were no explosives; she just put her brother and a dear friend through emotional turmoil for nothing. Sherlock smashes the coffin in the room. All three men need hugs. But they must solider on.
In the next room, Sherlock is to choose which man to kill; only he and one other can continue on. Interspersed is a phone call with a scared little girl in a plane about to crash. Sherlock can be remarkable with children. Mycroft first tells Sherlock to shoot John, which John agrees. But Sherlock realizes that Mycroft is trying to goad him into killing his older brother. He cannot choose; both men are important to him. They are tranquilized. Sherlock wakes up in the burnt out family home, Musgrave Hall. Now, he has to find where John is trapped; the same place as Redbeard. Though there was one detail that Mycroft never told Sherlock. Redbeard was never a dog. “Redbeard” was Sherlock’s childhood best friend. They played pirates together. And Eurus had wanted to join, but boys being boys, they didn’t let her, so she chained the boy to the bottom of a well and let him drown. The little song she sang comes into play, along with the mismatched dates on the gravestones. Sherlock finds Eurus and figures out there was no actual plane that was about to crash; it was Eurus being scared and confused all her life.
A change comes to Sherlock and his family (which includes John). Sherlock now supports Mycroft, especially when the elder has to explain all that has happened to their parents. Sherlock visits Eurus and they play violin duets; she can never rejoin society, not after all she’s done. There is a sweet scene of Sherlock playing with John and Rosie. The parting words are Mary’s; she has always known what her men are. In the end, it’s all about the legend, the stories, and the adventures of the detective and his doctor. Her Baker Street Boys.
One element that I do like about this season is it humanizes the characters, particularly Mycroft and Sherlock. Sherlock admits that he can get full of himself. He is willing to kill himself to save John, even though he really doesn’t want to die (oh my goodness, whoever has to listen to that recording and hear Sherlock almost in tears saying “I don’t want to die…”) He truly views John and Mary as family. He lets Mrs. Hudson handcuff him to take him to John. And Mycroft is revealed to have always cared for Sherlock, and not just in passing. He protected him from the truth of what their little sister did (I can’t scrounge up too much sympathy for a person who knowingly and willingly let another child die, then wished the same upon their brother). As Lestrade says at the end, Sherlock Holmes is a good man.
The Eurus spin doesn’t quite sit well with me. The reveal of Mary’s old team seemed rushed. And Culverton, while extremely creepy, also seems contrived.
Now, for my favorite part of Sherlock…the fandom!
The Hillywood Show has done a parody video. I’m personally not familiar with the song they parodied, but the video is quite excellent. And check out the behind the scenes videos and video diaries; they filmed on the same location as scenes in the show, to the confusion of some British fans (their make-up is spot on). And Percy Weasley from Harry Potter guests stars at their Mycroft and Osric Chau (Kevin Tran from Supernatural and he has worked with the Hillywood girls before) is their Moriarty. There is a whole slew of other parodies; I started with the two Supernatural videos.
The fans already thought that there was another Holmes sibling long before Season Four, though it was a younger brother. Notice the new, young “Q” in Skyfall? (This is the theory I abide with) Could “Q” stand for Quentin, keeping with the unusual names? Ktwontwo has a whole series written about this family. Another fanfiction author, A Wandering Minstrel, suggests Trevalyan.
And then there is the whole “Superwholock” crossover deal. It’s a combination of Supernatural with Doctor Who and Sherlock. It’s funny, though I don’t quite understand how all three get squashed together. Maybe it’s angels? Sherlock states he’s not one of them, Doctor Who has the Weeping Angels, and Castiel is an angel. Ultimately it may boil down to they were the three most popular shows at the same time for a while.
After the Holidays: We’ll get back to some other historically based movies, starting with Master and Commander
The special 2016 New Year’s Sherlock special we got, set immediately after season three. They do a quick recap, “so far on Sherlock” then pose “alternatively…” All of our favorite characters are back, but set in Victorian England like the original work. We start with a Victorian re-telling of how John and Sherlock met, complete with Sherlock whipping a corpse in the morgue. Some time has now passed and John has been publishing his Sherlock stories in the Strand magazine (which is how they were originally published). The Abominable Bride is a case, briefly prefaced by Mary disguising herself as a client in order to visit her husband. A few comments made about a woman’s place in Victorian England; they are right on the cusp of the right to vote. Lestrade enters with the tale of a woman dressed as a bride shooting into a crowd, then committing suicide. But the strange part is, the next day, she appears in physical form to kill her husband. Molly Hooper poses as a man and Anderson works beneath her (a bit funny). She/he stands up to Sherlock, which is also awesome and reflective of hr progression in characterization. Sherlock begins to wonder if this is connected to Moriarty’s resurrection.
Months have passed and Mycroft calls for Sherlock, though he is humorously obese. Five more murders have occurred and he knows that a woman will be waiting for Sherlock and Watson at Baker Street upon their return. Her husband has been sent orange pips and knows his death is imminent (played by Tim McInnerny, who has appeared in Game of Thrones, Outlander, the live-action 101 and 102 Dalmatians, and Black Adder). John wonders if it could be an actual ghost, Sherlock insists it isn’t. They fail to save the husband. A note is later attached to the body: “miss me?” Some newer phrases start popping into Sherlock’s dialogue, like “virus in data” (this is alongside popular phrases like “the game is afoot;” they changed it to “the game is on” in the new series since most people don’t say “afoot” anymore). Floating newspaper clippings are a stand in for the Mind Palace. And Sherlock’s famous seven-percent solution is openly mentioned. Sherlock confronts Moriarty but finds no answers.
We’re jarred to the present by the airplane (from the end of season three) landing. Sherlock has delved deep into himself, wondering how he would have solved the famous case if he had been around at that time. Mycroft interrupts his younger brother, demanding if Sherlock has made a list. Ever since he found Sherlock years ago overdosed, he has made his brother swear to make a list of everything he has taken. Sherlock was high when he got on the plane; turns out solitary confinement is the worst thing for Sherlock. Mycroft reminds his brother “I will always be there for you.” I adore the sentiment we are seeing; I am a sucker for brotherly relationships [ooo, that gives me an idea of an essay to write]. Moriarty was wrong about Mycroft and Magnuson was correct; the eldest Holmes is not the Ice Man, but Sherlock is his weakness.
Back in Victorian times, word gets to Sherlock and John that Mary is in danger. Sherlock will always protect Mary, of that John can be certain. I also adore that they show Mary kicking butt!. She’s working for Mycroft and has found the heart of the conspiracy. Sherlock proposes that it was a group of women who banded together to extract revenge on the cruel men of their lives. The bride did not actually shoot herself the first time. Which left her able to kill her husband, then had help killing herself so a positive identification could be made. The rest were copy cat killers. There are tricks that can be used to make a ghost appear and in conclusion, the wife killed her husband. But underneath it’s still Moriarty. Sherlock is stuck dreaming between the present-day world and Victorian world. Again, he confronts Moriarty, though at the famous Reichenbach Falls. John comes as back up and kicks Moriarty into the falls. This aids Sherlock in waking up (though he has to fall again).
And he’s back and ready for the case. Mycroft asks John to look after Sherlock and there’s a note in his book about “Redbeard;” that’s been popping up lately. Sherlock knows that Moriarty is dead and he knows what he’s going to do next. A tiny kicker with Victorian John and Sherlock discussing the future; Sherlock has always felt that he was a man out of time. And now we’re ready for Season Four!
A Scandal in Belgravia picks up right where The Great Game left off, in the pool, with Sherlock pointing a gun at a collection of bombs. Then Staying Alive echoes through the room from Moriarty’s phone. He asks to take the call and starts congenial, then becomes angry at what the mysterious caller is telling him; “and know that if you are lying, I will skin you,” he drags out. Turns out for Sherlock and John, “Sorry, wrong day to die,” but warns them he will be in touch. On his way out, still on the phone, he tells his friend, if they’re right, they will be rich, and if they’re wrong, they will become shoes. We see a woman end the call, then ask another mysterious person, “Have you been wicked, your highness?”
John’s blogs bring in clients, advancing the duo, particularly Sherlock, to the status of Internet phenomenon. The press start showing up at crime scenes and Sherlock has to don the infamous deerstalker hat to hide his face. Sherlock attempts to solve a case from home, wrapped in a sheet, while John does the legwork on location. Then they’re both taken to Buckingham Palace. And…Sherlock still can’t bother to put on pants. Mycroft comes in to tell Sherlock he has a new case, but the client must remain anonymous. Sherlock refuses at first, even threatening to walk away while Mycroft holds the sheet (there’s a hilarious blooper of Benedict falling over in one take). He does take the case; the royal family is being threatened with scandal due to a dominatrix, Irene Adler holding compromising photos on her phone. This is the woman from the start of the episode. Irene receives photos of Sherlock and prepares for his arrival while Sherlock prepares to meet her. He has John punch him in the face (which John always hears when Sherlock is speaking, “but it’s usually subtext”) so he’ll appear suitably distraught to gain entrance to Irene’s residence.
Irene shocks Sherlock by entering the room stark naked. He stumbles a bit and can’t read her like he normally does. She further turns the table and asks Sherlock about his latest case; “brainy is the new sexy” (I totally agree). She eventually dons Sherlock’s coat to make John more comfortable, but they’re ploy to find the phone is interrupted by American CIA agents. They threaten John to make Sherlock open the case (the combination is Irene’s measurements) and with a hint from Irene, Sherlock warns his sidekick “Vatican cameos!” so they all duck as a gun takes out their opponents. Sherlock almost gets away with the phone, but Irene drugs him and escapes. She does return the coat while Sherlock sleeps (and reveals the solution to the case, where a backfiring car covers up a boomerang accidentally killing its owner), and also has now programmed his phone to moan sensually whenever she texts. Which hilariously interrupts Sherlock telling Mycroft off for yelling at Mrs. Hudson to shut up.
This transitions into a Christmas party at Baker Street. Sherlock actually apologizes when he embarrasses Molly Hooper, then his mood turns when he discovers that Irene Adler has left her phone, her insurance policy, for him. He warns Mycroft that they will find the woman dead that evening. He and Mycroft identify the body later that evening. Mycroft even offers Sherlock a cigarette which signals that Sherlock is suffering emotional pain. Sherlock tries to unlock Irene’s phone, but only has four attempts and discovers that if the case is forced, measures are in place to destroy the information. John is picked up while he’s out; he assumes it’s Mycroft again, but really it’s Irene. She’s not dead and she needs her phone back. And…Sherlock is listening. he’s in a bit of a daze as he makes his way back to Baker Street, but then he’s frighteningly focused when he discovers that Mrs. Hudson is in danger. The CIA agents are back. The leader is taken away in an ambulance, after falling out the window, several times. Sherlock declares England would fall is Mrs. Hudson ever left Baker Street.
Then he discovers Irene in his bedroom. She has a case for Sherlock. She has an important e-mail she got a hold of that needs decoding. Sherlock manages to crack it in less than a minute. Irene is impressed: “I would have you right here on this desk until you begged for mercy, twice.” Sadly, if we recall, she’s in the league with Moriarty and sends damaging information out. Moriarty contacts Mycroft and Sherlock has just set back a joint operation that could lead to a dangerous group, just to impress a woman. Irene attempts to blackmail Mycroft into her demands, but Sherlock has finally figured out her code to unlock her phone: I AM SHERLOCKED.
This puts Irene in danger. Mycroft visits John later so the man can inform his flatmate that the woman is in witness protection when really she’s dead. However…when we see her send her final text, a phone moans nearby. Sherlock is on hand to save her.
Hounds of Baskerville brings a familiar BBC face to play, Russell Tovey has appeared in Doctor Who and plays George the werewolf in Being Human (I only watched that show because Aidan Turner [Poldark, Kili from the Hobbit, and ironically Luke the werewolf from The Mortal Instruments movie] played Mitchell the vampire). One of the bar owners was Little John in BBC’s Robin Hood series as well. In this episode Russell is the client Henry Knight who witnessed his father murdered as a boy on the moors outside the Baskerville Army installation. He believes he saw a gigantic hound with red eyes tear his father apart. Sherlock is desperate for a case (so desperate, he begs for drugs) and almost doesn’t take it, until Henry specifically says, “it was a gigantic hound.” Hound is a more archaic term, why does he use it?
We get some gorgeous shots of Dartmoor. The consulting detective and his blogger sneak onto the base using Mycroft’s keycard and find a connection to an e-mail a child sent; her mother works for Baskerville, which explains the glowing bunny that shortly afterwards disappeared. So there is something strange going on at Baskerville. Sherlock convinces Henry to take them to Dewer’s Hollow (where the devil supposedly pops up). It’s foggy, they hear rustling. Then Sherlock sees a hound. He denies it to Henry, but John finds him later freaking out. “Once you rule out the impossible, whatever remains, however improbable must be true.” John in turns call Sherlock “Spock” (There is Star Trek trivia that in the fourth movie [not the new ones], Spock quotes that line, claiming one of his ancestors said it, thus connecting Sherlock Holmes and Spock. NuSpock also quotes this line). Sherlock insults John, who goes for a walk.
Come morning, Sherlock apologizes in the way that he does. And another familiar face for him, Lestrade has come, on orders from Mycroft. John muses that it helps with Sherlock’s Asperger’s (I have no way of knowing one way or another if that is a true statement). Sherlock sends John to search the labs and freaks his friend out. Then discovers that the sugar he thought contained the drug does not. He must consult his Mind Palace. Henry had started to remember two words associated with the night his father was killed, “Liberty, In.” Sherlock also realizes that “hound” may actually be an acronym. It is. There was a CIA project years ago codenamed “H.O.U.N.D.” that took place in Liberty, Indiana. It was supposed to be part of chemical warfare and drive the enemy to terror and fear. But it adversely affected the subject and the project was scrapped. But a doctor from that time has started it up again.
Henry, with a gun because he’s starting to see the hound at his place, heads to the Hollow. Sherlock, Lestrade, and John race after him and run into his old family friend, Doctor Franklin, who has worked on the American project. Turns out, what young Henry had seen was Doctor Franklin wearing a gas mask and killing his father. The drug is aerosol form and is hidden in the fog of the hollow. Oh, and there is an actual dog; the pub owners had one that they hoped to capitalize on the tourist craze, but it grew too wild. They claimed to have had it put down; no, they just let it loose in the hollow to terrorize people. Franklin runs to escape prison…into a minefield.
At the very end, Mycroft lets Jim Moriarty leave interrogation, after having written “Sherlock” around his cell.
This leads right into The Reichenbach Fall. Sherlock’s popularity is on the rise, not that he really cares. He’s started solving high profile cases, even receiving the insufferable deerstalker hat as a gag gift from Scotland Yard. Then Moriarty simultaneously breaks into the three most secure places in London, including the Crown Jewels. He goes on trial and Sherlock is called in as a witness. In the loo beforehand, he’s cornered by a “fan,” actually a journalist who wants “the real story” on Sherlock Holmes. He dismisses her. Sherlock deduces afterwards, that Moriarty wanted caught. And he manages to be found not guilty. Jim visits Sherlock at Baker Street and informs his nemesis that the final problem is approaching. Every fairytale needs its villain. Sherlock needs Jim. Mycroft warns John briefly of an upcoming exposé on Sherlock, but more concerning is four assassins moving in nearby.
There is a kidnapping case. Sherlock solves it. But when he goes to visit the girl, she screams at the sight of him. Donovan, alongside Anderson, who have never liked Sherlock, start to believe that he staged the whole thing, just so he could solve it. John knows Sherlock is not a fraud, but Lestrade gets in trouble from his superior and has to come arrest Sherlock. John is offended by the superior and punches him, Sherlock uses it as an opportunity for the two of them to escape. Sherlock tracks down the journalist, who startlingly has a clear history of Sherlock’s childhood and a mysterious source, Jim Moriarty, who claims to be an actor named Richard Brook that Sherlock hired to play his nemesis. I hate this part; I dislike this woman. She got turned down by Sherlock but is so desperate to prove her career that she eagerly laps up a story to explain that he’s an ordinary man. As Sherlock tells John, it’s a lie wrapped up in a truth, so people will believe it.
Sherlock retreats to St. Bart’s and quietly enlists Molly Hooper’s help. She is a kind hearted person and has offered to Sherlock, even after he’s mean to her, that if he ever needs help, she’s there. He trusts her and tells her, she has always counted. “I think I’m going to die,” he tells her. “What do you need?” she simply asks. “You.”
John races off to Baker Street, thinking Mrs. Hudson is in trouble. But she’s fine (aside from an assassin is standing next to her). John then races back to St. Bart’s figuring that Sherlock is planning to face Moriarty alone. The opposing players meet on the roof. Staying Alive plays again and the final problem is that Moriarty has grown bored of Sherlock. Claims he’s ordinary; he’s beaten him. Sherlock retorts to the criminal, “Oh, I may be on the side of the angels, but don’t think for one second that I am one of them” [and he sounds so much like Kahn at that moment.] There was no magic key. He paid off guards, just like he blackmailed the jury. And now, to end his story, Sherlock must die. Sherlock must commit suicide; if he doesn’t, three gunmen are set up to kill John Watson, Greg Lestrade, and Mrs. Hudson. Sherlock thinks for a minute he would be able to get the information out of Moriarty, he figured out that in German, Richard Brook translates to Reichenbach, Sherlock’s fame-making case and he can prove that Jim created a false identity, but the insane man shoots himself in the head. Now Sherlock has no choice. John has arrived on scene; Sherlock makes him stay back. John calls his phone. Sherlock claims he has lied to John the whole time; John does not believe him. Sherlock jumps. John rushes to him, but is first hit by a bicyclist, and then the people won’t let him near Sherlock.
I still tear up at the end when John begs Sherlock for one more miracle, “just, don’t be dead.” John tells Sherlock’s tombstone that he was the best man, the most human person he had ever known and he will never believe that Sherlock was lying. He owes Sherlock so much. The camera follows John as he leaves the cemetery and pans to Sherlock watching.
I enjoy this season more than the first. I like the hour and a half long episodes because it allows the writers time to fully develop a story and delve into nuances. There’s humor and action mixed in with the mystery and drama. Sherlock still shows us that he is human and experiences human emotions, as much as he may deny them. He trusts Molly more than John at the end to help him pull off his suicide. He recognizes on his own that he hurt John’s feelings at Baskerville. I wish we had a more satisfying end to Moriarty, and more public, after what he put Sherlock through. And as Season Two ends, I desperately want to start watching Season Three.
One of BBC’s incredibly popular shows, despite the fact that there are only three episodes per season and we’ve only had four seasons and one movie in seven years. Made Benedict Cumberbatch and Martin Freeman household names (they would team up again as the dragon Smaug, and titular hobbit, Bilbo Baggins in Peter Jackson’s Hobbit trilogy, and as already stated, both appear in the MCU. We’ve seen Benedict briefly in The Other Boleyn Girl and Amazing Grace.) We have become “The Fandom that Waited.” Oh, there’s lots to discuss about the fandom and theories…we’ll cover that in the last post. Created by Mark Gatiss (who also plays Sherlock’s older brother, Mycroft and has appeared in Doctor Who and written a few episodes) and Steven Moffat (an integral writer to Doctor Who since 2005), both of whom are professed Sherlock Holmes fanboys. It’s BBC, so many actors pop up in the show who have been on others.
In A Study in Pink, we’re first introduced to John Watson, a war veteran attending a session with his psychologist, who suggests he keep a blog describing his day. John (they go by first names in this rendition since it’s modern times, compared to Victorian when it was more common to be referred to by surnames) comments, “nothing happens to me.” Going on at the same time, Scotland Yard is investigating a string of suicides that are connected, but they’re unsure how, since they’re suicides. Detective Inspector Lestrade heads the case and gets texts during a press conference, the last one saying “you know where to find me. SH.” John runs into an old friend, who remarks who knows someone else in need of a flatmate. Then we’re introduced to Molly Hooper, who plainly has a crush on Sherlock and does favors for him in the mortuary, like, letting him whip a corpse for a science experiment. Stamford brings about John to meet Sherlock, Sherlock easily deduces John’s purpose, and finally introduces himself on camera: “the name is Sherlock Holms and the address is 221B Backer Street.”
John follows Sherlock on his case, telling his potential flatmate that yes, he would like to see more trouble. “The game, Mrs. Hudson, is on!” Sherlock pronounces as they sweep out of the flat. We discover that most of the police force dislike Sherlock, some even calling him a freak to his face. One officer, Donovan, warns John that Sherlock is a psychopath and one day, the body they discover will have been put there by Sherlock. Sherlock has already raced off for more clues and John starts to make his way back to the center of town, though pay phones keep ringing as he goes by. He eventually answers and is picked up by a car and meets a mysterious man, well dressed in a suit and carrying an umbrella. The man claims to be Sherlock’s arch enemy, the closest thing a man like Sherlock has to friends. He worries about him and offers to pay John to pass along information. The man deduces that John is not traumatized by the war, like his psychologist suggests; he misses it. His hand does not shake when in stressful situations. John receives a text from Sherlock: “come at once if convenient, if inconvenient, come all the same. Could be dangerous.” John turns down the offer and gets dropped off at 221B.
Sherlock has found the missing pink suitcase so he can carry on with the case; there is also an absolutely hilarious conversation between the two men on dating. John asserts he is not gay and the subject doesn’t seem to interest Sherlock (oh boy, fans play around with this a lot). They do grab some dinner (well, not really. Sherlock doesn’t eat and they’re off chasing a cab before John can eat. He does leave his cane) and ultimately arrive back at Baker Street to find a drugs’ bust going on in their flat, conducted by Lestrade. Lestrade needs Sherlock to cooperate (and we, along with John, find out that Sherlock may have illicit drugs in his possession, though he seems to use cases as a way to get high instead). Sherlock corrects Anderson of forensics “I am not a psychopath, Anderson, I’m a high-functioning sociopath, do your research.” Then later yells at Anderson while he’s trying to unlock clues: “Anderson, don’t talk out loud, you lower the IQ of the whole street,” and tells everyone to shut up and has Anderson turn his back. He silently leaves with a waiting cabbie, who is apparently the serial killer. John tracks him but ends up in the building next to where Sherlock is engaged with the killer. The killer simply gives what he considers a 50-50 chance to his victims, two bottles, with identical pills, they just have to figure out if he’s placed the good or bad bottle in front of them. Sherlock is ready to play the game, particularly intrigued when the killer mentions he has a sponsor who is very interested in Sherlock. He pries a name out of the man after John shoots him: Moriarty.
The wrap-up is a bit funny, the police keep putting a shock blanket on Sherlock and he starts to rattle off his deductions on who shot the serial killer, until he realizes it was John. Then he tells Lestrade to ignore everything he’s just said, “I’m in shock, look, I’ve got a blanket.” Sherlock meets up with his new flatmate and thanks him. They giggle a bit, which they really shouldn’t do, but are stopped by the well dressed man John met earlier. Nope, not Moriarty like we might have first guessed, it’s his elder brother, Mycroft. He really does worry about his brother. He remarks to his P.A. that John Watson could be the making of his brother, or make him worse.
The second episode, Blind Banker manages to tie a Chinese crime syndicate to mysterious graffiti in an international bank and the murder of a stock tradesman. Turns out the tradesman, along with a journalist and I’m sure many others, acted as couriers to smuggle stolen artifacts out of China to sell at auction for huge profit. All involved with the Black Lotus syndicate are tattooed on the bottom of their foot and communicate with an ancient Chinese cipher involving a book, which turned out to be London A to Z. John and Sherlock get some help from a young woman who works at the museum. John starts to see a young woman when he gets a side job as a physician; Sherlock tags along on their date to the Chinese circus, which acts as a cover for the syndicate. John’s girlfriend, Sarah, is kidnapped alongside John because he was mistaken for Sherlock (he had been mocking his friend earlier and was overheard). Sherlock rescues them, though the leader gets away. Not for long; she’s tied into the organization with Moriarty.
In The Great Game, Sherlock is given a series of cases to solve, with an innocent life at stake with each one. It’s all kicked off with a bombing across the street from 221B. And Mycroft needs a case solved involving missile plans. When Lestrade calls Sherlock in, he remarks “I’d be lost without my blogger,” and encourages John to come. The first case calls upon the pink phone from their first case (John’s blog is more highly read than they realized) and has pictures from the other flat at 221 Baker and shoes from the first case Sherlock tried to solve. He ultimately solves the case so a innocent person won’t be blown up.
The second case involves a bloody car and ultimately a cover-up for someone to disappear. The third case is about a celebrity’s death. Sadly, the old woman who was the in-between for Sherlock and the mastermind is killed; she was blind and wouldn’t be able to read a text and so she started to describe the mystery man’s voice and was killed in an explosion. John works Mycroft’s case while Sherlock is busy. The fourth case involves a new painting that a gallery has procured which is actually a fake. It’s down to the wire and a kid’s life is on the line before Sherlock realizes the painting included an astrological event that hadn’t occurred at that time.
There’s still one case left: Mycroft’s. The brother to the fiancé of the man who was killed did it on accident and hoped to cover it up. Sherlock intends to meet the bomber at a local pool; then John steps out. He’s wired up and there’s a sniper to keep things on track. (Sherlock dear, please do not scratch your head while holding a loaded gun!) Then Molly’s boyfriend Jim, whom Sherlock commented was gay, steps out. His surname is Moriarty and he’s a specialist, just like Sherlock. While Sherlock is a consulting detective, Moriarty is a consulting criminal. And he doesn’t want to kill Sherlock yet, that wouldn’t be fun. He’s saving that for something special. No, if Sherlock doesn’t stop prying, Jim will “burn you. I will burn the heart out of you.” Jim strolls off. “Catch you later,” Sherlock says in farewell. “No you won’t!” Jim calls back. But Jim does come back, “I’m so changeable,” it’s his only weakness. He cannot let Sherlock and John live. Red sniper dots hover on Sherlock and John and Sherlock aims at the bomb vest as the music crescendos, Sherlock and Jim face off, building tension…and…black. Cliff hanger!
The acting is superb in this show. At the end, oh, we hate Moriarty, but we want to know what he does next…the cliffhanger only encourages us more. He’s all laid back and la-la-la, then shouts “that’s what people do!” when Sherlock mentions people have died as a result of the game Jim Moriarty has played with Sherlock.
While Sherlock flaps about showing off his intelligence and spouting that he is a sociopath and doesn’t have friends, he clearly has come to care quickly for John Watson. There’s a brief look of horror on his face when it’s John who steps out at the pool. For a moment, we and Sherlock wonder, was John only playing at being Sherlock’s friend? Was it all a set up? And then, Sherlock is anxious to get the bomb vest off his friend and save his life. He calls John an idiot only so much that everyone who is not Sherlock is an idiot. Yes, he doesn’t understand all the social niceties, but we still want to see him succeed. He comments to Jim at the pool, “I have been reliably informed that I don’t have one [a heart].” “Oh, we both know that’s not true,” Jim replies.
John is the audience, quite impressed by Sherlock and willing to take him under his wing and try to acclimatize him to proper society, because he finds the cases thrilling as well. He’s only just met the strange man, but refuses to take bribe money to spy on him. (Of course, Sherlock remarks that John should have accepted the offer and they could have split the money; because Sherlock knows it’s Mycroft.)
Personally, I highly recommend the show. I like the inclusion of modern technology to keep with the times. It makes me think, because I’m trying to solve the case and the twist, but I also know that Sherlock will solve it in the end.
It has been one year since I began posting blogs. I have over sixty posts (I’ve managed that despite taking a month off here and there due to often posting twice a week). That number staggers me at times, because I have barely scratched the surface of my eclectic love of movies. Yes, we’ve done Disney. But I love musicals as well. And action movies. And movie series. I’ve planned out the next couple of months, about until I may break for the holiday season. And I’ve only gotten two categories laid out and doing some rough math…oh boy, there’s still more coming! I originally thought this would be a project for a year. Nope, gonna be more like three. Wow!
After Eragon, we will continue with historic movies, then historic-set romances. Some more modern romances or rom coms (not a long category). Musicals (that’s gonna be a big group). Action/adventure, always fun. The superheroes, including the Marvel cinematic universe. And the pieces that I really want to discuss: Star Wars, Lord of the Rings/Hobbit, Chronicles of Narnia, How to Train Your Dragon, Harry Potter; those expansive series.
In the meantime, enjoy a quick update on some other movies I fit into my life.
Since I got into Game of Thrones and came to love the character Jon Snow the best, I decided to try some of Kit Harington’s other movies. So far, I’ve seen Testament of Youth and Pompeii. Both of which I want to own. I don’t want to give too much away and I know they may not be widely liked films, but I enjoyed them. Well, the second half of Testament of Youth not too much; it made me cry. But it takes place during the First World War, so you can guess why. But Kit’s character is a dashing, charming young man who likes literature and poetry and my heart melts. I’d love a happier tale, of a young lady falling in love with her brother’s friend; that doesn’t end in heartbreak. I should see if more exist. That part reminded me a bit of Jane Austen. And the lead female character is at Oxford. Me being the nerd that I am, was fairly drooling looking at the library. And realizing this takes place at the same time as Tolkien (brilliant movie, I want it as soon as it’s available. We’ll cover it once we get to the two trilogies).
I was surprised I liked Pompeii; as disaster movies are not my cup of tea. The storyline is not the most original, but it was well done. The action is stupendous and Kiefer Sutherland is surprisingly in it; they timed the opening credits well so his name comes up just as he turns around and you realize, oh, that’s him. This made me want to watch Gladiator. And I was disappointed. I dozed off half an hour into the movie and towards the end, I was fast forwarding, begging it to get to the point. What is a bit frustrating is that I like other Ridley Scott films. And I deeply enjoyed his film starring Russell Crowe again in Robin Hood.
If anyone has any suggestions or recommendations on movies or shows to watch, I will consider. I am in no way promising to watch, partly due to, as I’ve stated previously, I am into enough shows and movies and fandoms as it is. My bookshelves plead with me to return to my first love.
And a thank you to all the followers and all the people who have read this blog! I didn’t realize I would enjoy it the way that I do. It combines my love of movies (and talking about movies, because I find them fascinating) and writing. Happy movie watching and happy reading!
We’ve come to the end of the series. I feel they rushed this series; maybe they were surprised how quick they would have to wrap things up. My one friend came back and asked me where the season was that they end up in modern times, since she had seen pictures of it everywhere (I can find them on Pintrest, maybe they’re on Tumblr; I’m not on Tumblr, I don’t know). Sadly, no, that’s not how this season ends. I feel that they should come back and do that season, or a movie at the very least.
Arthur’s Bane, begins the season in two parts. Three years have passed since Guinevere’s coronation. Arthur meets with his knights at the Round Table. Unfortunately, Gwaine and Percival are missing after an expedition. Morgana is suspected, even though they haven’t heard from her in the three years. Morgana is indeed behind the disappearances; she’s capturing men to work searching for the key to the knowledge of Arthur’s Bane, his downfall. Joined by Liam Cunningham whose character isn’t named until the second episode. (Since I’ve been wandering down the Game of Thrones path, when I saw his name in the opening credits I was surprised. I haven’t seen this season as often as the previous ones, so a lot of this was unfamiliar to me.) Arthur and his knights, and Merlin, go looking for their brethren. Merlin receives a vision that Arthur is in danger and even Gwen worries about Arthur going on the mission himself; he is Camelot’s king, he needs to be cautious. But Arthur is the type of king who will show his people he is not afraid of any task.
Sadly, Gwen’s new maid who is adorable with Merlin is also a traitor, for her father who is harboring Morgana. Her father (played by Liam Cunningham) ultimately rescues his daughter, but also dies in the aftermath. Morgana doesn’t seem particularly bothered, more concerned with the overarching search for Arthur’s destruction. Arthur is injured on their quest and he and Merlin are captured by Saxons, and a familiar looking young man. Mordred is back and now a young man (don’t think too hard on what ages they look). He shows Arthur and Merlin kindness even though Merlin does not trust him. Arthur saved his life as a child and he will repay that debt. Arthur and Merlin manage to escape and sneak into the castle where they find Percival.
Gwaine has been missing for a few days. An alien-looking being (really BBC? Let’s bring aliens into the mix) finds him and heals him after guards beat him. (And they’re all shirtless for no apparent reason. Again, does BBC really need to do this to attract viewers?) Percival starts gathering men and taking out the guards. Morgana comes across Arthur while Merlin is chasing after Aithusa. Mordred is with her and prevents her from killing Arthur. He recognizes that Morgana has gone a bit crazy; she has chosen hate. He has not. He carries Arthur to his knights. Merlin finds Gwaine and the creature. He is granted one question. Who is Arthur’s Bane? Himself.
Everyone is back in Camelot; Arthur knights Mordred. Merlin honestly likes Mordred, but doesn’t trust him. He asks why Mordred saved Arthur. “Because he’s right, the love that binds us is more important than the power we wield.” Merlin knows that for good or ill, the die is cast. Albion’s greatest trial has begun.
The Death Song of Uther Pendragon brings to light Arthur’s doubts whether he is being a good ruler. He does a lot of things his father wouldn’t approve of. He’s then gifted a chance to see his father again when he saves an old sorceress for a horrible death and no trial. And Uther is disappointed with his son. He knighted commoners, he married a commoner and not for an alliance for the kingdom. He feels that his son has failed to strengthen and protect the kingdom; he’s destroying Uther’s legacy. Meanwhile, we, along with Merlin, counsel Arthur that he is better than his father. His people love and respect him and his is a more wise and just ruler. But Uther’s spirit is released and haunts the castle. Percival is attacked. Gwen is almost killed. Merlin and Arthur set out to put Uther’s spirit back. Uther attacks Merlin and discovers that he has magic. Uther tries to warn Arthur, but Arthur sounds the horn dismissing the spirit before he is able.
Mithian’s kingdom is attacked, bringing her back to Camelot in Another’s Sorrow. It’s a ploy between Odin and Morgana. Morgana disguises herself as Mithian’s maidservant so Mithian will persuade Arthur to rescue her father. Merlin suspects the maid and discovers it is Morgana, but she knocks him out before he can warn Arthur. Arthur proceeds with the plan and walks into the trap. Merlin comes to, with magical aid from Gaius, in time to take Gawine and rescue Arthur. Arthur faces Odin and Merlin prevents his friend from killing the other king. There is a better way. Arthur asks for a truce; else, their blood feud will simply continue on. Odin accepts. And we start a trend this season of seeing Merlin injured more often. I think it’s good, because it shows that he is vulnerable and we like vulnerability in our heroes.
The Disir, the mouthpiece of the Triple Goddess, pass judgment on Arthur and find him lacking. He has persecuted sorcerers as a carryover from Uther. His fate is set; while Camelot flowers, already the seeds of its destruction are sown. Arthur argues he makes his own path, but he still wants to protect his people, so he appears before the Disir. He is not respectful the first appearance though and they attack. Mordred takes a spear meant for Arthur. Arthur now has a choice; to save Mordred, he must allow magic to be freely practiced in Camelot again. If not, Mordred dies. We can see Merlin struggle to advise his friend. Merlin desires for magic to return, for his sake and his people. But even Kilgarah warns him that Arthur’s fate is bound with Mordred. So Merlin tells Arthur there is no place for magic in Camelot, thereby sentencing Mordred to die. Yet when they return to Camelot, Mordred lives. This gets terribly confusing for Merlin; every step he takes toward not bring the future to pass actually helps it along.
Morgana kidnaps Gwen in The Dark Tower and tortures her in a way. She locks her former maidservant in a dark room with mandrake root, listening to screams, and seeing visions of people she loves. Elyan and Arthur mount a rescue attempt, though they are waylaid in a magical forest. Merlin trusts his magic and leads them out, but Elyan darts ahead to rescue his sister. An enchanted sword runs him through. At the very end of the episode, we see Gwen sneak out to visit Morgana. She now believes that only Morgana has her best interest at heart; after all, they were close friends for many years, they know each other best.
Gwen begins to work behind the scenes to help Morgana and bring down Camelot and kill her husband. Accidents begin to befall Arthur in A Lesson in Vengeance. (Yes, the stable hand is played by John Bradley, who plays Samwell Tarly in Game of Thrones. And due to when this season was filmed, he had already begun playing Sam. So we are correct to gasp, “Oh my gosh, it’s Sam!”) The stable hand Tyr Seward takes the fall and Gwen stabs him to prevent him from talking. Morgana gives Gwen a magical poison to slowly and painfully kill Arthur. She has no hesitation in giving it to Arthur; she plays her part as grieving wife well. Gwen next arranges for Merlin to take the fall; he’s close to Arthur and has access to cause him harm. Gaius helps Merlin out of the cell while Leon pledges the knights to follow Gwen who will succeed Arthur should he die. Merlin ages himself (we can see he is having a lot of fun in his Dragoon character). Only Merlin’s magic can save Arthur, but he doubts he has the strength for both the aging and the healing. Gaius informs his ward that the only one who doubts Merlin’s abilities is Merlin. Merlin cries when he thinks Arthur has died, but Arthur survives. Merlin sneaks back into his cell so he can be released the next day. Arthur never suspected Merlin. Well that’s good, but why didn’t the knights stand up for him? Gwen gets the credit when she finds a new suspect and pins the blame correctly on Morgana.
Arthur meets with potential allies in The Hollow Queen while Gwen arranges a distraction for Merlin. A “Druid” boy sneaks into Camelot and asks Merlin for help. He leads Merlin into a trap by Morgana (she and Gwen are just trying to get Arthur’s biggest defense away while Gwen arranges for Arthur’s assassination). She poisons Merlin and throws him into a ravine. The boy returns for Merlin; the young man had shown him kindness and helps Merlin heal. They make it back to Camelot just as the assassin sets up. The boy is killed helping Merlin. Gwen had fed Arthur the tale that Merlin was sneaking off to see a girl when Arthur began to worry about Merlin. Now Gaius and Merlin know that Gwen is working against them.
They come up with a solution in With All My Heart. Merlin helps Arthur spy on Gwen when she meets with Morgana. They know it’s Morgana’s magic this time betraying Arthur. Which means it will take even more powerful magic to undo the spell. Merlin gets the solution off of an old sorceress and must lead Arthur to a magical lake and summon the White Goddess. Gwen must enter the lake of her own will. Arthur and Merlin sneak Gwen out of the castle, keeping her unconscious. Mordred follows them, which was a good thing because both Merlin and Arthur fall off a cliff and Arthur’s arm is pinned. Merlin has to transform into an old woman so as to not arouse suspicion (though Mordred does note that Merlin is missing at one point). The magic works and Dolma (Merlin in disguise) asks that Arthur remembers that magic can save, as well as hurt. “She” tells him off when they almost forget Merlin and tells Arthur “one day, he will recognize the true worth of those around him.” Mordred finally realizes that Merlin has magic, but promises to keep his secret. They share the dream of magic returning to Camelot.
Alator returns in The Kindness of Strangers; Morgana has hunted him down and tortures him to reveal Emrys’s identity. He refuses, but has recruited others to his cause. An old woman warns Merlin that the great battle is approaching. Mordred and the other knights give chase when they discover the old woman, since Gaius does not trust her. She is not in league with Morgana, but Morgana finds out about her, so she too is hunting for the woman. Merlin goes to help and is injured. The woman sacrifices herself to protect Merlin and he is not discovered. He hears the prophecy of Camlan and receives word that Morgana has declared war.
A familiar face for us pops up in The Drawing of the Dark. Alexandra Dowling (Roslin Frey in Game of Thrones and Queen Anne of Austria in Musketeers) is Kara, an old friend [and love interest] of Mordred’s. She’s injured and Mordred tends to her in the woods. Merlin finds out, but Mordred swears him to secrecy. Arthur and Merlin discover Kara themselves, even after Merlin tries to lure Arthur away. Kara attacks Arthur and is arrested. She proudly defies the king; “I will not rest until you are dead and your kingdom is no more.” Mordred pleads for her life, but she shows no repentance. Arthur cannot risk her being free. Merlin even pleads on Mordred’s behalf, but Arthur believes Mordred will see that Arthur had no choice and eventually forgive him. Merlin suspects that Mordred will try to free Kara, Mordred throws in Merlin’s face, “wouldn’t you do the same for a woman you love?” We know that Merlin tried, but Arthur killed Freya when she attacked Camelot. And Merlin forgave Arthur and serves him faithfully to this day. Merlin does not tell Mordred this (there is a fanfiction story Love Lost by Revhead where Merlin does tell Mordred and changes the story a little).
Mordred breaks Kara out, she kills a guard along the way, but they’re captured. Arthur offers her one last chance, but she will not change her ways. Mordred is in a cell when she is led to her execution. His magic breaks him out of his cell and he goes directly to Morgana. He has information for her, which will lead to Arthur’s death. He knows the identity of Emrys: Merlin.
The Diamond of the Day completes the season in two parts. Morgana sends a mook into Camelot to sneak into Merlin’s chambers, planting some sort of slug. It attacks Merlin’s face and somehow steals his magic. While that happens, Morgana and Mordred attack on outpost. Gwaine rescues a young woman and they make it back to Camelot to give word. Arthur decides to ride out and meet Morgana and her army on the field, to keep the fighting away from the people and other villages. The best place is Camlan, where the path narrows. Merlin sadly cannot accompany Arthur on this great battle; he must secretly journey to the Crystal Cave in an effort to restore his magic. But Gwaine’s new friend is a spy for Morgana, she passes along the information about Arthur and Mordred surmises where Merlin is heading. Morgana is waiting for the warlock and causes a cave in.
Merlin is injured and when he wakes, he sees his father. Balinor urges his son to not let go, don’t give in. Merlin is magic itself; he cannot lose what he is. Rest, he advises, believe in the crystals. When Merlin wakes again, he is healed and sees a secret path that Mordred plans to cut Arthur off with. Merlin warns Arthur in a dream, then bursts out of the cave.
Arthur misses having Merlin with him; the man who has stood beside him in every other instance is now gone for this vital confrontation. Gwen has accompanied him, not to fight, though she will help behind the scenes, but so they can spend what time they have together. She knows there is a good chance that Arthur may not return from this battle. Arthur receives Merlin’s message (Gwen has already begun to suspect there is more to Merlin that appears) and sets the camp to business. Percival and Gwaine will meet the band coming around behind. Arthur rallies his troops; fight for a united kingdom, fight against tyranny. The battle has begun.
Aithusa spews fire on Arthur’s troop, but a sorcerer (an aged Merlin, his true Emrys form) calls him off, then directs lightning on the Saxons, saving Arthur. He knocks Morgana down. Mordred hunts down Arthur on the field and stabs him with a blade forged on Aithusa’s breath. Arthur kills Mordred. Merlin finds Arthur on the field, bypassing Mordred, and carries him off.
When Arthur wakes, Merlin is back to his normal form. Merlin apologizes to his friend; he thought he was in time to defy the prophecy. Arthur doesn’t know what Merlin is talking about. Merlin reveals he was the sorcerer.
Arthur…doesn’t take it well. He responds to Gaius, when the old man finds them, but shies away from Merlin. They need to get word back to Guinevere in Camelot. Leon is giving her updates; but they have not found Arthur. Gaius tells Arthur that Merlin is his friend; he needs him far more than he needs Gaius. The wound is fatal, due to the blade. The only place Arthur could heal is the Isle of Avalon. Gaius can take the royal seal to Gwen.
Back in Camelot, they realize that truth of Gwaine’s traitorous female friend. She is executed, after passing along misinformation to Morgana. Percival and Gwaine set out to take down Morgana. Sadly, she bests them, knocking out Percival, then torturing Gwaine. Percival frees himself in time to watch his friend die. And so starts the “how many stabs does it take to kill Morgana?” Gwen confronts Gaius about the truth of Merlin. She seems pleased and knows that Merlin will care for Arthur.
Merlin continues to care for Arthur, confusing the man. Arthur slowly comes around to the fact that his manservant has had magic all along, but it still takes time for him to get over the fact that Merlin lied about it the whole time he knew Arthur. Merlin insists, it has always been to help Arthur; he is proud of what he has done and he wouldn’t change a thing. Arthur finally apologizes for the way he has treated Merlin. Morgana finds them just as the reach the shore of the lake. Merlin faces her and stabs her with Excalibur. That does her in. He has brought peace at last to Albion. But Arthur is fading fast. “It’s too late,” he tells the young warlock and asks his friend to hold him in his final moments, and says what he has never said before: “Thank you.” We cry alongside Merlin.
Merlin calls Kilgarah one last time to carry them to the Isle. But it is too late, the dragon tells his young friend. Fear not, he has not failed. All that he has dreamt has come to pass. “I can’t lose him! He’s my friend!” Merlin cries. Some lives are foretold, Kilgarah counsels. Arthur is the Once and Future King. When Albion’s need is greatest, Arthur will rise again. Merlin throws Excalibur into the lake, caught by a hand. Again, we cry alongside Merlin as he lays Arthur to rest in a boat and sends it to Avalon. Gwen is crowned queen; Leon, Gaius, and Percival are alongside her in Camelot. The parting shot of the show is a truck passing the tower on the Isle of Avalon and an old man, Emrys, walks along the side of the road.
Gosh, the last two episodes hurt. Part of me expected, hoped, that it would turn out different than legend, that Arthur and Merlin would work together and see the fruits of their labors. There is a chance that Gwen was carrying Arthur’s child at the end, maybe the writers threw in her accompanying Arthur to the camp in order for that to be a possibility. I have no doubt she made a just and wise ruler, but it’s not the same as if Arthur would have been around. Yes, it’s a deviation from legend, but I prefer a happy ending where heroes get some peace and quiet and rewards. You make us love these characters and then you separate them. We have no idea if Merlin even returned to Camelot, or just stayed away. (Check out fanfics, we’ve got lots of ideas. And fixes!)
Heck, I was even beginning to hope that Mordred would turn out alright. Again, doesn’t follow legend, though I like how they wrote around the incest nature of Mordred. And Merlin’s reveal has so little time to sink in. (Again, check out fanfics!) I would have preferred at least another season to the show. Again, I think they were surprised at when they had to wrap and had to bring about so much to end it, it all ended up rushed. Did not like Gwen’s storyline for several episodes. You’ve already done the “Gwen is a threat to Camelot.” They keep her a good character since none of it is her actual fault, she’s always influenced by Morgana. Still haven’t gotten over her turn and sudden descent into madness. “Oh, I’m a witch, so I must turn evil.” I don’t buy it. Never bought that mentality. (That is why my female characters who have magical powers are good. Well, they fight bad ones, but they’re still good after wielding phenomenal power).
I still like the show and I love the portrayal of characters, most specifically the relationship between Arthur and Merlin. Banter is my favorite. Yes, they insult each other, but they genuinely care for each other and they see that, even though they don’t say it (until the end and that makes us cry). I just wish it had ended different. Please, BBC, do a movie!
Next Time: Continuing a bit with fantasy type movies, Knight’s Tale (Well, it fits with the medieval setting).
I finally gave in. I have now seen all of Game of Thrones; I managed in about a week and a half, though considering I started on Memorial Day and had the day off and there are only ten episodes at most per season…this is also coming from the young lady who managed to catch up on nine seasons of Supernatural in about a month. When I get hooked on something, I get hooked.
My best friend lent me the DVDs of Seasons One and Two (about a year ago) and I kept meaning to watch them. Circumstances came along that I thought I’d give them a try. I had previously watched the first episode and thus was a bit wary. The rampant nudity, sex, and gore are not to my taste. I figured at the very least I could use it as inspiration as to what I didn’t want to happen in my own series. But I was going to stick it out. And in that respect it has been helpful, crafting my own characters in how they would respond to situations and what sort of elements I may actually want. By the end of season one, I was popping in the first disc for season two. As I was wrapping that season up, I was debating how I was going to watch the rest of the show. And luckily, it was available on demand. While some of the plot points and storylines are not my favorite and as a writer, I would have done things differently (no, haven’t read the books…yet)…okay, let me rephrase; I think there was a less graphic way to tell the story. And while I do like to torture my characters…not that much.
I’m still surprised I liked the show. About midway through season one, I was thinking, “how do my friends like this? There’s so much violence and how can the women stand seeing all those nude scenes?” Then, as with other series I’ve come to love, I want to know what happens. Maybe not for everyone, but I quickly came to care for certain characters. And yes, I concur with many fans that the last two seasons were not the best. But that often happens with series in my experience; the middle seasons tend to be the best honestly; they’ve built the world and situation and the characters have a chance to grow. Then things get complicated when it’s time to wrap it up.
Before I proceed further, just in case you have not had a chance to see the last season yet, be cautious of spoilers. And now, what you probably all are interested in and what every fan debates: what do I think of so-and-so or a specific episode or what happened, etc, etc, etc.
My favorite episode of Season One is the very first; “Winter is Coming.” Watching the episode again after the series finale makes me want to cry at points; seeing everyone happy. Watching Jon say goodbye to family members he’ll never see again. Him hugging Arya. I chuckled when Jon got to the Wall and just handily beats any of the other recruits. He’s barely trying. Ned tries through season one to do the honorable thing, but he doesn’t know how to play the game. Heck, I hate the game; and this is why I hate politics. When Ned dies in the penultimate episode, I was too shocked to cry the first time; even though I knew it was coming (also, it fits with the joke that he dies in everything). Poor Sansa, having to witness it and plead for her father. Arya is luckily spared the actual sight, but I can tell her journey is only just beginning.
By Season Two I was more closely following the story of Jon Snow. The backstabbing of King’s Landing continued to annoy me; more for a want to beat them all with a stick and make them behave like proper people. I was a bit horrified at the effects of Wildfire. I cheered for Tyrion to lead the men. And then Cersei was the cruel person she always is. Season Three is when I really started liking the show. I found Jon’s interactions with the wildlings interesting and was entranced by his relationship with Ygritte, especially “Kissed by Fire” and afterwards. I did remark that Jon Snow was a stupid boy when he left her. “I didn’t have a choice,” well, you could have chosen to take her with you. Glad he didn’t die though. And Bran and Rickon were so close to Jon!! Gah! Wouldn’t have helped Jon any, but I just want their family back together. Jamie underwent some good character growth, I think Brienne is good for him. She’s not my favorite character, just due to being stuffy most of the time. I was rendered shocked and speechless the first time I saw the Red Wedding. I didn’t cry. Now, I don’t watch because I know I’ll cry. Horrible. Simply horrible. And Arya was so close! I had hoped that she would reunite with her family then, though it was good that she didn’t. Hurray for the Hound for getting her out of there, though she had to see her brother’s mutilation. I agree with her idea of stabbing them, maybe not so gory.
Season Four I enjoy for the Jon storyline. My favorite episode of the whole show is “The Watchers on the Wall.” I enjoy a good fight sequence (one of the reasons I will repeatedly watch Lord of the Rings. And parts of the second How to Train Your Dragon movie). Jon kicks butt!! Woo! And then I was heartbroken when Ygritte died. I hoped for a minute…and Olly ruined it. That’s probably when I started to not like the boy. Tywin is still horrible. Jamie continues to show a good character arc; I like his interactions with Tyrion. They’re true brothers and just shows Tyrion that his whole family doesn’t hate him and Jamie is trying to get out from under the thumb of Cersei. Honestly, Arya should have gone with Brienne. I understand why she didn’t, but I was hoping. And again, she was so close to meeting up with Jon! And so close to Sansa and didn’t know it.
Season Five continued to be good for the most part. I still want Arya anywhere but where the Faceless Man is. I’ve never trusted Melisandre and the first time I cried for the show was when she burned poor Shireen. The religious order that takes over King’s Landing can go crawl back into whatever hole it sprang out of. I did feel genuinely sad when Myrcella died; she was innocent, sweetly in love with her prince and had nothing to do with her mother’s plots. As a loyal follower of Jon Snow, I agree that saving the Free Folk was the right thing to do with the White Walkers pressing down on them. He made a good Lord Commander and this is why heroes always need a Sam. And I believed Olly the first time through, when he said Benjen Stark had returned. Then I gasped alongside Jon when Thorne shoved a dagger into him. And I cried (even though I knew Jon was in later seasons; on the one hand, a drawback to watching the show after everyone else, you don’t get to be fully surprised. On the other hand, not quite as stressful). And immediately started Season Six.
Still don’t trust Melisandre, but at least she brought Jon back. I cheered for the few men who stood alongside Jon and aw, those hugs afterwards. Favorite scene from season six is Sansa’s and Jon’s reunion. Finally, two Starks are back together! Now, go get the other ones. The Battle of the Bastards was epic (I’ve watched some of the behind-the-scenes bits and yes, I agree very cool, it will personally never top Lord of the Rings for me). Gotta say though, that the production team does an excellent job; they’re pulling out battles that would be the centerpiece of a two-three hour movie for an hour-long show. It was a bit terrifying when Jon was almost buried alive. Yeah, the ending, Ramsay, you had that coming. You killed Jon’s baby brother mere feet from him, yes, he will pound you to a pulp and we will sit back and cheer. Sansa was poetic in her justice. I cheered when Jon became King of the North. Lyanna Mormont is an awesome young woman. Theon has redeemed himself by rescuing Sansa, hurrah. The flashbacks to a young Ned Stark are endearing. I want to hug Arya and drag her back to Winterfell. I silently cheered when she hid Needle when she was ridding herself of her old identity, silently pleading, “Jon gave it to you.” Cersei has finally lost it, blowing up a holy building. That was the real turning point in the storyline that almost turned me from the show, aside from I wanted to find out what happened to Jon and his siblings. Cersei can go rot. But hey, if those Sparrows or whoever hadn’t shown up, probably wouldn’t have happened.
My dislike for Daenerys hiked with her initial treatment of Jon in Season Seven. Lady, there are more important things going on in the world than someone calling you “Your Grace.” I object to Jon’s decision to bend the knee, but I can’t hate him too much because once again, he’s trying to save lives. The battle beyond the wall was intense; they keep a tight grasp on my heart, putting Jon in danger constantly. Sad to see a dragon go and horrified to see it with blue eyes. Finding out that Jon is actually the son of Lyanna Stark and Rhaegar Targaryen was a bit of a shock (though, I had read a few things ahead, so I had a feeling). The Targaryen family tree confuses me, trying to remember whom is whom and related to whom. Though, cheers to Gilly for actually being the one to discover the loophole, that Rhaegar had annulled his previous marriage. Sam, you should give your wife some credit.
We have come to the point where, if you haven’t seen the final season, feel free to skip down to “The Maesters…”
I noted that when Jon and Daenerys ride into Winterfell in the Season Eight opening, the music playing is “The King’s Arrival,” which was used all the way back in the first episode when King Robert arrived in Winterfell. Hurrah, Baleish is dead! Hurrah, Arya and Jon are reunited and I want to cry. Wish Bran acted like himself. Sansa admittedly makes a good ruler and I kind of like how she dislikes Danerys, mainly on behalf of her brother. And I actually cheer that Jon attempts to steer clear of her once he finds out their relation. The battle was epic and Arya was awesome! And that duel earlier against Brienne was also cool! Gosh, cried during the funerals, but I adore the scene afterwards when everyone is celebrating. Love that kind of thing and Tormund is hilarious and adorable. Thought we were going to lose him last season beyond the wall.
And here it comes; I dislike the last two episodes. Now, would I ever sign a petition or even seriously suggest that the writers re-do them? No. I side with the cast that the crew put in a lot of work and we should not ask more. Should it have been written better from the beginning? Yes. But too late now. However, that is why fanfiction exists! Cersei should have run when she had the chance. Cersei actually should have done a lot of things different for a while. I think the death of Joffrey started her downslide. The Hound and Mountain battle was gruesome. Tyrion crying for his siblings was heartbreaking. I kept wanting Arya to find Jon. And poor Jon, his men turning into raging monsters. Never been fond of Grey Worm and his actions in the city clinched that. Jon killing Daenerys was noble and I feel bad that he was the one who had to do it. Grey Worm left, goody. I hate that Jon was banished. He’s the King of the North and sacrificed so much and he’s thanked by being sent to the tundra. I cried more when Jon left Ghost to go South then other characters’ deaths, and was so happy they were ultimately reunited. Arya shouldn’t have left. Yay, she gets adventure, but I feel her family still needs her. Sansa will rule fairly, but she’ll be made kinder if she has her siblings around. The ending political debate was a bit funny between characters that we’ve come to admire.
The Maesters as a whole turn out to be a bunch of gross old men who stick their heads in the sand. Maester Amon at the Night’s Watch was cool and I felt bad when he died Maester Luwin from Winterfell was kind of cool too. I dislike heavy religious overtones and the whole bit with the militant Religion of the Seven (or whatever) honestly pissed me off. When someone becomes so self righteous…
I feel bad for the Night’s Watch. They have a noble purpose but have been degraded so much. Slynt was horrible, deserved to die, most especially for his dereliction of duty during the battle at Castle Black. After he puffed himself up so high and mighty. I have mixed feelings about Jeor Mormont. Overall, a good person, but I do side with Jon Snow that his acceptance of Craster does not sit right with me. Did he deserve the mutiny? No. Are those who mutinied against him wrong and evil? Yes. Jon’s friends are good lads. Samwell Tarly just proves that when you into danger, take a Sam with you. And further proof that book knowledge is just as important as brawling. Jon’s a good enough man that he recognizes that. And Sam’s adorable with Gilly and the baby. A wee bit dense at times, but he’s a man. I wanted Olly to work out, but I could see he wasn’t able to see the whole picture when Jon brought the Wildlings south. And it was a jab in my heart when he dealt the killing blow in the mutiny. Disliked Thorne from the start. Now, he was a well rounded character. A mean man, but he understood duty. He stood aside and let the lads take Slynt when the other stood against the rightfully elected Lord Commander Snow. He had grudging respect for Jon once the younger man proved himself. He took good command during the attack on Castle Black. He honestly felt he was right to mutiny; my argument compared to his is that, if you felt he did what he thought was right, why did you kill him?
I respect Mance Rayder. I understand why he didn’t kneel, but I don’t agree with it; I side with Jon. Again, Jon was an honorable man to save Mance the agony of being burned alive. Tormund is hilarious; I love him and love the relationship he developed with Jon. He glomped Jon and interrupted his reunion with Edd. And his comment to Edd “I’ve always had blue eyes!” made me chuckle in the middle of a tense moment. And I adore the scene after the Battle of Winterfell during the feast between Tormund and Jon, toasting and cheering. Even before Jon returned to Castle Black, Tormund cared about the little crow and tried to keep him alive. Ygritte was awesome! Well rounded character, badass, but her intimate scenes with Jon Snow made me all squishy inside. I ship her with Jon Snow more than anyone else. (And I think it’s adorable that the two actors married each other!)
King’s Landing crew: Renly should not have made a big for kingship, he was not suited for it. I couldn’t decide for several seasons if I trusted Lord Varys, but I ultimately believed him when he said he fought for the realm, for the little people. Grand Maester Pycelle was creepy. And you could tell he was in the pockets of the Lannisters. Qyburn was also creepy. Quite honestly, I fast forwarded through some of his scenes because I could tell I did not want to watch. Littlefinger was a manipulative bastard; I kept hoping he would die. He did finally get his just deserts.
The Lannisters: There are times I almost respect Tywin. He was a reasonable master to Arya when she was at Casterly Rock. He treated all of his children horribly, though. But was determined to bring Joffrey into line. Tyrion is the kindest of the bunch, has some snappy one-liners (he’s my friend’s favorite character). He was genuinely kind to Sansa, even before they were married and was a friend to Jon. He did make mistakes, but he was honest about them. I respected Cersei more at the beginning of the show; I could see she was politically astute. There is something about the way her face looks and way she speaks at time that she reminds me of Keira Knightley in Pirates of the Caribbean. But then power made her crazy. I wanted to hate Jamie; he pushed a boy out of a window in the first episode! Then he had character development once he teamed up with Brienne of Tarth (and lost the look of Prince Charming from Shrek). And I would feel sorry for him. Then he’d do something that reminded me he could be a horrible person. Bronn was good when he was with Tyrion, but I always knew he was mainly in it for the money. Pod was kind of adorable; a decent character who got back up every time someone shot him down (mainly Brienne, but she came around in the end). Once Brienne loosened up, I got to like her better. The narrow worldview of “duty and honor” can be a bit off-putting. And Tormund’s crush was hilarious. I’m glad she hooked up with Jamie. And the duel between her and Arya was awesome!
The Tyrells: Mace is a simpleton. Loras was kind and honestly would have made a decent husband to Sansa. I liked Margaery, at least until the whole fiasco with the Religion of the Seven. She came back for a glorious moment. She and Olenna were kind to Sansa and were a good way for her to get out of King’s Landing; pity it didn’t work out. Olenna was sassy and savvy. And their sigil looks a dead ringer for the Tudor rose (which I find a wee bit ironic since the actress who plays Margaery portrayed Anne Bolyen in The Tudors).
The Greyjoys: The father was cruel. I got to like Yara as time went on. I initially didn’t trust Theon, he was kind of mean from the get go and could kind of tell he was out for himself. Then he betrayed the Starks and I wanted him dead. Then he was tortured (again, I honestly fast forwarded through a lot of that because “nope, don’t need to sit through that bit”) and yeah, at the very beginning, he kind of deserved it. Then it went too far. And I pitied him by the time Sansa returned to Winterfell and was genuinely sad when he died. That is a pairing that could have worked out.
Targaryen supporters: I have the unpopular view that I am not fond of Daenerys. She wasn’t as outright insane as her brother, but certainly by the end. She started out as a reasonably moral character. She found some happiness with Khal Drogo (I liked it when he supported her bid for the throne and they would call each other moon and stars. I was sad to see him die, particularly so early in the series). But when she started to use violence or threaten it to get her way, that’s when I saw her true character come out. And I strongly dislike her insistence that Jon Snow kneel to her and be demoted from King of the North. I do like Ser Jorah Mormont (it took me a little bit to realize the connection between him and the Lord Commander of the Night’s Watch). He’s got a good head on his shoulder and really, Daenerys shouldn’t have been so black-and-white about his original spying on her; it was before he got to know her and fall in love. If he had been around more at crucial points, she might not have made some of the mistakes that she had.
My favorite house is Stark. They’re noble and good; but human, they make mistakes. Not the most fond of Catelyn, mainly for her treatment of Jon. I don’t think she should have left Winterfell. She jumped into action without thinking of what to do down the road. Aye, it was nice for her to join up with Robb, but her youngest two needed her more. Poor Rickon, there’s not much of a chance to get an opinion on him. He was loyal to Bran and ultimately died a horrible death, within a hand’s reach of hope. Bran was cute when he was younger; I don’t like him as the “Three-Eyed Raven.” Too emotionless. I pity Sansa when she’s held prisoner in King’s Landing and her marriage to Ramsay Bolton is a toss up to whether it was worse than marriage to Joffrey would have been. She learned to play the game and so I can’t trust her fully. Arya is badass, which is cool, but she went through so much. Here is where I would say, you can make someone badass without doing all that (though I may not be entirely innocent in what I’ve put characters through in my stories). So I can’t trust her fully either, not a trained assassin. And I think she should have stuck around at the end. I respect Eddard, though as stated previously, he didn’t play the game well. He was trying to be honorable in a dishonest place. For all that King’s Landing will spout their admiration of honor, it’s full of cutthroats. He raised his children well; they remember his teachings long after he’s gone. I genuinely like Robb. Again, he made mistakes. But I put more of the blame of the Red Wedding on the Lannisters and Freys. Aye, he gave his word, but he fell in love. He made the decisions he thought were right.
It’s probably not a surprise that my favorite character is Jon Snow. He lives by Ned Stark’s example, always trying to do the honorable thing. He spends time amongst the Free Folk and realizes they’re no different and ultimately befriends them. He is born for leadership, but is smart enough to not want command or the crown, but he’ll do his duty and he’ll do it well. I did not like his relationship with Daenerys. On the one hand, glad he’s happy, on the other hand, I don’t trust her. She barely listened to him and he has to trail along picking up the pieces.
Let’s play a game: Hey, It’s That Guy! Game of Thrones is filled with actors that I have seen elsewhere.
Karl Tanner (the Night’s Watchman that betrays Joer Mormont) is played by Burn Gorman who played Owen Harper in Torchwood; he wasn’t a terribly kind character in that show either.
Orell, the warg of Tormund’s Wildlings is played by Mackenzie Crook, Mr. Ragetti from Pirates of the Caribbean.
The High Sparrow is also familiar from Pirates of the Caribbean, Governor Swann, played by Jonathan Pryce. Pryce also plays the villain in Tomorrow Never Dies.
Osha, the Wildling woman who protected Rickon and Bran, is played by Natalie Tena, Nymphadora Tonks from Harry Potter
Other Harry Potter cast mates include David Bradley who plays Walder Frey here, was Argus Filch in Harry Potter. Knew we shouldn’t have trusted him.
Michelle Fairley, who plays Catelyn Stark, briefly appears as Mrs. Granger in the first part of Deathly Hallows.
Archmaester Ebrose is played by Jim Broadbent, who in addition to being Professr Slughorn in Half-Blood Prince and Deathly Hallows, was Professor Diggory Kirke in The Lion, The Witch, and The Wardrobe. He’s also appeared in Kingdom of the Crystal Skull and Moulin Rouge.
Of course, we recognize Jason Momoa now from Aquaman and Justice League, who played Khal Drogo
Edmure Tully, the bit dim brother of Catelyn Stark nee Tully is played by Tobias Menzies, who plays a double role of Frank Randall and Black Jack Randall in Outlander, and it looks like Philip, Duke of Edinburgh on The Crown.
Jojen Reed is played by Thomas Brodie-Sangster, who we’ve seen as young Tristan in Tristan and Isolde, Romulus Augustus in Last Legion, and he too was part of Doctor Who.
Incidentally, he’s in the same episode as Harry Lloyd, who plays Viserys Targaryen. Lloyd was also Will Scarlett in BBC’s Robin Hood series.
Let’s not forget “Holy crow, it’s Mycroft!” Yep, Sherlock‘s Mark Gatiss (both a creator and actor of the show) pops up every once in a while as a member of the Iron Bank. Mark Gatiss is also in the recent Disney film Christopher Robin and acts very Mycroft-like (as in, no fun).
Davos Seaworth, probably the most sane man in the bunch, is played by Liam Cunningham. As many others in the cast, he’s been in BBC productions including Merlin and Doctor Who. He was Agravaine in First Knight and was in 1995’s version of A Little Princess.
King Beyond the Wall, Mance Rayder, is played by Ciarán Hinds. He does play Albus’s brother Aberforth Dumbledore in Deathly Hallows, but I know him more from Phantom of the Opera and Amazing Grace.
Margarey Tyrell, who marries both Joffrey (extremely briefly) and Tommen is played by Natalie Dormer and played another famous queen, Anne Boleyn in The Tudors (also had gratuitous sex, though not as much violence). She did appear briefly in Captain America: First Avenger.
Her father, Mace Tyrell, is played by Roger Ashton-Griffiths, who was Friar Tuck in Princess of Thieves amongst other roles.
Stannis Baratheon’s wife, Selyse is played by Tara Fitzgerald, who portrayed Marie de Medici (Louis’s mother) in BBC’s Musketeers; not a warm-hearted woman there either.
Also jumping over from Musketeers is Alexandra Downing, who briefly plays Edmure Tully’s Frey wife, but shined as Anne of Austria in the swashbuckling series.
Famous name Clive Russell is Blackfish Tully, Catelyn’s uncle.
Another famous name is Julian Glover, who plays Grand Maester Pycelle.
King Robert Baratheon is played by Mark Addy; he was Roland in A Knight’s Tale and Friar Tuck in Russell Crowe’s Robin Hood.
Also from Robin Hood is Max von Sydow who was Walter Loxley there and plays the Three-Eyed Raven here. He has credits going back to the fifties.
Sassy Olenna Tyrell is played by Diana Rigg, who has a credits’ list going back to the sixties, but most recently has appeared in Victoria and a small part in Doctor Who (her character in that was very creepy; I prefer her as Olenna).
Charles Dance, who played head of the Lannister House, Tywin, appeared in BBC’s Merlin as the Witchfinder. Not a likeable character and bound and determined to ruin people’s lives.
Donald Sumpter, Maester Luwin of Winterfell had a small role of the Fisher King in Merlin as well.
Joe Dempsie, who plays Gendry, was also in Merlin, as Merlin’s best hometown friend, and he was also in Doctor Who.
Tom Hopper, the second version of Dickon Tarly, is Sir Percival from Merlin.
Ygritte was played by Rose Leslie, who appeared as Gwen Dawson, a servant in the first season of Downton Abbey.
Jorah Mormont is played by Iain Glen, who also appeared in Downton Abbey, but a season after Rose, as Sir Richard Carlisle, a potential suitor for Mary. He also was in Doctor Who as Octavian, fighting against the angels, and appeared in The Last Legion and Kingdom of Heaven.
His father, Jeor Mormont, Lord Commander of the Night Watch, is played by James Cosmo. He’s very kindly as Father Christmas in The Lion, The Witch, and the Wardrobe. He’s been in other historical action films like Troy, The Last Legion, and Braveheart. (He was in Highlander, but I cut out on that movie twenty minutes in) and appeared in Castle, Merlin, and a version of Ivanhoe.
Ser Alliser Thorne (pain in the ass Night Watch Commander) is portrayed by Owen Teale, who has several credits to his name. He’s recently been in the biopic Tolkien (I highly recommend), appeared in Last Legion, King Arthur, and Torchwood.
Sansa Stark is played by Sophie Turner who is now the younger Jean Grey/Phoenix in the newer X-Men films (she does not appear in the same segment as Peter Dinklage; they missed each other by a movie).
Tyrion Lannaster is famously played by Peter Dinklage who has appeared in the Avengers and X-Men franchises, and plays the no less sarcastic dwarf Trumpkin in Prince Caspian.
Noble Robb Stark is played by Richard Madden, who recently appeared in Rocketman (another movie I recommend), though sadly Richard Madden’s character turned out to be not nice, so I put on Disney’s live action Cinderella (he’s Prince Kit, which now makes me chuckle), so I could see him be a good guy.
The only other credit I know Kit Harington, the brooding Jon Snow, from is voicing Eret, son of Eret in the latter two How to Train Your Dragon movies. I am interested in checking out some of his other credits.
And if you lot don’t know Sean Bean, as honorable Ned Stark…He’s Boromir from Lord of the Rings, Zeus in Percy Jackson, Odysseus in Troy, stars as Sharpe in that collection of films, the antagonist in the first National Treasure, the villain in GoldenEye opposite Pierce Brosnan (one of my favorite Bond films, and I think the first one my parents got me to watch) and the villain in Patriot Games opposite Harrison Ford (my favorite Jack Ryan movie; I should read that book sometime).
I would love to hear your thoughts on the show. Considering I am re-watching it and want the series on DVD, I believe it is safe to say I enjoyed it. What’s your favorite season? Episode? House? Character?
My plan is to finish up Merlin, then take another (hopefully) brief hiatus to work on some other writing, though if I manage to balance well, mayhap I will post some movie reviews at the same time.