Actually based on a book by Ian Fleming. Yes, that Ian Fleming, the one who wrote all the James Bond books that the movies are based on. Roald Dahl, the famous children’s author, was the screenwriter. Desmond Llewelyn, famous as Q in James Bond, appears as Coggins in the beginning. Gert Fröbe, aka Goldfinger, is antagonist Baron Bomburst. The film also stars Dick Van Dyke (Mary Poppins) as Caractacus Potts and Benny Hill appears as the Toymaker. The Sherman Brothers also wrote the music for this film, though it is not a Disney film (though we all kind of assume it is since it shares many elements). This was another of my brother’s and mine favorite movies as young children; our mother didn’t mind too much, aside from the repeated watches and the long run time.
The film actually begins in the dark, with just car engine sounds, then reveals Edwardian car races. The main car wins several Grand Prix races in Europe between 1907 and 1908, until it crashes and burns in its last race after swerving to avoid a child. Now it’s a wreck on a lot, though two children are happily playing in it. The junkman wants to buy it as scrap and seems to dislike children. But they race home to tell their father he can buy it, though they narrowly avoid being run over by a young woman. Truly reprimands them for running in the road, and not being in school, so she takes Jeremy and Jemima home. Their father is Caractacus Potts is an inventor and we first see him trying to propel into the air with rockets. His experiment doesn’t go quite according to plan and while the children laugh at their father’s antics, because they’re children and don’t quite realize the danger, Truly throws water on him to put him out. He’s annoyed and is not at all bothered by the fact that his children were not in school. Truly tries to reason with him, and is marginally impressed by his other inventions housed in his windmill workshop.
Potts uses a series of machines to cook sausage and eggs for dinner, sweetly telling his children that they are his reason for being. “Someone to care for/ to be there for/ I have You Two.” They’re joined by Caractacus’s father, who tries to bring his son’s head out of the clouds; though he is known to go out to a small shed and say he is off to India, or Antarctica. Caractacus decides to try to sell his whistle sweets (they make noise through the holes when you blow in them) to a local sweet factory, run by Lord Scrumptious. He’s aided by Truly, Scrumptious’s daughter. Caractacus calls in invention Toot Sweets, “the candy you whistle/ the whistle you eat” and soon the whole factory joins in dancing. But all that whistling has brought several dogs into the sweet factory.
Jeremy and Jemima are selfless children and offer their father their “treasures” as money for his inventions rather than their beloved car. Their father sings the lullaby Hushabye Mountain to them to encourage sweet dreams. Then he decides to try one of his inventions at the evening’s fair. The haircut machine unfortunately fails and Caractacus is chased through the fair. He hides amongst a dancing troupe and has to join in on Me Ol’ Bamboo (this is such a fun song). He does well and is surprised by the tips that are tossed into his hat. He surprises his children the next morning by bringing home their car. Then spends the next several days closed up in his workshop, fixing the car. And when it finally comes out, it is a sight to behold.
The trio go on a picnic and pick Truly up on the way when they accidentally run her car off the road into a pond. Caractacus offers to carry Truly in her pristine white dress out of the pond and she is even intrigued by the car. And the unusual sound its engine makes: Chitty Chitty Bang Bang. “Oh you/ pretty Chitty Bang Bang/ Chitty Chitty Bang Bang we love you…near, far/ in our motorcar/ oh what a happy time we spend.” All four spend a happy day at the beach. The children are extremely fond of Truly and she seems fond of them as well. Jemima comments that Truly’s name fits her well, Truly Scrumptious, for she had to be called something lovely. Jeremy and Jemima wish together that their father would marry Truly.
Caractacus begins a story for his children about pirates, led by Baron Bomburst of Vulgaria, who has heard of the marvelous Chitty Chitty Bang Bang and wishes to have the car for himself. And the story comes to life. Chitty is in fact a magic car and air bags come out so Chitty can float away. They stow as it drives back onto dry land, after avoiding the Baron’s ship. The Baron sends spies ashore to capture the car, or Caractacus. The family takes Truly back home and she sings on her estate how she has fallen in love with a Lovely Lonely Man. (It’s a pretty song, but rather forgettable. I just remember the swing at the end for some reason). The spies do not do a good job of their mission, though they are rather funny. They manage to capture Truly’s father instead of the family. So the two spies pretend to be gentlemen to visit the Potts’ home and they come across the grandfather, thinking he’s the inventor. They call in the Baron’s zeppelin and lift the small shed, with Grandpa Potts inside. His family spot him and follow the zeppelin in Chitty. Except they drive off a cliff, almost into the sea.
And…Intermission! Of course, Chitty saves them, because Chitty is magic and can fly. Grandpa Potts is now not in immediate danger and rather enjoys traveling in Posh style. The zeppelin does lose altitude, which gets Grandpa Potts a bit wet until they toss out the two spies. It’s a long flight to Vulgaria, but Chitty knows the way. A castle greets the Potts family (Neuschwanstein). The Baron in turn is mainly a large child; he rides a toy horse to his meetings. He demands Potts makes a car float. Potts senior despairs, but the other tinkers locked in the basement cheer him up with The Roses of Success, “up from the ashes/ grow the roses of success…from the ashes of disaster/ grow the roses of success.”
When Chitty lands, the villagers are not terribly helpful and they stare at the foreigners. Truly realizes there are no other children about. A horn sounds and the villagers scatter. A toymaker begrudgingly takes the family inside and hides them. And explains there is a law in Vulgaria that children are not allowed; the baroness hates them. A creepy man, called the Child Catcher comes through the square, claiming he can smell children. The Potts and Truly disguise themselves as Jack-in-the-box in the toymaker’s basement. But Chitty is captured. The toymaker takes Caractacus to view the castle’s defenses. Truly is left in charge of the children, but she goes out to get food and orders Jeremy and Jemima to stay put. But the Child Catcher comes back, gaily bedecked and claiming he has lollipops and ice cream. And well, children are easily attracted to lollipops and ice cream; except his wagon is a cage. Some of the villagers try to warn the children, but he makes off back to the castle with them. That evening, the toymaker shows Caractacus and Truly where the villagers hide their own children underneath the castle. Caractacus tries to give the children hope by singing them Hushabye Mountain, though Truly has to finish. Now, he has a plan.
The next day is the baron’s birthday. He starts with a visit to his wife, whom he actually can’t stand. The previous day, he had gleefully aimed a shotgun at her full skirt when Chitty launched her into the air, only slightly claiming it as an attempt to get her down. He does hit the skirt and she falls into the lake, unharmed, to his disappointment. Today, she’s in some odd lingerie and very long braided pigtails. To a child, their funny nicknames of Cootchie Face are cute and the baron keeps trying to kill the baroness, though as a kid, didn’t fully realize that. His later celebration is full of elderly purple-wearing court members miserably dancing. The baroness orders the toymaker in with a surprise; two lifelike dolls. (Actually, Caractacus and Truly in disguise). Truly is a Doll on a Music Box, Caractacus is a clown doll. He eventually joins in with the harmony of Truly Scrumptious. They distract the baron and the children sneak in. A few drop a hook from the ceiling and lift up the baron. A net is dropped, trapping the court and the children get a bit of revenge, even trapping the Child Catcher in a net. Caractacus, Truly and the toymaker search for Jeremy and Jemima and get them out. The villagers also enter the castle to save their children. Baron Bomburst and his baroness try to escape, but are caught in the cage by the children. Grandpa Potts emerges from the cellars and Chitty drives itself in to rescue its family. The whole family flies out and Vulgaria is now a free country.
The family is on the beach again and Jemima and Jeremy eagerly finish the story that their father and Truly get married. Caractacus doesn’t say much, just drives Truly home. Then tries to pass his children’s notion off as silly and puts his foot in his mouth. They discover Lord Scrumptious at the Potts home, happily playing with Grandpa Potts, who was his batman most likely during the Zulu wars (a batman was a solider assigned to a commissioned officer as his personal servant). Lord Scrumptious offers Caractacus a contract to produce his “Toot Sweets” for dogs. It will make him rich. Before he signs the paperwork, Caractacus races out to find Truly, running her off the road again. It’s now no longer ridiculous for him to marry Truly and she readily agrees, so he kisses her. Grandpa Potts refers to his son as an eccentric, and has no idea where he could have gotten it from (hmm…). Caractacus and Truly fly off in Chitty, passing over the house where their family waves to them.
I adore the theme song for this movie. The car is magical and I just smile at it. I see a lot of my brother and I in the Potts children (though we diligently went to school), but playing together and making up stories together. They are sweet children and though Caractacus may not be the best father, he is kind and loving and is even potentially willing to put his own dreams on hold to take care of them. I think the part in Vulgaria is funny; still nostalgic.
And interesting note: Peter Jackson owns one of the Chitty cars. He showed it off on the set of the Hobbit when they were filming Old Took’s birthday scenes. The young children were not interested, but the adults clamored to see it. I would be one of them! It’s revealed during the behind the scenes appendices…I forget at the moment if it’s with the extended edition or the theatrical edition.
A Disney live-action film from 1971 that mixes in animation like Mary Poppins did. It is based on a book by Mary Norton and is a beloved movie from my childhood. It stars Angela Landsbury (the original Mrs. Potts and star of Murder, She Wrote) as Miss Eglantine Price, David Tomlinson (the father in Mary Poppins) as Professor Emelius Browne, and another Mary Poppins‘ alum is Reginale Owen; he played Admiral Boom in Poppins and General Teagler in Bedknobs. The Sherman brothers also wrote the music for this film. The 25th Anniversary Edition DVD release runs longer than the theatrical version; some songs had been cut and were now restored. Oddly, the most recent Blu-ray release goes back to the theatrical version. Sadly, there is no good soundtrack for the musical available; the most noticeable difference being in Portobello Road.
The opening credits run against a medieval tapestry backdrop, similar to the Bayeux Tapestry. It takes place in 1940, during WWII, near the White Cliffs of Dover. “Again – A time for valor. A time of whispered events. Now faded with the passing years.” A town stands in the shadow of an old castle; they are currently taking care of the children evacuated from London due to the bombings (similar to the main characters in C.S. Lewis The Lion, the Witch, and the Wardrobe). We’re briefly introduced to the Soldiers of the Old Home Guard, led by General Teagler. Miss Price shows up for her package and is forced to take three children. She’s very busy with important work and does not traditionally get on well with children, but she’ll do her duty until more suitable arrangements can be made. The local preacher fawns over Miss Price, though he flounces off when the postmistress points out he’s making moves because he admires Miss Price’s nice house and land.
Miss Price lives alone, aside from a black cat that came with the name Cosmic Creepers. When the children are asleep, she takes her package to her workshop and unwraps a broom, from Professor Emelius Browne’s Correspondence College of Witchcraft. She manages to successfully fly for a bit with a spell, until she topples over. The children see her when they attempt to sneak out back to London. Charlie thinks it is a wise idea to blackmail Miss Price, but he goes a little too far and she turns him into a white rabbit. But her spells never last very long and he quickly turns back, after being pursued by Cosmic Creepers. Miss Price lets them in on her secret; she plans to use magic to help the war effort. And to win over the children, she charms a bedknob with a traveling spell. Then persuades the children to go to London so she can get the last lesson from Professor Browne himself when he stops the course. Charlie initially doesn’t think the bed will work and Miss Price remarks he is at the Age of Not Believing.
But the bed works. Except they discover that Professor Browne is a street magician and self-admitted fraud and charlatan, though he does everything With a Flair. Miss Price ends up turning Professor Browne into a white rabbit when she confronts him. He is surprised that one of his spells worked; he simply put together words out of an old book. He then takes Miss Price and the children to the abandoned home he is squatting in (it’s abandoned because there is an unexploded bomb in the front yard). The children explore the nursery while he shows Miss Price the library. Except, instead of getting the desired book for Miss Price, he wants her to join him in a stage show. She’d be an assistant who could really do magic. But Miss Price, who reveals her first name is Eglantine is determined to find the book. She turns Browne into a rabbit again and he finally shows her the book, The Spells of Astoroth; of which he only has half. And the five magic words for the substitutiary locomotion spell; an “ancient and mystic art of causing objects to take on a life force of their own” are missing.
Miss Price demands they find the other half of the book and Browne takes them to Portobello Road, “street where the riches/ of ages are stowed.” This is one of my favorite parts of the film. An impromptu dance party breaks out and features several music and dance styles from around the British empire. They don’t have much luck finding the other half of the book until a slightly scary man leads them to the “Bookman.” He in fact has the other half of the book and is looking for the same spell. Except the book only states that the five words are written on the Star of Astoroth, worn by the sorcerer. The Star is now on the fabled Isle of Namboobu. The adults don’t believe such a place exists, but young Paul found a children’s book on it. So the children, Miss Price, and Professor Browne are able to use the bed to escape the Bookman and travel to the Isle of Namboombu. Well, the lagoon first and they are “bobbing along/ on the bottom/ of the Beautiful Briny sea.” This is where the animation comes in, for the animals dress and talk like humans. A bear catches the bed, but wants to throw the five humans back into the lagoon because the king has issued a “No Peopling Allowed” law. Well, they want to see the king.
Professor Browne manages to ingratiate himself to the king (a lion; in fact, the animation is very similar to Robin Hood) when he offers to referee the soccer match [note how they refer to is as “soccer,” rather than “football” as Europeans call it. You can tell it was produced by Americans despite most of the cast being English and the story taking place in England.] My brother and I loved the soccer match as kids, Browne getting trampled by the animals throughout the game. And they discover that the king wears the star. Browne manages to pocket the star and they’re chased off the island. Sadly, the star is of another world and cannot be brought back to ours; it simply disappears. But Paul saves the day again; his book has an illustration of the star and the words for the spell (technically, would have been helpful to know that before, but, kids love the animation). Browne suggests that Miss Price use the words “Tregura Mekoides Trecoru Satis Dee” with a flair. And she’s got it! She’s managed Substitutiary Locomotion! This is another beloved part of the film.
The little domestic scene is broken when news arrives that another family has offered to take the children. Miss Price has changed her mind and the children start to think of Professor Browne as a father figure. That scares him off a bit and he starts to head back to London, but the trains are finished for the day. Miss Price sings of Nobody’s Problems; she has it in her mind that she doesn’t want or need anyone else around, she’s quite comfortable with her life. But we all know she misses Browne [this part was cut from the theatrical release]. Except there are more important things to worry about now; the Germans have made a landing. They enter Miss Price’s house and stage their minor raid to induce panic and spread mischief. Miss Price’s memory fails her and she can’t turn the commander into a rabbit, but Browne manages to get away and sneaks into the house. He finds the spell and uses it on himself so he can get away again and find Miss Price and the children. They’re being held in the old castle.
Once he transforms back, he and the children convince Miss Price to use the substitutiary locomotion spell again. And this is my brother’s and mine absolute favorite part. The spell starts small, just the banners waving, but then a drums and horns start and the whole castle comes alive! The knights and Redcoats are reanimated and join together. Miss Price flies at the head of the army and they chant the spell. The Germans don’t know what to make of the phenomenon in front of them; Scotsmen and bagpipes stretching across the cliff. Their bullets only go through the empty suits of armor; they keep marching. A few minutes later, the Germans start retreating. The commotion has also woken the Home Guard and they rush to the coast. But the Germans manage to blow up Miss Price’s workshop as she flies over; the army falls, un-animated now. The Guard fires a few shots to warn the Germans and Miss Price is relatively unharmed. She’s pleased she did her part of the war effort, but has always known she could never be a proper witch with the way she feels about poisoned dragon’s liver.
They are now all a family; the children will remain with Miss Price and Professor Browne has decided to join the Army. The Soldiers of the Old Home Guard give him an escort to the station and he gives Miss Price a kiss farewell. The children at first fear that the rest of the time will be boring now, but Paul still has the bedknob.
This is the first film I ever saw Angela Landsbury in. I loved the children’s adventures and of course wanted to visit an island where the animals talk and play soccer. And even as a child, I was excited to see these reanimated knights face off against the Germans. And the budding dancer in me was fascinated by all the dancing in Portobello Road. I think the movie is now a forgotten gem; overshadowed by Mary Poppins (though I absolutely adore that movie as well).
Next Time: Another beloved childhood favorite of mine, Chitty Chitty Bang Bang
(Not to be confused with “Aragorn” from Lord of the Rings) Based on the first book of Christopher Paolini’s Inheritance Cycle of which I have not actually read the final book. Flew through Eragon before it was even mentioned as a movie, and the second, Eldest. By the time the fourth, Inheritance came out, I wasn’t able to immediately get it and it had been so long. Now…I’ve forgotten most of the actual plot. I do remember being impressed by the world building; but after getting involved with other fantasy series and doing my own research and work; it borrows heavily from other classics. Which all writers do. Heck, most of my work currently resides as a sort of fanfiction until I develop where I actually want things to go.
The movie differs from the book at times, but is filled with familiar faces. Eragon is played by Ed Speleers, who has gone on to appear in Downton Abbey and Outlander. And he looks remarkably like Lucas Till (new MacGyver) at times. Brom is the ever-talented Jeremy Irons (voice of Scar, Henry IV in Hollow Crown, Aramis in Man in the Iron Mask, and we’ll see him in Kingdom of Heaven). Man in the Iron Mask alum John Malkovich (Athos in that film, he’s also Edward ‘Blackbeard’ Teach in Crossbones [I watched the first season or so once, another series that was a bit too violent for me]) is the evil king Galbatorix. Robert Carlyle (Rumple/Mr. Gold from Once Upon a Time, also in the Stargate TV series, and in the Bond film The World is Not Enough) plays the evil magician Durza. Other people that you may recognize: Dijmon Hounsou as one of the Varden, as well as Gary Lewis (he appeared a couple times in Merlin and Outlander), Steve Spiers (a bit part in Dead Man’s Chest and Phantom Menace, as well as Porthos in The Musketeer) lives in Eragon’s village, and Joss Stone (Anne of Cleaves from Tudors) is a soothsayer.
We are informed in the opening narration (done by Jeremy Irons) that this fantasy land was once ruled by dragon riders and enjoyed peace. Until one turned and took power for himself: Galbatorix. He has crushed all rebellion. Well, until a woman (elf? I think?) steals a stone, is chased, then magics the stone away. A young lad, Eragon discovers the stone and hides it away. Except it’s not a stone; it’s a dragon egg. When it hatches, he touches the baby dragon (which is rather adorable) and is burned. Others throughout the land sense this moment, including the elf (Arya), an old man (Brom) and the king.
Eragon has to bid farewell to his cousin/brother (I forget the precise backstory). Then his village is set upon by evil creatures (who look a lot like Orcs). He’s not home when they find his uncle; his dragon (who has miraculously grown in a matter of days) Saphira keeps him away for his protection. Like Luke Skywalker in Star Wars (which this film plot borrows elements), he returns home to find his uncle dead. Brom finds him instead (and like Obi-Wan, tells the lad that it is good he was not home, for he also would be dead) and carts him off. They must make it to the resistance, to the Varden, to be safe. Druza is still hunting Eragon.
Brom is a wise mentor. He demonstrates that Eragon is not as skilled as he thinks he is and his sole purpose at the moment is ensuring that Eragon and Saphira make it to the Varden alive, in order for there to be any hope for the land. Eragon starts discovering his powers and also discovers that Brom was once a dragon rider. But his dragon was killed years ago. A rider can live past their dragon; but if the rider is killed, the dragon dies. So Eragon shouldn’t do stupid things. Well, he’s a teenage boy; he does stupid things.
He gets a vision of Arya in danger (courtesy of Durza) and decides to rescue her. Walking straight into a trap. Good thing a mysterious young man shows up and is on his side (he reminds me of Will Scarlett in Prince of Thieves). Brom is also killed, protecting Eragon. The new trio manages to make it to the Varden with Arya (who has also been poisoned by Durza). Then they start preparing for battle. Because yeah, personalized armor appears overnight. Durza is on his way with an army (which reminds me of Saruman at the Orthnac in Two Towers).
The duel between Eragon and Saphira and Durza and his dark magic shadow monster is rather good. Eragon defeats Durza, but we wonder for a minute if the good guys will actually survive. They do, yay. Except now Galbatorix is pissed; and has a dragon of his own.
I liked the film when it first came out, since it had dragons! And sword fights! And magic! The effects are rather well done. Elements of the book have sunk in to influence my own fantasy series; like magic has consequences and there is a language. But those are common to other fantasy series. Now…it’s like a knock-off of Lord of the Rings. After watching it this time round, I had to put on scenes from How to Train Your Dragon to see better dragons. The performances by the veteran actors are well done. Druza is reminiscent of Rumple in retrospect. Jeremy Irons is his usual badass self; John Malkovich plays a villain well. The film overall just seems like it’s trying too hard. And hmm, in retrospect, Arya is a bit of a peculiar choice in name. Nothing like the Arya in Game of Thrones. This one, we are told is badass. Arya Stark is no doubt a badass. And any sort of romance between this Arya and Eragon is stupid. They barely know each other! Rescuing someone or thinking they are pretty does not make a solid foundation.
As I commented above, the film plot (since I do not remember the variations of the book plot) has strong similarities to Star Wars, which follows the hero’s journey laid out by Joseph Campbell and explained in The Hero with a Thousand Faces. It examines the common elements that make up popular hero stories, that date back to mythology. Star Wars follows it, Harry Potter follows it. I have an article sitting on my computer comparing it to How to Train Your Dragon, waiting for me to find somewhere to publish it. And it’s fine for a story to follow that path; my objection is that this story follows it a little too closely.
In the first leg, the hero is called to another world and initially resists the call (here, to dragons and being a dragon rider), then meets a mentor (Brom). There is a road of trials (get more into in the books), involvement of a woman (Arya), atonement with the father (not per say in this case, but delved into in the books in an interesting way from what I recall), and finally the return and mastering two worlds; which would occur in the sequel books. There’s supernatural help and a magical flight – Saphira. It just seems like the movie is going down a checklist of “must haves in a fantasy story.” Dragons, magic, crazy old guy, and they don’t try to mask it.
Let me know your thoughts. If you have any opinion on Campbell’s Hero Journey.
Next Time: We jump into historically-set movies, starting with Troy
Based on the novel of the same name by Neil Gaiman, an author well known for Urban Fantasy stories. I’ve heard of him, considering my preference for fantasy stories, but I have not read him. Though I did enjoy this movie. It’s also an example of “hey it’s that guy!” with an all-star cast. The film opens with narration by Ian McKellen. Ben Barnes (titular Prince Caspian) is the young Dunstan Thorn. His older counterpart is played by Nathaniel Parker (uh yeah, that’s Agravaine from Merlin, and he apparently briefly appeared as the remembered father to Prince Caspian in Voyage of the Dawn Treader. So old Dunstan plays father to the young Dunstan). Henry Cavill (the newest Superman, Charles Brandon from Tudors, and Melot from Tristan and Isolde) is almost unrecognizable as Humphrey (it’s the colored wig). The great Peter O’Toole has a few scenes as the king. He has seven sons. Primus is played by Jason Flemyng (who is surprisingly Azazel in X-Men First Class and Vadim in the Musketeers). Also from Musketeers is Rupert Everett (he was decrepit Feron) as Secundus. The featured brother is Septimus, played by Mark Strong (definitely should be familiar to my followers; he’s a bad guy in Tristan and Isolde, the bad guy in Sherlock Holmes with Robert Downey Jr., and the bad guy in Robin Hood with Russell Crowe; he’s not terribly nice in this film either). Michelle Pfeiffer is Lamia the witch, Claire Danes stars as Yvaine, Ricky Gervais makes an appearance, as does Mark Williams (Mr. Weasley). Robert De Niro pops in as Captain Shakespeare.
The story explores the notion that there is a secret, magical realm that exists alongside England, called Stormhold, that is only separated by a wall. Dunstan Thorn is the first to cross over and finds a bustling market going on. He meets a beautiful young woman, the captive of a witch. He would free her, but only the witch’s death will bring that about. Instead, the woman pulls Dunstan into her wagon. Dunstan returns to England, but nine months later, a baby is left for him, Tristan. Eighteen years later, Tristan hopes to win the heart of a stuck-up snob, Victoria. Of course, to him, she’s the most beautiful and most lovely lady. He doesn’t really stand a chance against a traditional gentleman like Humphrey. Dunstan counsels his son that it is a good omen that he does not fit in with everyone else. Tristan tries again to woo Victoria, planning a romantic dinner under the stars.
Meanwhile, in Stormhold, the king dies. Their tradition is that the younger sons all kill each other off, so the only one left standing becomes king. At this point, there are four left. To decide the succession, whichever son can restore the ruby to the king’s pendant will get the throne. There is mention of a single sister; but she cannot inherit. One brother is pushed off the balcony. Another is poisoned before the quest begins, leaving now Septimus and Primus to compete. Incidentally, the ruby that fled the pendant hits a star, causing it to fall to Earth. Victoria and Tristan see the star, and Tristan vows to bring it to her to prove his feelings. So Tristan ventures past the wall. Well, it takes two tries. The old guard beats him off the first time and Tristan comes to find that his father had ventured past the wall. His mother had left a Babylon candle (terribly useful for travel) with him as a baby.
There is another group that hunts the star; three elderly witches. If they consume her heart, they retain their youth and life. (They’re a bit creepy, keeping animals around to sacrifice. I avert my gaze during those scenes). Tristan finds the crater of the fallen star and comes to realize that the young injured woman is the star. She’s kept the necklace that hit her and Tristan intends to march her back to Victoria. Yvaine, the star, is not as keen on the idea, particularly since Tristan had landed on her. But he starts back. He does have to leave her for a bit to get supplies. A unicorn comes along and helps the fallen star, but unfortunately leads her to an inn created by the witch to trap the star. Tristan ends up at the inn eventually with Primus. The witch is about to kill Yvaine when they knock. When Primus becomes too nosey, the witch kills him and advances on Tristan and Yvaine. There’s a bit of a mix up in their escape and they end up in the clouds during a storm.
They’re rescued by Captain Shakespeare and his band of pirates. Shakespeare loudly interrogates the pair and seems to throw Tristan overboard. It was all an act for his crew; Shakespeare is actually a kind man, but has to keep a fearsome reputation to stay in command. He grew up on tales of England, like Tristan grew up on tales of the realm on the other side of the wall. Shakespeare passes Tristan off as his nephew and teaches him to properly sword fight. Over the course of the week they are traveling together, Yvaine falls in love with Tristan. And Tristan realizes that Victoria is not the woman for him. Shakespeare sends the couple on their way.
The morning of Victoria’s birthday, Tristan leaves Yvaine so he can take a piece of hair to fulfill his oath and deal with Victoria quietly. Sadly, the message is garbled when it reaches Yvaine and she believes he left her for Victoria. Tristan gets a chance to intimidate Humphrey and tell the spoiled pair they’re perfect for each other. Then realizes that Yvaine is in danger if she crosses the wall. He rushes back. But Yvaine is already making her way to him. The woman from the beginning of the film (who slept with Dunstan and thus Tristan’s mother) rushes to help Yvaine, realizing she’s a star. The witch meets up with them, killing the woman’s captor, an opposing witch. She takes the two young ladies with her to her castle, where she plans to sacrifice the star with her sisters.
Septimus in on their trail as well (the brothers, who are all ghosts and follow about since they cannot pass on yet, had noticed that Yvaine was wearing the pendant and Septimus plans to use that to his advantage). He and Tristan pair up outside the castle. Septimus attempts to fight off the witches, but is ultimately killed, though he did take out one of the three witches. He is magically drowned, only to be brought back to fight Tristan. Tristan takes out the other witch, leaving only the main witch. She seemingly lets Tristan and Yvaine goes, but tries to bring the castle down on them. Yvaine uses her shine to take out the witch in the end. When he picks up Yvaine’s pendant, the stone becomes a ruby again. The woman, who is actually Una, the king’s long lost daughter, informs him that he is the last male heir of the king of Stormhold. Tristan is crowned, Yvaine is his queen. It seems that Una and Dunstan may get to be together. Overall, a happy ending.
Again, I find this to be just a fun movie to watch. It has nice fantasy elements. I like when Shakespeare trains Tristan. There is a hilarious scene to the tune of Can Can between Shakespeare and Septimus; my favorite scene of the film. The fight between the pirates and the guards is excellently timed to the music. And the crew always knew that their captain was a little…different (he has a closet full of costumes, including dresses). There’s times it gets dark; the brothers murdering each other; the witches. But it ends with a tidy happy ending. At least the young couple had a week to get to know each other. Since they were around each other constantly for a week, it did give them significant time (unlike Tristan’s parents: like, a minute? Really?).
Based on the book, which I believe I actually read before I saw the movie; a friend lent it to me in high school to demonstrate how to write dueling scenes. Since I had already fallen in love with Lord of the Rings by that point, I just take it as a fun medieval/fantasy story. I have friends who dearly love the movie. Billy Crystal appears in the film as Miracle Max. Fred Savage, older brother to Ben Savage (Boy Meets World) is the grandson. Andre the Giant plays the giant Fezzik. Robin Wright who played Buttercup, kicks butt in the 2017 film Wonder Woman as General Antiope. This is probably Cary Elwes’s most famous role as Westley, though he’s gone on to play Lord Arthur Holmwood in Bram Stoker’s Dracula (I’ve seen parts of it), starred as Robin Hood in Men in Tights, played against type as the villainous Edgar in Ella Enchanted and I guess is now part of Stranger Things (no, I am not going to watch the show; I’ve fallen into too many fandoms as it is).
This is a case of a story within a story; the premise is that a grandfather reads this story to his grandson when his grandson is sick. The tale opens with a beautiful young girl named Buttercup, who torments the farm boy Westley, ordering him about. He always responds with “as you wish.” One day, Buttercup comes to realize that he is secretly telling her he loves her. She then realizes that she loves him; they are true loves. (Fans picked up on this notion in Once Upon a Time, when Hook tells Emma “as you wish,” when she orders him to wait after they share a searing kiss.) Westley leaves to seek his fortune so he could marry Buttercup, but word comes that his ship was attacked by the Dread Pirate Roberts, who never leaves survivors. Five years pass and Buttercup is now raised to a princess and engaged to marry Prince Humperdinck. But she does not truly love the prince. She is abducted during one of her daily rides the day of her engagement announcement by Vizzini, Inigo, and Fezzik. They have orders to kill her and blame it on a neighboring kingdom, thereby starting a war.
First, they set sail. Inigo notes that they are being followed. “Inconceivable!” Vizzini declares (Inigo later points out: “I do not think it means what you think it means.”) Buttercup attempts to escape by jumping overboard, but the water is filled with shrieking eels. They next come to the Cliffs of Insanity; only Fezzik is strong enough to climb, they should lose their tail. Nope, a man in black makes his way up the cliffs as well. Vizzini cuts the rope, but still he persists. Inigo is left behind to deal with him. It is a rather fantastic duel; both are gentlemen about it, Inigo even helping his opponent finish the climb and giving him a chance to catch his breath. (Behind the scenes notes state that the actors performed the duel themselves, tutored by legendary sword masters). We learn that Inigo is hunting for a six-fingered man who killed his father. The man in black wins after a dizzying circle of his sword, knocks Inigio out and continues. He faces Fezzik next and manages to choke him asleep, after being rammed into a rock a few times. Finally, the man faces Vizzini in a battle of wits. He pours iocaine powder into a goblet and Vizzini is to guess which one. Vizzini is a smug man, believing he is smarter than any famous philosopher. Then he relies on a simple trick to switch goblets, thinking he’s won. The man in black was more cunning; he put powder into both goblets, but he’s spent the past several years building up an immunity to it. He then pulls the princess along, even though Humperdinck is tracking them.
Buttercup admits to her new captor that she does not love the prince; her first love was killed by the Dread Pirate Roberts, whom the man admits he is. Then admits he remembered the lad, but calls Buttercup out for being unfaithful, moving on to Humperdinck. “I died that day!” she declares. Humperdink is close; she pushes the man in black down a hill, telling him “you can die for all I care.” “As you wish,” the man stutters down the hill. She realizes it is her beloved Westley and follows him down the hill. Westley’s mask is now off, revealing it is the same man. They take refuge in the Fire Swamp to evade Humperdink, facing bursts of fire, lightning quick sand, and R.O.U.S (Rodents of Unusual Size, which are creepy and remind me in hindsight of creatures from Merlin). Westley is injured in a fight against a rodent. When they emerge from the Fire Swamp, Humperdinck is waiting for them. Westley is all ready to return to the swamp to protect Buttercup. But she sacrifices her happiness so Westley won’t be killed. Humperdinck promises his fiancée that he will not harm Westley and will return him to his ship. He takes his bride-to-be back and rides off. Westley makes eye contact with Count Rugen; they both know the prince is lying. Interestingly enough, the Count has six fingers on one hand.
Rugen takes control of Westley and plans to torture him on his machine, which sucks the life out of people. Buttercup in the meantime has decided she cannot marry the prince; she loves Westley and will be reunited with him. Humperdinck then promises that he will send word to recall Westley, but if that does not come to fruition, Buttercup will still marry him. In truth, he was the one who had hired the trio to abduct and kill Buttercup; now he plans to murder her on their wedding night; still planning to blame another kingdom and start a war.
Fezzik is reunited with Inigo before the wedding and they decide the break the man in black out, discovering that he is the princess’s true love. Except Buttercup has figured out that Humperdinck never followed through with his promises. She believes that Westley will still come for her and calls Humperdinck a coward. Humperdinck is enraged and cranks Rugen’s machine up to fifty, killing Westley. Everyone can hear his scream. Fezzik and Ingio recover Westley and buy a miracle; they need his brains to sneak into the castle so Inigo can have his revenge. It works only because Westley is “mostly” dead, compared to completely dead. Miracle Max creates the pill to get back at Humperdinck for firing him.
Our heroes storm the castle with some illusions, breaking up Buttercup and Humperdinck’s wedding (the priest has a hilarious manner of speaking), though Humperdinck gets the priest to declare them “man and wife.” Rugen faces off against Inigo, who simply advances on the man despite his wounds declaring “My name is Inigo Montoya, you killed my father. Prepare to die.” Buttercup, despaired that she is married to Humperdinck and Westley is dead, per Humperdinck’s word, decides she will kill herself before Humperdinck reaches their marriage bed. But Westley is waiting for her. He is still not back to full strength but gives the prince an epic speech; they will fight to the pain and Westley will leave his ears so the prince can hear every word against him and his promised hideousness. He stands and orders the prince “Drop your sword.” Humperdinck complies and Buttercup ties him up. Inigo finds them and Fezzik is waiting with horses. Westley and Buttercup share the most epic kiss that has ever been recorded.
The boy decides that he doesn’t mind the kissing and maybe his grandfather will read him the story again tomorrow.
There are times this movie reminds me of Mel Gibson’s work, or a bit of a spoof on traditional fantasy movies. Maybe it’s the inclusion of typically comedic actors. Vizzini is a laugh, there’s a little bit between Miracle Max and his wife whom he calls a witch. Maybe it’s the fact that it simply includes a lot of typical fantasy elements, presented straight forward, without trying to add anything. Buttercup is admittedly not a simple damsel in distress. She does try to help Westley fight off the giant rat, after standing there most of the time. They speak of true love often and I can see it once Westley and Buttercup are separated, but not so much while they’re growing up. Westley is an excellent, dashing hero. The costumes are over all fine; but those huge crowns are ridiculous. There is admittedly some epic dialogue. At the end of the evening, a fun movie to put on, not something that needs to be processed deeply.
I’d love to hear from anyone who truly loves this movie as to their reasons, since I didn’t really connect with it. Maybe I found it too late to completely fall in love?
A 2001 film set in medieval Europe featuring jousting…and rock music. It’s a fun movie that’s good to throw on when bored with TV. It stars Heath Ledger (later to reinvent the role of Joker in Dark Knight; he also features in Brokeback Mountain, 10 Things I Hate About You, The Patriot [haven’t seen those], Brothers Grimm [saw it once, don’t remember liking it], and Ned Kelly [eh, all star cast, the plot confused me] as peasant squire William Thatcher. This is the first role I saw Rufus Sewell in, playing the antagonist Count Adhemar (he’s an antagonist in Legend of Zorro, good guy Marke in Tristan and Isolde, decent guy in Amazing Grace, bit of a jerk in The Holiday, and lately was Lord Melbourne in the show Victoria). Paul Bettany (voice of Jarvis in the first Marvel movies, then became Vision in Age of Ultron. He was Lord Melbourne in the movie Young Victoria, bit ironic. Also featured in as the albino in The Da Vinci Code, and surgeon Dr. Stephen Maturin, best friend of Russell Crowe’s Captain Jack Aubrey in Master and Commander: Far Side of the World) is Geoffrey Chaucer, yes, that writer. Alan Tudyk (now known for his voice acting abilities in Frozen and Star Wars, but would later play pilot Wash in Firefly) is fellow peasant Wat alongside Roland, played by Mark Addy (Robert Baratheon in Game of Thrones and Friar Tuck in Russell Crowe’s Robin Hood). And if Sir Ector in the flashback looks familiar, he’s played by Nick Brimble, who was Little John in Prince of Thieves.
The film opens with the death of Sir Ector, master of Wat, Roland, and William. He’s due to joust again in a few minutes, or else they forfeit and the young lads haven’t eaten in three days. William gets the idea to wear Ector’s armor and finish the match, with Queen’s We Will Rock You occurring in the stands. Then, when he wins, this could be their chance to change their stars. He takes the name Sir Ulrich von Lichenstein from Gelderland (and apparently, a real knight and real place; though not as used in the movie). They come across as naked Chaucer trudging the road. Being peasants, no, they have not read any of his works (takes place before The Canterbury Tales), but they do have use of a writer to forge papers of nobility. He also becomes Sir Ulrich’s herald, to announce him at tournaments.
William discovers a beautiful woman, Lady Jocelyn and decides to woo her. He’s…somewhat successful. He starts following her, on horseback, into a church. And doesn’t even get her name. Count Adhemar also discovers Jocelyn and helpfully explains the rules of jousting for the audience while Taking Care of Business plays in the background. William faces Sir Thomas Coleville (another historical character, but not from this time) and mercifully draws on the last pass so they both retain honor.
Will continues to compete and pines after Jocelyn. She sends him a token to wear at the next tourney. William faces Adhemar, who proves why he has never been unhorsed. They break lances on each other on their first pass. The second pass, Will scores and avoids Adhemar’s lance. But on the third pass, Adhemar knocks William’s helm off, causing a flashback to when Will was a child and seeing knights with his father. Adhemar returns Jocleyn’s favor to her and tells “Ulrich” “see me when you’re worthy.” William loses the jousting portion, but wins the sword. He now had enough to pay Kate the blacksmith, who fixed his armor. She wants to join his crew and even offers to make new armor for him. He dismisses her first, until he finds out he needs to attend the ball in order to see Jocelyn. Chaucer, does not do the best job of teaching Will to dance, so Roland makes Will politely ask Kate (since he’s going through the trouble of making a new tunic for his friend). Chaucer and Wat are not boon companions, but they’re funny. And we’re treated to Golden Years, and modern dancing. Knight’s Tale does not try to be wholly accurate (most certainly in their female costumes. Which is disappointing, because some of the gowns from that period can be gorgeous).
Some of the heralds’ introductions are hilarious; Adhemar’s messes up at one point and declares his master “a shining example of chivalry and champagne” and “defender of his enormous manhood.” Chaucer certainly has a way with words and whips the crowds into a frenzy for Sir Ulrich. When Adhemar is about to face Coleville, he withdraws when he finds out that the other knight is actually Prince Edward in disguise. Chaucer in turns reports this to William, but he still jousts. The royal endangers himself and has obviously disguised himself so he can truly compete. Coleville appreciates the gesture. William wins the tournament, but his victory his hollow since he did not defeat Adhemar.
William goes on to win the next slew of tournaments, aided by Prince Edward sending Adhemar back to the front and the Battle of Poitiers. In the meantime, Will has Chaucer help him write a rather romantic letter to Jocelyn, aided by all his friends. The couple meets for the Paris tournament and William unfortunately cannot produce poetry on demand. Jocelyn insists that if “Ulrich” truly loves her, he will lose the tournament, rather than win it in her name. She’s got a point. But, Will has to take a pounding first (this is also after his friends have made a substantial bet with a group of Frenchmen). Still loves her. Mercifully, she sends word that he is to win the tournament, which he does. Chaucer sees Jocelyn enter William’s tent after the tournament and remarks “as Guinevere comes to Lancelot. Bed him well, m’lady. Bed him well.” (By this age, I knew what he meant). She discovers what exactly Will went through to prove his love, and has noted that his friends slip call him “William” instead of “Ulrich.” His name matters not, only that she can call him hers, and the good that comes with the bad will be of her doing as well.
William and his friends return to England, bring about another flashback of when they left. They enter London for the World Championships to The Boys Are Back in Town (and now I cannot hear that song and not think of that scene). Adhemar will compete; Prince Edward has recalled him for his company’s behavior in France. Will takes the opportunity to visit Cheapside, where he grew up and finds his father still alive, though blind. Unfortunately, Adhemar manages to spy on him and uses the information to prove the lie William has been leading. The next day, Jocelyn and Chaucer bring word that guards will arrest Will if he competes. His friends all urge him to run. He refuses. He is a knight. (Only those of noble birth can become knights; but Will points out in the beginning that many became noble by taking the title at the point of a sword).
Adhemar visits Will in jail, declaring “you have been weighed; you have been measured; and you have been found wanting.” Will is put in the stocks the next day; his friends stand alongside him. The crowd easily turns on their champion; earlier chanting his name, now throwing food. Prince Edward emerges from the crowd and declares that his own research has proven that William is descended from an ancient royal line; and as prince, his word is above contestation. He frees Will and knights him. William will face Adhemar.
Knowing he stands a chance of losing, Adhemar cheats and tips his lance. On the first pass, he embeds it in William’s shoulder. On the second pass, William drops his lance. Adhemar murmurs to his opponent, “in what world can you ever have beaten me? Such a place does not exist.” William can’t breathe and has his friends remove his armor. Neither can he hold a lance, they must strap it to his arm. To buy time, Chaucer has missed his introduction. “Here he is! One of your own! Born a stone’s throw from this very stadium and here before you now. The son, of John Thatcher…Sir William Thatcher!” Will’s father is in the stands; he heard that. He sits near Prince Edward. Revitalized, William unseats Adhemar. We pause, as the group tells Adhemar “you have been weighed; you have been measured; and you absolutely have been found wanting. Welcome to the new world.” The crowd goes nuts as the action picks back up. Edward kisses his wife. Jocelyn races down to see William, who dismounts and removes his gloves and such so they can share an epic kiss. The film closes as Chaucer decides he needs to write this tale down and we go to black on Shook Me All Night Long.
As I stated, it’s a fun movie. I like the music they feature for the most part. I understand some of the costuming choices; I believe one feature states that they were going for a rock ‘n’ roll look with the knights, since they held that sort of status in medieval times; a more modern fit pant, lots of leather. It’s the women’s costumes that drive me nuts. The exotic hair styles that you know could not have been done at that time. Sheer fabric on display, an Audrey Hepburn hat. Now, after being blown away by other films, the romance falls a bit flat. Will sees that Jocelyn is pretty and that’s why he loves her. Not because he sees her do anything particularly good or special. Jocelyn likes Will because he’s not like other nobles who have courted her.
We’ve come to the end of the series. I feel they rushed this series; maybe they were surprised how quick they would have to wrap things up. My one friend came back and asked me where the season was that they end up in modern times, since she had seen pictures of it everywhere (I can find them on Pintrest, maybe they’re on Tumblr; I’m not on Tumblr, I don’t know). Sadly, no, that’s not how this season ends. I feel that they should come back and do that season, or a movie at the very least.
Arthur’s Bane, begins the season in two parts. Three years have passed since Guinevere’s coronation. Arthur meets with his knights at the Round Table. Unfortunately, Gwaine and Percival are missing after an expedition. Morgana is suspected, even though they haven’t heard from her in the three years. Morgana is indeed behind the disappearances; she’s capturing men to work searching for the key to the knowledge of Arthur’s Bane, his downfall. Joined by Liam Cunningham whose character isn’t named until the second episode. (Since I’ve been wandering down the Game of Thrones path, when I saw his name in the opening credits I was surprised. I haven’t seen this season as often as the previous ones, so a lot of this was unfamiliar to me.) Arthur and his knights, and Merlin, go looking for their brethren. Merlin receives a vision that Arthur is in danger and even Gwen worries about Arthur going on the mission himself; he is Camelot’s king, he needs to be cautious. But Arthur is the type of king who will show his people he is not afraid of any task.
Sadly, Gwen’s new maid who is adorable with Merlin is also a traitor, for her father who is harboring Morgana. Her father (played by Liam Cunningham) ultimately rescues his daughter, but also dies in the aftermath. Morgana doesn’t seem particularly bothered, more concerned with the overarching search for Arthur’s destruction. Arthur is injured on their quest and he and Merlin are captured by Saxons, and a familiar looking young man. Mordred is back and now a young man (don’t think too hard on what ages they look). He shows Arthur and Merlin kindness even though Merlin does not trust him. Arthur saved his life as a child and he will repay that debt. Arthur and Merlin manage to escape and sneak into the castle where they find Percival.
Gwaine has been missing for a few days. An alien-looking being (really BBC? Let’s bring aliens into the mix) finds him and heals him after guards beat him. (And they’re all shirtless for no apparent reason. Again, does BBC really need to do this to attract viewers?) Percival starts gathering men and taking out the guards. Morgana comes across Arthur while Merlin is chasing after Aithusa. Mordred is with her and prevents her from killing Arthur. He recognizes that Morgana has gone a bit crazy; she has chosen hate. He has not. He carries Arthur to his knights. Merlin finds Gwaine and the creature. He is granted one question. Who is Arthur’s Bane? Himself.
Everyone is back in Camelot; Arthur knights Mordred. Merlin honestly likes Mordred, but doesn’t trust him. He asks why Mordred saved Arthur. “Because he’s right, the love that binds us is more important than the power we wield.” Merlin knows that for good or ill, the die is cast. Albion’s greatest trial has begun.
The Death Song of Uther Pendragon brings to light Arthur’s doubts whether he is being a good ruler. He does a lot of things his father wouldn’t approve of. He’s then gifted a chance to see his father again when he saves an old sorceress for a horrible death and no trial. And Uther is disappointed with his son. He knighted commoners, he married a commoner and not for an alliance for the kingdom. He feels that his son has failed to strengthen and protect the kingdom; he’s destroying Uther’s legacy. Meanwhile, we, along with Merlin, counsel Arthur that he is better than his father. His people love and respect him and his is a more wise and just ruler. But Uther’s spirit is released and haunts the castle. Percival is attacked. Gwen is almost killed. Merlin and Arthur set out to put Uther’s spirit back. Uther attacks Merlin and discovers that he has magic. Uther tries to warn Arthur, but Arthur sounds the horn dismissing the spirit before he is able.
Mithian’s kingdom is attacked, bringing her back to Camelot in Another’s Sorrow. It’s a ploy between Odin and Morgana. Morgana disguises herself as Mithian’s maidservant so Mithian will persuade Arthur to rescue her father. Merlin suspects the maid and discovers it is Morgana, but she knocks him out before he can warn Arthur. Arthur proceeds with the plan and walks into the trap. Merlin comes to, with magical aid from Gaius, in time to take Gawine and rescue Arthur. Arthur faces Odin and Merlin prevents his friend from killing the other king. There is a better way. Arthur asks for a truce; else, their blood feud will simply continue on. Odin accepts. And we start a trend this season of seeing Merlin injured more often. I think it’s good, because it shows that he is vulnerable and we like vulnerability in our heroes.
The Disir, the mouthpiece of the Triple Goddess, pass judgment on Arthur and find him lacking. He has persecuted sorcerers as a carryover from Uther. His fate is set; while Camelot flowers, already the seeds of its destruction are sown. Arthur argues he makes his own path, but he still wants to protect his people, so he appears before the Disir. He is not respectful the first appearance though and they attack. Mordred takes a spear meant for Arthur. Arthur now has a choice; to save Mordred, he must allow magic to be freely practiced in Camelot again. If not, Mordred dies. We can see Merlin struggle to advise his friend. Merlin desires for magic to return, for his sake and his people. But even Kilgarah warns him that Arthur’s fate is bound with Mordred. So Merlin tells Arthur there is no place for magic in Camelot, thereby sentencing Mordred to die. Yet when they return to Camelot, Mordred lives. This gets terribly confusing for Merlin; every step he takes toward not bring the future to pass actually helps it along.
Morgana kidnaps Gwen in The Dark Tower and tortures her in a way. She locks her former maidservant in a dark room with mandrake root, listening to screams, and seeing visions of people she loves. Elyan and Arthur mount a rescue attempt, though they are waylaid in a magical forest. Merlin trusts his magic and leads them out, but Elyan darts ahead to rescue his sister. An enchanted sword runs him through. At the very end of the episode, we see Gwen sneak out to visit Morgana. She now believes that only Morgana has her best interest at heart; after all, they were close friends for many years, they know each other best.
Gwen begins to work behind the scenes to help Morgana and bring down Camelot and kill her husband. Accidents begin to befall Arthur in A Lesson in Vengeance. (Yes, the stable hand is played by John Bradley, who plays Samwell Tarly in Game of Thrones. And due to when this season was filmed, he had already begun playing Sam. So we are correct to gasp, “Oh my gosh, it’s Sam!”) The stable hand Tyr Seward takes the fall and Gwen stabs him to prevent him from talking. Morgana gives Gwen a magical poison to slowly and painfully kill Arthur. She has no hesitation in giving it to Arthur; she plays her part as grieving wife well. Gwen next arranges for Merlin to take the fall; he’s close to Arthur and has access to cause him harm. Gaius helps Merlin out of the cell while Leon pledges the knights to follow Gwen who will succeed Arthur should he die. Merlin ages himself (we can see he is having a lot of fun in his Dragoon character). Only Merlin’s magic can save Arthur, but he doubts he has the strength for both the aging and the healing. Gaius informs his ward that the only one who doubts Merlin’s abilities is Merlin. Merlin cries when he thinks Arthur has died, but Arthur survives. Merlin sneaks back into his cell so he can be released the next day. Arthur never suspected Merlin. Well that’s good, but why didn’t the knights stand up for him? Gwen gets the credit when she finds a new suspect and pins the blame correctly on Morgana.
Arthur meets with potential allies in The Hollow Queen while Gwen arranges a distraction for Merlin. A “Druid” boy sneaks into Camelot and asks Merlin for help. He leads Merlin into a trap by Morgana (she and Gwen are just trying to get Arthur’s biggest defense away while Gwen arranges for Arthur’s assassination). She poisons Merlin and throws him into a ravine. The boy returns for Merlin; the young man had shown him kindness and helps Merlin heal. They make it back to Camelot just as the assassin sets up. The boy is killed helping Merlin. Gwen had fed Arthur the tale that Merlin was sneaking off to see a girl when Arthur began to worry about Merlin. Now Gaius and Merlin know that Gwen is working against them.
They come up with a solution in With All My Heart. Merlin helps Arthur spy on Gwen when she meets with Morgana. They know it’s Morgana’s magic this time betraying Arthur. Which means it will take even more powerful magic to undo the spell. Merlin gets the solution off of an old sorceress and must lead Arthur to a magical lake and summon the White Goddess. Gwen must enter the lake of her own will. Arthur and Merlin sneak Gwen out of the castle, keeping her unconscious. Mordred follows them, which was a good thing because both Merlin and Arthur fall off a cliff and Arthur’s arm is pinned. Merlin has to transform into an old woman so as to not arouse suspicion (though Mordred does note that Merlin is missing at one point). The magic works and Dolma (Merlin in disguise) asks that Arthur remembers that magic can save, as well as hurt. “She” tells him off when they almost forget Merlin and tells Arthur “one day, he will recognize the true worth of those around him.” Mordred finally realizes that Merlin has magic, but promises to keep his secret. They share the dream of magic returning to Camelot.
Alator returns in The Kindness of Strangers; Morgana has hunted him down and tortures him to reveal Emrys’s identity. He refuses, but has recruited others to his cause. An old woman warns Merlin that the great battle is approaching. Mordred and the other knights give chase when they discover the old woman, since Gaius does not trust her. She is not in league with Morgana, but Morgana finds out about her, so she too is hunting for the woman. Merlin goes to help and is injured. The woman sacrifices herself to protect Merlin and he is not discovered. He hears the prophecy of Camlan and receives word that Morgana has declared war.
A familiar face for us pops up in The Drawing of the Dark. Alexandra Dowling (Roslin Frey in Game of Thrones and Queen Anne of Austria in Musketeers) is Kara, an old friend [and love interest] of Mordred’s. She’s injured and Mordred tends to her in the woods. Merlin finds out, but Mordred swears him to secrecy. Arthur and Merlin discover Kara themselves, even after Merlin tries to lure Arthur away. Kara attacks Arthur and is arrested. She proudly defies the king; “I will not rest until you are dead and your kingdom is no more.” Mordred pleads for her life, but she shows no repentance. Arthur cannot risk her being free. Merlin even pleads on Mordred’s behalf, but Arthur believes Mordred will see that Arthur had no choice and eventually forgive him. Merlin suspects that Mordred will try to free Kara, Mordred throws in Merlin’s face, “wouldn’t you do the same for a woman you love?” We know that Merlin tried, but Arthur killed Freya when she attacked Camelot. And Merlin forgave Arthur and serves him faithfully to this day. Merlin does not tell Mordred this (there is a fanfiction story Love Lost by Revhead where Merlin does tell Mordred and changes the story a little).
Mordred breaks Kara out, she kills a guard along the way, but they’re captured. Arthur offers her one last chance, but she will not change her ways. Mordred is in a cell when she is led to her execution. His magic breaks him out of his cell and he goes directly to Morgana. He has information for her, which will lead to Arthur’s death. He knows the identity of Emrys: Merlin.
The Diamond of the Day completes the season in two parts. Morgana sends a mook into Camelot to sneak into Merlin’s chambers, planting some sort of slug. It attacks Merlin’s face and somehow steals his magic. While that happens, Morgana and Mordred attack on outpost. Gwaine rescues a young woman and they make it back to Camelot to give word. Arthur decides to ride out and meet Morgana and her army on the field, to keep the fighting away from the people and other villages. The best place is Camlan, where the path narrows. Merlin sadly cannot accompany Arthur on this great battle; he must secretly journey to the Crystal Cave in an effort to restore his magic. But Gwaine’s new friend is a spy for Morgana, she passes along the information about Arthur and Mordred surmises where Merlin is heading. Morgana is waiting for the warlock and causes a cave in.
Merlin is injured and when he wakes, he sees his father. Balinor urges his son to not let go, don’t give in. Merlin is magic itself; he cannot lose what he is. Rest, he advises, believe in the crystals. When Merlin wakes again, he is healed and sees a secret path that Mordred plans to cut Arthur off with. Merlin warns Arthur in a dream, then bursts out of the cave.
Arthur misses having Merlin with him; the man who has stood beside him in every other instance is now gone for this vital confrontation. Gwen has accompanied him, not to fight, though she will help behind the scenes, but so they can spend what time they have together. She knows there is a good chance that Arthur may not return from this battle. Arthur receives Merlin’s message (Gwen has already begun to suspect there is more to Merlin that appears) and sets the camp to business. Percival and Gwaine will meet the band coming around behind. Arthur rallies his troops; fight for a united kingdom, fight against tyranny. The battle has begun.
Aithusa spews fire on Arthur’s troop, but a sorcerer (an aged Merlin, his true Emrys form) calls him off, then directs lightning on the Saxons, saving Arthur. He knocks Morgana down. Mordred hunts down Arthur on the field and stabs him with a blade forged on Aithusa’s breath. Arthur kills Mordred. Merlin finds Arthur on the field, bypassing Mordred, and carries him off.
When Arthur wakes, Merlin is back to his normal form. Merlin apologizes to his friend; he thought he was in time to defy the prophecy. Arthur doesn’t know what Merlin is talking about. Merlin reveals he was the sorcerer.
Arthur…doesn’t take it well. He responds to Gaius, when the old man finds them, but shies away from Merlin. They need to get word back to Guinevere in Camelot. Leon is giving her updates; but they have not found Arthur. Gaius tells Arthur that Merlin is his friend; he needs him far more than he needs Gaius. The wound is fatal, due to the blade. The only place Arthur could heal is the Isle of Avalon. Gaius can take the royal seal to Gwen.
Back in Camelot, they realize that truth of Gwaine’s traitorous female friend. She is executed, after passing along misinformation to Morgana. Percival and Gwaine set out to take down Morgana. Sadly, she bests them, knocking out Percival, then torturing Gwaine. Percival frees himself in time to watch his friend die. And so starts the “how many stabs does it take to kill Morgana?” Gwen confronts Gaius about the truth of Merlin. She seems pleased and knows that Merlin will care for Arthur.
Merlin continues to care for Arthur, confusing the man. Arthur slowly comes around to the fact that his manservant has had magic all along, but it still takes time for him to get over the fact that Merlin lied about it the whole time he knew Arthur. Merlin insists, it has always been to help Arthur; he is proud of what he has done and he wouldn’t change a thing. Arthur finally apologizes for the way he has treated Merlin. Morgana finds them just as the reach the shore of the lake. Merlin faces her and stabs her with Excalibur. That does her in. He has brought peace at last to Albion. But Arthur is fading fast. “It’s too late,” he tells the young warlock and asks his friend to hold him in his final moments, and says what he has never said before: “Thank you.” We cry alongside Merlin.
Merlin calls Kilgarah one last time to carry them to the Isle. But it is too late, the dragon tells his young friend. Fear not, he has not failed. All that he has dreamt has come to pass. “I can’t lose him! He’s my friend!” Merlin cries. Some lives are foretold, Kilgarah counsels. Arthur is the Once and Future King. When Albion’s need is greatest, Arthur will rise again. Merlin throws Excalibur into the lake, caught by a hand. Again, we cry alongside Merlin as he lays Arthur to rest in a boat and sends it to Avalon. Gwen is crowned queen; Leon, Gaius, and Percival are alongside her in Camelot. The parting shot of the show is a truck passing the tower on the Isle of Avalon and an old man, Emrys, walks along the side of the road.
Gosh, the last two episodes hurt. Part of me expected, hoped, that it would turn out different than legend, that Arthur and Merlin would work together and see the fruits of their labors. There is a chance that Gwen was carrying Arthur’s child at the end, maybe the writers threw in her accompanying Arthur to the camp in order for that to be a possibility. I have no doubt she made a just and wise ruler, but it’s not the same as if Arthur would have been around. Yes, it’s a deviation from legend, but I prefer a happy ending where heroes get some peace and quiet and rewards. You make us love these characters and then you separate them. We have no idea if Merlin even returned to Camelot, or just stayed away. (Check out fanfics, we’ve got lots of ideas. And fixes!)
Heck, I was even beginning to hope that Mordred would turn out alright. Again, doesn’t follow legend, though I like how they wrote around the incest nature of Mordred. And Merlin’s reveal has so little time to sink in. (Again, check out fanfics!) I would have preferred at least another season to the show. Again, I think they were surprised at when they had to wrap and had to bring about so much to end it, it all ended up rushed. Did not like Gwen’s storyline for several episodes. You’ve already done the “Gwen is a threat to Camelot.” They keep her a good character since none of it is her actual fault, she’s always influenced by Morgana. Still haven’t gotten over her turn and sudden descent into madness. “Oh, I’m a witch, so I must turn evil.” I don’t buy it. Never bought that mentality. (That is why my female characters who have magical powers are good. Well, they fight bad ones, but they’re still good after wielding phenomenal power).
I still like the show and I love the portrayal of characters, most specifically the relationship between Arthur and Merlin. Banter is my favorite. Yes, they insult each other, but they genuinely care for each other and they see that, even though they don’t say it (until the end and that makes us cry). I just wish it had ended different. Please, BBC, do a movie!
Next Time: Continuing a bit with fantasy type movies, Knight’s Tale (Well, it fits with the medieval setting).
The intro to season four upgrades Merlin to “young man” instead of a boy. We pick up in the two-parter The Darkest Hour about a year after the events of season three. Morgana is walking with Morgause in a cart and is discovered by knights. They report back to Arthur that she is on her way to the Isle of the Blessed. Arthur has taken over the running of the kingdom; Uther is frail and aged; he has taken Morgana’s betrayal hard. Agravaine, apparently Ygraine’s brother has shown up to help Arthur as a promise to his deceased sister (why there has been no mention of him before, we’re never told). It is Samhain and Morgana sacrifices Morgause, ripping a tear in the veil between worlds, unleashing spirits of the dead to attack the living. Merlin feels this and collapses. Attacks begin in outlying villages so Arthur, Merlin, and the knights ride out, but they can do nothing against the spirits. Then Camelot is attacked. Not even Gaius knows how to defeat their new foe, but he suggests maybe a sacrifice on the Isle of the Blessed. Arthur, being the self-sacrificing hero who will take on any challenge to protect his people, volunteers. Merlin secretly plans to sacrifice himself in Arthur’s stead. Oh, and Agravaine is in league with Morgana, reporting that the throne will be open to the “rightful heir.” The knights of Camelot ride out, Merlin continues to protect Arthur, even jumping into a spirit and collapsing frozen to the ground.
Arthur sends Lancelot back with Merlin to Camelot, despite Merlin’s weak protestations. On their way, Merlin has Lancelot lay him next to a river. Those spirits heals Merlin so he can return to Arthur and fix the veil. There’s an adorable scene when Lancelot returns to the knights and tells Arthur “bad news…he’s still alive.” We see that Arthur has really come to rely on Merlin. They make it to the Isle of the Blessed and Merlin knocks Arthur out before he can make his sacrifice. But while Arthur is dealing with the old woman in charge of the veil, Lancelot has offered himself as a sacrifice. The world is returned to rights, but now Merlin, Arthur, and Gwen must mourn their friend.
Meanwhile, Morgana has begun to receive visions of a powerful old sorcerer, Emrys, who will be her downfall. Merlin overhears Agravaine asking Gaius about the sorcerer.
It is Arthur’s birthday in The Wicked Day (another title from Mary Stewart’s Arthurian Saga) and a circus arrives in Camelot for the occasion. Uther breaks out of his stupor to attend the festivities. Unbeknownst to the inhabitants of the castle, the circus owner wishes to kill Arthur. They drug him and then try to attack him. Uther steps in the way, taking the blade meant for his son. Arthur is desperate to save his father and considers asking an old sorcerer “Dragoon” for help. (Really, it’s Merlin in a disguise. Arthur actually almost sees through it; he recognizes the eyes). Meanwhile, Agravaine has gone to Morgana and she places a charm on Uther that will reverse any healing magic. So when “Dragoon” goes to heal Uther, the effect is reversed and Uther dies. Arthur blames Dragoon and Merlin feels like it is his fault. But a new day has come and he and Arthur must face their new roles. Merlin waits outside the great hall for Arthur all night, so the young man wouldn’t be alone. Arthur is crowned King of Camelot.
Merlin and Arthur are drawn into a journey to discover a dragon’s egg (if the thief looks familiar, he is; he played Bonaire, the thief in Musketeers) in Aithusa. Merlin manages to save the egg and takes it to Kilgarah. He calls to it in the language of the Dragon Lords, giving it the name “Aithusa.” A white dragon is extremely rare. Kilgarah tells the young warlock that it bodes well for Albion, Arthur, and Merlin.
Arthur is tested as king in His Father’s Son. Agravaine talks Arthur into killing the King of Carlion. Word gets back to his wife, who marches on Camelot. Morgana joins her, referring herself as Gorlois’s daughter and wishes payback on Camelot as well. Arthur decides to fight single combat against the Queen’s champion in order to spare lives; he’s reconsidering his earlier decision, starting to make his own decisions about what kind of king he wants to be. (He even tries to break off his relationship with Gwen, considering to be inappropriate). Merlin helps a little in the battle; Morgana is helping her side as well, so it’s not really cheating. Arthur gets his large opponent to the ground, but does not kill him. He seeks peace with the queen and she agrees. She has a few choice words for Morgana, telling her she clings to bitterness.
Morgana attempts to turn Merlin against Arthur in A Servant of Two Masters, using magic. Luckily, Merlin is very inept at killing Arthur (it’s a bit funny to see him try, and Leon doesn’t bat an eye when Merlin says he’s going to kill Arthur). Merlin manages to disguise himself as Dragoon, who Morgana takes to be Emrys, and destroy the mother beast that’s inhabiting him. There are a few endearing scenes; Arthur is genuinely worried about Merlin when he’s missing and sends knights out to find him. Even when he gets a more efficient servant, he misses Merlin and the banter they have. Gwen happens to see Arthur without clothes while she’s trying to knock Merlin out.
Morgana and Agravaine suspect that Gaius knows the true identity of Emrys, so they come up with a plan in The Secret Sharer to kidnap the old man and use a magical interrogator to wrangle the truth out of him. Agravaine makes accusations against Gaius, but Merlin won’t listen to them and goes after his mentor. He saves Gaius, but Gaius has unfortunately revealed to the interrogator (played by Gary Lewis, he is Colum Mackenize in Outlander and Hrothgar in Eragon) that Merlin is Emrys. But the interrogator is loyal to the old ways and won’t reveal his identity to Morgana. He helps Merlin escape. Arthur apologizes to Gaius; he knows the old man has always had his best interests at heart. Gaius tells the young king that there are others out there protecting him.
Arthur sends Merlin as a physician to a village in trouble in Lamia. Merlin quickly deduces that the ailment the victims are suffering is the result of magic. He and the knights begin to make their way back to Camelot, until they run into bandits who are tormenting a young woman. Proving themselves gallant, the knights rescue the girl. But she shies away from Merlin and Gwen. And then the knights start arguing with each other and turn on Merlin. (There are several fanfiction stories that detail the emotional toll that takes on Merlin; his friends, who have protected him against others, now scorn him). Merlin determines this Lamia girl is the cause of the problem and it’s due to magic. Indeed, Gaius informs Arthur when they go to investigate that the Lamia were created by the Priestesses of the Old Religion to control men, but they grew too powerful. The knights start falling prey to her; Gwen and Merlin to the rescue, well, Arthur helps a bit.
Lancelot is back from the dead in Lancelot du Lac. Morgana finds out that Arthur proposes to Gwen and decides to bring Lancelot back to throw a wrench in the works. Lancelot enters the jousting tournament held in honor of the proposal. Merlin and the knights are pleased that Lancelot is back, but Merlin quickly discovers all is not well. Lancelot doesn’t remember that Merlin has magic. (That’s because Morgana didn’t know, so couldn’t plant that information in Lancelot). Merlin starts to worry that Lancelot is after Arthur. No, Lancelot means to beguile Gwen, through an enchanted bracelet. Arthur discovers the couple kissing (with some help from Agravaine; it’s all a trap). Lancelot and Gwen are thrown in the dungeon; Lancelot, coached by Agravaine, drinks a potion to die. Agravaine counsels Arthur to put Gwen to the death for her betrayal. Arthur cannot see her dead, so exiles her. They were one day from their wedding; she had waited years, why could she not wait one more day, Arthur asks. Gwen cannot answer. She still loves Arthur but she couldn’t help herself around Lancelot. Merlin, who had figured out that Lancelot was a shade, takes his friend for funeral rights and rids him of the enchantment. Lancelot wakes for a moment to thank Merlin, dying peacefully again. Merlin knows Morgana is behind the events, but cannot prove it to Arthur.
An old mission comes back to haunt Arthur in A Herald of the New Age. The knights accidentally disturb a druid shrine; Elyan drinks from the well. He’s taken over by the spirit of a child who had been slaughtered and goes after the king. The other knights assume he’s acting out due to his sister being banished. Arthur in the meantime is out of sorts after visiting the shrine. Merlin and Gaius investigate the shrine and try to stop Elyan’s attack. Arthur eventually admits to Merlin that Uther had ordered Arthur to lead a raid on a druid camp. Arthur was not able to stop his men from killing innocent women and children, resulting in the restless sprits at the shrine. He was young and inexperienced and wanted to prove himself. Elyan, still possessed, confronts Arthur and Arthur apologizes, offering himself for the mistakes he made. The child spirit forgives Arthur and leaves Elyan. (A little jolt from the episode when I realized that they were using salt circles to repel spirits; a basis of Supernatural, lol).
We catch up with what Gwen is doing in The Hunter’s Heart. She has moved to a village where she has old friends; but it’s attacked by bandits. Their leader spares her and speaks to her. Unfortunately, he’s in league with Morgana. Morgana discovers that Gwen is at the camp and sets after her. She catches her and transforms her into a deer. Meanwhile, Arthur has made an alliance with the promise of marriage to the Princess Mithan of Nementh. Mithan is beautiful an kind and we really can’t dislike her. She gently chastises Arthur for causing Merlin more work. She genuinely likes to hunt, a favorite pastime of Arthur’s. Merlin tries little tricks to put Arthur and Mithan off each other, due to loyalty to Gwen. Then comes the hunt, and they cross paths with a transformed Gwen. Merlin realizes the disguise and goes after the deer after Mithan shoots her. He heals her, but Gwen refuses to return to Camelot; she understands the damage she did. Arthur has also found the ring that he had proposed to Gwen with, that Gwen was still wearing until her transformation. He is in no mood to continue the hunt. Arthur realizes that Merlin was right; he still loves Gwen, despite her betrayal, which confuses him. But he cannot marry Mithan. He draws up a new treaty, giving her the disputed lands. She graciously leaves.
Morgana’s plans come to fruition in the two-parter season finale The Sword in the Stone, bringing in more elements from classic legend. Agravaine signals the attacking army into Camelot. Arthur is injured, but Merlin drags him out of the castle, magically taking his will (though there’s not much left after seeing both Morgana and Agravaine at the head of the army). Gaius, Elyan, and Gwaine are left in Camelot to aid Arthur’s escape. Morgana tortures Elyan for information and makes Gwaine fight to win supper. Leon and Percival are in the woods with the townsfolk who could escape. Merlin plans to take Arthur to Ealdor. They come upon battle couple and smugglers Tristan and Isolde. Arthur acts as a simpleton until his will returns, but Tristan dislikes kings and they butt heads. Arthur also feels defeated; he must not be the king he should be if his family members keep betraying him. Merlin points out that it’s not his fault; they just desire Arthur’s power for themselves. Morgana sends Agravaine after Arthur (I can’t tell if Agravaine truly cares for Morgana or if he just doesn’t trust her and wants to stay on her good side).
Merlin and Arthur do make it to Ealdor, along with Tristan and Isolde. They reunite with Gwen, but have to run again when Agravaine catches up. Merlin offers again to hang back and protect the rear. Kilgarah comes in handy to destroy most of the force chasing them and in the caves, Merlin uses magic to defeat the rest. Agravaine is impressed by Merlin’s deception, claiming that they are more alike than they had realized. Another toss when he makes a move against Merlin and Agravaine is dead. Tristan is surprised that Arthur risks his life to go back for Merlin.
They reunite with the other knights, but Merlin still has to convince Arthur to continue the fight. He spins a tale for his friend, claiming it’s from Gaius, about a sword that the first king of Camelot had buried in a stone. When Camelot’s need was most, only the true king of Camelot could retrieve it. Merlin convinces Arthur to try. Arthur struggles at first, but Merlin urges him to believe. And the sword comes clean out (well, it was Merlin who had put Excalibur in the stone in the first place). Arthur is back and leads his knights into Camelot. Tristan and Isolde agree to fight alongside him. Sadly, Isolde is killed in a face off against the leader of Morgana’s army. Merlin had earlier snuck into Camelot disguised as Emrys and puts a burning straw doll under Morgana’s bed. So when he and Arthur face her, she cannot cast any spells. She flees. She faces off with Gwen and almost finishes the other woman, but Merlin secretly rescues her at the last minute. Morgana is wounded and flees into the woods.
Arthur mends his relationship with Gwen and proposes again. She is crowned queen. And the little white dragon, Aithusa returns and heals Morgana in the woods.
I liked the twist that the sword in the stone was more about raising Arthur’s confidence. Merlin keeps leading Arthur to his destiny to become the greatest ruler Albion has ever known. Gwen’s brief affair with Lancelot did not bring down the kingdom and it was more brought on by magic. Merlin is proving to be Arthur’s most loyal companion and I love that Arthur is recognizing that. There’s times he will be kind and sincere to his friend, but they keep up their banter. I don’t think they would know what to do with themselves if they weren’t giving each other and hard time and calling each other names.
My apologies that I forgot to post this last week.
We come back to Camelot a year after the ending of season two with the two-parter Tears of Uther Pendragon; Morgana has been missing a year. Uther refuses to give up on finding her. She wanders into a camp that Arthur and Merlin are investigating. And for a moment everything seems well. She’s happy to be home in Camelot, telling Uther she’s seen the evil he’s fighting and promises to be a better ward. She puts Merlin’s mind at ease over his worry that she’ll remember him poisoning her. Morgana forgives him; he was just trying to protect his friends. Then, the smirking starts. She rides out to meet Morgause, calling her “my sister.” Morgause has a spell that requires the tears of Uther, which Morgana has collected. They’re put into a cauldron along with a mandrake root, it emits a magical cry. Morgana is to tie the dripping root under Uther’s bed every night. It will twist his unconscious fear and make him lose his mind. Back in Camelot, the root takes effect; Uther starts seeing those who died at his hand, ghosts of the past haunting him.
Merlin stumbles upon the root, hiding under Uther’s bed and witnesses Morgana change it. He follows her and discovers her meeting Morgause. He’s subsequently captured, tied up, and left to die. Those creepy scorpions are back and sting Merlin. He cannot break the chains, even with magic. He calls Kilgarah and the dragon saves him. The dragon counsels the young warlock; the boys did what he thought was right, which takes courage. But his seeing goodness in people could be his undoing. Morgana is the darkness to Merlin’s light, the hatred to his love. Back in Camelot, Cenred’s army marches on the citadel (I equate it to Helm’s Deep). Morgause and Morgana are aligned with Cenred, Morgana their traitor on the inside. Merlin and Gwen show their support for Arthur, who has to take control while his father is incapacitated. Merlin tells his friend “it is your fate t be the greatest king Camelot has ever known…victory today will be remembered for every age until the end of time.” Gaius follows Morgana when she sneaks away and discovers that the young woman has raised an undead army. Merlin rushes down to stop her. Morgana makes the same mistake as Morgause and underestimates Merlin, not knowing he has magic. He triumphs and the skeletons collapse. Cenred leaves when that force fails.
Goblin’s Gold is a lighter story, after the dramatic start to the season. Merlin accidentally releases a goblin into the castle. When he tries to capture the devil, it flies into Gaius and overtakes him. He then plays tricks on the castle, at one point hilariously giving Arthur the ears and bray of a donkey. The goblin, as Gaius, frames Merlin for magic and he’s arrested. The young man escapes and takes refuge at Gwen’s home. They come up with the plan to temporarily kill Gaius to force the goblin out. Things get hairy when they have to scramble for the antidote, but everything is put to right. Arthur believed Merlin about the goblin and even laid a trap for Gaius; he knew that Gaius would never condone Merlin executed. It shows that he views his servant truly as a friend.
Gwaine is introduced in the episode named after him. He ends up helping Merlin and Arthur during a bar fight; he’s injured in the process, so they take him with back to Camelot for Gaius to heal. Merlin instantly befriends the young man. A melee is to take place in Camelot and two of the thugs from the tavern intend to kill Arthur for standing up to them, using magic blades that appear blunt but really aren’t, and crystals to disguise themselves as knights. As knights, they harass Merlin. He stumbles upon the truth and intends to get proof for Arthur. Gwaine helps and takes the blame. But Uther is firm in his knight’s code; a peasant cannot accuse a knight. Gwaine is banished from Camelot. Arthur tries to argue for his new friend, but Gwaine distrusts nobles (even though his father was one) and willingly leaves. During the melee, Merlin has no choice but to secretly use magic to protect Arthur. It ends up Arthur against the two thugs, though another knight steps into help. The thugs are killed and Gwaine is revealed. Uther holds to his decision to banish the man, even though that’s twice he’s saved his son.
The Crystal Cave recalls common elements of Arthurian legend. (The Crystal Cave is the first book in Mary Stewart’s Arthurian saga series). While Arthur and Merlin are out in the woods, they’re attacked and Arthur is injured. Merlin tries to use magic to heal when an old man appears; Taliesin. He heals Arthur then shows Merlin to the Crystal Cave, where magic began. Merlin is a powerful sorcerer and can use the crystals to see all of time. Merlin sees a future where Morgana stabs Uther. Back in Camelot, Gaius cautions that all may not be as it seems. But things start happening that Merlin saw in his vision. Arthur gives Morgana a dagger for her birthday, matching the one that Merlin saw, at Merlin’s inadvertent advice ironically. When Morgana sneaks off to see Morgause, Merlin follows and causes her to fall down a flight of stairs. She’s slowly dying. When Merlin can no longer stand watching everyone else’s grief, he goes out to call Kilgarah. The great dragon at first refuses to help save Morgana, but Merlin uses his power as Dragonlord to force the dragon. Merlin has also overheard Uther reveal to Gaius that Morgana is actually his daughter, begging the older man to use magic to save her. Gorlois was away fighting and Viviane had gotten lonely, he explains. No one can know, for Arthur’s sake. We see Morgana’s eyes move minutely. Later, after Morgana is healed, she tells Morgause. The older woman realizes that this gives Morgana a legitimate claim to the throne. Now they’ll redouble their efforts to kill Uther. Merlin’s vision proceeds, he’s stopped nothing. He races after Morgana who decides no time like the present to kill the king. She uses magic and accidently starts a fire and blows a window, waking Uther, but smoothly covers, cowering like a damsel in distress. Life is more complicated now; Arthur is all that stands between Morgana and the throne.
The Sidhe return in The Changeling, the hid a faerie in a baby princess and twenty years later, she’s old enough to wed Arthur in an effort to permanently bind the two kingdoms. This will put a Sidhe at the heart of Camelot (and that can’t be good). Her nurse, Grunhilda, is played by Professor Sprout from Harry Potter. Turns out, Grunhilda is a pixie, servant to the Sidhe. Arthur struggles with his love for Gwen, which Morgana has begun to notice. Uther insists that Arthur for the sake of the kingdom, his own feelings be damned. Arthur goes through with the proposal. Merlin slips Elena a potion to eject the faerie, killing it, Grunhilda, and the leader of the Sidhe. An instant effect takes on Elena; she’s more polished and prim, but still her personality (which is kind of awesome). She and Arthur stand in front of Camelot, prepared to take their vows, but come clean to each other that they don’t have feelings for the other. The wedding is called off and her father tells Uther that Arthur has the makings of a great king; times are changing. Merlin tells Arthur he knows what it’s like to have a destiny you cannot escape, for everything to be planned out and have no say.
Gwen is reunited with her brother, Elyan in The Castle of Fyrien. She is kidnapped by Cenred as a way to get Arthur. Cenred threatens Elyan if Gwen does not bring Arthur to him. She doesn’t want to tell Arthur, but Merlin convinces her that the best way to have help is to tell Arthur. Merlin, Gwen, and unfortunately Morgana ride out with Arthur to rescue Elyan. They’re caught, since Morgana is a traitor and Cenred plans to torture Arthur. The young people escape, grabbing Morgana in the process. Elyan is reported to have been away for four years and felt like he couldn’t come home, even when his father died.
Arthur takes on a quest in The Eye of the Phoenix to prove that he is worthy of the throne. He is to retrieve the trident from the Fisher King in the Perilous Realms. Legends state that the Fisher King was a powerful sorcerer and when he was wounded and it became infected, so did his land. But he’s supposedly still alive. Arthur is to undertake this quest alone and unaided. Merlin worries for Arthur, but the prince orders him to stay home. Then Merlin spots the bracelet Morgana gifts Arthur and its strange stone. Gaius uncovers that it is a phoenix’s eye and it will consume Arthur’s life force. Merlin races after Arthur, but stops for help; Gwaine. Arthur, steadily weakening, makes it to the bridge in the Perilous Lands, guarded by a dwarf (we recognize Warwick Davis, famed as Wicket from Return of the Jedi, Professor Flitwick and Griphook from Harry Potter and Nikabrik from Prince Caspian). He informs Arthur “you must be Courage,” he will need Strength and Magic to complete his quest. When Arthur dismisses magic, he warns the lad not to. Arthur almost drowns, due to the bracelet and Merlin and Gwaine come to the bridge, meeting the dwarf. Magic and Strength have arrived. Back in Camelot, Gwen reveals to Gaius that she suspects Morgana to have magic. Wyvern, an offshoot of dragons, almost eat Arthur in the Dark Tower, but Merlin’s there to save him. He’s separated from Arthur and Gwaine and speaks to the Fisher King. The king has been waiting for the right time. This was truly Merlin’s quest. The real prize is water from the lake of Avalon. When need is greatest, it will show Merlin what to do. In exchange, Merlin gives the king the cursed bracelet so he may be released to death.
An old friend of Gaius’s return in Love in the Time of Dragons. Alice was his fiancée years ago, right before the Purge. Gaius helped her escape, but stayed behind to not draw suspicion. Now she’s returned to Camelot with magical remedies, and a creature in a box: a manticore. Merlin hears them speaking one evening and doesn’t trust Alice. Gaius won’t hear it. Alice helps Gaius with his potions, including one for Uther. She drops poison in it one day and administers it to Uther. At that point, Gaius believes Arthur and they rid the world of the manticore. Uther blames Alice (Arthur figured out she was the one to give Uther is remedy) and sentences her to death. Gaius cannot plead with the king, but still manages to help his old love escape.
Morgana tries to split up Gwen and Arthur in Queen of Hearts when she has a vision of Gwen as queen. She gets the couple to spend alone time in the woods (it is a rather romantic picnic), then arranges for Uther to ride by them, catching the couple kissing. Uther orders Arthur to end the relationship, Arthur refuses. Morgana then plants an enchantment in Arthur’s room, so Gwen will be arrested as a witch. Merlin plans to invent a sorcerer to get Gwen freed; he’ll disguise himself as an old man, Dragoon the Great. That part works. The changing back doesn’t. He’s arrested and sentenced to be burned at the stake; though he gets a chance to tell Uther and Arthur off. Gaius works out a potion to change him back and Merlin escapes long enough to down it. This is the start of the running joke that if Arthur cannot find Merlin due to magical needs, people claim the young man is in the tavern. Gwen is free and the young couple’s feelings haven’t changed, but they cannot show it.
Another sorcerer comes to Camelot for a tournament in The Sorcerer’s Shadow. Ghillie (Harry Melling again [Dudley]) is tired of being bullied and uses magic to help in the tournament. Morgana has also pitted Uther and Arthur against each other (probably hoping that Uther will be killed in the tournament). When the two face each other, Arthur has to let his father win to save face. Then Uther has to face Ghillie in the finals. Merlin tries to get Ghillie to promise not to use magic, but Ghillie is enjoying the fame he’s gotten. He even shows the other man his powers; he understands how lonely it is to be more powerful than any man you know and live like a shadow. To be special and pretend to be a fool. Merlin has to make the choice; let Ghillie kill Uther, or protect Uther and harm another sorcerer. Kilgarah cautions that if Uther is killed by magic, it will harden Arthur’s mind. Thus, Merlin works against Ghillie. Uther spares the boy in the end (obviously not knowing about the magic). Uther reveals he knew what Arthur had done; he’s followed his son’s progress all along, but he’s grateful for the actions. Arthur is truly ready to be king.
Another two-parter ends the season, The Coming of Arthur. It opens on a scene of slaughtered knights, figures moving through them. They come to Sir Leon and heal him with a magical cup. Sir Leon returns to Camelot and reports that Cenred was responsible for the attack and it was the Druids who healed him. Gauis and Uther realize that the Druids have the Cup of Life, as Gauis informs Merlin, it was not destroyed on the Isle of the Blessed, it is eternal. Uther wants the cup and sends Arthur after it, for there is another legend attached to the cup; a warlord used it to create an immortal army. Camelot is in danger. Arthur doesn’t tell Merlin where they’re going but takes him anyway. Morgana overhears the plans and reports to Morgause, who instructs Cenred to be ready. But a slave trader captures Merlin and Arthur first. There, they’re reunited with Gwaine, whom Arthur has to face in a challenge. The boys try to throw the fight without appearing to do so, but Merlin causes a distraction that gets them out. The trio continue on the search and find the Druid camp. The Druids hand over the cup to Arthur, but really to Emrys. An attack from Cenred’s men injures Arthur and lets the cup fall into enemy hands. Morgause creates an immortal army, then kills Cenred and marches on Camelot. The trio does eventually make it back to Camelot to discover dead littering the streets from the attack, they discover Elyan and make their way into the castle. Arthur and Merlin go after Uther, the rest are to wait for them in the woods. Uther is being led into the great hall, facing Morgause. She takes his crown and Morgana steps out. She claims the throne, as daughter to Uther. Arthur is shocked by the news and he and Merlin withdraw.
The second part picks up a week after that ending; Merlin, Arthur, Gaius, Gwaine, and Elyan are hiding in the woods. Morgana is trying to persuade the knights of Camelot to her side, but they resist. She lines them up in front of a firing squad and instead shoots the crowd. Gwen plays along as a loyal servant, but plans to help Sir Leon escape; Leon will know where Arthur is hiding and he is the only hope Camelot has. Morgana and Morgause eavesdrop and figure they can use Gwen as a way to find Arthur, a simple tracking potion in a drink does the trick. Merlin uses the water from Avalon that the Fisher King gave him, revealing Freya. She tells him that only one weapon can slay the dead, a sword burnished by dragon fire, which lies in the lake. Kilgarah still serves Merlin and helps the young sorcerer retrieve the blade, but has him swear that when he is finished with the sword, he put it where no man can wield it. If the blood is emptied from the Cup of Life, the immortal army will fall.
Arthur and his companions are forced to retreat once Leon and Gwen finds them. They’re aided by Lancelot and a new man, Percival (Merlin had sent word to Lancelot), taking refuge in an abandoned castle from the time of the ancient kings. Inside, Arthur discovers a round table. He instructs his companions to sit and speaks of the old tradition of equality for all. Tomorrow, he will rescue his father, who is with him. Lancelot is the first to stand. These men believe in the world that Arthur will create. All join him; well, Merlin tries to stay seated as a joke, but he doesn’t have a choice. Arthur then does something he know his father would disapprove of, he knights Elyan, Lancelot, Gwaine, and Percival. Lancelot comments to Merlin that evening that the servant is the bravest of them and Arthur should really be knighting him, but doesn’t know. The men make their way back to Camelot, Lancelot planning to help Merlin destroy the Cup. Gaius enters the fray against Morgause after she flings Merlin, giving Merlin the chance to knock over the Cup. The immortal army explodes. Morgana enters to find an injured Morgause and screeches. Her magic is out of control, the walls start crumbling and they disappear.
A new time is dawning. Arthur may need to take charge; Uther is very distressed by the events with Morgana and her betrayal. Gaius tells Merlin, since no one else will, “Well done.” Merlin follows his promise and sticks the sword in a stone.
I liked the inclusion of more traditional elements of Arthurian legend, such as the Crystal Cave, but Merlin does run into the problem that often arises from prophecies; as Yoda has taught us, the future is always in motion. This is one possibly future and Merlin gets consumed by it. In trying to prevent that future from happening, he almost causes it. But he also doesn’t get the best instructions. Downfall of many fantasy wizards: I’m going to warn you about this but be very cryptic. Like the dragon. The Fisher King story was a nice inclusion as well and more and more Arthur is being shown that magic is not inherently evil, but circumstances always come about that he can’t trust it. Woo at seeing the knights of the Round Table, finally! Arthur is coming into his own now. Merlin still staunchly supports him, even behind the scenes. They’ve come a long way from wanting to kill each other.
Now, my Shide and Fae are not like the ones in this show, but it’s good to see differing views, so I can craft my own. Pick and choose which bits I like. As much as Morgause is the enemy, there is something I admire in the way she deals with Cenred, an attitude I hope to emulate in my characters: commanding, she does not outright threaten Cenred until the end. She pulls him along and I swear Cenred wants to sleep with her and she may even let him, knowing that ultimately she has the upper hand.
I finally gave in. I have now seen all of Game of Thrones; I managed in about a week and a half, though considering I started on Memorial Day and had the day off and there are only ten episodes at most per season…this is also coming from the young lady who managed to catch up on nine seasons of Supernatural in about a month. When I get hooked on something, I get hooked.
My best friend lent me the DVDs of Seasons One and Two (about a year ago) and I kept meaning to watch them. Circumstances came along that I thought I’d give them a try. I had previously watched the first episode and thus was a bit wary. The rampant nudity, sex, and gore are not to my taste. I figured at the very least I could use it as inspiration as to what I didn’t want to happen in my own series. But I was going to stick it out. And in that respect it has been helpful, crafting my own characters in how they would respond to situations and what sort of elements I may actually want. By the end of season one, I was popping in the first disc for season two. As I was wrapping that season up, I was debating how I was going to watch the rest of the show. And luckily, it was available on demand. While some of the plot points and storylines are not my favorite and as a writer, I would have done things differently (no, haven’t read the books…yet)…okay, let me rephrase; I think there was a less graphic way to tell the story. And while I do like to torture my characters…not that much.
I’m still surprised I liked the show. About midway through season one, I was thinking, “how do my friends like this? There’s so much violence and how can the women stand seeing all those nude scenes?” Then, as with other series I’ve come to love, I want to know what happens. Maybe not for everyone, but I quickly came to care for certain characters. And yes, I concur with many fans that the last two seasons were not the best. But that often happens with series in my experience; the middle seasons tend to be the best honestly; they’ve built the world and situation and the characters have a chance to grow. Then things get complicated when it’s time to wrap it up.
Before I proceed further, just in case you have not had a chance to see the last season yet, be cautious of spoilers. And now, what you probably all are interested in and what every fan debates: what do I think of so-and-so or a specific episode or what happened, etc, etc, etc.
My favorite episode of Season One is the very first; “Winter is Coming.” Watching the episode again after the series finale makes me want to cry at points; seeing everyone happy. Watching Jon say goodbye to family members he’ll never see again. Him hugging Arya. I chuckled when Jon got to the Wall and just handily beats any of the other recruits. He’s barely trying. Ned tries through season one to do the honorable thing, but he doesn’t know how to play the game. Heck, I hate the game; and this is why I hate politics. When Ned dies in the penultimate episode, I was too shocked to cry the first time; even though I knew it was coming (also, it fits with the joke that he dies in everything). Poor Sansa, having to witness it and plead for her father. Arya is luckily spared the actual sight, but I can tell her journey is only just beginning.
By Season Two I was more closely following the story of Jon Snow. The backstabbing of King’s Landing continued to annoy me; more for a want to beat them all with a stick and make them behave like proper people. I was a bit horrified at the effects of Wildfire. I cheered for Tyrion to lead the men. And then Cersei was the cruel person she always is. Season Three is when I really started liking the show. I found Jon’s interactions with the wildlings interesting and was entranced by his relationship with Ygritte, especially “Kissed by Fire” and afterwards. I did remark that Jon Snow was a stupid boy when he left her. “I didn’t have a choice,” well, you could have chosen to take her with you. Glad he didn’t die though. And Bran and Rickon were so close to Jon!! Gah! Wouldn’t have helped Jon any, but I just want their family back together. Jamie underwent some good character growth, I think Brienne is good for him. She’s not my favorite character, just due to being stuffy most of the time. I was rendered shocked and speechless the first time I saw the Red Wedding. I didn’t cry. Now, I don’t watch because I know I’ll cry. Horrible. Simply horrible. And Arya was so close! I had hoped that she would reunite with her family then, though it was good that she didn’t. Hurray for the Hound for getting her out of there, though she had to see her brother’s mutilation. I agree with her idea of stabbing them, maybe not so gory.
Season Four I enjoy for the Jon storyline. My favorite episode of the whole show is “The Watchers on the Wall.” I enjoy a good fight sequence (one of the reasons I will repeatedly watch Lord of the Rings. And parts of the second How to Train Your Dragon movie). Jon kicks butt!! Woo! And then I was heartbroken when Ygritte died. I hoped for a minute…and Olly ruined it. That’s probably when I started to not like the boy. Tywin is still horrible. Jamie continues to show a good character arc; I like his interactions with Tyrion. They’re true brothers and just shows Tyrion that his whole family doesn’t hate him and Jamie is trying to get out from under the thumb of Cersei. Honestly, Arya should have gone with Brienne. I understand why she didn’t, but I was hoping. And again, she was so close to meeting up with Jon! And so close to Sansa and didn’t know it.
Season Five continued to be good for the most part. I still want Arya anywhere but where the Faceless Man is. I’ve never trusted Melisandre and the first time I cried for the show was when she burned poor Shireen. The religious order that takes over King’s Landing can go crawl back into whatever hole it sprang out of. I did feel genuinely sad when Myrcella died; she was innocent, sweetly in love with her prince and had nothing to do with her mother’s plots. As a loyal follower of Jon Snow, I agree that saving the Free Folk was the right thing to do with the White Walkers pressing down on them. He made a good Lord Commander and this is why heroes always need a Sam. And I believed Olly the first time through, when he said Benjen Stark had returned. Then I gasped alongside Jon when Thorne shoved a dagger into him. And I cried (even though I knew Jon was in later seasons; on the one hand, a drawback to watching the show after everyone else, you don’t get to be fully surprised. On the other hand, not quite as stressful). And immediately started Season Six.
Still don’t trust Melisandre, but at least she brought Jon back. I cheered for the few men who stood alongside Jon and aw, those hugs afterwards. Favorite scene from season six is Sansa’s and Jon’s reunion. Finally, two Starks are back together! Now, go get the other ones. The Battle of the Bastards was epic (I’ve watched some of the behind-the-scenes bits and yes, I agree very cool, it will personally never top Lord of the Rings for me). Gotta say though, that the production team does an excellent job; they’re pulling out battles that would be the centerpiece of a two-three hour movie for an hour-long show. It was a bit terrifying when Jon was almost buried alive. Yeah, the ending, Ramsay, you had that coming. You killed Jon’s baby brother mere feet from him, yes, he will pound you to a pulp and we will sit back and cheer. Sansa was poetic in her justice. I cheered when Jon became King of the North. Lyanna Mormont is an awesome young woman. Theon has redeemed himself by rescuing Sansa, hurrah. The flashbacks to a young Ned Stark are endearing. I want to hug Arya and drag her back to Winterfell. I silently cheered when she hid Needle when she was ridding herself of her old identity, silently pleading, “Jon gave it to you.” Cersei has finally lost it, blowing up a holy building. That was the real turning point in the storyline that almost turned me from the show, aside from I wanted to find out what happened to Jon and his siblings. Cersei can go rot. But hey, if those Sparrows or whoever hadn’t shown up, probably wouldn’t have happened.
My dislike for Daenerys hiked with her initial treatment of Jon in Season Seven. Lady, there are more important things going on in the world than someone calling you “Your Grace.” I object to Jon’s decision to bend the knee, but I can’t hate him too much because once again, he’s trying to save lives. The battle beyond the wall was intense; they keep a tight grasp on my heart, putting Jon in danger constantly. Sad to see a dragon go and horrified to see it with blue eyes. Finding out that Jon is actually the son of Lyanna Stark and Rhaegar Targaryen was a bit of a shock (though, I had read a few things ahead, so I had a feeling). The Targaryen family tree confuses me, trying to remember whom is whom and related to whom. Though, cheers to Gilly for actually being the one to discover the loophole, that Rhaegar had annulled his previous marriage. Sam, you should give your wife some credit.
We have come to the point where, if you haven’t seen the final season, feel free to skip down to “The Maesters…”
I noted that when Jon and Daenerys ride into Winterfell in the Season Eight opening, the music playing is “The King’s Arrival,” which was used all the way back in the first episode when King Robert arrived in Winterfell. Hurrah, Baleish is dead! Hurrah, Arya and Jon are reunited and I want to cry. Wish Bran acted like himself. Sansa admittedly makes a good ruler and I kind of like how she dislikes Danerys, mainly on behalf of her brother. And I actually cheer that Jon attempts to steer clear of her once he finds out their relation. The battle was epic and Arya was awesome! And that duel earlier against Brienne was also cool! Gosh, cried during the funerals, but I adore the scene afterwards when everyone is celebrating. Love that kind of thing and Tormund is hilarious and adorable. Thought we were going to lose him last season beyond the wall.
And here it comes; I dislike the last two episodes. Now, would I ever sign a petition or even seriously suggest that the writers re-do them? No. I side with the cast that the crew put in a lot of work and we should not ask more. Should it have been written better from the beginning? Yes. But too late now. However, that is why fanfiction exists! Cersei should have run when she had the chance. Cersei actually should have done a lot of things different for a while. I think the death of Joffrey started her downslide. The Hound and Mountain battle was gruesome. Tyrion crying for his siblings was heartbreaking. I kept wanting Arya to find Jon. And poor Jon, his men turning into raging monsters. Never been fond of Grey Worm and his actions in the city clinched that. Jon killing Daenerys was noble and I feel bad that he was the one who had to do it. Grey Worm left, goody. I hate that Jon was banished. He’s the King of the North and sacrificed so much and he’s thanked by being sent to the tundra. I cried more when Jon left Ghost to go South then other characters’ deaths, and was so happy they were ultimately reunited. Arya shouldn’t have left. Yay, she gets adventure, but I feel her family still needs her. Sansa will rule fairly, but she’ll be made kinder if she has her siblings around. The ending political debate was a bit funny between characters that we’ve come to admire.
The Maesters as a whole turn out to be a bunch of gross old men who stick their heads in the sand. Maester Amon at the Night’s Watch was cool and I felt bad when he died Maester Luwin from Winterfell was kind of cool too. I dislike heavy religious overtones and the whole bit with the militant Religion of the Seven (or whatever) honestly pissed me off. When someone becomes so self righteous…
I feel bad for the Night’s Watch. They have a noble purpose but have been degraded so much. Slynt was horrible, deserved to die, most especially for his dereliction of duty during the battle at Castle Black. After he puffed himself up so high and mighty. I have mixed feelings about Jeor Mormont. Overall, a good person, but I do side with Jon Snow that his acceptance of Craster does not sit right with me. Did he deserve the mutiny? No. Are those who mutinied against him wrong and evil? Yes. Jon’s friends are good lads. Samwell Tarly just proves that when you into danger, take a Sam with you. And further proof that book knowledge is just as important as brawling. Jon’s a good enough man that he recognizes that. And Sam’s adorable with Gilly and the baby. A wee bit dense at times, but he’s a man. I wanted Olly to work out, but I could see he wasn’t able to see the whole picture when Jon brought the Wildlings south. And it was a jab in my heart when he dealt the killing blow in the mutiny. Disliked Thorne from the start. Now, he was a well rounded character. A mean man, but he understood duty. He stood aside and let the lads take Slynt when the other stood against the rightfully elected Lord Commander Snow. He had grudging respect for Jon once the younger man proved himself. He took good command during the attack on Castle Black. He honestly felt he was right to mutiny; my argument compared to his is that, if you felt he did what he thought was right, why did you kill him?
I respect Mance Rayder. I understand why he didn’t kneel, but I don’t agree with it; I side with Jon. Again, Jon was an honorable man to save Mance the agony of being burned alive. Tormund is hilarious; I love him and love the relationship he developed with Jon. He glomped Jon and interrupted his reunion with Edd. And his comment to Edd “I’ve always had blue eyes!” made me chuckle in the middle of a tense moment. And I adore the scene after the Battle of Winterfell during the feast between Tormund and Jon, toasting and cheering. Even before Jon returned to Castle Black, Tormund cared about the little crow and tried to keep him alive. Ygritte was awesome! Well rounded character, badass, but her intimate scenes with Jon Snow made me all squishy inside. I ship her with Jon Snow more than anyone else. (And I think it’s adorable that the two actors married each other!)
King’s Landing crew: Renly should not have made a big for kingship, he was not suited for it. I couldn’t decide for several seasons if I trusted Lord Varys, but I ultimately believed him when he said he fought for the realm, for the little people. Grand Maester Pycelle was creepy. And you could tell he was in the pockets of the Lannisters. Qyburn was also creepy. Quite honestly, I fast forwarded through some of his scenes because I could tell I did not want to watch. Littlefinger was a manipulative bastard; I kept hoping he would die. He did finally get his just deserts.
The Lannisters: There are times I almost respect Tywin. He was a reasonable master to Arya when she was at Casterly Rock. He treated all of his children horribly, though. But was determined to bring Joffrey into line. Tyrion is the kindest of the bunch, has some snappy one-liners (he’s my friend’s favorite character). He was genuinely kind to Sansa, even before they were married and was a friend to Jon. He did make mistakes, but he was honest about them. I respected Cersei more at the beginning of the show; I could see she was politically astute. There is something about the way her face looks and way she speaks at time that she reminds me of Keira Knightley in Pirates of the Caribbean. But then power made her crazy. I wanted to hate Jamie; he pushed a boy out of a window in the first episode! Then he had character development once he teamed up with Brienne of Tarth (and lost the look of Prince Charming from Shrek). And I would feel sorry for him. Then he’d do something that reminded me he could be a horrible person. Bronn was good when he was with Tyrion, but I always knew he was mainly in it for the money. Pod was kind of adorable; a decent character who got back up every time someone shot him down (mainly Brienne, but she came around in the end). Once Brienne loosened up, I got to like her better. The narrow worldview of “duty and honor” can be a bit off-putting. And Tormund’s crush was hilarious. I’m glad she hooked up with Jamie. And the duel between her and Arya was awesome!
The Tyrells: Mace is a simpleton. Loras was kind and honestly would have made a decent husband to Sansa. I liked Margaery, at least until the whole fiasco with the Religion of the Seven. She came back for a glorious moment. She and Olenna were kind to Sansa and were a good way for her to get out of King’s Landing; pity it didn’t work out. Olenna was sassy and savvy. And their sigil looks a dead ringer for the Tudor rose (which I find a wee bit ironic since the actress who plays Margaery portrayed Anne Bolyen in The Tudors).
The Greyjoys: The father was cruel. I got to like Yara as time went on. I initially didn’t trust Theon, he was kind of mean from the get go and could kind of tell he was out for himself. Then he betrayed the Starks and I wanted him dead. Then he was tortured (again, I honestly fast forwarded through a lot of that because “nope, don’t need to sit through that bit”) and yeah, at the very beginning, he kind of deserved it. Then it went too far. And I pitied him by the time Sansa returned to Winterfell and was genuinely sad when he died. That is a pairing that could have worked out.
Targaryen supporters: I have the unpopular view that I am not fond of Daenerys. She wasn’t as outright insane as her brother, but certainly by the end. She started out as a reasonably moral character. She found some happiness with Khal Drogo (I liked it when he supported her bid for the throne and they would call each other moon and stars. I was sad to see him die, particularly so early in the series). But when she started to use violence or threaten it to get her way, that’s when I saw her true character come out. And I strongly dislike her insistence that Jon Snow kneel to her and be demoted from King of the North. I do like Ser Jorah Mormont (it took me a little bit to realize the connection between him and the Lord Commander of the Night’s Watch). He’s got a good head on his shoulder and really, Daenerys shouldn’t have been so black-and-white about his original spying on her; it was before he got to know her and fall in love. If he had been around more at crucial points, she might not have made some of the mistakes that she had.
My favorite house is Stark. They’re noble and good; but human, they make mistakes. Not the most fond of Catelyn, mainly for her treatment of Jon. I don’t think she should have left Winterfell. She jumped into action without thinking of what to do down the road. Aye, it was nice for her to join up with Robb, but her youngest two needed her more. Poor Rickon, there’s not much of a chance to get an opinion on him. He was loyal to Bran and ultimately died a horrible death, within a hand’s reach of hope. Bran was cute when he was younger; I don’t like him as the “Three-Eyed Raven.” Too emotionless. I pity Sansa when she’s held prisoner in King’s Landing and her marriage to Ramsay Bolton is a toss up to whether it was worse than marriage to Joffrey would have been. She learned to play the game and so I can’t trust her fully. Arya is badass, which is cool, but she went through so much. Here is where I would say, you can make someone badass without doing all that (though I may not be entirely innocent in what I’ve put characters through in my stories). So I can’t trust her fully either, not a trained assassin. And I think she should have stuck around at the end. I respect Eddard, though as stated previously, he didn’t play the game well. He was trying to be honorable in a dishonest place. For all that King’s Landing will spout their admiration of honor, it’s full of cutthroats. He raised his children well; they remember his teachings long after he’s gone. I genuinely like Robb. Again, he made mistakes. But I put more of the blame of the Red Wedding on the Lannisters and Freys. Aye, he gave his word, but he fell in love. He made the decisions he thought were right.
It’s probably not a surprise that my favorite character is Jon Snow. He lives by Ned Stark’s example, always trying to do the honorable thing. He spends time amongst the Free Folk and realizes they’re no different and ultimately befriends them. He is born for leadership, but is smart enough to not want command or the crown, but he’ll do his duty and he’ll do it well. I did not like his relationship with Daenerys. On the one hand, glad he’s happy, on the other hand, I don’t trust her. She barely listened to him and he has to trail along picking up the pieces.
Let’s play a game: Hey, It’s That Guy! Game of Thrones is filled with actors that I have seen elsewhere.
Karl Tanner (the Night’s Watchman that betrays Joer Mormont) is played by Burn Gorman who played Owen Harper in Torchwood; he wasn’t a terribly kind character in that show either.
Orell, the warg of Tormund’s Wildlings is played by Mackenzie Crook, Mr. Ragetti from Pirates of the Caribbean.
The High Sparrow is also familiar from Pirates of the Caribbean, Governor Swann, played by Jonathan Pryce. Pryce also plays the villain in Tomorrow Never Dies.
Osha, the Wildling woman who protected Rickon and Bran, is played by Natalie Tena, Nymphadora Tonks from Harry Potter
Other Harry Potter cast mates include David Bradley who plays Walder Frey here, was Argus Filch in Harry Potter. Knew we shouldn’t have trusted him.
Michelle Fairley, who plays Catelyn Stark, briefly appears as Mrs. Granger in the first part of Deathly Hallows.
Archmaester Ebrose is played by Jim Broadbent, who in addition to being Professr Slughorn in Half-Blood Prince and Deathly Hallows, was Professor Diggory Kirke in The Lion, The Witch, and The Wardrobe. He’s also appeared in Kingdom of the Crystal Skull and Moulin Rouge.
Of course, we recognize Jason Momoa now from Aquaman and Justice League, who played Khal Drogo
Edmure Tully, the bit dim brother of Catelyn Stark nee Tully is played by Tobias Menzies, who plays a double role of Frank Randall and Black Jack Randall in Outlander, and it looks like Philip, Duke of Edinburgh on The Crown.
Jojen Reed is played by Thomas Brodie-Sangster, who we’ve seen as young Tristan in Tristan and Isolde, Romulus Augustus in Last Legion, and he too was part of Doctor Who.
Incidentally, he’s in the same episode as Harry Lloyd, who plays Viserys Targaryen. Lloyd was also Will Scarlett in BBC’s Robin Hood series.
Let’s not forget “Holy crow, it’s Mycroft!” Yep, Sherlock‘s Mark Gatiss (both a creator and actor of the show) pops up every once in a while as a member of the Iron Bank. Mark Gatiss is also in the recent Disney film Christopher Robin and acts very Mycroft-like (as in, no fun).
Davos Seaworth, probably the most sane man in the bunch, is played by Liam Cunningham. As many others in the cast, he’s been in BBC productions including Merlin and Doctor Who. He was Agravaine in First Knight and was in 1995’s version of A Little Princess.
King Beyond the Wall, Mance Rayder, is played by Ciarán Hinds. He does play Albus’s brother Aberforth Dumbledore in Deathly Hallows, but I know him more from Phantom of the Opera and Amazing Grace.
Margarey Tyrell, who marries both Joffrey (extremely briefly) and Tommen is played by Natalie Dormer and played another famous queen, Anne Boleyn in The Tudors (also had gratuitous sex, though not as much violence). She did appear briefly in Captain America: First Avenger.
Her father, Mace Tyrell, is played by Roger Ashton-Griffiths, who was Friar Tuck in Princess of Thieves amongst other roles.
Stannis Baratheon’s wife, Selyse is played by Tara Fitzgerald, who portrayed Marie de Medici (Louis’s mother) in BBC’s Musketeers; not a warm-hearted woman there either.
Also jumping over from Musketeers is Alexandra Downing, who briefly plays Edmure Tully’s Frey wife, but shined as Anne of Austria in the swashbuckling series.
Famous name Clive Russell is Blackfish Tully, Catelyn’s uncle.
Another famous name is Julian Glover, who plays Grand Maester Pycelle.
King Robert Baratheon is played by Mark Addy; he was Roland in A Knight’s Tale and Friar Tuck in Russell Crowe’s Robin Hood.
Also from Robin Hood is Max von Sydow who was Walter Loxley there and plays the Three-Eyed Raven here. He has credits going back to the fifties.
Sassy Olenna Tyrell is played by Diana Rigg, who has a credits’ list going back to the sixties, but most recently has appeared in Victoria and a small part in Doctor Who (her character in that was very creepy; I prefer her as Olenna).
Charles Dance, who played head of the Lannister House, Tywin, appeared in BBC’s Merlin as the Witchfinder. Not a likeable character and bound and determined to ruin people’s lives.
Donald Sumpter, Maester Luwin of Winterfell had a small role of the Fisher King in Merlin as well.
Joe Dempsie, who plays Gendry, was also in Merlin, as Merlin’s best hometown friend, and he was also in Doctor Who.
Tom Hopper, the second version of Dickon Tarly, is Sir Percival from Merlin.
Ygritte was played by Rose Leslie, who appeared as Gwen Dawson, a servant in the first season of Downton Abbey.
Jorah Mormont is played by Iain Glen, who also appeared in Downton Abbey, but a season after Rose, as Sir Richard Carlisle, a potential suitor for Mary. He also was in Doctor Who as Octavian, fighting against the angels, and appeared in The Last Legion and Kingdom of Heaven.
His father, Jeor Mormont, Lord Commander of the Night Watch, is played by James Cosmo. He’s very kindly as Father Christmas in The Lion, The Witch, and the Wardrobe. He’s been in other historical action films like Troy, The Last Legion, and Braveheart. (He was in Highlander, but I cut out on that movie twenty minutes in) and appeared in Castle, Merlin, and a version of Ivanhoe.
Ser Alliser Thorne (pain in the ass Night Watch Commander) is portrayed by Owen Teale, who has several credits to his name. He’s recently been in the biopic Tolkien (I highly recommend), appeared in Last Legion, King Arthur, and Torchwood.
Sansa Stark is played by Sophie Turner who is now the younger Jean Grey/Phoenix in the newer X-Men films (she does not appear in the same segment as Peter Dinklage; they missed each other by a movie).
Tyrion Lannaster is famously played by Peter Dinklage who has appeared in the Avengers and X-Men franchises, and plays the no less sarcastic dwarf Trumpkin in Prince Caspian.
Noble Robb Stark is played by Richard Madden, who recently appeared in Rocketman (another movie I recommend), though sadly Richard Madden’s character turned out to be not nice, so I put on Disney’s live action Cinderella (he’s Prince Kit, which now makes me chuckle), so I could see him be a good guy.
The only other credit I know Kit Harington, the brooding Jon Snow, from is voicing Eret, son of Eret in the latter two How to Train Your Dragon movies. I am interested in checking out some of his other credits.
And if you lot don’t know Sean Bean, as honorable Ned Stark…He’s Boromir from Lord of the Rings, Zeus in Percy Jackson, Odysseus in Troy, stars as Sharpe in that collection of films, the antagonist in the first National Treasure, the villain in GoldenEye opposite Pierce Brosnan (one of my favorite Bond films, and I think the first one my parents got me to watch) and the villain in Patriot Games opposite Harrison Ford (my favorite Jack Ryan movie; I should read that book sometime).
I would love to hear your thoughts on the show. Considering I am re-watching it and want the series on DVD, I believe it is safe to say I enjoyed it. What’s your favorite season? Episode? House? Character?
My plan is to finish up Merlin, then take another (hopefully) brief hiatus to work on some other writing, though if I manage to balance well, mayhap I will post some movie reviews at the same time.