Since this topic of conversation came up, thought I might go over my musings on some upcoming films.
Enola Holmes: Saw the ad for this, coming to Netflix September 23rd. It looks exciting! The premise is Enola is the younger sister to the famous Mycroft and Sherlock Holmes. Her mother (not sure if it’s their mother as well) has gone missing and she’s called them in for help. Sherlock, played by Henry Cavill, seems nice. Mycroft looks like a prick who wants to turn their younger sister into a “proper young lady.” And I love that Enola is decidedly not. Looking forward to this!
Black Widow: I will admit, I was excited when this was first announced. Black Widow totally deserves her own film and Marvel did great with Captain Marvel. Then the trailer released and I finally read that it takes place between Civil War and Infinity War, which helps make sense. Yes, I totally want to see Black Widow’s origins and her kicking butt, however, the armor looks out of place. Black Widow wears sleek suits so she can slide between her opponents and she’s trained to avoid hits. And the “family” aspect…seems a bit out of place. Honestly, we want the movie that is Hawkeye and Black Widow in Budapest, teased in Avengers. Will I see it? Of course.
Mulan: I am not going to pay the higher premium to watch in on Disney+, I’ll wait till it’s properly released and you can rent it like normal. I get that Disney is taking the story back to its more original roots, but I feel like it’s going to lose that Disney touch. It’s not a musical, though they seem to be using the Reflections theme. And with the more serious tone, they’ve probably lost Mushu and he was half the fun! At some point I’ll watch it.
Wonder Woman 1984: Still excited about this one because I love the first one. Steve Trevor is back and I’d love to know how. The most recent trailer shows Diana’s adversary who transforms into a cat somehow? I will admit, I am not up on Wonder Woman lore, but it just makes me cock my head and go “huh.” The gold suit looks ridiculous, especially after how awesome they made her armor in the first film. Will still see, possibly in theatres.
No Time To Die: The twenty-fifth James Bond film and appears to pick up after Spectre. Bond has retired with Madeleine Swann, though they don’t appear to still be a couple in the trailer. Bond is called back to action. I mean, now that I’m caught up on the new Bond films, I definitely want to see this and see how things play out. I am currently enjoying a slew of James Bond/Sherlock crossover stories; some of the dialogue is absolutely hilarious.
Of course there is also the final seven episodes of Supernatural due out in October and November. I guarantee I will cry. I go back and forth on how I think they will end it. I believe Jensen Ackles has stated he would be willing to come back and do a movie; so they can’t fully kill the boys off, but then how else are you going to end the show? In case there isn’t a film? Pretty sure their destiny is to die, saving the world (as long as you make sure idiot Chuck goes first)
We shall eagerly wait and see how all these stories play out.
An iconic Disney musical. And it so happened to have been on television both the night my brother was born, and the night I was born, twenty months later. The original book series was written by P.L. Travers. For the film, music was composed by the Sherman brothers and production was overseen by Walt Disney himself, as showcased in Saving Mr. Banks. I have seen the film and it was an interesting look into how the film was created, though a bit sad as well. Tom Hanks and Emma Thompson were excellent in it. The classic movie stars Julie Andrews (Sound of Music, The Princess Diaries) in her first major movie role (though she was already experienced on the stage) as the titular Mary Poppins. [And a note about that; Julie had starred as the original Eliza Doolittle from My Fair Lady on stage and had hoped to earn the role again in the film. But it went to Audrey Hepburn. Mary Poppins won the Oscar that year.] Her co-star was Dick Van Dyke (Chitty Chitty Bang Bang) as Bert, David Tomlinson (Bedknobs and Broomsticks) as Mr. George W. Banks, Reginald Owen (Bedknobs and Broomsticks) as Admiral Boom, and Arthur Treacher (yes, of the Fish and Chips restaurant line; he also appeared in several Shirley Temple films) as the Constable.
The establishing shots of the London skyline tell us we’re in England and we see Mary Poppins sitting on a cloud. Bert is a one-man band, entertaining a crowd, until the wind blows by: “something is brewing/ about to begin.” Then he addresses the audience, as we asked for directions to Number 17, Cherry Tree Lane. We pass by Admiral Boom, who has rigging on the top of his home, as well as a canon to mark the time. The world takes its time from Greenwich, but Greenwich takes its time from Admiral Boom. There is an argument brewing at Number 17; seems Katie Nana has lost her charges, but blames them, so she is leaving. Mrs. Banks arrives home from her Sister Suffragette rally, though it takes several tries to inform her that her children are missing. She quickly puts her things away so as to not upset her husband.
Mr. Banks arrives home cheerfully, it’s 1910, “King Edward’s on the throne/ it’s the Age of Men,” and he is pleased with The Life I Lead. Everything is on schedule, his servants and family treat him with the respect he deserves as head of the household (noblesse oblige) and it takes several minutes before he realizes his children are missing. The kindly constable brings them home and tries to encourage Mr. Banks to not be hard on them, but Mr. Banks dismisses him. With the same tune, he has his wife take down an advertisement for a new nanny. No-nonsense is the first requirement, “tradition, discipline, and rules/ must be the tools/ without them/ disorder, catastrophe, anarchy/ in short, you have a ghastly mess.” Jane and Michael have their own advertisement and though their mother follows her husband’s commands, she does insist that they listen to their children. Their first requirement is a cherry disposition, and a desire for games, all sorts. After the children are sent to bed, Mr. Banks tears up the notice and throws it into the fireplace. What he doesn’t see are the pieces float out the chimney.
There is a queue of nannies in the morning, but before Mr. Banks can begin interviewing there is a large gust of wind that blows them all away. Mary Poppins gently floats down and lands at the door. In her hand are the children’s qualifications, not Mr. Banks’ and so he wonders over at the fireplace what happened. Mary gives herself the job, but Mr. Banks seems suitably impressed and takes credit for it when his wife asks. Mary does the most extraordinary thing and rides the banister up. She quickly takes control in the nursery, putting her things away, after pulling them out of an empty carpet bag (loved that part as a kid). Michael thinks she’s tricky. Jane thinks she’s wonderful. Mary also pulls out her tape measure, to see how the children measure up. Michael is extremely stubborn and suspicious, while Jane is prone to giggling. Mary Poppins is “practically perfect in every way.” Time for their first game, tidying up the nursery. “In every job that must be done/ there is an element of fun/ you find the fun/ and snap, the job’s a game.” A Spoonful of Sugar helps the medicine go down. Snapping puts the toys and items laying about away, though it takes Michael several tries. It gets a little out of hand and Mary Poppins puts an end to it, but the children eagerly join her for a walk afterwards.
Today, Bert is a street artist and the trio arrive. He recognizes Mary Poppins and knows Jane and Michael from their adventures nearby. He tries some magic to pop the children into a drawing, but Mary Poppins steps in to do it properly. Now the children run off to a fair in new outfits and Bert remarks to Mary “it’s a Jolly Holiday…when Mary hold your hand/ it feels so grand/ your heart starts beating/ like a big brass band.” Animated animals come up to them and even join in the singing [animation style reminds me a bit of 101 Dalmatians]. The pair end up at a cafe with dancing penguins (I love this part!) Bert joins in the dancing and it’s wonderfully hilarious. He is quick to insist “cream of the crop/ tip of the top/ is Mary Poppins/ and there we stop.” They do join the children on a merry-go-round, but Mary has the horses jump off the carousel. They join a fox hunt, with Bert rescuing the Irish fox and that leads to a horse race. Mary’s manners lead her to the front and when the interviewers congratulate her, she reveals there is a word to use when one does not know what to say. Supercalifragilisticexpialidocious (just about the best song of all time). “Even though the sound of it/ is something quite atrocious/ if you say it loud enough/ you’ll always sound precocious.”
Meeting Mary in Disney World in 2007
Rain ruins their day and they’re back in London in their regular clothes. Mary shows further magic when her medicine changes color and flavor for each person’s preference. When the children insist they are much too excited to go to sleep, Mary lulls them to Stay Awake. Of course, they drift off, but are cheerful the next morning, to their father’s chagrin. He feels Mary Poppins is undermining the discipline in the house; indeed, everyone is in a good mood except him. But he goes off to work and Mary takes the children out on errands. The dog, Andrew, barks he needs Mary’s help; so the children meet Uncle Albert. Bert is already there, and oddly, Uncle Albert is floating near the ceiling. I Love to Laugh, he declares, “loud and long and clear.” “The more I laugh/ the more I fill with glee/ and the more the glee/ the more I’m a merrier me.” Everyone joins him on the ceiling, though Mary simply floats up. She raises the tea table, but a little later, insists they must get home. And that is the secret to getting down; one must think of something sad. Bert stays with Albert.
Mr. Banks confronts Mary Poppins at home about the nature of her outings. He dislikes filling his children’s heads with silly nonsense. If they must have outings, they should be practical. Like taking them to the bank, suggests Mary. She tells the children that she never puts notions in someone’s head; it’s just the logical following of what they were saying. She urges the children to look for the bird lady at St. Paul’s Cathedral and to hear her cry of Feed the Birds (one of Walt Disney’s favorite songs). The song lulls the children to sleep again. They eagerly accompany their father, but he won’t let them use their money to feed the birds. Instead, he shows them to the leaders of the bank; several old men who use financial terms that confuse the children. The eldest, Mr. Dawes Sr (played by Dick Van Dyke as well) wants Michael to give his tuppence to the Fidelity, Fiduciary Bank. One must think prudently, thriftily, frugally, patiently, and cautiously. Of course, these all go over the children’s heads (and mine). When Michael is a bit confused, Dawes Sr. grabs the tuppence. So Michael shouts “give me back my money.” The other customers hear and start demanding their money as well. In the chaos, Michael and Jane run off. It’s a bit scary for a moment and they run into a man covered in soot. Luckily, it’s Bert. He calms them down and leads them home. Today he is a chimney sweep, “you may think a sweep’s/ on the bottom-most rung/ though I spends me time/ in the ashes and smoke/ in this whole wide world/ there’s no happier bloke.” Chim-Chim-Cheree “Good luck will rub off/ when I shake hands with you/ or blow me a kiss/ and that’s lucky too.” At the house, Mrs. Banks is off for another rally and asks Bert to look after the children since it’s Mary Poppins’ day off. The children are interested, until Michael shoots up the chimney when Mary walks in. Jane quickly follows, so Bert and Mary join them.
They get a beautiful view of the rooftops of London and march about. They run into Bert’s pals, all of whom are chimney sweeps as well and they entertain their visitors with a Step in Time (love this dance). Mary even joins in with a rising spin [I wonder what effects they used to film the sequence, since it had to be safe for the dancers.] Admiral Boom spots the dancers and has his assistant shoot firecrackers at them, chasing them off the roof. They all end up in the Banks’ home until Mr. Banks returns. After the exodus of chimney sweeps from his house, Mr. Banks gets a call from the bank; they want him to return later. He has a conversation with Bert, who points out that it is admirable to want to provide for your family, but soon they will grow and he won’t know them. Jane and Michael apologize to their father and Michael gives him his tuppence.
The board wants to dismiss Mr. Banks, for causing a run on the bank. They invert his umbrella, tear his flower, and punch out his hat. When they ask if he has anything to say, he recalls “Supercalifragilisticexpialidocious.” He even repeats the joke Michael taught him; for he’s seen what good Mary Poppins has done in his family and has made the decision that they are more important. He gives the tuppence to Dawes Sr, who starts pondering the joke and then begins to laugh. He laughs so much, he begins floating and his grown son cries out “Daddy! Come back!”
Mr. Banks gives his family a bit of a scare; they’ve called the constable because they can’t find him, until he emerges singing from the cellar. He’s mended the kite and asks Jane and Michael to join him. Mrs. Banks adds a sash for a tail and they are all excited to Let’s Go Fly a Kite, an absolutely heartwarming number. The wind has changed, and it’s time for Mary Poppins to go. The children are sad at first that she’s leaving, but their father’s good mood cheers them up and Mary leaves once the family does. Bert nods to her and she smiles at her friend. Her talking parrot umbrella insists that Mary Poppins does love the children, but she states it is proper that they love their father. “Practically perfect people never permit sentiment to muddle their thinking,” and she rises back to the clouds.
Mary Poppins is a lovely family film and is cherished in our home. We did watch the late sequel, Mary Poppins Returns, which stars Emily Blunt and Lin-Manuel Miranda, with appearances by Dick Van Dyke, Angela Landsbury, Ben Whishaw, Julie Walters, Colin Firth, and Meryl Streep. Did not like it. It was trying too hard and didn’t have the charm that the original had; there’s just no repeating the magic.
A Disney live-action film from 1971 that mixes in animation like Mary Poppins did. It is based on a book by Mary Norton and is a beloved movie from my childhood. It stars Angela Landsbury (the original Mrs. Potts and star of Murder, She Wrote) as Miss Eglantine Price, David Tomlinson (the father in Mary Poppins) as Professor Emelius Browne, and another Mary Poppins‘ alum is Reginale Owen; he played Admiral Boom in Poppins and General Teagler in Bedknobs. The Sherman brothers also wrote the music for this film. The 25th Anniversary Edition DVD release runs longer than the theatrical version; some songs had been cut and were now restored. Oddly, the most recent Blu-ray release goes back to the theatrical version. Sadly, there is no good soundtrack for the musical available; the most noticeable difference being in Portobello Road.
The opening credits run against a medieval tapestry backdrop, similar to the Bayeux Tapestry. It takes place in 1940, during WWII, near the White Cliffs of Dover. “Again – A time for valor. A time of whispered events. Now faded with the passing years.” A town stands in the shadow of an old castle; they are currently taking care of the children evacuated from London due to the bombings (similar to the main characters in C.S. Lewis The Lion, the Witch, and the Wardrobe). We’re briefly introduced to the Soldiers of the Old Home Guard, led by General Teagler. Miss Price shows up for her package and is forced to take three children. She’s very busy with important work and does not traditionally get on well with children, but she’ll do her duty until more suitable arrangements can be made. The local preacher fawns over Miss Price, though he flounces off when the postmistress points out he’s making moves because he admires Miss Price’s nice house and land.
Miss Price lives alone, aside from a black cat that came with the name Cosmic Creepers. When the children are asleep, she takes her package to her workshop and unwraps a broom, from Professor Emelius Browne’s Correspondence College of Witchcraft. She manages to successfully fly for a bit with a spell, until she topples over. The children see her when they attempt to sneak out back to London. Charlie thinks it is a wise idea to blackmail Miss Price, but he goes a little too far and she turns him into a white rabbit. But her spells never last very long and he quickly turns back, after being pursued by Cosmic Creepers. Miss Price lets them in on her secret; she plans to use magic to help the war effort. And to win over the children, she charms a bedknob with a traveling spell. Then persuades the children to go to London so she can get the last lesson from Professor Browne himself when he stops the course. Charlie initially doesn’t think the bed will work and Miss Price remarks he is at the Age of Not Believing.
But the bed works. Except they discover that Professor Browne is a street magician and self-admitted fraud and charlatan, though he does everything With a Flair. Miss Price ends up turning Professor Browne into a white rabbit when she confronts him. He is surprised that one of his spells worked; he simply put together words out of an old book. He then takes Miss Price and the children to the abandoned home he is squatting in (it’s abandoned because there is an unexploded bomb in the front yard). The children explore the nursery while he shows Miss Price the library. Except, instead of getting the desired book for Miss Price, he wants her to join him in a stage show. She’d be an assistant who could really do magic. But Miss Price, who reveals her first name is Eglantine is determined to find the book. She turns Browne into a rabbit again and he finally shows her the book, The Spells of Astoroth; of which he only has half. And the five magic words for the substitutiary locomotion spell; an “ancient and mystic art of causing objects to take on a life force of their own” are missing.
Miss Price demands they find the other half of the book and Browne takes them to Portobello Road, “street where the riches/ of ages are stowed.” This is one of my favorite parts of the film. An impromptu dance party breaks out and features several music and dance styles from around the British empire. They don’t have much luck finding the other half of the book until a slightly scary man leads them to the “Bookman.” He in fact has the other half of the book and is looking for the same spell. Except the book only states that the five words are written on the Star of Astoroth, worn by the sorcerer. The Star is now on the fabled Isle of Namboobu. The adults don’t believe such a place exists, but young Paul found a children’s book on it. So the children, Miss Price, and Professor Browne are able to use the bed to escape the Bookman and travel to the Isle of Namboombu. Well, the lagoon first and they are “bobbing along/ on the bottom/ of the Beautiful Briny sea.” This is where the animation comes in, for the animals dress and talk like humans. A bear catches the bed, but wants to throw the five humans back into the lagoon because the king has issued a “No Peopling Allowed” law. Well, they want to see the king.
Professor Browne manages to ingratiate himself to the king (a lion; in fact, the animation is very similar to Robin Hood) when he offers to referee the soccer match [note how they refer to is as “soccer,” rather than “football” as Europeans call it. You can tell it was produced by Americans despite most of the cast being English and the story taking place in England.] My brother and I loved the soccer match as kids, Browne getting trampled by the animals throughout the game. And they discover that the king wears the star. Browne manages to pocket the star and they’re chased off the island. Sadly, the star is of another world and cannot be brought back to ours; it simply disappears. But Paul saves the day again; his book has an illustration of the star and the words for the spell (technically, would have been helpful to know that before, but, kids love the animation). Browne suggests that Miss Price use the words “Tregura Mekoides Trecoru Satis Dee” with a flair. And she’s got it! She’s managed Substitutiary Locomotion! This is another beloved part of the film.
The little domestic scene is broken when news arrives that another family has offered to take the children. Miss Price has changed her mind and the children start to think of Professor Browne as a father figure. That scares him off a bit and he starts to head back to London, but the trains are finished for the day. Miss Price sings of Nobody’s Problems; she has it in her mind that she doesn’t want or need anyone else around, she’s quite comfortable with her life. But we all know she misses Browne [this part was cut from the theatrical release]. Except there are more important things to worry about now; the Germans have made a landing. They enter Miss Price’s house and stage their minor raid to induce panic and spread mischief. Miss Price’s memory fails her and she can’t turn the commander into a rabbit, but Browne manages to get away and sneaks into the house. He finds the spell and uses it on himself so he can get away again and find Miss Price and the children. They’re being held in the old castle.
Once he transforms back, he and the children convince Miss Price to use the substitutiary locomotion spell again. And this is my brother’s and mine absolute favorite part. The spell starts small, just the banners waving, but then a drums and horns start and the whole castle comes alive! The knights and Redcoats are reanimated and join together. Miss Price flies at the head of the army and they chant the spell. The Germans don’t know what to make of the phenomenon in front of them; Scotsmen and bagpipes stretching across the cliff. Their bullets only go through the empty suits of armor; they keep marching. A few minutes later, the Germans start retreating. The commotion has also woken the Home Guard and they rush to the coast. But the Germans manage to blow up Miss Price’s workshop as she flies over; the army falls, un-animated now. The Guard fires a few shots to warn the Germans and Miss Price is relatively unharmed. She’s pleased she did her part of the war effort, but has always known she could never be a proper witch with the way she feels about poisoned dragon’s liver.
They are now all a family; the children will remain with Miss Price and Professor Browne has decided to join the Army. The Soldiers of the Old Home Guard give him an escort to the station and he gives Miss Price a kiss farewell. The children at first fear that the rest of the time will be boring now, but Paul still has the bedknob.
This is the first film I ever saw Angela Landsbury in. I loved the children’s adventures and of course wanted to visit an island where the animals talk and play soccer. And even as a child, I was excited to see these reanimated knights face off against the Germans. And the budding dancer in me was fascinated by all the dancing in Portobello Road. I think the movie is now a forgotten gem; overshadowed by Mary Poppins (though I absolutely adore that movie as well).
Next Time: Another beloved childhood favorite of mine, Chitty Chitty Bang Bang
This was the movie that spawned the idea of doing a blog. Though released in 1992, I didn’t see Newsies until I was in junior high, about ten years later. My music teacher, Mrs. Ellenberger put it on in class for a few days. I remember my friends liking it; I believe the rest of the student populace didn’t really care. We thought the actors were cute; I know Spot Conlon was a favorite, the newsie from Brooklyn. We learned a choral arrangement of one of the main songs Seize the Day as part of junior high choir. Later, in college as part of my Historical Development of the English Language course, I did a paper on the accents in Newsies (because yes, I am that big of a dork and always tried to incorporate films and stories I loved into class projects. I referenced Star Wars and Pirates of the Caribbean in separate papers in my Intro to Writing course).
I didn’t realize at the time that it had several well-known stars among its cast, not the least of which is Christian Bale (Batman in Christopher Nolan’s ‘verse; as well as voicing Thomas in Pocahontas and a list of other movies) in the starring role of Jack Kelly. Kenny Ortega directed and was one of the choreographers of the movie. Yes, the same man who directed High School Musical, which took over my same group of friends when we were in high school. The music is composed by the great Alan Menken. Ann Margaret (Carol’s mother in Santa Clause 3) appears as vaudeville star Medda Larkson; Bill Pullman (Lonestar in Spaceballs, famous for the Independence Day movies, he’s also the commander in Disney’s Tiger Cruise original movie) is Bryan Denton, a reporter; and Robert Duvall (General Robert E. Lee in Gods and Generals and over a hundred other films) is the evil Mr. Joseph Pulitzer. One of the other newsboys, Mush, is played by Aaron Lohr who was Portman in The Mighty Ducks franchise, part of the “Bash Brothers,” and also in RENT as Steve and voiced Max in A Goofy Movie (I recognize him more from Mighty Ducks, a favorite movie of mine when growing up)
The premise of the story is based on the 1899 newsboy strike in New York City, claiming to be “based on actual events.” “Based,” yes. Historically accurate? Not so much. Carrying the Banner explains the life of the newsboys. They’re out in the elements every day, hawking newspapers for bigwigs like William Randolph Hearst and Joseph Pulitzer for a few pennies. “We need a good assassination/we need an earthquake or a war. How ’bout a crooked politician? Hey stupid that ain’t news no more!” Jack Kelly is the leader of this group of newsies; he protects the smaller and weaker newsies and is well respected by the rest. At the distribution center for the World newspaper, owned by Pulitzer, brothers David and Les Jacobs join the newsies for the first time. Les is in awe of Jack, nicknamed Cowboy. David (who looks like the kid from Growing Pains, but is not) agrees to a partnership with Jack to learn to sell “papes,” though he is disgusted by the spit handshake. Jack’s first piece of advice is “headlines don’t sell papes, newsies sell papes.”
On their whirlwind first day, David and Les follow Jack running from the warden of the local refuge, Snyder. Jack escaped from the refuge previously and Snyder is out to put him behind bars again. They also learn that Jack wants to get out of New York and once he’s saved enough, he’ll take a train out west to Santa Fe “to be a real cowboy,” as Les eagerly puts it. We meet Medda, the vaudeville star and friend of Jack, and the boys eagerly listen to her serenade the crowd with Lovey Dovey Baby. David invites Jack over for dinner where the rough and tumble newsie puts on his best manners for David’s parents and sister. Turns out, David and Les are only working as newsboys while their father is off work due to injury; once he gets his job back, the boys will be back in school. (Cue the looks exchanged between Jack and Sarah.) Jack declines staying overnight and croons Santa Fe, wistfully thinking about the freedom out West; “I want space/ not just air/ let ’em laugh in my face/ I don’t care.”
When the newsies return to work the next day, they’ve found out that overnight, Joseph Pulitzer and William Randolph Hearst, owners of the newspapers have decided to up the price the newsies pay for papers by ten cents a hundred, so they, the owners will make more money. When one of Pulitzer’s advisors argues that it would be rough on the boys, Pultizer fires back that “they will view it as a challenge,” and be grateful for it. No, as Racetrack comments, Pulitzer is just a tightwad and the man even admits he wants to know how to get more of the money off the streets.
The boys argue amongst themselves that it’s unfair and they have no rights. Then they get the idea to strike from a local trolley strike that had been dragging on for weeks. As Jack pumps up his friends; are they going to take what they’re given, or are they going to strike? First, they have to organize. If only a handful decide they aren’t selling, other newsies could simply come in and take their work. “Even though we ain’t got hats or badges/we’re a union just by sayin’ so,” Jack (taking the more educated David’s words) tells the boys. There’s a lovely play on words during The World Will Know; world in the traditional sense versus the New York World newspaper owned by Pulitzer; they occasionally throw in references to the New York Journal owned by Hearst. “We’ve been hawkin’ headlines/ but we’re making ’em today…now they’re gonna see/what ‘stop the presses’ really means.” “And the world will know/ and the world will learn/ and the world will wonder/ how we made the tables turn/ and the world will see/ that we had to choose/ that the things we do today/ will be tomorrow’s news.” The dancing has an element of fight to it, which is fun and interesting to watch. So, hurrah, the Manhattan newsies are going on strike; they still have to spread their plan to the rest of the newsboys in New York.
Enter Spot Conlon, leader of the Brooklyn newsies, and makes other newsies “nervous.” Jack, David, and another newsie, Boots, trek out to Brooklyn where there’s Irish music in the background and boys diving off the piers…just because (or maybe it’s to show off their toned physiques…teenage girls did appreciate it). Spot’s voice holds power amongst the newsies of New York and he wants proof before he throws his lot in with Manhattan. And the rest of the boroughs are waiting for Brooklyn’s backing before they join.
They get their opportunity to prove themselves the next morning, David urges them to Seize the Day (probably the most famous song from the film) before facing off at the distribution center again. “Wrongs will be righted/ if we’re united/ let us seize the day…proud and defiant/ we’ll slay the giant.” The police arrive and most escape, except for Crutchy. One adult has been paying attention to the newsies efforts; Bryan Denton, reporter and previous chief war correspondent [the Spanish-American War that ended the previous year, since they never tell us specifically] for the New York Sun. We’re shown the refuge that evening when Jack attempts to break Crutchy out. The boy was beat pretty badly and refuses to be carried. Jack explains to David that the more orphans Warden Snyder has in his refuge, the more money the city sends him, the more he puts in his pocket (hmm, we know corruption when we hear it).
Another day, another fight at distribution led by a reprise of Seize the Day. This time, the World is aided with thugs. Racetrack calls out to Jack, “it’s the Crib!” The gates have been locked and the police are keeping people away. The “bad guys” are almost winning, until back up arrives. Pretty much everyone’s favorite line in the movie: “Never fear, Brooklyn is here!” The newsies beat back the thugs and topple the newspapers. Denton writes a front page article for the Sun which features a photograph of Jack, David, Les, Spot, and several other leaders. Denton treats the boys to a celebratory lunch and the boys eagerly share what being on the front page means. It means they’re famous. Racetrack spouts that being famous means you get whatever you want, “that’s what’s so great about New York!” These boys are King of New York, “fortune found me/fate just crowned me” and they give credit to Denton and feature a bit of tap dancing.
But bad news; Snyder sees the article and picture of Jack (slightly aided by Cructhy giving him Jack’s name) and goes in search of the boy. The other newsies and the owner of the lodge house help keep Jack out of sight, but he chooses to safely sleep on the roof of David’s apartment. Sarah wakes up early and gives him breakfast and we get the only bit of romantic development in the whole movie. Jack isn’t used to having people care whether he stays or goes.
While the newsies plan a big rally to keep their strike going, Pulitzer wants an example made of the boys, especially Jack. Hearing that Jack is a wanted criminal, he pressures the Mayor to send police to break up the rally and further sweetens the deal with the promise of a poker game with the other newspaper owners. The newsies hold their rally at Medda’s hall and David urges the boys to stop hitting the other boys who continue to sell the newspapers; it’s playing into the adults’ hands. Jack simplifies by saying “we’ve got no brains,” and no respect. Spot agrees and Medda cheers everyone up with High Times, Hard Times. Snyder and the police arrive and it’s chaos. Everyone is trying to protect Jack, they’re leader; David even urging him to go once they’ve gotten Sarah and Les to safety. Denton even tries to help, but a well-placed punch sends Jack into the arms of officers and he’s carried out.
The boys appear in court in the morning, Spot jokingly objects “on the grounds of Brooklyn,” and they’re saved from a fine or jail time by Denton. But Jack is tried separately and Snyder convinces the judge (again, more corruption) to incarcerate Jack until he’s twenty-one (he’s now seventeen). Furthermore, Jack Kelly is an alias. His real name is Frances Sullivan; his mother is dead and his father is imprisoned in a state penitentiary. The judge rules in favor of Snyder. Denton meets with the rest of the newsies and informs them that he has been reassigned; his old war correspondent job. The Sun didn’t print the story on the riot, meaning in essence, the riot didn’t happen (what really happened what Pulitzer pressured the owner of the Sun during their poker game). David is mad. New plan; they break Jack out tonight and no longer trust anyone.
But Jack has been taken to Pulitzer, who offers him a deal. Jack works for him until the strike dies, which is will, particularly without him. And then Jack can leave, with money in his pocket; more than he’ll ever make as a newsie. And a lesson on power of the press; Pulitzer holds the power and newspapers being the main way anyone found out about anything in that day, he tells them what to think. Jack realizes Pulitzer is scared; Jack threatens Pulitzer’s power. And he won’t take the deal. Until Pulitzer threatens David’s family. The man sends the teenager to think about it and Jack runs off with David for a minute, but sends his friend away. He won’t say why, only refrains Santa Fe to himself as his mulls over his choices.
Come morning, we all discover he has taken Pulitzer’s deal. The newsies are furious, especially David. He calls his friend out and declares he has found the guts to attach his name to his words (instead of using Jack as a mouthpiece). Sarah finds Denton’s article and tries to give David hope, but her brother storms away. Les thinks Jack is spying and the older boys don’t have the heart to tell him the truth. Then the Delancy brothers, who have always picked a fight with Jack, go after Sarah and Les on the street. David jumps in, as does Jack when he hears Sarah’s yells. The brothers are about to completely knock David out when Jack breaks it up. He can’t be something he ain’t; smart. The teenagers go to Denton. His article tells how the city thrives on child labor; lots of people make money that way. And they’re worried that the newsboy strike will spread. Well now they have a plan. They use Pulitzer’s old press, which Jack knows about, and print their own newspaper, Once and for All. They get the newsies to deliver it to all the kids in the city; “can you read? Read this.”
“Joe, if you’re still countin’ sheep/ wake up and read ’em and weep/ you’ve got your thugs/ with their sticks and their slugs/ but we’ve got a promise to keep…This is for kids shining shoes on the street/ with no shoes on their feet everyday/ This is for guys sweatin’ blood in the shops/ while bosses and cops look away/ This is to even the score/ this ain’t just newsies no more/ This ain’t just kids with some pie in the sky/ this is do it or die/ this is war!”
Denton recruits the governor. The boys wait. So far no one has shown up and without everyone, they’ll lose. All the boys have forgone their put-together looks, all down to their undershirts even David. They reprise The World Will Know, and they are joined by a million voices. All the child laborers are marching. Spot leads Brooklyn. Jack is shown to Pulizter, with David. David points out to the man that he’s losing money every day with the strike; it’s costing him more than the tenth of a cent he’s trying to squeeze out of the newsies. Jack opens the window so Pulitzer can hear all the kids. The man shouts for them to “go home!” A lot of them don’t have homes. And they’re not going away. This is real power of the press. Jack cheekily answers Pulitzer when asked that they used his machines to print their paper. The previous leaders of the distribution center are led out in shame and Jack yells, with Les on his shoulders, “we beat ’em!”
The warden is driven into the crowd and Jack starts to make a run for it, but Denton cautions him he never has to run from the likes of Snyder again. The boys from the Refuge are released and Snyder is locked into the police wagon. Crutchy reunites with Jack and cheerfully tells him that the Governor came storming into the Refuge [previously, the Governor had toured the Refuge and the truth had been hidden; that is how Jack had escaped, underneath his carriage]. The Governor being none other than Theodore Roosevelt, whom Denton had befriended covering the war. And now Roosevelt is thankful to Jack and is offering to take him anywhere he’d like. Such as the train station. Jack rides off cheerfully and David and his family are sad to see him go. But David is now head of the newsies and takes his hundred papes as the reprise of Carrying the Banner starts. But a commotion: the carriage is back. As is Jack (and the score of Santa Fe). The boy thanks Roosevelt for his advice; he still has things to do and a family in New York. He greets David, who responds with a spit handshake and echoes “headlines don’t sell papes, newsies sell papes.” And Sarah gets a big kiss from Jack. Everyone is happy now and dances their way out (Spot hitches a ride back to Brooklyn with Roosevelt).
The film did not do well at the box office when it was released and Christian Bale has remarked he’s been embarrassed to admit he was in the movie musical. But it gained a cult following when it hit video (like my friends and I) and Disney decided in 2012 to transform it into a stage show. It did so well that way, they took it on Broadway and ran for two years and won two Tony awards. I did watch the performance when it was on Netflix. Several changes were made; such as switching Denton to a female reporter, Katherine Plumber [SPOILER: she’s Pulitzer’s daughter], cutting the role of Sarah and making Katherine Jack’s love interest. That story line is better developed than in the film, but I still don’t see the need for a romance. It’s also slightly awkward when there is a lot of “bromantic” undertones in the film and the stage show. Yeah, Jack reacts badly to Crutchy being in the Refuge in the show. And there are hints between Jack and David in the film (supposedly intentionally put there). I was not fond of the changes in lyrics in the stage show; I know the film soundtrack nearly word-for-word and I got attached. I will admit, it’s a good show and does follow the history of the actual strike better. But the film kicks up my nostalgia.
Overall, the film is fun, especially the music. I don’t know why Disney doesn’t show it more; it’s got Batman in it! Though they don’t show a lot of their older films, unless it’s part of the animated collection. It think it’s fun that it’s almost an entirely male cast, which brings a different element to the dances. As I pointed out, there’s a bit of a fight element; I don’t mind the rough and tumble bits. And yes, as a teenage girl, most of the boys were cute in this movie.
I have read a couple fanfictions on Newsies; there’s a trio of stories For Brooklyn by AmbrLupin that spotlights Spot Colin. Another is The Brooklyn Version, also about Spot by WinterhartZahneelCalina. His little “birdie” is actually a girl.
Next Time: Another New Yorker, The Greatest Showman
Thought I’d take a step away from my musical blogs (don’t worry, already got the next one planned) and mention the elephant in the room: staying at home because of coronavirus. I work retail, so I have not been to work in several weeks. For the most part, I’m handling it fine; I’ve managed to work on other writing projects, I’ve crocheted several afghans, I’ve gotten back to my books (huzzah!), and I’ve caught up on some movies and shows.
So let me go ahead and state: SPOILERS ALERT!
Finally watched Frozen II; I liked the story. I don’t think the music was quite as memorable as the first and I still can’t stand Olaf, but the sisterly bond was great and very interesting to delve into their family history. (Puts to rest the fan connection between Frozen and several other Disney movies, including Tangled).
Also finally watched Crimes of Grindlewald. Excellent. Though while watching, I had to remind myself that Leta Lestrange was not a direct relation of Bellatrix (same family, but distant cousins). And the Dumbledore angle was better than I feared it to be; I thought they would focus entirely on Dumbledore’s infatuation with Grindlewald, but SPOILER a blood pact is a more solid excuse. And I totally do not believe Grindlewald about Creedence’s real name; the only plausible way he is a Dumbledore is as a cousin.
Supernatural has put filming their final season on hold, but it’s ramping up to be a doozy. News was just released that the final seven episodes will air in the fall. Jack is back, yay I guess. I have loved seeing some old favorites again; Benny was seen briefly. Loved that Eileen was back (then dead, then back!) and I really wish that she could get together permanently with Sam. (Then we find Dean someone, unless they make Destiel canon, which would be cool). And it was hilarious to have both Daneel Ackles and Genevive Padalecki back and in the same episode! The alternative universe Sam and Dean were hilarious as well (though can’t beat their father coming back; love that episode and cried along [unless you watch the blooper where Jared hits Jeffrey somewhere with the pearl; everyone is on the floor in laughter]). I really want to punch Chuck in the face and I hope Amara may come back to help. The boys are shaping up to fight God; I believe they will win and save the world because that is what they and the show are all about; but it’ll cost them. I still figure there is a decent chance the show will end with both boys dead; unless they are serious about producing a film later. If not, the only way for the fans to accept that it is over, is for our beloved boys to die. Even then, we’ll still write fanfiction.
Speaking of fanfiction; I was reading something on Facebook the other night about how fanfiction started. I mean, I had an idea, but it was interesting and a little unnerving. I realized why disclaimers are always posted at the top because you don’t want some bigwig suing you, but to find out that fan writers were punished… Some of the more recent successes give me hope; but I still am not likely to post what I have written. I share with a few friends, but I use it for my own practice. And some of this may end up as an essay or article. In case you’re interested, Supernatural accepts its fan writers and the fandom that has sprung up around it, which makes me love the fandom and the stars even more.
MacGyver just finished its fourth season, which went in a different direction than I originally imagined, and has been renewed for a fifth season. Yay! Their season got cut short due to the virus, but they must have filmed enough ahead to finish things up. I personally miss Jack and wish they would at least mention him in the story. Mac’s spiraling a bit and the fans know that Jack would help him. Still not a hundred percent sure of Russ’s motivations, but he at least tries to keep Mac alive; and Matty is still there, yay! I adored the episode with the plane and Mac in Tesla’s house; the writing has been excellent this season. Personally, I have never been fond of pairing Mac with a woman because I feel it detracts from the story and female characters should exist in shows outside their connection to a man. I’ve warmed up to Desi, but still not wholly sure. I like Riley, and I’m liking the Riley – Mac dynamic, but this triangle is only going to end badly. I shed tears when SPOILER James died. And I’m even sad that Auntie Gwen died; because she had just decided to protect Mac and it would have been great for Mac to have a familial connection, particularly to his mother. Though, baby Angus MacGyver is the cutest baby in the world! (And I refuse to believe that he’s named Angus because of a sign for beef; that’s demeaning to the character). Fanfiction should keep me occupied until it’s back.
Also been re-watching Hallmark’s Good Witch, going through the most recent episodes and the movies and now starting at the beginning of the show. Some days I can handle Hallmark and some days I just get annoyed; real life does not give us the right guy and the right job to keep us happy. But I love the magical elements of Cassie and the story. She and Sam are adorable. I’d love to live in Middleton. And when things get rough, there is a comfort in knowing that things will turn out alright; it’s Hallmark.
My mother and I have also managed to catch up on Outlander; we got behind. I miss them in Scotland; that was a reason I loved the show. Not fond of the time they were in the Caribbean, but now that they’ve settled in the colonies, my interest is peaking again. I’m glad Brianna has joined her mother and is bonding with her father. And proud that Roger has followed (though at times he was a bit of an idiot). I’m glad Stephen Bonnet finally was stopped; though I wished it had happened sooner. Whenever I would see Billy Boyd, I kept commenting “bad Pippin!” though I had to explain to my mother what I meant. I like the family that is growing at Fraser’s Ridge, and Ian has returned. Brianna, Roger, and Jemmy have also ended up staying, yay. The final episode; they actually found Claire sooner in the episode I thought they might, but we did get to see Claire’s struggles with the aftermath. I’m sure the time-traveling Native American will return; we’ll have to see what sort of time jump there may be before the next season.
Also enjoying watching the original MacGyver series with my parents and catching episodes of Race to the Edge (still love the show!). We’ve put on a few other movies, like some older James Bond (which was a bit weird), and re-watching the Librarian films (I’ll be covering all of those and the show upcoming. And it also gave me a writing idea). We are also going back and re-watching the newest Star Wars movies in preparation for finally getting to Rise of Skywalker (never fear, they are on the list to cover…down the road; MCU stands between us and them).
As for books; since I am first and foremost a reader; I have made a tiny dent in my “to-read” pile (and bought a few to add). Finally finished Raging Heat, a Richard Castle book (based on the show Castle that I don’t think I’m going to be covering, due to length) and Ireland’s Pirate Queen about Grace O’Malley, which have been on the back burner for a while. Enjoyed Castle and Lost Symbol by Dan Brown. Read Jeffersonian Key by Steve Berry. Few other books in there that weren’t great, but a relatively quick read; got around to Sense and Sensibility and that was a bit boring; the movie helped make sense. Just finished a Philippa Gregory book, The Lady of the Rivers which is a prequel in a way to White Queen (my mother and I have watched the first episode of the series). Parts are interesting and it is relatively well-written, but parts are now appearing a bit implausible (which happens with her books). Now I can move on to other books on my list. My Richard Castle, Nikki Heat series is up to date, but I want to get to some others first. I’ve got half a shelf of romances that I need to catch up on, so I can go looking for those newest books. Picked up another Librarians novel (based on the show) and some Peter Jackson/ Lord of the Rings books (like I need more of those). Some history series and the first book to a couple fantasy series I’d like to try. Some fun books I am holding off on as a reward, like behind the scenes of MacGyver, the last How to Train Your Dragon art book (I am that much of a nerd).
What are you guys doing to keep your minds occupied? Any good movies or books? Creative projects?
Another musical that most everyone has heard of; the little curly red-headed orphan girl. I think my high school put on a production years before I was in high school; I vaguely remember a classmate when I was in elementary school being one of the orphans. It’s gone through a few iterations, but the most famous is the 1982 movie starring Albert Finney (Kincade in Skyfall [the Bond film], John Newton in Amazing Grace) as Oliver Warbucks, Carol Burnett (classic comedian with her own show from 1967 to 1978; she even made a few guest appearances in the rebooted Hawaii Five-0 ) as Miss Hannigan, Tim Curry (Clue [which happened to have been my senior class play; I was the dead cook], Rocky Horror Picture Show [that was just about the weirdest movie I ever tried to watch], Cardinal Richelieu in Disney’s Three Musketeers) as Rooster Hannigan, Bernadette Peters (would later be a part of Disney’s production of Rodger’s and Hammerstein’s Cinderella) as Lily St. Regis, and Aileen Quinn as Annie. Edward Herrmann (Gilmore Girls) also appears as FDR.
The story is set in 1933 New York City, at the Hudson St. Home for Girls. Annie is singing Maybe to herself, wondering about the family she has waiting out there and when they’ll come get her. One of the younger girls in the room, Molly, wakes up from a nightmare and calls for Annie. The other girls wake up and fight for a bit. But before they can all fall back asleep Miss Hannigan enters and orders them awake and to start their chores. She has trained them to say “We love you Miss Hannigan,” instead of any backtalk. The girls start It’s a Hard Knock Life for Us (some are skilled gymnasts). Annie hides in the laundry basket as another escape attempt. Outside, she meets a scruffy dog being tormented by a bunch of boys. She punches two boys in the face (she is a tough little girl) and adopts the Dumb Dog. She’s caught by a police officer and taken back to the orphanage where the girls name the dog Sandy. Miss Hannigan locks Annie in her closet, but before she can punish her, Miss Grace Farrell shows up, looking for an orphan to live at Oliver Warbucks’s mansion for a week. Annie comes out of hiding to persuade Grace to take her.
The staff take a liking to Annie right away and outline her new life for a week, after they correct Annie’s misinterpretation that she is there to work . Annie gleefully says I Think I’m Gonna Like it Here. Oliver Warbucks arrives and breaks up the song and dance. Grace namedrops Vanderbilt, Carnegie, and Rockefeller, along with the President. He’s surprised by Annie and wants to exchange her for a boy; hosting an orphan is only done to help his image, but she charms him to keep her.
Back at the orphanage, Miss Hannigan is despairing over Little Girls (she spends a lot of her day drinking). Her brother, Rooster stops by with Lily St. Regis, asking for money. She sends him away; he steals from her anyhow.
Annie starts to endear herself to Warbucks, Sandy even helps stop an assassin, along with his two bodyguards. Grace explains to Annie that the man was a Bolsehvik. Another evening, Warbucks is persuaded by Annie and Grace, Let’s Go to the Movies. (Yes, those were the Rockettes dancing before the film). Annie falls asleep at the movie, so Warbucks carries her home and to bed, with some help from Grace. The next morning, Grace approaches Warbucks, well, he’s asked her to call him Oliver, and wants to adopt Annie. Oliver insists he is a businessman; he loves money and power, not children. But Grace is very pretty when she argues and he gives in. Grace cheerfully tells the others, We’ve Got Annie. Oliver takes the paperwork to the orphanage and argues with Miss Hannigan to get her to Sign the papers (Miss Hannigan also has a habit of attempting to flirt with any man that comes near the orphanage). But when Oliver presents a new locket (from Tiffany’s) and tells Annie the good news, she quietly informs him that she’s waiting for her birth parents to claim her. So Oliver issues a reward ($50,000).
Warbucks pitches the idea on the radio, after the catchy You’re Never Fully Dressed Without a Smile ditty (reprised by the girls at the orphanage). As expected, a crowd appears at the mansion, so Oliver takes Annie to Washington D.C., to meet President Franklin Delano Roosevelt. Oliver and the President argue over the New Deal and Annie cheers them up with her signature Tomorrow tune.
Rooster and Lily come up with the idea to pose as Annie’s parents and go to Miss Hannigan for specific details on Annie so they can easily claim and split the reward. Molly overhears the plan, as well as Miss Hannigan revealing that Annie’s parents died years ago and the front piece to her broken locket has been sitting in a box since the fire. It’ll be Easy Street for the trio. (Yes, they’re the bad guys, but it’s such a fun song; they let the actors have some fun). Once they have the money, Rooster intends to drop Annie in the river. Molly rallies some of the other girls to tell Annie, but they’re caught and locked in the closet while the adults head to the mansion. Oliver does not trust them, but they have the locket and Annie agrees to go with them. She’ll send her new clothes to the orphanage. Rooster and Lily pick up Hannigan once they’re outside the mansion and Rooster keeps a hold of Annie.
The girls manage to escape and run the length of Fifth Avenue to warn Warbucks; but they’re too late. He’s immediately on the phone with the police and his bodyguard, Punjab takes the copter. Annie talks Lily into stopping the truck so she “can go to the bathroom.” Instead, she grabs the check and runs. When she rips it up, Rooster swears he’ll kill her. Hannigan realizes her brother means it; she chases after him. Annie comes to a raised railroad bridge and begins climbing. Rooster knocks his sister down when she tries to talk him out of killing a little girl. Rooster climbs after Annie. At the top, he tries to drop her, but Punjab flies in and rescues Annie. With a kick, Rooster slides down the bridge to the waiting police.
Oliver throws a party for Annie, themed for the Fourth of July (the show typically ends at Christmas, but it would have cost too much to get that much fake snow during the summer filming schedule). He presents her with the new locket and when she takes it, she proclaims, “I love you, Daddy Warbucks.” Now, I Don’t Need Anything But You, the pair duets and Annie shows off her tap skills. The other girls are in attendance, nicely dressed, as is the president, and even Miss Hannigan. A reprise of Tomorrow closes the show.
Some of the songs are so much fun from this show, like Easy Street (probably my favorite song due to Curry, Peters, and Burnnett selling it), Hard Knock Life, and Fully Dressed Without a Smile. And every musical student knows how to belt out Tomorrow. It’s a family friendly show, certain to put a smile on your face. The grouchy businessman develops a heart, there may or may not be a budding romance between him and his secretary who is a fully fledged character in her own right, and I believe that Annie’s rough edges are softened by having people who honestly care about her. Miss Harrington isn’t completely bad, but she’s certainly not nice.
In 1999, Disney produced a version with Victor Garber as Oliver Warbucks, Kathy Bates as Miss Hannigan, Alan Cumming (Boris in GoldenEye, Spy Kids, X-2) as Rooster, Kristin Chenoweth as Lily, and Audra McDonald (Broadway star and Madame Garderobe in the live-action Beauty and the Beast movie) as Grace Farrell. This version cut several songs and included NYC (which featured an appearance by Andrea McArdle, who originated the role of Annie on Broadway in 1977) and Something Missing. It keeps the Christmas timeline and the imposters never make it out the door with Annie. I am aware that there was another update made in 2014, but I haven’t seen the film and not keen, especially if it doesn’t keep the songs. In terms of the Disney productions of some musicals; I would personally rank them Cinderella, Annie, Music Man. Music Man is not a favorite show anyways, and Cinderella is happier.
Up Next: A more modern classic, Grease
(Anyone else think Queenie Goldstein looks like Lily St. Regis?)
I have discovered I am not a rom-com person; though that’s not to say I don’t like romance. I just don’t like romance as the pure focus of a film; I adore the relationship between Hiccup and Astrid in How to Train Your Dragon series, and I will watch shows for romance, where the characters can develop. So, in the interest of carrying on to more exciting films that I can delve deeper into, I shall quickly summarize a few romances that I enjoy, but not quite worth a whole post.
Pretty Woman, was pointed out to be its 30th anniversary this year. Of course, there is the iconic song. It’s the film I best know Richard Gere and Julia Roberts from. Jason Alexander (much funnier in the Wonderful World of Disney presentation of Roger and Hammerstein’s Cinderella) shows up, as does Hector Elizondo (we love him in Princess Diaries as well and he is now the boss on Last Man Standing). I think part of the reason I was not terribly fond of this film growing up (because it’s as old as me) is that I was never comfortable with the hooker aspect (once I knew what that meant). But the transformation sequences are the best.
Overboard, an 80s film starring Goldie Hawn (fun note; her daughter is Kate Hudson) and Kurt Russell (Colonel Jack O’Neill from the original Stargate movie [before they switched to Richard Dean Anderson for the series]); the two have actually been together since 1983. Edward Hermann (Gilmore Girls) also appears in the film. It’s a fun story where a rich socialite falls overboard, loses her memory, and a struggling carpenter takes advantage. He has her be his wife and raise his rambunctious sons. Of course, they actually fall in love along the way, though she initially leaves when she regains her memories. Yet she ultimately decides to stay with the family because she cares about them; she wants a daughter at the end due to the number of boys. Basically, the whole film is “breaking the haughty,” as TV Tropes would say.
American President, is one of my mother’s favorite films and has an all-star cast. Annette Bening (she’s Dr. Wendy Lawson in Captain Marvel) is the lead female, a professional political strategist; Martin Sheen (after he was Robert E. Lee in Gettysburg, and he would later play the president in the hit show West Wing) is one of the president’s advisors. Michael J. Fox is another advisor, and the president, Andrew Shepherd is played by Michael Douglas (son of famous actor Kirk Douglas and husband to Catherine Zeta-Jones, he shows up in the MCU as well as Hank Pym, but I know him from the films Romancing the Stone and The Jewel of the Nile).
It’s a well-written movie that shows and widowed president attempting to have a relationship with a woman he finds intelligent while avoiding the media. It also shows that some of the major issues have not changed in twenty-five years. Gun control global warming are the two issues that are called out in the movie…and we’re still dealing with those.
Prince and Me (a combination that Hallmark loves in their movies) stars Julia Stiles and Miranda Richardson (Rita Skeeter) shows up as the queen of Denmark with James Fox (he’s shown up in Downton Abbey, Robert Downey Jr’s Sherlock Holmes, BBC’s Merlin, and Patriot Games [I’ll be covering that film in the action section]) as the king. The film has three sequels, though never getting the original cast fully back together. A common storyline now, prince comes to America (hoping to sweet-talk unsuspecting college girls into taking their tops off), hiding his identity. Paige is focused on her goals and wants to become a doctor. She and Eddie get off to a rough start, but then begin helping each other out. Their relationship is discovered and splashed across the news causing Eddie to return to Denmark. Paige eventually follows and accepts his proposal of marriage and begins training to become the new queen. But she doesn’t want to put her life on hold, so she breaks it off and returns home. But Eddie comes after her, willing to wait to marry. There is an adorable part where Paige takes Eddie home for Thanksgiving. Fairly light-hearted.
In similar vein are the two Princess Diaries movies that Disney put out. Now, I read the books by Meg Cabot before the movies came out, but they also came out when I was a teenager, the age the movies are geared for. This was Anne Hathaway’s first big role as Mia. Teen heart-throb (though I was never into him) Erik von Detten was in the film, along with Mandy Moore (later plays the president’s daughter [the president was Mark Harmon] in Chasing Liberty and voiced Rapunzel in Tangled), and Sandra Oh. Hector Elizondo is back and the ever-lovely Julie Andrews as the queen of fictional Genovia. There is the iconic “shut up” scene when Mia finds out she is the princess of Genovia. She now must attend lessons with her grandmother. There is also the hilarious makeover scene involving broken hairbrushes and glasses. Mia learns who her true friends are and she does have it in herself to become a princess.
A sequel came out subtitled Royal Engagement, taking place five years after the first. An old law comes into play, where an unmarried woman cannot rule. Viscount Mabrey (John Rhys-Davies, though not as nice in this film as in others) brings up the fact that there is another possibly heir, his nephew, Lord Devereaux. It is passed that Mis has thirty days to marry or she must abdicate. Lord Devereaux happens to be the charming Nicholas (Chris Pine, yep, before he was Captain Kirk). While Mia courts the dashing Andrew Jacoby (Callum Blue and he appeared in The Tudors), Nicholas attempts to woo her as well. Raven Symone also drops by (oh, and a Stan Lee cameo, way before MCU). Mia and Nicholas develop feelings for each other, but Mia decides not to marry Andrew and abolishes the marriage clause and Nicholas decides to give up his right to the throne. The film ends with them possibly starting a relationship while Mia takes over as queen.
I adore Julie Andrews whenever, so she makes a perfect queen. And Chris Pine really should have more roles as a romantic lead because he was quite dashing in the sequel. There are rumors of a third movie coming out, but nothing confirmed.
A few more rom-coms are left, but I shall post those in another block.
Produced by the Wonderful World of Disney, it tells the tale of the daughter of Robin Hood and Maid Marian. Stuart Wilson (who is Don Rafael Montero, the antagonist of The Mask of Zorro) is Robin Hood and Kiera Knightley is Gwyn (ironically, she will play Guinevere in 2004’s King Arthur). This is the movie that really got me thinking of a kickass heroine who fights like a man, the starting point for my fantasy series [it will get written, someday] This is also the movie that really got me into the legend of Robin Hood.
Opening narration claims that history has forgotten the tale of Robin Hood’s child. It places the story in 1184, which is oddly before a lot of other Robin Hood tales take place. And historically, before King Richard even took the throne. (But, we don’t tend to count on Disney for historical accuracy). Cardaggian, the Sheriff of Nottingham’s man, reports to his master that Robin Hood has had a child, should they put a price on the infant’s head. Equal to the one on his father’s, the Sheriff declares. “Robin Hood will not have a son.” The Sheriff misunderstood Cardaggian, the baby is a girl. They laugh and apparently do not put a price on the infant’s head. We never see Marian, but we hear her ask Robin to protect their daughter. I am assuming this is a polite way to show that Marian died as a result of childbirth. We do see a cute transition of Gwyn growing up; she appears to have lived at an abbey with Friar Tuck. Her best friend is a young student, Froderick (and reminds me a bit of Ever After, which came out three years prior to this film); she later tells Friar Tuck she does not view Froderick as husband material, though it is evident that Froderick has developed feelings for Gwyn. Gwyn has grown to hate how often and how long her father is gone and wishes he was not so loyal to the king. She can count his visits on one hand, now she’ll need two for he and Will Scarlett are on their way home.
However, their world is about to be thrown into chaos; Richard is dying. And the king has apparently stated he wants his illegitimate son, Phillip to take the throne over John. John disguises himself as a messenger and rides to Nottingham to deliver the news to the Sheriff. Phillip is due to land in England soon and the natural assumption is that Robin, as supremely trusted by Richard, will greet the boy and secure his passage through England. John wants Phillip dead. The Sheriff charges Cardaggian with the task. They will know the young man by his signet ring.
Gwyn happily greets her father, who is surprised to see how much his daughter has grown. But he quickly passes her over and cheerfully greet his friends. Robin gets the notice to help Phillip and so must leave again. Gwyn begs her father to let her accompany him; he refuses and even makes comments that she will have other chances to meet the prince. She doesn’t want to go to meet the “absent son of an absent king;” she wants to help her father; she’s as good as a son. She’s willing to fight, and possibly die, for his cause. He orders her to stay at the abbey, where she belongs. Later, to Frodrick, she complains that father and daughter shouldn’t be fighting each other, they should be fighting side by side against Prince John. She’d rather be the master of her own destiny, than a slave to her fears. So, she cuts her hair that evening and sneaks into Frodrick’s room to borrow his clothes; she can pass herself as a boy (that only works if you do not have a lot of curves).
In France, Phillip is journeying to the coast to make his way to England. He’s in the company of a French countess and his valet, Conrad; the two men share a strong physical resemblance to each other. Phillip has no desire to wear the crown; as king, he would be expected to do something about war and plague and uprisings. When they stop for the evening, Conrad overhears their escort discussing Phillip’s murder. He sneaks his friend out and they make the crossing on their own. Phillip lends Conrad his jacket when the other man gets cold.
In the neighboring shire where Phillip is to arrive, Gwyn mimic’s her father’s heroics and stands up for a hungry child to a nobleman. She leads the guards on a merry chase, which ultimately acts as a perfect distraction for Will and Robin to sneak in. Frodrick followed her and they meet up in the forest, where the Sheriff’s men are searching for Phillip. They have to separate and Gwyn is soon outnumbered. Two men jump to her rescue; Will and Robin. Robin is displeased at his daughter’s disobedience. They agree to find Frodrick. The young man was captured, but Nottingham has him released and followed, figuring he’ll lead him to something. Robin meets Frodrick in the chapel that evening, which turns out to be a trap. Frodrick and Gwyn escape, but Will and Robin are captured and taken to the Tower of London for questioning. Gwyn sends Frodrick back to the abbey for help, she will follow her father.
Phillip and Conrad have landed in England and go to meet “Robin Hood.” Cardaiggan stands in, giving the secret phrase. Phillip had let Conrad lead the visit and they’re about to switch back, passing off the signet ring, when Conrad is shot in the back. Phillip escapes. Gwyn eventually comes across his horse. They scuffle for a bit, but Phillip quickly realizes that Gwyn is a woman, not a man as she appears. He’s willing to give her the horse; a lady should not have to walk, he states. Do women not have legs and feet, Gwyn argues. Very well, they will share the horse.
In London, John and the French countess examine the body of “Phillip.” The countess realizes that it is Conrad they had killed; Phillip is still alive. John is furious. He tortures Robin for Phillip’s whereabouts.
Meanwhile, Gwyn and Phillip end up in an argument over Robin Hood. Phillip believes that he killed his friend; he’s continuing the charade that he is the valet, Conrad. Gwyn states that it’s not possible and reveals that she is Robin Hood’s daughter. This carries on into a discussion on John and England. “Conrad” (aka Phillip) feels that John may be the better king, since he knows England and Phillip doesn’t want the crown. Gwyn tells her companion about the hardships the English people face under John. A prince has an obligation to his people. They hear about an archery tournament in Nottingham, where they assume Robin was taken. The winner will be able to get into the castle. In true Robin Hood style, Gwyn ultimately wins by splitting the Sheriff’s arrow. The Sheriff notes the similarity in style. At the feast that evening, Phillip recognizes Caradiggan and they have to leave before he’s spotted. They run into the friars. Phillip ends up in a discussion with Frodrick and thinks that the two are brother and sister. Frodrick claims they’re betrothed; he sees the way Gwyn looks at Phillip.
The friars have managed to capture the Sheriff, who is out looking for Phillip. Frodrick is tasked with guarding the Sheriff overnight. The older man wiggles his way out of the ropes and knocks out Frodrick. (Um, he didn’t get hit that hard, I don’t know why he didn’t just get back up and was out until morning). Gwyn is angry at Frodrick. “Conrad” keeps his promise to rescue Robin and still heads out for London. “Conrad” and Gwyn step away for a few quite moments; Gwyn sets the record straight that she is not betrothed. Conrad is pleased and kisses her. However, when they get back to the main camp, word has spread amongst the people that Phillip is still alive. Conrad reveals himself to be Phillip, the proof is his signet ring. He had hoped to get back to France quietly and live out his life. But they have shown him that he needs to take the crown and help them. Prince John’s army attacks. In the fray, Gwyn notices that the Sheriff takes aim at Phillip. She calls out a warning, but Frodrick is closer and takes the arrow for the prince (the lad lives, ’tis a shoulder wound).
Phillip and Gwyn continue to the Tower to rescue Robin while John proceeds with his coronation. They find Gwyn’s father, and he orders them on to stop the coronation. He’ll find Will. In the castle yard, the friars take on the guards and Robin battles the Sheriff. Caradggian catches Robin and suggests the Sheriff shoot him with an arrow, how poetic. But the arrow is caught by another, by Gwyn. The Sheriff is now the one outnumbered. Phillip breaks into the coronation and demands the crown, as Richard’s chosen successor. John is correct that he is king by law (and historically, Richard never had Phillip crowned king; there has never been a King Phillip of England [queens have married a Phillip, Mary I did, as has Elizabeth II]). He then shouts for everyone to kill Phillip. They won’t listen to him anymore; they have another prince to back, one who won’t tax them into poverty.
The film ends with Phillip about to be crowned. Gwyn has her hair done prettily and is wearing a fancy dress. Phillip has give Frodrick a job on his council, but Gwyn will not marry Phillip, claiming she is a commoner (a bit of a break from traditional lore, since Robin is typically viewed as a noble and Maid Marian is almost always viewed as nobility and a relation of some sort to Richard). Phillip wishes they could be Conrad and Gwyn again, if only for a minute. Gwyn vows to serve Phillip the same way Robin served Richard. Phillip accepts, and Robin and Gwyn will both serve their new king. Closing narration states that history will forget Phillip (um, yeah, cause he was never king) and he never married, instead, he pledged his heart to a common woman, of uncommon valor.
The movie is good as a Wonderful World of Disney production. The fight sequences are nothing spectacular. Costumes are closer to period accurate than some. Gwyn and Phillip were well developed; it’s a Disney production, so of course, there had to be a bit of romance. Honestly, the film would have been completely fine without that little niggle. Gwyn is aware of her shortcomings and apologizes when she does wrong. Robin learns to accept the child he has; even though he wanted a better life, his daughter grew up to be just like him; he cannot protect her forever. I like Gwyn’s spunk and as I already stated, it was an inspiration to characters I write. An enjoyable watch, but not a favorite.
I apologize for the delay in posting, but I had a very busy weekend. (I did manage to spend an hour or so on Valentine’s Day watching some of my favorite movie and TV show clips and eating a few pieces of delicious chocolate…fangirl through and through am I). Now, wind in the sails for the next installment:
Pirates of the Caribbean: At World’s End
Port Royal is now completely under the thumb of Lord Cutler Beckett and the East India Company; Beckett has declared martial law. He’s suspended the people’s rights and is persecuting anyone suspected of piracy or any connection to piracy. Mass hangings are underway, including a little boy, who begins singing.
“The king and his men, stole the queen from her bed. And bound her in her bones. The seas be ours, and fight the powers. Where we will, we’ll roam. Yo ho, haul together, hoist the colours high. Heave ho, thieves and beggars, never shall we die.”
Others join in and soon it’s the whole line of pirates. The wind changes and when Beckett is informed of the phenomenon (like he didn’t know, he’s sitting right there. Why his stooge felt it necessary to tell him…) he simply responds “finally.”
Next, we’re in Singapore. Elizabeth is singing the tune now, with different verses. She meets Barbossa, who has scheduled a meeting with Sao Feng. The crew of the Black Pearl sneak beneath Sao Feng’s bathhouse, which acts as his headquarters. Will was to sneak in and steal the charts they needed. Before entering the bathhouse, Elizabeth is forced to remove all her weapons; a great deal considering her slim build and Feng’s stooge takes great pleasure in ordering her to strip to just her shirt. Before Sao Feng, Barbossa informs the pirate lord he requires a ship and a crew. Sao Feng has Will brought out, well, out of the tub of water; he was caught trying to steal the charts; Elizabeth speaks before Will can be killed. Barbossa brings up that the song has been sung, a coin still rings, and the nine pirate lords must convene the Brethren Court. Sao Feng and Barbossa are two of the lords, Jack is a third. They must retrieve Jack from Davy Jones’ Locker. Feng argues that they do not stand a chance against Beckett and the East India Company; Elizabeth calls him a coward. They’re weapons are thrown to them by the crew below and a fight breaks out, complicated by the arrival of the Company. The pirates escape; Will and Sao Feng briefly making a deal; Will needs the Pearl to free his father and is willing to cross Barbossa and Jack for Sao Feng’s help. He gets the chart, and the boat and crew, getting them on their way.
There’s a short scene aboard the Endeavor showing that Norrington has been promoted to Admiral under Beckett; he receives an old friend for his new position: the sword that Will made for his previous promotion. In the background, Governor Swann is signing a slew of documents. Beckett’s displeasure of Davy Jones’ refusal to correctly follows orders leads him to take the chest aboard the Flying Dutchman to keep the captain in line. This is no longer Jones’ world; it’s Beckett’s. “I thought you would have learned that when I ordered you to kill your pet.”
The Pearl‘s crew has ventured into an icy region, attempting to decipher the charts to world’s end; they’re not as accurate as modern maps but they take you more places. The map is made of wheels that you twist, attempting to line up either words or designs or landmarks. There’s a saying about “flash of green.” Gibbs fills the uneducated in; there’s a phenomenon of a flash of green at sunset that signals a soul has returned from the dead. Not comfortingly, Barbossa comments, “it’s not getting to the land of the dead that’s the problem. It’s getting back.”
Will and Elizabeth are not speaking to each other. Elizabeth’s response is that once Jack is back, all will be well. That does not strike confidence in Will, especially about the state of their engagement. Tia Dalma offers advice to Will: “for what we want most, there is a cost that must be paid in the end.” Will has spotted that they are about to go over an edge. “Aye,” Barbossa states, “we’re good and lost now.” Again, not comforting. Will takes charge, ordering the crew to avoid the edge, but it’s too late. They brace for impact and fall.
We hear dialogue from the original Pirates of the Caribbean ride in the blackness between scenes. “Dead men tell no tales” echoes as we’re blinded by the Locker. There are numerous Jack Sparrow doppelgangers board the Pearl. Jack is hallucinating; driven mad by the emptiness of the Locker; all sand, the Pearl cannot sail, there’s not even a breeze. He blames his predicament on the thinking “give a man another chance.” (Not entirely sure who he is thinking of at that point) He washes his hands of the weirdness and swings off the ship, onto the ground. Oh, there’s a crab! Let’s throw it, and when it comes back, let’s lick it, for no good reason. After attempting to pull the Pearl, it begins moving. A whole host of crabs are acting like a wave and carry the Pearl through the dunes to the ocean. Jack gives chase to his ship and as the Pearl arrives at its destination, he’s standing atop the mast like he did when he entered Port Royal (complete with the same strain of music).
At the beach, the Pearl’s crew washes up. They’re surprised to see the Pearl moving and happy to see Jack. But Jack believes they’re all hallucinations. Until Elizabeth speaks up; that breaks him out of it. Then he’s not too keen on letting people who have betrayed him back on the Pearl, including Barbossa, Will, and Elizabeth. Except they are the ones who might have an idea on how to escape the Locker. Barbossa and Jack are back to bickering over the Pearl and Will confronts Elizabeth about her part in how Jack died. She claims that she didn’t have a choice; she had to sacrifice Jack to save them. It was her burden to bear, she couldn’t tell Will. He points out that he carried the burden anyway, he just didn’t know what it was. If Elizabeth makes her choices alone, how can he trust her? He can’t.
The Pearl comes across bodies, then boats of departed souls. Tia explains that they should be in the care of Davy Jones; that was his mission, to ferry the souls from one world to the next. But he has corrupted his mission. Elizabeth spots her father amongst the boats and for a moment, believes they’ve made it back. They haven’t; they’re still in the Locker. Which means her father is dead. At Beckett’s orders, Governor Swann explains. He had begun asking too many questions about the heart. He discovered that if you stab the heart, your heart must take its place and you become the next captain of the Dutchman. Elizabeth desperately tries to bring her father aboard, almost leaving the ship. Will stops her and comforts her, even asking Tia Dalma if there was a way. He’s at peace.
The ship becomes stuck in doldrums; they’ve little water left and if they don’t make it back to the living world soon, they’ll all die and be stuck in the Locker. Jack has had an opportunity to play with the map and comes across a new phrase: “Up is down.” His little hallucinations help him mull the phrase over until he realizes that sunset may mean sundown. If they flip the ship at sundown, down becomes up, meaning sunup. The rest of the crew catches on and a flash of green and it works! Then the five leads all pull guns on each other: Jack points at Elizabeth, who points at Barbossa, behind whom is Gibbs, Barbossa points at Will, and Will points at Jack. Barbossa states that he and Jack need to make for Shipwreck Cove for the Brethren Court. Jack would rather sail the opposite direction. They fire, only for their pistols to click; wet powder. Will comes up with the arrangement that Barbossa and Jack go ashore to re-provision the ship and leave him in charge of the Pearl, temporarily.
On the shores of their refueling island lays the carcass of the Kraken. They also discover one of Sao Feng’s men, dead in the water. Turning around, Sao Feng’s ship is nearing the Pearl. Back aboard, Will has led a mutiny to take control of the Pearl, with an agreement from Sao Feng; he needs it to catch the Flying Dutchman to free his father. Except the pirate lord reneges on his promise. Then Beckett’s men come aboard; Sao Feng had an agreement with them. Basically, at this point, everyone is betraying everyone else for their own goals and not telling anyone else; acting like pirates and whatnot. In the end, Elizabeth agrees to go with Sao Feng, perturbed that Will hadn’t told her about his plan to rescue his father (turnabout is fair play, Miss Swann). Will is put in the brig of the Black Pearl. Jack goes across ships to meet with Beckett aboard the Endeavor.
Beckett threatens to inform Jones of Jack’s return, thereby not squaring his debt with the tentacle fellow. But, if Jack fills in Beckett on the Brethren Court, its members, why the nine pieces of eight, and where they’re meeting, Beckett will keep his mouth shut and ensure Jack’s freedom. Except, Beckett has Jack’s compass, so why would he need Jack? Jack’s response is that Beckett needs an inside man. Then the pirate escapes back to the Pearl and they’re off for Shipwreck Cove. Will eventually escapes the brig and leaves a trail of dead bodies for the Endeavor to follow (they were delayed due to Jack damaging the ship in his escape). Jack is polite enough to not raise the alarm so he can speak to the whelp. Being insightful, Jack notes that Will does not trust Elizabeth; Will divulges that he feels he’s losing the woman he loves. Every step towards his father is a step away from Elizabeth. Ah, Jack has an idea. Let Jack be the one to stab the heart; he becomes immortal. He seems fine with the idea of only stepping on land once every ten years. He proceeds to knock Will overboard, with the compass (by breathing on him, his breath must really stink).
Meanwhile, Sao Feng believes Elizabeth to be the sea goddess Calypso, bound in human form. He agrees with Barbossa that they’re best shot at defeating Beckett is to free Calypso, something only the whole Brethren Court can do. Just as Sao Feng makes a move on Elizabeth, the Flying Dutchman catches up and fires on them. Sao Feng is killed, but manages to pass captaincy on to Elizabeth. Admiral Norrington is in charge of the Dutchman and that evening frees Elizabeth and her crew. He was shocked to see her among the pirates and dismayed to learn of her father’s death. He’s coming to realize he may have chosen the wrong side. While in the brig of the Dutchman, Elizabeth meets Bootstrap Bill, who is becoming more a part of the ship, punishment for helping Will earlier. Bill guesses who Elizabeth is and states that Will cannot free Bill if he wants to be with Elizabeth. When the crew is let out, Bill follows, and as “part of the crew, part of the ship,” he raises the alarm. Norrington cuts the line so Elizabeth can escape and is stabbed by Bill. Jones admires the Admiral’s sword and his crew intend to take the ship, but his heart is still in danger.
Jones is then called to the Endeavor to meet with Beckett, and Will. Will casually informs Jones that Jack is back, spoiling Beckett’s hold on that information; and showing Jones that he can’t trust Beckett. He also states that the Brethren Court intends to free Calypso, which infuriates Jones. He will lead them to Shipwreck Cove in exchange for Jones freeing Bill and Beckett guaranteeing Elizabeth’s safety.
Meanwhile, at Shipwreck Cove, the Brethren Court argues amongst itself. Elizabeth brings the news that Beckett is on his way to wipe out the pirates. She proposes fighting. Another argues they can hide in the Cove and outlast Beckett. Barbossa wants to free Calypso; if they do so, she may grant them boon. Jack points out that Calypso is a woman scorned, whose fury hell hath no, and thus not likely to grant boon to the Court that imprisoned her. He cannot believe he is saying it, but he agrees with Captain Swann; they must fight…to run away. Barbossa points out that an act of war can only be declared by the Pirate King. And the Pirate King is elected by popular vote amongst the Brethren Court; and each captain always votes for themselves. Jack unexpectedly votes for Elizabeth. She commands every seaworthy ship be made ready for war. Jack visits with the Keeper of the Code, Captain Teague; his father (cameo by Keith Richards from The Rolling Stones, and part of Johnny Depp’s inspiration for Jack Sparrow).
Jones visits Tia Dalma aboard the Black Pearl, confirming that she is Calypso and he did help the first Brethren Court is binding her to one human form. He loved her, but after he did his duty for ten years and was able to step back on land, she was not where he left her. But that’s her nature, would he love her if she was anything else? Then Jones corrupted his purpose and that is how he gained the tentacle face. Jones tries to claim that he has no heart, but before he leaves, he whispers “my heart will always belong to you.” Calypso will not have any mercy for the Court; punishment for imprisoning her.
The next morning is a parlay (director Gore Verbinksi provides the electric guitar solo; they were out of time and he was available and able to play) between Barbossa, Elizabeth, and Jack, and Beckett, Jones, and Will. Barbossa’s initial reaction is that Will was the traitor amongst the pirates. Beckett clears that up by revealing Jack the master orchestrator. Elizabeth warns Will that freeing his father is a lost cause; Will still doesn’t give up. Barbossa and Jack exchange words and Will and Jack switch sides. So, Jack is aboard the Dutchman per the overall grand scheme of things, still accompanied by his hallucinations. Over aboard the Pearl, Barbossa has gathered all nine pieces of eight from the pirate lords (they’re not coins, just bits and bobs the lords happened to have on them at the first Court, then passed down to their successor captains). Tia Dalma is bound and he begins the process to free her. Burn the pieces of eight and then say “Calypso, I release you from your human bonds,” as if by a lover. Surprisingly, Ragetti understands better than Barbossa. Tia grows and turns into a tower of crabs that rush overboard.
With Calypso gone and not likely to grant Barbossa’s favor, the pirates doubt they can win. They face an armada, with the Flying Dutchman at the lead. Elizabeth rallies the pirates. No, revenge won’t bring back her father and it’s not worth dying for. But what is worth dying for is the ability to tame the seas by the sweat of their brows and the strength of their backs. The other ships will look to the Pearl to lead them and they will see free men. “Gentlemen, hoist the colours.” Those flags are based on historical pirate flags (the music is once again awesome).
The winds blow and a storm bursts. A maelstrom swirls and the Dutchman and Pearl face off across the whirlpool. Jack escapes the brig on the Dutchman by thinking like the whelp and using leverage to pop the door off. He grabs the chest, then swings about the rigging trying to escape Jones and his crew. Over on the Pearl, Will has made his decision. “Elizabeth, will you marry me?” “I don’t think now’s the best time.” “Now may be the only time!” Elizabeth asks Barbossa to marry them (Will’s confused for a second) and he keeps getting interrupted by attacking sailors, so the couple exchanges their own vows. Then – the most epic kiss of all time! I gush every time I see it, or hear the music and remember the scene. Now married, Will swings over to the Dutchman, after seeing Jack in trouble. The masts of the two ships tangle. Will gets a hold of the chest, but Bill, not realizing who he’s attacking, stops Will. Elizabeth now swings over and faces Jones. He knocks her down and Will stabs him. But Jones cannot die. He twists the end of the blade sticking out of his chest so Will can’t remove it. He sees the emotions exchanged between Will and Elizabeth; “love, a dreadful bond, yet so easily severed.” Jack stops him, showing that he’s holding Jones’s heart, his broken sword poised over it. In retaliation, Jones stabs Will, ironically with Norrington’s old sword that Will crafted. Bill finally comes to his senses and tackles Jones, giving Jack the chance to position Will to stab the heart. Jones, now dead, falls into the whirlpool.
Barbossa orders the masts shot to save the Pearl. Jack pulls Elizabeth away from Will, the Dutchman crew is approaching, chanting “part of the crew, part of the ship.” They escape the sinking ship and are picked up by the Pearl. But the fight is not over, there’s still the Endeavor to deal with. It advances towards the Pearl, but the Dutchman bursts forth,
decay falling from its hull (the sky is now blue again). Will stands at the helm, bearing a new jagged scar. The Dutchman and Pearl come along either side of the Endeavor, and fire. The ship is reduced to splinters, claiming Beckett, who simply mutters, “it’s just good business.” He understands why both ships turned on him. The armada flees; the pirates have won. They celebrate and throw their hats. Even Jack, though a minute later he sends Gibbs to retrieve it.
The crew of the Black Pearl (with added members Murtogg and Mullory) bid Elizabeth farewell, she is to join her husband on land for one night before he attends to his duties as the new captain of the Flying Dutchman. Barbossa refers to her as Mrs. Turner, a callback to how she introduced herself to him during Curse of the Black Pearl. She has her own call back with Jack, saying it would have never worked out between them, though she sincerely thanks him.
I find the scene on the beach between Will and Elizabeth incredibly romantic. Will asks Elizabeth to keep the chest with his heart safe. They share a final kiss and he boards the Dutchman. A flash of green and sunset.
We find Jack strolling along a dock with two women (the two who slapped him last time he was in Tortuga), ready to show them the Black Pearl. But it is once again, gone. Barbossa has sailed off with it, leaving Jack a little dinghy. Barbossa intends to find the Fountain of Youth, but when he unrolls the map, the center part is missing, snatched by Jack. The ending scene, after the credits, is ten years later, a little boy singing A Pirate’s Life for Me, accompanied by his mother, Elizabeth. A flash of green and Will has returned.
This was one movie I attended the midnight premiere of, with a couple of my friends. When Will was stabbed, I cried. The friend sitting next to me whispered to our friend sitting next to her that I was crying. Our friend told her to just let me. That was really just the start of the fandom life. I have cried through several episodes of Supernatural, including the recent 300th episode. I feel it’s the mark of a good story and good character development when fans get emotionally attached to characters.
I have seen this movie several times and I still don’t completely understand everyone’s deals; who they made them with and for what. Ultimately, our heroes remain heroic in the end. The bad guy gets his just reward…which was awesome. I do not like Beckett; it is heavily suggested amongst fans that Jack at one point was hired by Beckett to transport goods, which turned out to be slaves. Jack refused and Beckett branded him. I get that Davy Jones and Calypso (who became Tia Dalma) were in love, and I can see that after all that time they still love each other deep down, and that after ten years, Jones returned to wherever and Calypso wasn’t there, but I guess I don’t quite understand why he went completely off the deep end. And if we look at the lyrics of “Hoist the Colours,” we find out that they tell the story of binding Calypso. “The king and his men” = the Pirate King and the Court. “Stole the queen from her bed; and bound her in her bones” = Calypso. As Barbossa claimed: “the seas be ours and fight the powers. Where we will, we’ll roam.”
Still hate the love triangle they played with at the beginning between Will, Elizabeth, and Jack. Will and Elizabeth, I’m rooting for you, but why can you not just talk to each other! Very glad they got back together in the end, my favorite part of the movie. But seriously. While I do prefer this movie to later sequels, I am holding to the view that the original was the best and honestly, no sequels were needed; I think it just complicated matters. However, the action was epic, as was the music and in due course, the story ended satisfyingly.
There are some incredible youtube videos you can check out:
The Piano Guys have a version of the theme they perform, as does Two Cellos. Taylor Davis and David Garrett both play violin versions of the theme. The Hillywood Show does a parody of the movies (they have a slew of other parodies you should check out!)
The biggest one I can give you is mypiratecat1’s works; they were written before the fourth and fifth installments, but give the main characters a happy ending and takes them into their future.
So next time, we’re on to the Robin Hood legend. What are your thoughts on pirate movies? Who’s your favorite character from the Pirates of the Caribbean franchise?
The middle film in the original trilogy, when Disney decided to expand on the success of the first film. Story wise, it mainly serves to set up the third film (they were filmed back-to-back). There’s great action, another great soundtrack (composed by Hans Zimmer), and the characters are nicely developed. But where Curse of the Black Pearl could stand on its own as a fulfilling story, this one needs At World’s End to tie up loose ends. Bill Nighy (he went on to play Minister Rufus Scrimgeour in Deathly Hallows, and he was the art professor in Doctor Who‘s episode on Vincent Van Gogh) joins the cast as Davy Jones, Stellan Skarsgård (he plays Bill in both Mamma Mia movies and is Dr. Erik Selvig in the MCU) is Bootstrap Bill, Tom Hollander (he appeared alongside Keira Knightley in the 2005 film adaptation of Pride and Prejudice) is Lord Cutler Beckett, and Naomie Harris (Eve Moneypenny in the more recent James Bond films) is Tia Dalma [those two characters barely look like each other…wow].
It opens on a rained-out wedding, Will and Elizabeth’s. Will has been arrested by a new batch of British soldiers for his actions in freeing Jack Sparrow. Lord Cutler Beckett is in command and also has a warrant for Elizabeth’s arrest, as well as James Norrington. Norrington resigned his post and is no longer at Port Royal. With our stars already in trouble, we cut to the Black Pearl, waiting outside some sort of prison. Coffins are being thrown into the ocean; a bird lands on one, then is shot off. A hand emerges, followed by Jack. Once aboard the Pearl again, he delivers his treasure, a drawing of a key. The crew is not initially impressed; it’s been some time since they’d done honest pirating and they want a more shiny reward. But Jack talks them around, though the crew also notices he’s acting stranger; for instance, his compass isn’t working.
Back in Port Royal, Beckett has a proposition for Will; in exchange for Jack’s compass, Beckett will grant the man letters of mark, pardoning him and allowing him to survive as a privateer for England. Cutting back to the Pearl, Jack ventures into the hold for some more rum and discovers an old friend: Bootstrap Bill, covered in barnacles. Bill congratulates Jack on getting the Pearl back; Jack informs him that his son, young William, helped in that matter. Bill is dismayed that Will has turned to a life of piracy, but continues with his message: time’s up for Jack. Davy Jones is calling in his debt. He passes on the Black Spot to Jack. Jack proceeds to wake the rest of the crew and informs them to head towards land.
Will visits his betrothed in prison and explains Beckett’s deal. Governor Swann doesn’t trust Jack to help Will and Elizabeth and wants to pursue other courses of action. There’s a funny bit when the couple speaks to each other, Elizabeth’s father standing only a few feet away and Elizabeth informs her fiancé “if it weren’t for these bars, I’d have you already,” startling her father. He breaks a light similar to Will had broken in his home in the previous film. Governor Swann later sneaks Elizabeth out of prison, intending to put her on a ship bound for England. His only concern is his daughter; he’ll help Will as best he can, but knows that the lad will most certainly hang and all the better for Elizabeth to leave Port Royal. Doesn’t seem like he completely approves of his future son-in-law. Their plan is ruined when Beckett’s man kills the friendly captain. Elizabeth snuck out of the carriage in the commotion and holds a pistol to Beckett. She tries to warn him of the cursed Aztec gold, but “there’s more than one chest of value in these waters,” Beckett informs her. She takes the letters, but Beckett warns her he will still want Jack’s compass.
Will is eventually led to an island where the Pearl sits on the beach. He’s captured and taken before the natives’ chief: Jack. Jack speaks nonsense words with the natives and finally whispers “Save me” to Will, despite Will stating that he needs Jack’s help to save Elizabeth. Once Will is put with the rest of the crew in hanging bone cages, Gibbs informs him that while the natives view Jack as their chief and thus a god, there is a ceremony to free the god from his human form; the fire they’re building is for that purpose. Will takes charge; they must escape Jack plays along, insisting on more wood and when the opportune moment comes, he runs away. He’s caught and gotten ready for the fire. But the crew has been caught climbing the cliff (Mythbusters tested whether that could be done; the cage could not be swung the way its shown in the movie, but a crew can climb up a wall). Jack has another chance to escape. He joins his crew back at the Pearl; Will first insisted they couldn’t leave without Jack, but upon seeing the whole village of natives chasing the man, he quips “time to go.” They get safely away.
To rescue Elizabeth, Jack states they need to go upriver. They visit Tia Dalma, who informs Will “you have a touch of destiny about you.” To Jack, she cackles, “Jack Sparrow does not know what he wants.” When Will asks about the key, which Jack has told him ultimately leads to a way to save Elizabeth, Tia Dalma tells the crew about Davy Jones. He fell in love, but eventually, the love was too painful, so he cut out his own heart and buried it in a chest. The key unlocks that chest. She reveals Jack’s Black Spot, showing that Jones is after Jack. Since Jones cannot step on dry land except once every ten years, land is where they will be safe, so they will carry land with them. She gives Jack a jar of dirt. Then she casts for the location of the Flying Dutchman.
They come upon a shipwreck. Jack sends Will over, the lad’s plan is simple enough, cut down any in his path to the key. Oh, and if Will needs, tell them that Jack Sparrow sent him to settle his debt. Will eventually comes before Davy Jones as he offers the dying sailors from the other ship the chance to forestall judgment day by serving one hundred years on his ship: “do you fear death?” When Jones comes to Will, he asks his purpose. Will says what Jack told him. The captain visits the pirate aboard the Pearl. Their deal was Jack got to be captain for thirteen years; time’s up. Now Jack is to serve aboard the Dutchman for a hundred years. Jack wishes to further postpone that trip and haggles for how many souls is his worth. Answer, one hundred. Jones will keep Will for the time being. After their encounter, Jack orders Gibbs to head for Tortuga.
Elizabeth has apparently snuck aboard another ship, changed into men’s clothing and the crew finds her wedding dress. They first think it’s a sign from a spirit. Elizabeth comes up with the plan to use that notion to her advantage and direct the ship to Tortuga. There, Norrington comes forward under the guise to join Jack’s crew. Really, he wants revenge for the pirate ruining his life; his clothes are filthy, he’s drunk, he lost his ship, his crew, his position, everything. So those two men start a riot in the tavern. Elizabeth joins in and eventually knocks Norrington out when he becomes too annoying. She then tracks down Jack and asks about Will. Jack spins her the tale that in order to save Will, she needs to find the chest, revealing that his compass “points to the thing you want most in this world.” (This is where the line from the new Disney intro “we have our heading!” comes from)
Aboard the Dutchman there is confusion over an order for “Mr. Turner;” both Will and Bill respond and that confusion lets a canon drop on deck. Five lashes are issued to Will. Bill steps in to take the punishment. Davy Jones inquires why he would take the punishment; Bill responds “he’s my son.” Jones finds it poetically cruel and forces Bill to whip is own son’s back. Later, Will retorts he doesn’t need his father’s help, though Bill is urging Will to get off the ship. Will has sworn no oath to Jones and is not bound to the ship. Will tells him about his search for the Dead Man’s Chest, which a veteran crewmember (who is almost completely one with the ship) informs them don’t stab the heart. The Dutchman needs a living heart, or there will be no captain. We’re still left a little confused. But Will comes up with a plan; he challenges Davy Jones to the game Liar’s Dice. He wagers a lifetime of service in exchange for the key, which makes Jones reveal it’s hidden in his tentacle face. Bill jumps into the game and in the end throws it so his son will remain free. That evening, after Jones falls asleep at his organ, Will sneaks in and steals the key. Bill has a boat waiting for him and gives his son a knife. Will takes it with the promise that he will find some way to free his father; he won’t abandon him. [I think that’s a bit of a dig at Bill abandoning Will and his mother years ago]
Back in Port Royal, Beckett meets with Governor Swann. He warns the man that he has ships in pursuit of Jack, Will, and now Elizabeth. There could easily be a battle and the father can only imagine what will happen to his daughter. In exchange for possibly saving Elizabeth, Beckett wants Swann’s authority as governor, his influence in London, and ultimately, his loyalty.
Will manages to hitch a ride on another ship, the same one Elizabeth used to get to Tortuga; he recognizes her wedding dress. But the ship seems to have struck a reef. That’s how the other ship was caught by the Dutchman. Davy Jones has discovered Will’s deception and forces Bill to watch as the Dutchman’s crew calls the Kraken and sends it to the other ship. Will does escape (at one point, sliding down a sail with a knife to slow his descent: Mythbusters also tested this but found that it didn’t work due to the ribbing in the sail; my argument with their test, the ribbing was done in a different direction in the movie, vertical compared to horizontal), briefly catching his breath on a piece of driftwood (a callback to his first appearance in the previous film), before eventually hiding in the front of the Dutchman. Jones orders for them to make for his chest, attempting to beat Sparrow.
In the meantime, Norrington overhears Elizabeth, Jack, and Gibbs discussing the letters of mark. Gibbs comments that if the East India Company controls the heart, they’ll control the seas, which is bad for every pirate. Norrington (I’m not sure why he does this aside from he’s still mad that Elizabeth chose Will over him) insinuates that Elizabeth is attracted to Jack. She’s appalled. Later, Jack notes that they are similar people, he and Elizabeth. She retorts that Jack lacks a sense of honor, decency, a moral center, and personal hygiene. Jack responds that Elizabeth will come over to his side, of piracy, because she’ll want the freedom. Elizabeth counters that Jack will want to be a good man; he’ll want the reward. They get very close to one another, almost seducing the other. They’re interrupted by coming upon the island.
Jack, Elizabeth, and Norrington go ashore to dig up the chest. Will arrives just as the chest is found, Elizabeth happily embraces and kisses her fiancé. He has to thank Jack for his reunion with his father aboard the Dutchman. Elizabeth realizes that everything Jack told her was a lie. Jack can’t let Will stab the heart, freeing Bill, because then who will call off the Kraken? He holds his sword to Will, Will returns the favor, and Norrington pulls out his sword; he can’t let Will stab the heart because he needs to deliver the chest to Beckett to get his life back. So, all three begin dueling each other. Ragetti and Pintel (the pirate comedic duo) steal the chest, Elizabeth goes after them and they’re soon fighting the crew of the Dutchman (with only two swords between the three of them; Will has Elizabeth’s). The trio of men end up at an old church with a water wheel attached, all fighting over the key. The duel takes them aboard the wheel once it’s broken away. It’s a great bit of choreography and I’m sure not easy to film.
In the end, Jack is able to open the chest and takes the heart and stuffs it down his shirt. When he gets back to the rowboat, he puts it in the jar of dirt. Norrington finds the letters, and spots the mess with the dirt. When Will finds the chest, Jack knocks him out to prevent him from opening it. Cornered by the Dutchman‘s crew, Norrington offers to take the chest and distract them so the others can get away. He eventually drops the chest, letting the crew take it.
Aboard the Pearl, Jack taunts Davy Jones: “I’ve got a jar of dirt! And guess what’s inside it!” [there’s another hilarious remix of this] Well, Jones orders his crew to open fire on the Pearl, send it back to the depths. The Pearl turns and flees; against the wind, the Dutchman is faster which is how it traps its victims, but with the wind, the Pearl has the advantage. Will wants to turn and fight and free his father. Jack smirks that it’s better to negotiate. When the ship shudders, his jar of dirt falls and breaks. “Where’s the thump thump?” The heart is gone. Jones lets the Pearl take the lead; he has his crew call up the Kraken. Will has seen this tactic before and takes charge. They’ll load the gunpowder…and rum, into the cargo net. He hands a rifle to Elizabeth, she better not miss [I forgot this part of the movie, which is sad, cause it’s awesome!].
Meanwhile, Jack has taken the only boat and is planning on escaping. But he catches sight of the plight of his ship and crew and checks his compass. Elizabeth spots him and mutters “Coward.” There’s a bit of chaos and confusion when the net is finally lifted and Will manages to catch his foot in the ropes. Elizabeth loses hold of the gun for a moment when a tentacle grabs her; Pintel and Ragetti save her. When she finds it, a boot is on it: Jack. He takes the rifle and shoots just as Will drops. The tentacles of the Kraken are wrapped around the barrels and they’re blown. Except they haven’t killed the Kraken, they’ve only made it angry. Jack gives the order to abandon ship. Elizabeth stops to thank Jack and kisses him (Will sees…and apparently that bit was not in Orlando’s script so they got a more genuine reaction). What Will doesn’t see is Elizabeth chain Jack to the mast. She claims to the six other survivors that Jack elected to stay behind. Jack frees himself just as the mouth of the Kraken comes over the side. He gets a whole bunch of spit shot at him, including his hat. Striking a hero pose, he snarks “Hello, beastie,” and is devoured.
Jones isn’t as pleased as he thought he would be with Jack’s demise. He checks the chest and finds it empty. He curses Sparrow. Actually, Norrington has the heart and delivers it to Beckett.
The crew of the Pearl hold a memorial for Jack at Tia Dalma’s shack. Will, seeing how upset Elizabeth is, and not completely understanding why, offers to try to get Jack back. Tia asks them how far are they willing to go? Will they brave the haunted and weird shores at world’s end? [title dropping the next movie] They all agree. So, they’ll need a captain who knows those waters. Boots come down the stairs…Barbossa is back. (The cast wasn’t aware it was Barbossa returning, so they’re surprise was genuine)
Overall, I still find this movie better than the fourth and fifth installments. As stated previously, I liked the character development. I still really can’t stand Jack (a bit too dishonest), but I can appreciate that they are showing different sides of him and showing a more genuine heroic streak. Norrington is still a bit of a jerk; I hate Beckett. He wants power for power’s sake and will use any means to obtain it. It was insinuated that he’s had a run in with Jack before and is most likely the one responsible for branding Jack as a pirate and possibly the reason Jack had to get the Pearl back in the first place, thus causing his deal with Jones.
I have mixed feelings about Elizabeth. What I dislike the most about this film is the ridiculous love triangle they felt inclined to include. It was shown that Elizabeth like Will from a young age, putting aside social barriers to befriend him and she only made the deal with Norrington in the first film to save Will. The whole flirting bit aboard the Pearl between Jack and Elizabeth is nonsense. Yes, it points out that underneath it all, Elizabeth has a pirate streak and Jack has a good streak and Jack is more likely to flirt with a woman that speak honestly. But what bugs me the most is how it hurts Will. A man who always tries to do the right thing. He finds out his long-lost and believed dead father is actually alive and bond in service aboard the Flying Dutchman; he’s angry for a little bit, but still decides to save his father, rather than leave him to his fate. While he does view Jack as a friend on occasion, the main reason he goes after the pirate is to save Elizabeth. I still like the fact that Elizabeth will join in the fight for her freedom, and Will’s. But she doesn’t tell Will what she did when the Pearl was taken and lets her fiancé stew.
Now, the action was amazing. They were ingenious in how the Pearl fought the Kraken, throwing in nice dramatic moments. The duel on the wheel was incredible and even just having a three-way duel was cool; two people sometimes joining to fight one, or all hacking away at each other individually. The featured cellist in the soundtrack was superb; a cello brings such warmth and emotion to a piece. The Kraken’s theme echoes the sense of something stalking the hero, waiting for the right moment to strike, then wreaking terrible destruction. Very cool to bring in the organ in such a manner, not only having it play a mournful tune, but also underneath the attack.