I know I said Master and Commander was next after the end of Sherlock, but sadly, I cannot find my copy. So I moved on to what turns out to be the last of what I’m calling the “historical” movies. Hidalgo stars Viggo Mortensen, fresh from his big role as Aragorn in Lord of the Rings. Which is why I watched the movie, to be honest. Viggo impressed me in Middle Earth and this story had the added bonus of being about a horse. As many other girls, I went through a phase where I was really into horses. I read book series about riders; I wanted to ride a horse, and in the wake of Lord of the Rings, bonus features showed that Viggo had a connection to his horse on set…we can see what got me to go to the theatre. Which is probably what marketing people were banking on.
The film, which claims to be based [loosely] on the life of Frank T. Hopkins, opens in late December of 1890. Frank and his mustang horse, Hidalgo, have just won another long distance race. But Frank also works as a dispatch rider for the American military. He is sent with orders to Wounded Knee Creek…we can already tell where this might end. Frank seems sympathetic to the Natives, but rides before the first shot is fired. Hidalgo hears the commotion and turns back. Short time jump to eight months later, during one of Buffalo Bill’s Wild West shows, and Frank is drunk during a reenactment of the event, skewed towards making the American military look good and portraying the Natives as wild and bloodthirsty.
Buffalo Bill and Frank have a visitor, from the Middle East. Their land is famed for its pure horse breeding practices and hold the title for greatest endurance horse racer, which Bill has bestowed upon Hopkins and Hidalgo. If Hopkins will not allow the title to be removed, they challenge him to a 3,000 mile race in the Arabian desert, referred to as the “Ocean of Fire.” Hopkins is prodded into accepting and embarks on a ship to get there. He meets a Major Davenport and is (much younger) wife, Lady Anne, who has a thoroughbred mare entered in the race.
Once at the race, Hopkins meets the Sheikh, who sadly only has a daughter left, Jazira, who is intended to marry the prince that is riding the prized Al-Hattal if he wins. The Sheikh also has an interest in the Wild West. They almost strike up a friendship, but it is also clear that no one expects Hopkins and Hidalgo to survive the race, much less win. Several people offer him chances to drop out, but Frank is a bit stubborn. Against a competitor paying to deprive him and his horse of water and a sandstorm, Frank and Hidalgo make it to the half way point. The Sheikh’s nephew (cough-evil-cough) pops in and lo and behold, a raid happens later that evening; an attempt to steal Al-Hattal, though they do get away with the breeding book and the daughter. The Sheikh asks Hopkins to get Jazira back (and he’ll forget the little incident of Jazira visiting his tent [she’s fascinated by the foreigner and wishes to help so she doesn’t have to marry the prince]). A bit of a shoot-out later, and Hopkins returns with Jazira.
The race continues (and Lady Anne and the nephew are in league with each other; she wants her mare to win so she has breeding rights to Al-Hattal; they intend to kill Hidalgo). One of the other competitor’s falls into a pit…quicksand or tar, not entirely sure. Race rules dictate that no one helps him, but Frank ignores that command. Which helps later when Hidalgo and Frank fall into a spear pit. You may want to look away when Hidalgo gets hurt and Frank has to get him out. Frank’s new friend comes back to help, but sadly is killed moments later. Frank gets some satisfaction for putting the evil nephew in another spear pit, his parting words, “nobody hurts my horse.”
Then Frank almost gives up. Hidalgo is badly hurt. They are far from anything familiar; they’re in a hostile land where people want to kill them. Then he hears a Native chant. He remembers his past, his mother (a Sioux woman; his father had been a cavalry man who had fallen in love with her). Frank joins the chant and gains strength from another people who held the horse sacred, just like the Bedouin. The last two competitors pass him. Frank gets back on Hidalgo, who has stood up from collapsing and it’s a race to the finish. At first, Lady Anne’s horse is in the lead, followed by Al-Hattal, then Hidalgo. Then Al-Hattal takes the lead. Hidalgo passes Lady Anne’s horse and makes a move on Al-Hattal. Our heroes win the race!
Frank returns to America just as the American military is rounding up all the Native’s mustangs, with the intention of shooting them. The Native chief from earlier in the movie who had motivated Frank has sadly passed, but had mentioned the plight to Frank and Buffalo Bill. Frank has one more dispatch; the price for the mustangs has been paid in full [the large prize money]. The mustangs are set free, and Frank lets Hidalgo go. The film finishes by stating that Frank Hopkins was “an outspoken activist for the wild mustang until his death in 1951 at 86 years old.”
I still enjoy the movie. It is very roughly based on some true events, but it is ultimately a story that we want to have happened. We love when an underdog triumphs; we want Hidalgo to beat all those pure bred horses and prove everyone wrong. Viggo was amazing. He learned Elvish for Lord of the Rings and he has a similar quality when speaking the Sioux language.
Next Time: Time to start some romantic movies. First, a few with a more historical base, starting with Shakespeare in Love.
The final season of Sherlock, so far. Not terribly sure we’ll get another season, since Martin Freeman and Benedict Cumberbatch are both busy with other projects. This is not my favorite season, but I guess the ending is somewhat satisfying. The Six Thatchers picks up where season three ended, Sherlock is back in England to solve the final Moriarty mystery. In the meantime, while he waits for clues, he continues to solve cases. And Mary and John’s baby arrives, a little girl they name Rosamund Mary, “Rosie.” I adore the scene where Sherlock is minding Rosie and speaks in eloquent sentences that boil down to: “If you’d like to keep the rattle, than don’t throw the rattle.” To which Rosie promptly responds by throwing the rattle back in Sherlock’s face!
Sherlock is put on the case of the mysterious death of a young man in a parked car in England when he was supposedly on vacation a week prior. Turns out, he wasn’t gone, he had hoped to surprise his father at his birthday the week prior, but had suffered some sort of stroke or something and died in the midst of the surprise and wasn’t discovered for a week. But what fascinates Sherlock is a smashed plaster bust of former Prime Minister Margaret Thatcher. A slew of alike busts end up smashed. He stakes out the final bust and confronts the criminal, thinking it’s connected to Moriarty. It’s not, it goes back to Mary and her past as an agent. Her team was betrayed on their last mission and the only other survivor thinks it was Mary’s fault. it wasn’t, but Mary doesn’t want to put John and Rosie in danger, so she sneaks away, using her old skill set. Sherlock and John track her down and the old teammate dies when the police interrupt their discussion.
Sherlock promises to keep Mary safe and they all return to England. Sherlock first suspects Lady Smallwood, then realizes it was her secretary. He confronts her, as does Mary. The woman essentially did it for money, pulls a gun on Sherlock and Mary and hopes they will let her go if she promises to stop. Sherlock annoys her, but Mary jumps in front of the bullet. Mycroft, Lestrade, and John are on the scene. Mary apologizes to Sherlock for shooting him last year; they’re even now. She dies in John’s arms. John’s anger and grief are a bit hard to watch (meaning wonderful acting).
At home, there is a disc that arrived for Sherlock, labeled “Miss Me?” We all think it’s from Moriarty. No, Mary, getting Sherlock’s attention. She has one last case for Sherlock, save John Watson. Except, John doesn’t want to see Sherlock.
This carries over to The Lying Detective. John has gone to another therapist and during his session, a fancy red car shows up. Then we jump to Culverton Smith (played by Toby Jones; we’ve seen him in Ever After, Amazing Grace, The Hunger Games and the Captain America movies as Dr. Arnim Zola. He was the Dream Lord in an episode of Doctor Who during Matt Smith’s stint as the Doctor; he has also voiced Dobby in Harry Potter) hosting a gathering of his friends; he wants to confess something. Honestly, he creeps me out from the start. From there we see that Sherlock is not doing well separated from John. Smith’s daughter approaches him; she wants Sherlock to stop her father, he wants to kill someone. But Sherlock is off his game, he’s not able to keep up with his brain. Though he comes around in time to stop the woman from killing herself with the gun in her purse; and gives an excellent message (still reeling himself from Mary’s death):
Taking your own life. Interesting expression, taking it from who? Once it’s over, it’s not you who’ll miss it. Your own death happens to everyone else. Your life is not your own, keep your hands off it.
And Sherlock, well, Benedict, is rather impressive quoting Henry V‘s “once more unto the breech” speech. At that point, Mrs. Hudson coerces Sherlock into the trunk of her red sports car and drives to John, bringing us back to the start of the episode. Then they meet Culverton Smith and follow his day to a hospital, where the man creeps everyone out asking about serial killers (Sherlock had accused him of such on Twitter earlier). Sherlock hopes that Smith’s daughter will help put the nail in the coffin of his accusation, then it turns out the woman he met was not Smith’s daughter. Sherlock is very high at the moment. Smith won’t press charges, but he’ll take care of Sherlock.
John (after he beats up Sherlock a bit, Sherlock is fine with he, he did kill Mary) meets up with Mycroft in Sherlock’s flat. Mrs. Hudson takes control of the situation; she understands Sherlock where the other two men do not. Sherlock is emotional; that’s why he shoots the wall and stabs a problem. There is another disc, waiting for John. She orders Mycroft’s team out, and even Mycroft Holmes himself: “Get out of my house, you reptile.” John watches her message to Sherlock (he’s been seeing her ever since her death. It’s rather funny when “Mary” points out what Sherlock is doing to John and that what she is saying is John’s own brain). For Sherlock to save John, he must go to Hell; John will save him and in saving Sherlock, will save himself.
Back at the hospital, Culverton Smith has snuck into Sherlock’s room. Sherlock reveals that he wants Culverton to help kill him; increase the dosage on the drugs. But that takes too long for Culverton; smothering will be quicker. John bursts in at that point. Sherlock has managed to capture Smith’s confession in a listening device in John’s cane. Once in Baker Street again, “Mary” urges John to remain with Sherlock. Emotions come out and are dealt with. John reveals that he was cheating on Mary; he was texting a woman from the bus. It never went farther, but he wanted it to. And John urges Sherlock to respond to Irene Adler because he knows there is no guarantee how long you have with someone. John breaks down and Sherlock hugs his friend.
Things are better. Sherlock and John solve cases, Sherlock wears the hat. There may be a “thing” between Smallwood and Mycroft, interesting. John visits his new therapist again. She brings up the secret Holmes sibling that has been hinted at for years. Turns out the therapist was the woman that Sherlock met and talked out of suicide and she was the woman from the bus that was texting John. She is Eurus (the East Wind), the Holmes’ sister. The episode ends with her holding a gun on John.
The Final Problem is Eurus. Sherlock gives his elder brother a fright in his own home in order to make deductions (part of that may have been influenced by John). Though we do discover that inside Mycroft’s famous umbrella is a sword! Then a pistol! (Though, why is there a clown?) Mycroft reports to Baker Street the next day and finally reveals that Eurus is indeed the youngest of the Holmes’ siblings. But Sherlock doesn’t remember her. Childhood trauma, Mycroft explains. Sherlock blocked it. Eurus is a quantifiable genius, but she didn’t process things the same way as most people. She locked up Redbeard and wouldn’t tell anyone. Then she set fire to the family home. She had to be locked away. Mycroft eventually told his parents that she started another fire and died. Instead, she’s in Sherrenford, a maximum security prison. A drone flies into the flat with a motion sensor grenade. The three men wait until Mrs. Hudson is out of danger, Sherlock even brings up the possibility of John calling his daughter but there is no chance, then they move. Sherlock and John leap out a window and Mycroft is to make for the stairs.
Sherlock gets to be a pirate for a moment and commandeer a boat to get to Sherrenford. John is taken into Sherreford with a sea captain, who turns out to be Mycroft. Sherlock is already disguised as a guard and makes his way down to meet his sister. Mycroft berates the governor of the prison for the compromise in security; obviously Eurus made it out of the prison against his orders. And there was a psychiatric exam against his orders as well. Eurus can reprogram people, never to good results. This unfortunately includes the governor of the prison. And there is no glass on Eurus’s cell. She attacks Sherlock.
Mycroft’s Christmas gift is revealed to have been an unsupervised five minute conversation with Moriarty. Moriarty recorded lots of things for Eurus. (Yeah, not a good idea to put the two most dangerous psychopaths in the same room, especially when they both have a vendetta against Sherlock.) Eurus is now in control of the facility and has a series of tests lined up for her brothers and John. She is testing Sherlock’s emotions and logic First, either Mycroft or John will have to shoot the governor in order to save his wife. Mycroft refuses. John accepts, but ultimately can’t do it. The governor does it for them, but that breaks the parameters and Eurus shoots his wife anyway. Next, Sherlock is to solve a case with little information and pass judgment on three brothers for a murder. Eurus in due course kills all three, not understanding the hesitancy to take someone else’s life. Next, Eurus has wired explosives in Molly Hooper’s flat. Sherlock has three minutes to get Molly to say “I love you.” Poor Molly. It’s true, she has always loved Sherlock. Molly asks Sherlock to say it and mean it first. And he does. Molly whispers it in return. Turns out, there were no explosives; she just put her brother and a dear friend through emotional turmoil for nothing. Sherlock smashes the coffin in the room. All three men need hugs. But they must solider on.
In the next room, Sherlock is to choose which man to kill; only he and one other can continue on. Interspersed is a phone call with a scared little girl in a plane about to crash. Sherlock can be remarkable with children. Mycroft first tells Sherlock to shoot John, which John agrees. But Sherlock realizes that Mycroft is trying to goad him into killing his older brother. He cannot choose; both men are important to him. They are tranquilized. Sherlock wakes up in the burnt out family home, Musgrave Hall. Now, he has to find where John is trapped; the same place as Redbeard. Though there was one detail that Mycroft never told Sherlock. Redbeard was never a dog. “Redbeard” was Sherlock’s childhood best friend. They played pirates together. And Eurus had wanted to join, but boys being boys, they didn’t let her, so she chained the boy to the bottom of a well and let him drown. The little song she sang comes into play, along with the mismatched dates on the gravestones. Sherlock finds Eurus and figures out there was no actual plane that was about to crash; it was Eurus being scared and confused all her life.
A change comes to Sherlock and his family (which includes John). Sherlock now supports Mycroft, especially when the elder has to explain all that has happened to their parents. Sherlock visits Eurus and they play violin duets; she can never rejoin society, not after all she’s done. There is a sweet scene of Sherlock playing with John and Rosie. The parting words are Mary’s; she has always known what her men are. In the end, it’s all about the legend, the stories, and the adventures of the detective and his doctor. Her Baker Street Boys.
One element that I do like about this season is it humanizes the characters, particularly Mycroft and Sherlock. Sherlock admits that he can get full of himself. He is willing to kill himself to save John, even though he really doesn’t want to die (oh my goodness, whoever has to listen to that recording and hear Sherlock almost in tears saying “I don’t want to die…”) He truly views John and Mary as family. He lets Mrs. Hudson handcuff him to take him to John. And Mycroft is revealed to have always cared for Sherlock, and not just in passing. He protected him from the truth of what their little sister did (I can’t scrounge up too much sympathy for a person who knowingly and willingly let another child die, then wished the same upon their brother). As Lestrade says at the end, Sherlock Holmes is a good man.
The Eurus spin doesn’t quite sit well with me. The reveal of Mary’s old team seemed rushed. And Culverton, while extremely creepy, also seems contrived.
Now, for my favorite part of Sherlock…the fandom!
The Hillywood Show has done a parody video. I’m personally not familiar with the song they parodied, but the video is quite excellent. And check out the behind the scenes videos and video diaries; they filmed on the same location as scenes in the show, to the confusion of some British fans (their make-up is spot on). And Percy Weasley from Harry Potter guests stars at their Mycroft and Osric Chau (Kevin Tran from Supernatural and he has worked with the Hillywood girls before) is their Moriarty. There is a whole slew of other parodies; I started with the two Supernatural videos.
The fans already thought that there was another Holmes sibling long before Season Four, though it was a younger brother. Notice the new, young “Q” in Skyfall? (This is the theory I abide with) Could “Q” stand for Quentin, keeping with the unusual names? Ktwontwo has a whole series written about this family. Another fanfiction author, A Wandering Minstrel, suggests Trevalyan.
And then there is the whole “Superwholock” crossover deal. It’s a combination of Supernatural with Doctor Who and Sherlock. It’s funny, though I don’t quite understand how all three get squashed together. Maybe it’s angels? Sherlock states he’s not one of them, Doctor Who has the Weeping Angels, and Castiel is an angel. Ultimately it may boil down to they were the three most popular shows at the same time for a while.
After the Holidays: We’ll get back to some other historically based movies, starting with Master and Commander
The special 2016 New Year’s Sherlock special we got, set immediately after season three. They do a quick recap, “so far on Sherlock” then pose “alternatively…” All of our favorite characters are back, but set in Victorian England like the original work. We start with a Victorian re-telling of how John and Sherlock met, complete with Sherlock whipping a corpse in the morgue. Some time has now passed and John has been publishing his Sherlock stories in the Strand magazine (which is how they were originally published). The Abominable Bride is a case, briefly prefaced by Mary disguising herself as a client in order to visit her husband. A few comments made about a woman’s place in Victorian England; they are right on the cusp of the right to vote. Lestrade enters with the tale of a woman dressed as a bride shooting into a crowd, then committing suicide. But the strange part is, the next day, she appears in physical form to kill her husband. Molly Hooper poses as a man and Anderson works beneath her (a bit funny). She/he stands up to Sherlock, which is also awesome and reflective of hr progression in characterization. Sherlock begins to wonder if this is connected to Moriarty’s resurrection.
Months have passed and Mycroft calls for Sherlock, though he is humorously obese. Five more murders have occurred and he knows that a woman will be waiting for Sherlock and Watson at Baker Street upon their return. Her husband has been sent orange pips and knows his death is imminent (played by Tim McInnerny, who has appeared in Game of Thrones, Outlander, the live-action 101 and 102 Dalmatians, and Black Adder). John wonders if it could be an actual ghost, Sherlock insists it isn’t. They fail to save the husband. A note is later attached to the body: “miss me?” Some newer phrases start popping into Sherlock’s dialogue, like “virus in data” (this is alongside popular phrases like “the game is afoot;” they changed it to “the game is on” in the new series since most people don’t say “afoot” anymore). Floating newspaper clippings are a stand in for the Mind Palace. And Sherlock’s famous seven-percent solution is openly mentioned. Sherlock confronts Moriarty but finds no answers.
We’re jarred to the present by the airplane (from the end of season three) landing. Sherlock has delved deep into himself, wondering how he would have solved the famous case if he had been around at that time. Mycroft interrupts his younger brother, demanding if Sherlock has made a list. Ever since he found Sherlock years ago overdosed, he has made his brother swear to make a list of everything he has taken. Sherlock was high when he got on the plane; turns out solitary confinement is the worst thing for Sherlock. Mycroft reminds his brother “I will always be there for you.” I adore the sentiment we are seeing; I am a sucker for brotherly relationships [ooo, that gives me an idea of an essay to write]. Moriarty was wrong about Mycroft and Magnuson was correct; the eldest Holmes is not the Ice Man, but Sherlock is his weakness.
Back in Victorian times, word gets to Sherlock and John that Mary is in danger. Sherlock will always protect Mary, of that John can be certain. I also adore that they show Mary kicking butt!. She’s working for Mycroft and has found the heart of the conspiracy. Sherlock proposes that it was a group of women who banded together to extract revenge on the cruel men of their lives. The bride did not actually shoot herself the first time. Which left her able to kill her husband, then had help killing herself so a positive identification could be made. The rest were copy cat killers. There are tricks that can be used to make a ghost appear and in conclusion, the wife killed her husband. But underneath it’s still Moriarty. Sherlock is stuck dreaming between the present-day world and Victorian world. Again, he confronts Moriarty, though at the famous Reichenbach Falls. John comes as back up and kicks Moriarty into the falls. This aids Sherlock in waking up (though he has to fall again).
And he’s back and ready for the case. Mycroft asks John to look after Sherlock and there’s a note in his book about “Redbeard;” that’s been popping up lately. Sherlock knows that Moriarty is dead and he knows what he’s going to do next. A tiny kicker with Victorian John and Sherlock discussing the future; Sherlock has always felt that he was a man out of time. And now we’re ready for Season Four!
A Scandal in Belgravia picks up right where The Great Game left off, in the pool, with Sherlock pointing a gun at a collection of bombs. Then Staying Alive echoes through the room from Moriarty’s phone. He asks to take the call and starts congenial, then becomes angry at what the mysterious caller is telling him; “and know that if you are lying, I will skin you,” he drags out. Turns out for Sherlock and John, “Sorry, wrong day to die,” but warns them he will be in touch. On his way out, still on the phone, he tells his friend, if they’re right, they will be rich, and if they’re wrong, they will become shoes. We see a woman end the call, then ask another mysterious person, “Have you been wicked, your highness?”
John’s blogs bring in clients, advancing the duo, particularly Sherlock, to the status of Internet phenomenon. The press start showing up at crime scenes and Sherlock has to don the infamous deerstalker hat to hide his face. Sherlock attempts to solve a case from home, wrapped in a sheet, while John does the legwork on location. Then they’re both taken to Buckingham Palace. And…Sherlock still can’t bother to put on pants. Mycroft comes in to tell Sherlock he has a new case, but the client must remain anonymous. Sherlock refuses at first, even threatening to walk away while Mycroft holds the sheet (there’s a hilarious blooper of Benedict falling over in one take). He does take the case; the royal family is being threatened with scandal due to a dominatrix, Irene Adler holding compromising photos on her phone. This is the woman from the start of the episode. Irene receives photos of Sherlock and prepares for his arrival while Sherlock prepares to meet her. He has John punch him in the face (which John always hears when Sherlock is speaking, “but it’s usually subtext”) so he’ll appear suitably distraught to gain entrance to Irene’s residence.
Irene shocks Sherlock by entering the room stark naked. He stumbles a bit and can’t read her like he normally does. She further turns the table and asks Sherlock about his latest case; “brainy is the new sexy” (I totally agree). She eventually dons Sherlock’s coat to make John more comfortable, but they’re ploy to find the phone is interrupted by American CIA agents. They threaten John to make Sherlock open the case (the combination is Irene’s measurements) and with a hint from Irene, Sherlock warns his sidekick “Vatican cameos!” so they all duck as a gun takes out their opponents. Sherlock almost gets away with the phone, but Irene drugs him and escapes. She does return the coat while Sherlock sleeps (and reveals the solution to the case, where a backfiring car covers up a boomerang accidentally killing its owner), and also has now programmed his phone to moan sensually whenever she texts. Which hilariously interrupts Sherlock telling Mycroft off for yelling at Mrs. Hudson to shut up.
This transitions into a Christmas party at Baker Street. Sherlock actually apologizes when he embarrasses Molly Hooper, then his mood turns when he discovers that Irene Adler has left her phone, her insurance policy, for him. He warns Mycroft that they will find the woman dead that evening. He and Mycroft identify the body later that evening. Mycroft even offers Sherlock a cigarette which signals that Sherlock is suffering emotional pain. Sherlock tries to unlock Irene’s phone, but only has four attempts and discovers that if the case is forced, measures are in place to destroy the information. John is picked up while he’s out; he assumes it’s Mycroft again, but really it’s Irene. She’s not dead and she needs her phone back. And…Sherlock is listening. he’s in a bit of a daze as he makes his way back to Baker Street, but then he’s frighteningly focused when he discovers that Mrs. Hudson is in danger. The CIA agents are back. The leader is taken away in an ambulance, after falling out the window, several times. Sherlock declares England would fall is Mrs. Hudson ever left Baker Street.
Then he discovers Irene in his bedroom. She has a case for Sherlock. She has an important e-mail she got a hold of that needs decoding. Sherlock manages to crack it in less than a minute. Irene is impressed: “I would have you right here on this desk until you begged for mercy, twice.” Sadly, if we recall, she’s in the league with Moriarty and sends damaging information out. Moriarty contacts Mycroft and Sherlock has just set back a joint operation that could lead to a dangerous group, just to impress a woman. Irene attempts to blackmail Mycroft into her demands, but Sherlock has finally figured out her code to unlock her phone: I AM SHERLOCKED.
This puts Irene in danger. Mycroft visits John later so the man can inform his flatmate that the woman is in witness protection when really she’s dead. However…when we see her send her final text, a phone moans nearby. Sherlock is on hand to save her.
Hounds of Baskerville brings a familiar BBC face to play, Russell Tovey has appeared in Doctor Who and plays George the werewolf in Being Human (I only watched that show because Aidan Turner [Poldark, Kili from the Hobbit, and ironically Luke the werewolf from The Mortal Instruments movie] played Mitchell the vampire). One of the bar owners was Little John in BBC’s Robin Hood series as well. In this episode Russell is the client Henry Knight who witnessed his father murdered as a boy on the moors outside the Baskerville Army installation. He believes he saw a gigantic hound with red eyes tear his father apart. Sherlock is desperate for a case (so desperate, he begs for drugs) and almost doesn’t take it, until Henry specifically says, “it was a gigantic hound.” Hound is a more archaic term, why does he use it?
We get some gorgeous shots of Dartmoor. The consulting detective and his blogger sneak onto the base using Mycroft’s keycard and find a connection to an e-mail a child sent; her mother works for Baskerville, which explains the glowing bunny that shortly afterwards disappeared. So there is something strange going on at Baskerville. Sherlock convinces Henry to take them to Dewer’s Hollow (where the devil supposedly pops up). It’s foggy, they hear rustling. Then Sherlock sees a hound. He denies it to Henry, but John finds him later freaking out. “Once you rule out the impossible, whatever remains, however improbable must be true.” John in turns call Sherlock “Spock” (There is Star Trek trivia that in the fourth movie [not the new ones], Spock quotes that line, claiming one of his ancestors said it, thus connecting Sherlock Holmes and Spock. NuSpock also quotes this line). Sherlock insults John, who goes for a walk.
Come morning, Sherlock apologizes in the way that he does. And another familiar face for him, Lestrade has come, on orders from Mycroft. John muses that it helps with Sherlock’s Asperger’s (I have no way of knowing one way or another if that is a true statement). Sherlock sends John to search the labs and freaks his friend out. Then discovers that the sugar he thought contained the drug does not. He must consult his Mind Palace. Henry had started to remember two words associated with the night his father was killed, “Liberty, In.” Sherlock also realizes that “hound” may actually be an acronym. It is. There was a CIA project years ago codenamed “H.O.U.N.D.” that took place in Liberty, Indiana. It was supposed to be part of chemical warfare and drive the enemy to terror and fear. But it adversely affected the subject and the project was scrapped. But a doctor from that time has started it up again.
Henry, with a gun because he’s starting to see the hound at his place, heads to the Hollow. Sherlock, Lestrade, and John race after him and run into his old family friend, Doctor Franklin, who has worked on the American project. Turns out, what young Henry had seen was Doctor Franklin wearing a gas mask and killing his father. The drug is aerosol form and is hidden in the fog of the hollow. Oh, and there is an actual dog; the pub owners had one that they hoped to capitalize on the tourist craze, but it grew too wild. They claimed to have had it put down; no, they just let it loose in the hollow to terrorize people. Franklin runs to escape prison…into a minefield.
At the very end, Mycroft lets Jim Moriarty leave interrogation, after having written “Sherlock” around his cell.
This leads right into The Reichenbach Fall. Sherlock’s popularity is on the rise, not that he really cares. He’s started solving high profile cases, even receiving the insufferable deerstalker hat as a gag gift from Scotland Yard. Then Moriarty simultaneously breaks into the three most secure places in London, including the Crown Jewels. He goes on trial and Sherlock is called in as a witness. In the loo beforehand, he’s cornered by a “fan,” actually a journalist who wants “the real story” on Sherlock Holmes. He dismisses her. Sherlock deduces afterwards, that Moriarty wanted caught. And he manages to be found not guilty. Jim visits Sherlock at Baker Street and informs his nemesis that the final problem is approaching. Every fairytale needs its villain. Sherlock needs Jim. Mycroft warns John briefly of an upcoming exposé on Sherlock, but more concerning is four assassins moving in nearby.
There is a kidnapping case. Sherlock solves it. But when he goes to visit the girl, she screams at the sight of him. Donovan, alongside Anderson, who have never liked Sherlock, start to believe that he staged the whole thing, just so he could solve it. John knows Sherlock is not a fraud, but Lestrade gets in trouble from his superior and has to come arrest Sherlock. John is offended by the superior and punches him, Sherlock uses it as an opportunity for the two of them to escape. Sherlock tracks down the journalist, who startlingly has a clear history of Sherlock’s childhood and a mysterious source, Jim Moriarty, who claims to be an actor named Richard Brook that Sherlock hired to play his nemesis. I hate this part; I dislike this woman. She got turned down by Sherlock but is so desperate to prove her career that she eagerly laps up a story to explain that he’s an ordinary man. As Sherlock tells John, it’s a lie wrapped up in a truth, so people will believe it.
Sherlock retreats to St. Bart’s and quietly enlists Molly Hooper’s help. She is a kind hearted person and has offered to Sherlock, even after he’s mean to her, that if he ever needs help, she’s there. He trusts her and tells her, she has always counted. “I think I’m going to die,” he tells her. “What do you need?” she simply asks. “You.”
John races off to Baker Street, thinking Mrs. Hudson is in trouble. But she’s fine (aside from an assassin is standing next to her). John then races back to St. Bart’s figuring that Sherlock is planning to face Moriarty alone. The opposing players meet on the roof. Staying Alive plays again and the final problem is that Moriarty has grown bored of Sherlock. Claims he’s ordinary; he’s beaten him. Sherlock retorts to the criminal, “Oh, I may be on the side of the angels, but don’t think for one second that I am one of them” [and he sounds so much like Kahn at that moment.] There was no magic key. He paid off guards, just like he blackmailed the jury. And now, to end his story, Sherlock must die. Sherlock must commit suicide; if he doesn’t, three gunmen are set up to kill John Watson, Greg Lestrade, and Mrs. Hudson. Sherlock thinks for a minute he would be able to get the information out of Moriarty, he figured out that in German, Richard Brook translates to Reichenbach, Sherlock’s fame-making case and he can prove that Jim created a false identity, but the insane man shoots himself in the head. Now Sherlock has no choice. John has arrived on scene; Sherlock makes him stay back. John calls his phone. Sherlock claims he has lied to John the whole time; John does not believe him. Sherlock jumps. John rushes to him, but is first hit by a bicyclist, and then the people won’t let him near Sherlock.
I still tear up at the end when John begs Sherlock for one more miracle, “just, don’t be dead.” John tells Sherlock’s tombstone that he was the best man, the most human person he had ever known and he will never believe that Sherlock was lying. He owes Sherlock so much. The camera follows John as he leaves the cemetery and pans to Sherlock watching.
I enjoy this season more than the first. I like the hour and a half long episodes because it allows the writers time to fully develop a story and delve into nuances. There’s humor and action mixed in with the mystery and drama. Sherlock still shows us that he is human and experiences human emotions, as much as he may deny them. He trusts Molly more than John at the end to help him pull off his suicide. He recognizes on his own that he hurt John’s feelings at Baskerville. I wish we had a more satisfying end to Moriarty, and more public, after what he put Sherlock through. And as Season Two ends, I desperately want to start watching Season Three.
One of BBC’s incredibly popular shows, despite the fact that there are only three episodes per season and we’ve only had four seasons and one movie in seven years. Made Benedict Cumberbatch and Martin Freeman household names (they would team up again as the dragon Smaug, and titular hobbit, Bilbo Baggins in Peter Jackson’s Hobbit trilogy, and as already stated, both appear in the MCU. We’ve seen Benedict briefly in The Other Boleyn Girl and Amazing Grace.) We have become “The Fandom that Waited.” Oh, there’s lots to discuss about the fandom and theories…we’ll cover that in the last post. Created by Mark Gatiss (who also plays Sherlock’s older brother, Mycroft and has appeared in Doctor Who and written a few episodes) and Steven Moffat (an integral writer to Doctor Who since 2005), both of whom are professed Sherlock Holmes fanboys. It’s BBC, so many actors pop up in the show who have been on others.
In A Study in Pink, we’re first introduced to John Watson, a war veteran attending a session with his psychologist, who suggests he keep a blog describing his day. John (they go by first names in this rendition since it’s modern times, compared to Victorian when it was more common to be referred to by surnames) comments, “nothing happens to me.” Going on at the same time, Scotland Yard is investigating a string of suicides that are connected, but they’re unsure how, since they’re suicides. Detective Inspector Lestrade heads the case and gets texts during a press conference, the last one saying “you know where to find me. SH.” John runs into an old friend, who remarks who knows someone else in need of a flatmate. Then we’re introduced to Molly Hooper, who plainly has a crush on Sherlock and does favors for him in the mortuary, like, letting him whip a corpse for a science experiment. Stamford brings about John to meet Sherlock, Sherlock easily deduces John’s purpose, and finally introduces himself on camera: “the name is Sherlock Holms and the address is 221B Backer Street.”
John follows Sherlock on his case, telling his potential flatmate that yes, he would like to see more trouble. “The game, Mrs. Hudson, is on!” Sherlock pronounces as they sweep out of the flat. We discover that most of the police force dislike Sherlock, some even calling him a freak to his face. One officer, Donovan, warns John that Sherlock is a psychopath and one day, the body they discover will have been put there by Sherlock. Sherlock has already raced off for more clues and John starts to make his way back to the center of town, though pay phones keep ringing as he goes by. He eventually answers and is picked up by a car and meets a mysterious man, well dressed in a suit and carrying an umbrella. The man claims to be Sherlock’s arch enemy, the closest thing a man like Sherlock has to friends. He worries about him and offers to pay John to pass along information. The man deduces that John is not traumatized by the war, like his psychologist suggests; he misses it. His hand does not shake when in stressful situations. John receives a text from Sherlock: “come at once if convenient, if inconvenient, come all the same. Could be dangerous.” John turns down the offer and gets dropped off at 221B.
Sherlock has found the missing pink suitcase so he can carry on with the case; there is also an absolutely hilarious conversation between the two men on dating. John asserts he is not gay and the subject doesn’t seem to interest Sherlock (oh boy, fans play around with this a lot). They do grab some dinner (well, not really. Sherlock doesn’t eat and they’re off chasing a cab before John can eat. He does leave his cane) and ultimately arrive back at Baker Street to find a drugs’ bust going on in their flat, conducted by Lestrade. Lestrade needs Sherlock to cooperate (and we, along with John, find out that Sherlock may have illicit drugs in his possession, though he seems to use cases as a way to get high instead). Sherlock corrects Anderson of forensics “I am not a psychopath, Anderson, I’m a high-functioning sociopath, do your research.” Then later yells at Anderson while he’s trying to unlock clues: “Anderson, don’t talk out loud, you lower the IQ of the whole street,” and tells everyone to shut up and has Anderson turn his back. He silently leaves with a waiting cabbie, who is apparently the serial killer. John tracks him but ends up in the building next to where Sherlock is engaged with the killer. The killer simply gives what he considers a 50-50 chance to his victims, two bottles, with identical pills, they just have to figure out if he’s placed the good or bad bottle in front of them. Sherlock is ready to play the game, particularly intrigued when the killer mentions he has a sponsor who is very interested in Sherlock. He pries a name out of the man after John shoots him: Moriarty.
The wrap-up is a bit funny, the police keep putting a shock blanket on Sherlock and he starts to rattle off his deductions on who shot the serial killer, until he realizes it was John. Then he tells Lestrade to ignore everything he’s just said, “I’m in shock, look, I’ve got a blanket.” Sherlock meets up with his new flatmate and thanks him. They giggle a bit, which they really shouldn’t do, but are stopped by the well dressed man John met earlier. Nope, not Moriarty like we might have first guessed, it’s his elder brother, Mycroft. He really does worry about his brother. He remarks to his P.A. that John Watson could be the making of his brother, or make him worse.
The second episode, Blind Banker manages to tie a Chinese crime syndicate to mysterious graffiti in an international bank and the murder of a stock tradesman. Turns out the tradesman, along with a journalist and I’m sure many others, acted as couriers to smuggle stolen artifacts out of China to sell at auction for huge profit. All involved with the Black Lotus syndicate are tattooed on the bottom of their foot and communicate with an ancient Chinese cipher involving a book, which turned out to be London A to Z. John and Sherlock get some help from a young woman who works at the museum. John starts to see a young woman when he gets a side job as a physician; Sherlock tags along on their date to the Chinese circus, which acts as a cover for the syndicate. John’s girlfriend, Sarah, is kidnapped alongside John because he was mistaken for Sherlock (he had been mocking his friend earlier and was overheard). Sherlock rescues them, though the leader gets away. Not for long; she’s tied into the organization with Moriarty.
In The Great Game, Sherlock is given a series of cases to solve, with an innocent life at stake with each one. It’s all kicked off with a bombing across the street from 221B. And Mycroft needs a case solved involving missile plans. When Lestrade calls Sherlock in, he remarks “I’d be lost without my blogger,” and encourages John to come. The first case calls upon the pink phone from their first case (John’s blog is more highly read than they realized) and has pictures from the other flat at 221 Baker and shoes from the first case Sherlock tried to solve. He ultimately solves the case so a innocent person won’t be blown up.
The second case involves a bloody car and ultimately a cover-up for someone to disappear. The third case is about a celebrity’s death. Sadly, the old woman who was the in-between for Sherlock and the mastermind is killed; she was blind and wouldn’t be able to read a text and so she started to describe the mystery man’s voice and was killed in an explosion. John works Mycroft’s case while Sherlock is busy. The fourth case involves a new painting that a gallery has procured which is actually a fake. It’s down to the wire and a kid’s life is on the line before Sherlock realizes the painting included an astrological event that hadn’t occurred at that time.
There’s still one case left: Mycroft’s. The brother to the fiancé of the man who was killed did it on accident and hoped to cover it up. Sherlock intends to meet the bomber at a local pool; then John steps out. He’s wired up and there’s a sniper to keep things on track. (Sherlock dear, please do not scratch your head while holding a loaded gun!) Then Molly’s boyfriend Jim, whom Sherlock commented was gay, steps out. His surname is Moriarty and he’s a specialist, just like Sherlock. While Sherlock is a consulting detective, Moriarty is a consulting criminal. And he doesn’t want to kill Sherlock yet, that wouldn’t be fun. He’s saving that for something special. No, if Sherlock doesn’t stop prying, Jim will “burn you. I will burn the heart out of you.” Jim strolls off. “Catch you later,” Sherlock says in farewell. “No you won’t!” Jim calls back. But Jim does come back, “I’m so changeable,” it’s his only weakness. He cannot let Sherlock and John live. Red sniper dots hover on Sherlock and John and Sherlock aims at the bomb vest as the music crescendos, Sherlock and Jim face off, building tension…and…black. Cliff hanger!
The acting is superb in this show. At the end, oh, we hate Moriarty, but we want to know what he does next…the cliffhanger only encourages us more. He’s all laid back and la-la-la, then shouts “that’s what people do!” when Sherlock mentions people have died as a result of the game Jim Moriarty has played with Sherlock.
While Sherlock flaps about showing off his intelligence and spouting that he is a sociopath and doesn’t have friends, he clearly has come to care quickly for John Watson. There’s a brief look of horror on his face when it’s John who steps out at the pool. For a moment, we and Sherlock wonder, was John only playing at being Sherlock’s friend? Was it all a set up? And then, Sherlock is anxious to get the bomb vest off his friend and save his life. He calls John an idiot only so much that everyone who is not Sherlock is an idiot. Yes, he doesn’t understand all the social niceties, but we still want to see him succeed. He comments to Jim at the pool, “I have been reliably informed that I don’t have one [a heart].” “Oh, we both know that’s not true,” Jim replies.
John is the audience, quite impressed by Sherlock and willing to take him under his wing and try to acclimatize him to proper society, because he finds the cases thrilling as well. He’s only just met the strange man, but refuses to take bribe money to spy on him. (Of course, Sherlock remarks that John should have accepted the offer and they could have split the money; because Sherlock knows it’s Mycroft.)
Personally, I highly recommend the show. I like the inclusion of modern technology to keep with the times. It makes me think, because I’m trying to solve the case and the twist, but I also know that Sherlock will solve it in the end.
The sequel to the previous movie (and there is news of a third movie in the works) bringing back Robert Downey Jr, Jude Law, and Rachel McAdams (briefly). Stephen Fry (veteran British TV actor and he pops up in The Hobbit trilogy) joins the cast as Sherlock’s older brother, Mycroft. Jared Harris (Hodge in The Mortal Instruments movie, the father in Pompeii, and King George VI in The Crown) plays the conniving Professor James Moriarty. The soundtrack is once again entertaining.
The film opens with Watson typing, informing us that it is 1891 and the world is on the brink of war. Bombs have been set off in big cities and countries blame each other. Sherlock meets up with Irene once again, attempting to intercept a package. He warns her of men following her, turns out, they’re her escort. Sherlock beats off the four of them and races after Irene. She’s delivering the package during an auction and receives a note in return. Sherlock manages to stop the bomb from taking out its target, but Irene gets away. The victim is ultimately killed and Sherlock is on his next case. Sadly, Irene misses her dinner date, due to having lunch with Moriarty (whom Sherlock refers to as the Napoleon of crime…[I thought that was Macavity…we’ll get to that with the musical Cats down the road]). He chides her for succumbing to her feelings for Holmes and poisons her with a form of tuberculosis. We witness her pass out.
Watson visits Sherlock and discovers his map work of crimes tied to Moriarty, a shadowy game of cat and mouse. But before he can delve too deeply into the madness of Sherlock’s mind, they have plans for the evening, Watson’s stag party. He’s getting married in the morning and Sherlock Holmes is his best man. Sherlock uses it as an opportunity to work more on his case, so Watson goes off to the gambling tables. Congress Reel plays as Sherlock fights off a Cossack from killing a gypsy, whose brother is involved in Moriarty’s scheme. The gypsy, Sims, helps in fact; I always like it when they let a woman fight her own battles. Both Watson and Sherlock are worse for wear when they arrive for Watson’s wedding, but it goes off without a hitch. At the end, Sherlock is called to meet Moriarty. The mathematics professor reveals that Irene Adler is indeed dead, giving Sherlock her bloody handkerchief. And the only reason Moriarty has left Sherlock live so long is professional respect. And Moriarty intends to go after Watson, even though he no longer works with Sherlock.
Which means that Sherlock has to crash the newlyweds’ honeymoon. He gets Mary off the train (don’t worry, Mycroft picks her up) and he and Watson take care of the regiment of soldiers….It’s rather entertaining. Sherlock is in a dress. Then they’re off to Paris, to meet up with Sims. They try to ruin Moriarty’s plans at Don Giovanni, but that was a decoy from the bombing that covers up an assassination. (To the Opera is my favorite track on the soundtrack, because I don’t mind a little opera music in my life.) Watson and Sherlock deduce that Sebastian Moran is working for Moriarty (the middle man we keep seeing); an expert shot and once served with Watson. The mastermind’s plan is ramping up and next stop is Germany, which they have to sneak across the border. A moment of humor; Sherlock dislikes horses: they’re a danger at either end and crafty in the middle. Why would he want something with a mind of its own between his legs? (That could be taken another way…both movies are full of innuendos).
In Germany, Sherlock is captured and interrogated by Moriarty, which involves having a large fish hook stabbed into his shoulder, raised up, and Moriarty spins him about. The Napoleon of crime broadcasts Sherlock’s screams over a loud speaker. Watson faces off against Moran, ultimately using a bigger gun: “Come at once if convenient, if inconvenient, come all the same.” They meet back up with their gypsy friends and make a run for a train involving some excellent use of slow-motion. Once safe, Sherlock stops breathing. Watson thinks to use his wedding gift, a vial of adrenaline. They then meet up with Mycroft at the peace summit in Reichenbach, Switzerland. Morarity’s plan is to create a world war now that he has ties to everything from bullets to bandages. The final push will be an assassination of an ambassador at the peace meeting.
Sherlock leaves Watson and Sims to deduce which ambassador, determining that her brother’s face was changed surgically and he’ll take the fall. The genius moves Moriarty outside to play chess. He reveals he got Moriarty’s little red notebook which tracks all of his fortune and has sent it safely to Mary Watson and Scotland Yard. The two brilliant men are about to face off, each planning out their opponents moves and counter-moves, when Sherlock realizes that with his injury, his demise is inevitable, but he can take Moriarty out with him. Watson and Sims stop the assassination and Watson opens the door just as Sherlock pushes off.
Watson ends with Sherlock’s funeral. Mary checks on his progress and reminds him they need t leave soon for their second attempt at a honeymoon. But there’s a package first. Inside is Mycroft Holmes’ oxygen supply, which Sherlock had been toying with. When Watson runs out of the room, Sherlock reveals himself to have been catalogued as his armchair. Is this truly “The End?”
I enjoyed seeing Sherlock face Moriarty; they were well matched. Sherlock deserves, or requires a brilliant opponent, or else life is dull…and then he causes problems for Watson. The criminal mastermind did have a point; this is very similar to how the first World War began: tensions between nations rising before as assassination kicks it off. Jude Law and Robert Downey Jr. once again play well off of each other, Watson always being right where Sherlock needs him. A good sequel, an equal to the first.
One of the most famous literary characters ever created. I am once again a horrible English major and have not read the tales. They’re sitting on my bookcase; I’ll get to them…eventually. There have been many incarnations of Sherlock and his faithful sidekick Watson throughout the years. Basil Rathbone from the Golden Age of Hollywood is iconic. Christopher Lee was involved as well. Peter Cushing (Grand Moff Tarkin from the original Star Wars), Christopher Plummer, John Cleese, Ian McKellen, and of course, BBC’s smash hit Sherlock made starts out of Benedict Cumberbatch and Martin Freeman. And I love that show, though along with new fans everywhere I was confused when the episodes ran long and at the end of the third one; “where’s the rest of the season?”
This iteration features Robert Downey Jr (this movie came out a year after the first Iron Man) as Sherlock Holmes, Jude Law (now part of the MCU with a role in Captain Marvel, he’s also recently portrayed a younger Albus Dumbledore in Grimes of Grindewald [which I still have not seen], and I adore him in The Holiday) is his partner John Watson. Irene Adler, “the woman” is played by Rachel McAdams (again, now part of the MCU as Christine from Doctor Strange [made even more ironic since Strange is played by Cumberbatch, she has now starred opposite two Sherlock’s. Oh, there are a bunch of fans who want the line “No shit, Sherlock,” to show up and Downey and Cumberbatch just look at each other], also famous from Mean Girls and The Notebook [that movie will not appear in this blog]). Mark Strong (we just saw him in Young Victoria, and know him from Robin Hood) made his mark as Lord Henry Blackwood, accompanied by Hans Matheson (Mordred in Mists of Avalon and Thomas Cranmer in The Tudors) as Lord Coward. And if the palm reader looks familiar, she was Isolde’s maid in Tristan and Isolde. The soundtrack is composed by Hans Zimmer.
We jump right into the middle of a case. Sherlock enters first and begins taking down the guards. I like how this movie frames some of his analytical thoughts, when he imagines how an opponent will react and plans his own defense. He finds a man practicing dark arts, ready to sacrifice a woman on an altar. Watson joins Sherlock and they capture their adversary, Lord Blackwood. Quick time jump, we’re at 221 Baker Street where Watson is preparing to move once he marries. First, he has to rescue his roommate from his own mind; Sherlock’s mind rebels at stagnation, he requires work. Taking down Blackwood was their last case, but they’ll attend his hanging together. Watson wants Sherlock to meet Mary.
Dinner…could have gone better. Mary insists that Sherlock make deductions about her, even though he and Watson protest at first. Sherlock, concerned for his friend, deduces that Mary has been engaged before, but assumes that she broke the engagement for better prospects. Actually, the man died, and Watson was aware. Sherlock finds his way to a boxing match (Rocky Road to Dublin is played underneath) and expertly takes his opponent down, despite a brief distraction from a woman. Come morning, Sherlock is Blackwood’s last request. Blackwood warns Sherlock there will be more deaths. The criminal is hung and Watson pronounces him dead.
Back at Baker Street, Sherlock has a visitor, Irene Adler. She has a case for Sherlock. When she leaves, Sherlock demonstrates he is a master of disguise and follows her, glimpsing her mysterious employer. His day is ruined when word arrives that Lord Blackwood has risen from the dead. Watson accompanies him, just until he has to meet Mary’s parents, and find a ring. Buried in Blackwood’s coffin is the man that Irene is looking for, which leads them to a lab that combines sorcery and science. A few thugs show up to tie up loose ends and there is a smashing fight between Watson, Sherlock, and the three men (one of whom is large). This carries on to a shipyard and results in a partially completed ship sailing into the water and promptly sinking. Watson and Sherlock are arrested.
They bicker like a married couple. “Get that out of my face.” “It’s not in your face, it’s in my hand.” “Get what’s in your hand out of my face.” Mary kindly bails Watson out. Sherlock has to wait until Lestrade comes with orders from friends in high places. They blindfold Sherlock, but that doesn’t prevent him from deducing where he is and who he is dealing with. They are a secret society with the intention to steer the world to their liking. Blackwood has grown too powerful and is a threat. Sherlock will stop him, but not for the society and not for a price.
Sherlock tries to warn Irene about the dangerous man she is now dealing with, but she drugs the wine. A bit hilarious later when a maid enters the room to find a naked Sherlock (modesty covered by a pillow) handcuffed to the bed. There has been another death, Blackwood’s father in his bathtub. Sherlock discovers a secret room. At a meeting of the secret order, another member dies, who opposes Blackwood. This leads him, and Watson, to a factory where they find and rescue Irene, only to be caught in an explosion, Watson more so than Sherlock. A friend on the police force finds Sherlock and warns him that there is a warrant out for his arrest, and assures him Watson is still alive. Sherlock briefly visits his friend, in disguise, and is encouraged by Mary to find the man responsible, Watson would say it’s worth the wounds.
Irene tries to leave her employment, but the professor will not allow it. She was supposed to manipulate Sherlock’s feelings for her, not succumb to them herself. He wants what Blackwood is working on. Sherlock descends down the rabbit hole (reference to Alice in Wonderland) and deciphers Blackwood’s spell. Then fills is in to Irene and Watson the next morning. It involves the sphinx and the four elements. Sherlock sends his two companions away so he can be arrested by Lestrade so he can see Lord Coward. The final puzzle piece fall into place and the trio prevent Blackwood from unleashing a chemical weapon upon Parliament. Irene gets away with the radio control feature and Sherlock faces off against Blackwood on the Tower Bridge, which is under construction. Blackwood does hang this time, permanently.
Mary and Watson stop by for a visit, Mary sporting a large engagement ring; a present from Sherlock, featuring a stone Irene stole. And Sherlock is on to a new case, involving Professor Moriarty.
This was my first true exposure to Sherlock Holmes and I was hesitant going in to it. But I love it. Robert Downey Jr. (this was also one of the first roles I watched him in, I didn’t get into Iron Man until afterwards) is excellent; the fight scenes are superb. Watson is serious and suffering. Sherlock is quirky and eccentric; Jude Law and Robert play off each other well. The music almost has a steampunk vibe to it, with the persistent tempo underneath and making use of some rather unconventional instruments. The story line keeps me intrigued. Overall, a very good film.