“As always sir, a great pleasure watching you work.”

Iron Man 3

Draws on what happened in The Avengers.  Ben Kinglsey (Nizam in Prince of Persia, he appeared in The Last Legion and Schindler’s List.  There is also a video of him singing “Shall We Dance” with Julie Andrews from The King and I) is added to the cast as Trevor Slattery.  Miguel Ferrer (Assistant Director Granger from NCIS:LA; he sadly passed away in 2017) appears as the Vice President.

Tony voice-overs the opening of the film, stating “we create our own demons.”  And with I’m Blue playing, we flashback to New Year’s Eve of 1999 in Bern, Switzerland.  Tony, accompanied by a mullet-wearing Happy, had made a presentation and is thoroughly enjoying the after party, even bumping into Yensen (a callback to the first Iron Man movie).  Then he comes across a pretty girl who asks questions about research.  They move the party upstairs, though Tony is briefly approached by Aldrich Killian, who has a proposal for a think tank, named AIM.  Tony is briefly intrigued, but moves on to going over the pretty girl’s research, which examines the healing center of the brain, and she calls the project Extremis.  Extremis has explosive results.  Getting so caught up in the research, Tony forgets to meet Killian.

Fast forward to the present, post Battle of New York world, Tony is working on more suits.  The latest is the Mark 42, which is supposed to come to him piece by piece, guided by chips implanted in his arm.  There are a few errors, but then Tony has been awake 72 hours.  But the world doesn’t rest; the Ten Rings have reappeared and taken over the airways, with their leader, the Mandarin calling out Americans and warning “you’ll never see me coming.”  The President immediately announces that Captain Rhodes will be handling the situation as the Iron Patriot.  Tony has to meet his friend afterwards, but Rhodey is worried about Tony; he’s showing signs of PTSD, having panic attacks and flashbacks.  Tony tries to laugh them off in public and flies off before he has to deal with it.

In the meantime, Pepper is still CEO of Stark Industries, with Happy as her chief of security, which he takes seriously.  And he gets bad vibes from her meeting with Aldrich Killian and his bodyguard, and reports such to Tony.  Pepper wisely turns down Killian’s proposal on Extremis, feeling it is too weaponizable.  When she returns home, she finds Tony in his workshop and he’s trying to make this relationship work, admitting he’s a hot mess.  He loves her and just wants to protect her; that’s why there’s multiple suits; he can’t live without her.  Pepper gives him a chance, until he has nightmares in bed and unconsciously calls his suit to him, scaring Pepper.

Happy follows his hunch and follows the bodyguard, who’s doing some sort of deal.  Happy pockets something, then gets in a fight with the guard until the other man heats up and explodes.  Happy is gravely injured and Tony takes a place by his side, informing the nurse to ensure that everyone is wearing their security badge, something Happy is a stickler about.  Oh, and Happy thinks Downton Abbey is romantic, so keep him playing.  Tony is greeted by reporters outside the hospital [one of whom is Kim Holderness, who has a YouTube channel with her husband with funny skits now].  The Mandarin has already claimed the attack (and the videos are a bit terrifying).  Tony has a response; he’s not afraid of the Mandarin and he’s coming for him, good old-fashioned revenge.  He even gives the Mandarin his home address.

Once home, Tony has JARVIS compile a Mandarin database and examine the attacks associated with the terrorist.  There are several bombs that have detonated, like the one at the Chinese Theatre with high heat, but no bomb parts found.  Happy, in his last conscious moments, pointed to a clue for Tony and JARIVS finds a similar case in Tennessee.  Until there is a woman at the door; Maya.  Pepper, of course, wants to leave.  Their discussion is interrupted by helicopters outside that shoot missiles into Tony’s home.  Tony calls the suit, but has it cover Pepper, and in turn, she protects Tony, until he gets her to safety and calls the suit to him.  Tony manages to take out the helicopters as the house crumbles around him and he drops into the water.  He manages to shoot out of the water, but no one seems him.  He passes out and wakes up as he crashes in Tennessee.  The suit is low on power and JARVIS shuts off, so Tony drags the suit behind him until he finds a pay phone to leave Pepper a message.  Then he finds a seemingly deserted shed.  Turns out, not so deserted, it’s got a kid, Harley.  Tony convinces Harley to help him (cause what kid is going to turn down the chance to help Iron Man?)

Meanwhile, Pepper talks to Maya about why she came to the house (she did get Tony’s message and knows he’s alive, but let’s the media say he’s presumed dead).  Maya thinks her boss, Aldrich Killian, works for the Mandarin.  When they find a hotel, Aldrich shows up and captures Pepper.  Maya indeed works for Killian and yes, she went to Tony for help.  She needs him to fix the glitch in Extremis.

Tony investigates the explosion site in Tennessee, though Harley pesters him with questions about the Avengers and New York and causes Tony to have another panic attack.  Tony visits the victim mom, assuring her that her son was innocent, until another woman tries to arrest him.  He battles her; she’s another one that will glow, as well as Killian’s bodyguard.  He tires to take Harley prisoner, but Harley uses Tony’s bully defense sparkler to get away.  Tony’s got the information he wanted and instructs Harley to guard the Iron Man suit.  Tony realizes that AIM, Killian’s company is behind this, with the Extremis program, and calls Rhodey.  Rhodey’s a little busy, being Iron Patriot all over the Middle East, looking for the Mandarin, who put out another video, threatening to execute a man.  Even though the President called, the Mandarin still shot him (we don’t actually see that part).  Iron Patriot is taken down in one of the buildings he’s investigating.

This causes Tony to have another panic attack, and luckily, JARVIS is running enough to help him out, with some assistance from Harley.  JARVIS’s system is showing the Mandarin’s messages originating in Miami.  Harley suggests that Tony builds something, since he’s a mechanic.  So Tony showcases his genius again in making an arsenal out of what he can find at a hardware store (recalling that “box of scraps” comment from the first movie).  He enters the compound in Miami and finds the set of the Mandarin videos.  And that the Mandarin is actually just an actor hired to play a role.  And yes, Killian was behind it; a custom-made terror threat.  The bodyguard enters and captures Tony.  Tony sees Maya again, who reveals that Tony had jotted down an equation all those years ago and hence why she thought Tony could help.  But Tony doesn’t remember the equation and tries to appeal to Maya.  Killian enters and credits Tony with creating him; leaving him on the roof in Switzerland made him desperate and he decided to rule from behind.  He gave evil a face and a target in creating the Mandarin.  He’s planning on opening the Iron Patriot suit and he will own the war on terror, creating supply and demand.  Oh, and he’s given Pepper Extremis.  Maya threatens to kill herself to protect her work; Killian shoots her anyway.

The clock is ticking.  Tony calls the suit to him (which is hilariously delayed), but he still takes out the guards and makes his way back through the compound (one guard easily gives up; he’s had enough weird) to find Rhodey.  They have to find the President, who is now on Air Force One with someone he thinks is Iron Patriot.  Iron Man arrives in time to rescue the people falling from the plane [pretty cool].  Then he’s hit by a truck; it’s not actually Tony in the suit, he’s controlling it from a distance.  They continue to make their way to the shipping yard where Killian is staging the murder of the President.  Rhodey is no slouch in sneaking on and taking out guards, with Tony backing him out.  Then Tony’s other suits arrive, all controlled by JARVIS and the action really begins.  Tony uses this as a chance to find Pepper, who is trapped.  He almost has her, then she falls into a fire.  Rhodey, in the meantime, rescues the President.  Tony goes after Killian, switching suits as he needs to (because Tony cannot go against Killian as Extremis in just his human form; the suits come in handy and he can take on more dangerous enemies).  Killian mocks Tony, that Killian was trying to improve Pepper.  Tony retorts that no, he didn’t deserve her, and she was already perfect.  Tony gets Killian in one of the suits and blows it up.  It does not stop Killian, though he admits to the Mandarin plot.  Just as Killian is about to deal the final blow, Pepper to the rescue!  She knocks Killian out, then takes on the suit and blows up Killian.  Her comment at the end?  “That was really violent.”  Now she’s the hot mess.  Tony quips, it’s still debatable; she’s in a relationship with him.  He promises to fix her; he almost had it while he was drunk years ago, and this is what he does, he fixes things.  He then has JARVIS blow all the suits.

The story wraps up with Rhodey arresting the Vice President, who was in on the kidnapping of the President since his daughter would have benefitted from Extremis.  Tony got Pepper sorted out, then has surgery to finally remove the shrapnel from his chest and remove the arc reactor.  And Happy wakes up and Harley gets an updated lab.  Tony theorizes that his armor and tools can be taken away, but no one can take away the fact that “I am Iron Man.”  And this is all revealed to be Tony talking to Bruce (who fell asleep).

This is not my favorite Marvel movie, or Iron Man movie; there’s just too many things going on at the same time.  However, I do like seeing more of Tony Stary, rather than just an Iron Man suit.  While the suit is helpful, he’s no slouch outside of it.  There are a few things that I don’t get why the character had to do; like why did Tony have to destroy all of his suits?  He just proved how helpful they are and he doesn’t have to be in them all the time.  And while I think it’s great that Tony no longer has the shrapnel in his chest, I was a bit sad to see the arc reactor just thrown in the ocean.  And kind of missed seeing the other Avengers.  I get that these are their individual movies again, but some crossover would have been nice.  For instance, when Pepper is standing in the ruined mansion, alone.  No one came to check on her?  Or attempt to find Tony?

Up Next: We circle around to Thor: Dark World

“Those with the greatest power…protect those without.”

X-Men: Apocalypse

The final X-Men movie I will cover (and really the last one I’ve watched; I’m aware Dark Phoenix came out afterwards and continues the story, but it definitely looks like it is not a fun story, and there are several other Logan/Wolverine movies that also look depressing…superhero movies should have a good dose of fun).  Sophie Turner (equally famous for her portrayal of Sansa Stark in Game of Thrones, and is now married to Joe Jonas) joins the cast as Jean Grey, and Oscar Isaac (Poe Dameron in the Star Wars sequel trilogy and Prince John in Russel Crowe’s Robin Hood) is the lead antagonist, En Sabah Nur.

Charles’ voice opens the film, saying that mutants are still searching for guidance.  Their gifts can be a curse and when they are given “the greatest gift of all, powers beyond imagination, they may think they are meant to rule the world.”  We go way back in history, to 3600 BCE and the Nile valley.  There is a ceremony going on in ancient Egypt, the crowd chanting “En Sabah Nur.”  There is to be a transference between an ancient mutant and another mutant.  But the guards betray En Sabah Nur and collapse the pyramid, though a few mutants remain loyal and protect their leader or god.  Now, we’re in 1983 and a high school class in Ohio is learning about mutants being “discovered” at the 1973 Paris Peace Accords.  One of the students is Scott Summers, who discovers his powers that day.

At the same time, in East Berlin, there are cage fights between mutants, with Angel as the reigning champion, now to face Nightcrawler.  Raven is in the audience and knocks out a guard in order to overload the electric fencing, so the mutants can escape.  She takes Nightcrawler and is going to get him set up with a new identity.  Meanwhile, Erik is living fairly peacefully in Poland, with a wife and young daughter.  Nina shows an affinity with animals (and is rather adorable).  Note: he has to live like a human in order to survive, but it’s good to see him happy.

Alex picks his brother up and brings him to Xavier’s school (Charles is already teaching The Once and Future King, like we see in a later/earlier movie…boy, that’s confusing).  They meet a young Jean Grey and Hank is still at the school.  Scott unfortunately destroys Charles’ favorite tree, but the professor is excited to help him nonetheless.  Across the globe, Moira McTaggert is investigating in Egypt and discovers a group chanting “En Sabah Nur” again.  Sunlight touches the capstone of the pyramid and makes its way into the Earth, awakening the ancient mutant.  This causes an earthquake across the world.  In Poland, Erik saves a coworker at the factory, then hopes he wasn’t spotted.  In the mansion, the earthquake is just the precursor to Jean’s terrifying nightmares that Charles attempts to comfort her.  When he puts on Cerebro later, he comes across Moira and the next day, has Alex take him to the CIA to see her.

The group was part of a cult that views mutants as a sign of god and actually believe that the first mutant lived thousands of years prior, in contrast to the popular held belief that mutants only evolved in the twentieth century.  Wherever this god that was raised went, destruction followed, and he always had four key supporters; like the four horsemen of the apocalypse.  The way this god lived so long, before being buried, was by transferring his consciousness from body to body and thus, gaining more powers.  And now this god is out and about in Egypt.  He discovers a young mutant thief, we know to be Storm by her powers.  She leads him back to her hiding spot, where there is a poster of Mystique, her hero.  En Sabah Nur touches her television screen and begins to soak up the world news.  He sees the clip of Magneto at the White House and calls the nuclear weapons and state of the world false gods and idols.  When finished, he declares to young Storm his intent to take over and rule the world as he did in days of old.  He calls it “saving” the world, but really means “cleansing.”  He makes Storm his first follower and her hair turns its’ signature white.

Back in Poland, Erik’s actions were noted and reported to the police; men he viewed as friends.  Erik is trying to run, but has to collect his daughter from the woods, where the police are holding her.  They point-blank ask if he’s Magneto.  All Erik wants is for them to release his daughter; he even offers to come quietly.  But when they’re traded, Nina reaches for her father, like young Erik did decades ago, pleading that she will not let the men take her father away, like his parents were taken.  The animals react to her distress and scare the policemen.  One accidentally released his drawn arrow, instantly killing Nina and her mother.  Erik cradles his babies, then uses Nina’s locket to eliminate the guards.  “Is this what I am!” he shouts to the sky. 

News quickly spreads.  Raven discovers it from her informant and has Nightcrawler/ Kurt Wagner take her back to the mansion.  Charles is still out, so she talks to Hank, while Kurt befriends Scott, Jean, and their friend Jubilee.  The teens escape to visit a mall and see a movie [Return of the Jedi and they have a humorous discussion about movie trilogies].  Hank tries to persuade Raven to stay; start the X-Men like they talked about years ago.  Charles is still hopeful for the world, but Hank is a little more realistic; they should hope for the best, but prepare for the worst.  Raven just wants to find Erik.  En Sabah Nur and Storm recruit more mutants, gathering Angel, with new wings, and a woman with a laser sword.  Then they come upon Erik at the factory, ready to make the men who betrayed him pay (to which Erik asks the intruders, “who the fuck are you?”  He gets the swear word this film).  En Sabah Nur easily takes care of that, then takes Erik back to Auschwitz to teach him to pull metal directly from the earth.  (Note that he picks mutants who are angry with the world.)

Charles is pleased to see Raven, though disappointed she’s only there to find Erik and to argue the point that Charles should be teaching his students to fight.  Mutants in the outside world still live in fear; they’re not accepted, people just have to be polite to them now.  Charles reaches out with Cerebro to speak to Erik, which En Sabah Nur senses.  He then turns that conversation on Charles and takes him over; “thank you for letting me in.”  He uses Charles to release all the nuclear weapons straight up, and destroy them.  “No more weapons!  No more systems!  No more superpowers!”  [If the music sounds familiar, it is Beethoven’s Allegretto.]  Charles gets ahold of himself long enough to ask Alex to destroy Cerebro; “wreak havoc,” is his order.  Alex does so, but once they have the professor safe, En Sabah Nur and his followers arrive at the mansion.  Alex is still enough of a hot head, he charges the god while Erik pulls Charles to him by his wheelchair; Alex lets loose a blast, but the horsemen escape and the blast creates a chain reaction.

Peter Maximoff has seen the news on Erik and plans to track him down, so he goes the mansion.  Just in time to rescue everyone from the blast (rather hilariously too).  Well, almost everyone.  Scott instantly notes when he arrives, that Alex is missing.  He was closest to the blast and already gone before Peter arrived.  Scott, Jean, and Kurt separate off from the rest of the group, Scott grieving for his brother, when the military arrives.  They blast the mutants unconscious, and Stryker collects Raven, Moira, Hank, and Peter.  The other three follow, intent on rescuing their leaders.  Stryker wants Charles, but no one knows where he is at.  There are barriers in place to prevent the teens from entering, and Peter reveals to Raven that he is Erik’s son.

En Sabah Nur brings his horsemen and Charles to Egypt.  His plan is to wipe the face of the earth and rebuild it as he remembers, ruling as god.  And now, with Charles, he can control every mind on earth.  Charles, of course, tries to reason with Erik, but his old friend is still too hurt, too angry.  En Sabah Nur’s message that Charles passes along is to warn the world of his plan.  That the strongest among you, those with the greatest power, the earth will be yours.  Charles also manages to send a secret message to Jean, letting her know where they are.  And Charles changes the message at the last second, telling those with the greatest power…protect those without.  That is Charles’ message.  And that has always been and will always be Charles Xavier’s message to the world.  (And we love him for it).  En Sabah Nur’s not happy with the change, but his plan is not over yet.

The trio find Wolverine (because that apparently needed rehashed again), who goes on a rampage.  Jean manages to set him free and gives him “Logan.”  And no Scott, that is not the last you’ll see of him.  But they manage to free Hank, Raven, Peter, and Moira.  And find a plane to take to Egypt.  Raven speaks to the teens, telling them about her first mission and tells them that Havok was brave.  Raven doesn’t feel like a hero because she couldn’t save everyone.  But the teens still view her as a hero, so she will lead them.  Their objective is to rescue Charles.  Raven and Peter will try to get Erik.

En Sabah Nur’s final plan is to transfer into Charles; then he gains Charles’ power, but not his morality.  The transference is how Charles loses his hair.  The teens take on the horsemen, and Kurt manages to get inside the pyramid and get Charles out.  But their plane is caught before they can escape, so he has to get everyone out at once.  They hide, Scott and Hank taking on the other horsemen.  Raven tells Erik she’s going to go save her family and gives him the choice (and he recalls moments from First Class).  Peter uses his speed to punch the ancient mutant, until his leg is caught and broken.  Then Raven disguises herself as one of his horsemen to get close and uses the blade to slice him.  But he chokes her.  Storm watches as mutants fight mutants and the god she is following attempts to kill her hero.  Yet, En Sabah Nur and Charles are still connected.  Charles wants to save his sister and uses that connection to distract En Sabah Nur.  In his mind, he gets a few good punches in, until En Sabah Nur grows and beats Charles up.  Erik puts a metal X between En Sabah Nur and his friends.  He will no longer betray them.  Hank and Scott rescue Peter and Raven, then Scott uses his powers in conjunction with Erik’s to take on their opponent.  Charles asks for Jean’s help, telling her to let go.  Unleash her power without fear.  She walks into mid-air and flames erupt, in the shape of a phoenix.  Her powers pull back the ancient mutant’s armor, giving the men an opening.  But he tries to get away.  Until Storm electrocutes him.

Everyone is safe.  Charles gives Moira her memories back; she later has Stryker arrested for kidnapping her.  Peter and Storm decide to stay at the rebuilt mansion, courtesy of Erik and Jean working together.  And Raven has decided to stay to train the new batch of X-Men.  Erik and Charles have a conversation outside the simulation room, Charles now looking like his older counterpart with the bald head.  Charles was right about Erik and he was right about Raven.  There is still hope for the world.  But Erik cautions him, “doesn’t it ever wake you up in the middle of the night?  The feeling that one day they’ll come for you and your children?”  Charles responds: “I feel a great swell of pity for the poor soul that comes to my school looking for trouble.”  [I love that this is a call back to the last scene of the first X-Men movie!]

Overall, I prefer the prequel trilogy of the X-men franchise to the original trilogy, but the stories get a little wonky.  Honestly, the time jumps between the three newer films almost get in the way of the characters.  Sure, the ones who were introduced in First Class are still around twenty years later, but realistically, they shouldn’t be the same actors, as much as we love them.  If the studio wants to keep the same actors, great, just don’t show the same person looking the same twenty years later.  Also, while I love that Raven is Charles’ sister and that dynamic, this doesn’t work fully in retrospect: our Mystique could have never poisoned Charles like Mystique did in the first X-Men movie.  I’m sure the executives would explain that with the time travel, the future that was the original X-men films changed…ultimately boiling down to alternate universes in combination with wibbly-wobbly timey-wimey stuff.

Up Next: The two Fantastic Four films with Chris Evans; then I’ll be taking a bit of a break to work on some other writing, mainly the fantasy epic I have intentions of writing.  I figure this is a good place to pause, before jumping into the twenty-or-so Marvel Cinematic Universe films.

“All those years wasted, fighting each other, Charles, to have a precious few of them back.”

X-Men: Days of Future Past

This unites the older cast with the newer cast, with Bryan Singer back at the helm.  Peter Dinklage (Tyrion Lannister in Game of Thrones, Eitri the Dwarf in Avengers: Infinity War, Trumpkin the Dwarf in Prince Caspian, and the lead in the recent Cyrano movie) joins as Dr. Bolivar Trask, Evan Peters is Peter/ Quicksilver (yes, he appeared in WandaVision and SPOILER [in case you’re even later than me watching the show]: he plays the other version of Pietro…I just laughed when I saw in on the show and really wish more had been done because, he’s Peter, just the other one).  Booboo Stewart (he’s Seth in the Twilight movies and Jay in the Disney Descendants movies [haven’t seen those]) is another mutant, named Warpath.

We open in a dark future, ruled by Sentinels, machines that hunt down and kill mutants and any humans who try to help.  But there is a ray of hope left, for what’s left of the X-men are making for a hideout to meet with a few fighters, including familiar faces Bobby and Kitty.  Professor Xavier (yep, he’s alive, not sure how, but it’s X-men, we’re not really going to ask) has a crazy idea, have Kitty send him back in time to 1973 to prevent Raven/Mystique from killing Trask and thus causing the Sentinels to be built.  (Another quick question, how does Kitty have time travel abilities?  She phases through walls.)  Unfortunately, Xavier would not physically be able to withstand a trip that far.  So Logan volunteers and has to meet a very different Charles and Erik, and convince them to work together when they couldn’t be further apart.

The time travel works and Logan tracks down the Professor, only to find the mansion run down, with only Hank McCoy as a companion.  Oh, and he can walk.  But, the tradeoff is he doesn’t have his powers.  And wants nothing to do with Logan or his hope for the future; he’s a broken man, leave him alone.  However…he relents and will do it for Raven.  He still cares for her and will save her if he can.  Except they’re going to need some more help, particularly to get Erik out of…wherever he’s being kept.  Logan happens to know a mutant who is a teenager in the seventies: Peter Maximoff.  He gets to break in and get Erik out of prison in the Pentagon; Erik was arrested for killing JFK.  Peter is in fact very helpful, rescuing the men for a rain of bullets (Charles does get to hit Erik, then insist on no killing).

We see a brief glimpse of Havok in Vietnam, though Mystique impersonates a Colonel to rescue the mutants before they’re shipped off to Trask Industries under a young Stryker.  She’s taken Erik’s lesson on one-track mind to heart.  She later sneaks into Trask’s office and finds the reports on the dead mutants Trask has experimented on.  And gets the clue to head to Paris, for the Peace Accords.  There, she seduces a Vietnamese general and impersonates him to get into the meeting.

It’s a very tense plane ride for Charles, Hank, Erik, and Logan.  Charles and Erik finally confront each other; it’s a wonderful scene and hints at the mental headspace that Charles was in following First Class.  “You took her away and you abandoned me!” Charles shouts at Erik.  Erik’s comeback is that Charles abandoned all the other mutants; “we were supposed to protect them.”  Charles storms away and Erik levels the plane.  Logan points out that Erik has always been an arse.

Erik later offers a game of chess to Charles as a peace offering.  They discuss Raven, a woman they both love, in different ways.  Charles remains concerned for her.  Erik also admits he didn’t kill JFK, the bullet curved because he was trying to save him, because he was a mutant.  The friendship starts to mend, but it has a long way to go, so Charles starts the game.

Action comes to a head at the Trask meeting, who is trying to convince foreign governments now of his machines since the American government shut him down (some members didn’t like the idea of targeting Americans who are living peacefully).  Raven reveals herself and is briefly taken down by Stryker, but our heroes arrive.  Logan glimpses Stryker and loses control for a moment, not remembering any timeline.  Charles hilariously tries to pass it off as a bad acid trip, until Logan comes back.  Raven is genuinely happy to see her brother, until Erik picks up the gun and is willing to kill her to prevent Trask from getting his hands on her and her DNA and thus wiping out all mutants.  Raven tries to escape, but is nicked in the leg.  Erik pursues her, and Beast jumps after him.  Mind you, all of this is caught on camera when they land outside and use their powers.  Trask escapes, but manages to get his hands on a small blood sample.  Trask next meets with President Nixon himself and offers his machines once again as a response to the “mutant problem.”  (And that’s apparently what the deleted recording was about.)

Raven is patched up, then catches up with Erik and demands answers.  Erik attempts to persuade her to work with him to strike while they have the upper hand.  But Raven draws a line.  She’ll kill Trask because of what he’s done to her friends.  But this won’t become genocide.  Meanwhile, Logan convinces Charles to stop taking the serum, so that his powers will come back.  They need Cerebro in order to find Raven and prevent the murder she is still planning.  But Cerebro overloads since Charles is rusty.  So Logan has young Charles read his mind into the future and talk to older Charles (another brilliant scene).  Older Charles counsels his younger self that the pain Charles feels and fears will make his stronger if he embraces it.  His greatest gift is to bear their pain without breaking.  And that is born of hope.  Charles needs to get his hope back; only then will the future change.  Energized, Charles uses his powers to talk to Raven through others at the airport.  She’s still set on her path and dislikes that Charles is trying to make a decision for her.

Everyone manages to meet up again in D.C., where the President is making an announcement with Trask to showcase the Sentinels that will protect Americans.  Erik breaks into the Pentagon to retrieve his helmet to keep Charles out.  He’s also put metal inside the Sentinels so he has control, which he has go off on the crowd at the White House.  At the same time, the Sentinels of the future have found the hidden X-men.  Young Erik wraps metal into Logan and sends him off to drown, then uses the cameras to speak to hidden mutants, calling for them to unite and fight for their rights.  Raven duplicates the President as an offer to Erik, then shoots him.  Charles, pinned under a structure, uses his powers to convince Raven to choose a different path.  She can show the world that not all mutants need to be feared.  She puts the gun down (which erases the future, one where everyone was on the brink of being destroyed), and Trask lives.  But his program is scrapped and Stryker gives information to the President that Trask was selling secrets to foreign governments.  Raven takes the helmet off Erik so that Charles can use him to free himself.  He lets Erik fly off and lets Raven walk away.  Though she appears to impersonate Stryker to rescue Logan.

And Logan is in the new future now.  The mansion is full of students, Bobby and Rogue make a brief appearance.  Hank McCoy is teaching, and even Scott and Jean are back.  Logan needs a bit of help from the Professor, clearing up with the new history is after 1973.

Where we started with Patrick Stewart’s Charles asking if we’re destined to destroy ourselves, or can we change our fate.  Is the future truly set?  We end with James McAvoy’s Charles giving us hope that the past is “a world of endless possibilities and infinite outcomes.  Countless choices define our fate: each choice, each moment, a moment in the ripple of time.  Enough ripple, and you change the tide” and answering that “the future is never truly set.”

I adore that they brought familiar faces back and it’s wonderful to see on the same screen the differences between their younger and older selves.  The greatest scene is watching James McAvoy and Patrick Stewart play the same character at two different points in life in the same shot.  Patrick Stewart always gives us hope for humanity.  I continue to enjoy the sibling relationship that they developed between Raven and Charles.  They still care for each other, but Raven has grown.  She wants to please her brother deep down, but now she’s own person.  And she realized that Erik wasn’t going to lead her where she wanted, so she struck out on her own.  And becomes the badass woman we love.  Charles ultimately lets go and has faith, but he’ll pull himself out of a hole in order to save her.  Work alongside the man who let him down in order to save her.  And of course, Ian McKellen and Patrick Stewart are adorable alongside each other; there’s a funny blooper where Ian spouts some BS line and Patrick looks at him with “what did you just say?” on his face.

Really wish Erik would stop trying to rule the world!  You’ve gotten your revenge, leave it alone.  There are better ways to fight for mutant rights than reverting to killing all humans.  Also, we want you to settle down with Charles…hey, older versions of them are friends again, we want to see them come around.  Again, I encourage you to read Rumor Has It on either fanfiction.net or AO3.

Overall, this movie tends to give me a bit of a headache trying to keep timelines straight and I get that this re-writes a lot of what happened in the original trilogy and I like the happy ending, but it’s not always one I want to re-watch.

Up Next: X-Men Apocalypse

“These Aren’t the Droids You’re Looking For”

A New Hope

Originally released as simply Star Wars.  It ranks 13th in AFI’s Top 100 Movies, #1 for Film Scores, #8 in Movie Quotes, and #14 in Heroes and Villains.  This is the film that started the saga.  Expertly cast with Mark Hamill (would later voice the Joker in several Batman cartoons [we’ll catch one later] and Fire Lord Ozai in Avatar: The Last Airbender [we’ve already noted the irony of that casting and characterization]) as wet-behind-the-ears Luke Skywalker, Carrie Fisher as Princess Leia Organa, and Harrison Ford (action star extraordinaire; Jack Ryan, Indiana Jones, Air Force One) completing the trio as Han Solo.  Alec Guinness is Obi-Wan Kenobi, Peter Cushing (he worked alongside Christopher Lee several times, mainly in horror films, but he portrayed Sherlock Holmes as well) is Grand Moff Tarkin.  Anthony Daniels brings C-3PO to life, like Kenny Baker does with R2-D2; Peter Mayhew dons the Chewbacca costume while David Prowse wears the Vader suit.  Of course, James Earl Jones (Mufasa, as well as appearing with Harrison Ford in the Jack Ryan movies) provides that deep voice (though not credited in this film).

And seriously, the original theme is also the best, since it doesn’t have to segue into any other theme.  It’s the most joyful and triumphant.  We also hear the Force theme for the first time, which also plays a huge part in the soundtracks of the rest of the saga.  I could try to go into how this film was pioneering, but I wouldn’t be the best choice since I was not alive to witness this film when it first came out and wasn’t a huge fan of it when I first saw it.  And now that the prequel trilogy is out especially, it’s a bit hard to separate what was all brand new in this film when first released with what we know now.

After the crawl, we see that iconic scene of the Star Destroyer chasing the Rebel Runner and are first introduced to R2-D2 and C-3PO; 3PO is the definition of a fusspot.  R2 is given a secret mission and they must escape from the imposing black-caped Darth Vader.  He is looking for the stolen Death Star plans (which we saw how those ended aboard this ship in Rogue One; which was kind of the whole point of that film) and captures Princess Leia.  R2 and 3PO end up on Tatooine and separated briefly until the Jawas (and their signature “oo-tee-dee!”) get their hands on them.

Enter teenager Luke Skywalker and his aunt and uncle Beru and Owen Lars.  They purchase R2 and 3PO.  But R2 is insistent on pursuing his mission and escapes to find Obi-Wan Kenobi, though Luke only knows an “Old Ben.”  Uncle Owen shuts down his questions, simply stating that Obi-Wan died alongside Luke’s father, and he shouldn’t worry about Ben.  Luke, tired of being stuck on a backwater planet, storms off.  Owen tells Beru he’s afraid that Luke has too much of his father in him [and we know why that would be dangerous].

When Luke goes looking for R2, he runs into Sand People.  Ben is around to scare them off and is surprised that a little R2 unit has come searching for him.  Luke asks Ben if he knows an Obi-Wan.  Of course he does, he’s Obi-Wan.  But he hasn’t gone by that name since Luke was born.  He takes Luke home with him and informs the teenager that his father was a Jedi Knight, as was Obi-Wan; they fought in the Clone Wars together.  They were guardians of the peace and justice in the Old Republic.  Luke inherited his piloting skills from his father and Obi-Wan gifts him with the blue lightsaber; “an elegant weapon for a more civilized time.”  Darth Vader was once a pupil of Obi-Wan’s, until he fell to the Dark Side of the Force and betrayed and murdered Luke’s father (uh, he’ll get to that later…shh, it’s a secret for now).  We finally see the whole message that Leia sent to Obi-Wan, asking for his help in the name of her father, Bail Organa [oh yes, you should totally read Wild Space by Karen Miller to find out how Bail and Obi-Wan ended up becoming friends].  She has stashed important plans inside the R2 unit that are vital to the Rebellion.  “Help me, Obi-Wan Kenobi; you’re my only hope.”

Luke doesn’t want to go running off to Alderaan; he has responsibilities here that his uncle was outlining just the previous evening.  He comes across an attack on Jawas on his way home and Obi-Wan deduces it was stormtroopers trying to disguise there attack as Sand People,  They were looking for the droids.  Which would have led them home.  Luke races back only to discover the homestead to be smoldering and two burnt bodies at the door.  He has nothing now, so he’ll follow Obi-Wan.  “I want to learn the ways of the Force and become a Jedi, like my father.”

First, they must find transport and head to Mos Eisley; “you will never find a more wretched hive of scum and villainy.”  Obi-Wan gets them past the troopers using a Jedi mind trick [that he probably picked up from Qui-Gon] and they search for a pilot in the cantina (cue that iconic music).  Luke gets in a bit of trouble and Obi-Wan proves he still has some fight left in him, slicing off a criminal’s arm with his lightsaber.  They then meet Han Solo and Chewbacca who agree to take them to Alderaan, avoiding Imperial entanglement, and no questions asked for a pretty sum.  Han briefly deals with Greedo after the pair leave (and yes, he shoots first!).  Then he buys more time to pay back his debt to Jabba the Hutt.  Han also gets the idea that his passengers may be more than meets the eye when Imperials show up and start firing as the pair attempt to board the Millennium Falcon.  Chewie gets them out of Tatooine; “here’s where the fun begins.”  Luke is certainly an eager young kid, contrasting with Han who is more world-wise.

Meanwhile, Leia has been taken aboard the Death Star and Vader attempts to interrogate her on the location of the Rebel base, but she resists the mind probe.  Grand Moff Tarkin (he goes by Governor in the film) has another idea.  If Princess Leia does not reveal the base, he will fire the Empire’s ultimate weapon on Alderaan.  Leia finally gives them the planet Dantooine.  Tarkin destroys Alderaan anyway to prove a point.  Obi-Wan feels the incredible loss of life all the way on the Falcon.  But he insists that Luke continue with his training.  Han’s not one to believe in the Force while Obi-Wan comes back that there is no such thing as luck. 

When they come out of hyperspace, they discover what the Empire has done, though they don’t know how.  Until Obi-Wan realizes that the object in the distance is no moon.  It’s a space station.  And they are caught in its tractor beam.  Luke has a very bad feeling about this.  Obi-Wan has a better idea that fighting.  They hide away in the smuggling holds from the Imperial boarding parties, though Vader senses something. Obi-Wan also has an idea on how to deal with the tractor beam.  Han figured the old man would do something foolish.  “Who’s the more foolish; the fool, or the fool who follows him?”  [Still spouting wisdom.]

Han and Luke then discover that Leia is aboard the Death Star and Luke immediately wants to rescue her.  He persuades Han with the promise of reward.  They use Chewie as a prisoner to get to the cell.  The plan goes pretty well, until Han’s funny conversation and Leia notes that Luke is short to be a stormtrooper.  Proving he is an eager young lad, he announces himself to Leia “I’m Luke Skywalker, I’m here to rescue you.”  Oh, and I have your droid.  And Obi-Wan Kenobi.  As Han predicts, they end up with company and Leia takes charge: “into the garbage shoot, flyboy.”  Han either wants to kill the princess, or he’s beginning to like her.  “What an incredible smell you’ve discovered,” Han snarks once they’re out of the line of fire.  Leia contends that the situation could be worse.  Now Han has a bad feeling about this.  It gets worse when a slug creature grabs Luke.  It only lets go when the trash compactor starts up.  Luke calls for R2 and 3PO, but the droids are almost too late to save their humans.  R2 to the rescue in the nick of time!

And now they just have to get through a couple dozen troopers.  Han and Leia still snip at each other; Han is used to taking orders from just one person, himself.  Leia is used to being in charge and asks someone to get the walking carpet out of her way.  (Gotta admire a woman who takes charge and doesn’t wait to be rescued)  They split up; Han deciding it is great tactics to chase after one’s opponent shouting at the top of his lungs.  His luck holds out.  Luke and Leia have to swing across an opening [which Mythbusters proved was possible; and was performed by Mark and Carrie on set in one take (they didn’t have the money for stunt doubles).]  They all eventually meet up by the Falcon.

Obi-Wan sneaks about the battle station and Vader determines he must face his old master alone.  Tarkin dismisses Vader’s power (which we’ve already witnessed is a bad idea; he choked a subordinate when he found his lack of faith disturbing.)  When he confronts Obi-Wan, he claims he is now a master.  “Only a master of evil, Darth.”  Vader claims Obi-Wan’s powers are weak.  Obi-Wan also warns Vader “if you strike me down, I’ll become more powerful than you can possibly imagine.”  [Yes, this duel is much slower than their epic battle in Revenge of the Sith, but keep in mind that this was the first lightsaber duel ever conceived; and take into account Alec Guiness’s age.  And Vader is impeded by a black suit.  And heck, he probably hasn’t had to duel anyone in a while…yet the end of Rogue One proves he’s still got it.  George Lucas’ original concept was that there was a heft to lightsabers; he didn’t want them flung about.  Obviously, once we got back and see Jedi young and in their prime, the duels are more fantastic.  Nevertheless, the choreography is sound]  Obi-Wan senses his young charges are near and allows Vader to slice through him.  But his body disappears (surprising everyone).  His disembodied voice urges Luke to run and the Millennium Falcon escapes.  There’s a brief dogfight to ensure they get away [I remember reading in a novel somewhere that gravity is a bit off in the Falcon at that ladder] which Leia insists was an easy escape.  In fact, Vader has a homing beacon planted on the Falcon.

Our heroes make for the Rebel base on Yavin 4 with all haste to analyze the readouts on R2.  Han takes his reward and intends to leave.  He’s got debts to pay off and going against the Death Star is not his idea of courage.  The Rebellion is banking on snub fighters getting past the guns, flying through a trench, and hitting a small opening to start a chain reaction.  Luke figures it’s not much bigger than the womp rats he used to shoot on Tatooine.  He’s disappointed in Han, but the smuggler does tell the boy, “May the Force be with you,” in parting.  Luke cheers up a bit reuniting with his friend Biggs.  They’re part of Red Sqaudron, along with Wedge Antilles [played by Ewan McGregor’s uncle, Denis Lawson; and the character is most likely related to the Captain Antilles Bail Organa addresses at the end of Revenge of the Sith].

The Death Star is orbiting Yavin to get into position to fire on the base.  Tarkin refuses to leave, even after the techs figure out what the Rebels are aiming for.  The Grand Moff is certain this is the Empire’s moment of triumph.  Even Vader commented that this day saw the end of Kenobi and will see the end of the Rebellion, though he does take his TIE Interceptor out to shoot down Rebel ships.  [Lucas was influenced by the dog fighting of WWII, and I feel that the effects still hold up well forty years later; proves how well made it originally was]  Wedge is hit and has to break off his attack.  Biggs is killed protecting Luke.  Luke hears Obi-Wan urge him to trust the Force to aim his torpedo.  Vader and his friends are gaining on Luke in his X-Wing and R2 is a bit fried [Anakin!  You shot your droid!]  Han swoops in on the Falcon to save the day; knocking Vader away, and giving Luke his chance.  Bombs away just as the station powers up its giant laser.  Huge explosion!

Luke is greeted by cheers and a hug from Leia.  Han joins in.  Luke’s thrilled he returned; Han claims he couldn’t let Luke get all the credit.  [Note the height difference between Carrie and Mark and Harrison, particular Harrison.  It’s a bit funny]  The Rebels hold a ceremony (cue awesome music) to recognize Han, Chewie, and Luke for their actions. 3PO and R2 are all shined up and the Rebellion lives to fight another day.

The main word I can use to describe this film is “iconic.”  Even if you’ve never watched the film, you probably know a lot of key points and dialogue because it is seeped into pop culture so much.  There are several books and magazines articles that outline all the trouble George Lucas went through to get this film made; I highly encourage you to check them out!  This film, and really the whole saga, echo Joseph Campbell’s idea of the “monomyth.”  There is a path that most major hero stories follow [I’ve read the book twice and not even for a class!  And I totally agree with his hypothesis].  Luke receives his “call to adventure;” there is a “refusal of the call;” then there is “supernatural aid.”  This all happens on Tatooine with Obi-Wan.  Luke crosses his first threshold and is thrown into the “belly of the whale.”  That would be joining the Rebellion.  And he begins to undergo trials.

Up Next: The Empire Strikes Back

Rebellions are Built on Hope

Rogue One

Felicity Jones leads the cast as Jyn Erso, Mads Mikkelsen (the bad guy in Doctor Strange, Rochefort [the bad guy] in The Three Musketeers from 2011, Le Chiffre [the bad guy] from Casino Royale, Tristan from King Arthur, and he will appear as Gellert Grindlewald in Fantastic Beasts and Where to Find Them 3 and is supposedly in the upcoming Indiana Jones film) is her father, Galen [not a bad guy].  Jimmy Smits reprises his role briefly as Bail Organa, and if one of the senators looks familiar, that’s Jonathan Aris, who plays Anderson in Sherlock.  Alan Tudyk voices K2.  They made good use of CGI in this film considering that this takes place directly before the original trilogy and many of those actors are too old to reprise their roles, or sadly passed away.  Grand Moff Tarkin came across excellent.

The Imperials are coming.  A family tries to run and hide, but the father stays back to deal with their visitors, after assuring his young daughter that all he does is to protect her.  Her mother turns back, but tells the girl to hide and “trust the Force,” fastening a crystal around her neck [okay, could she be an old Jedi Initiate or similar?  As revealed later, that crystal is a kyber crystal, which was the heart of a Jedi’s lightsaber…and we know that some Jedi managed to escape the Purge.  She could be hiding in plain sight, married to an Imperial scientist, or else, no one is that dumb…two minds]  But the girl watches her father greet the visitor, an Imperial governor, Krenic.  Galen is instructed to return to the Empire to continue his work.  His wife, Lyra steps in to threaten Krenic, but she’s quickly dispatched.  The child, Jyn flees.  There’s a secret hide-out she curls up in until a family friend retrieves her.

We jump ahead fifteen years and meet Jyn briefly again in a prison.  She is rescued by the rebellion and taken to the rebel base on Yavin 4.  They need her help; news has come out that an Imperial pilot has defected and is searching for the rebel Saw Guerra.  Jyn has a history with Saw; he was the one to rescue her after the incident with Krenic.  The pilot is also said to be acting on instructions from Galen.  Mon Mothma sends Jyn with Cassian to find the pilot and information he carries about an Imperial weapon.

Grand Moff Tarkin visits Krenic to oversee the final assembly of the Death Star above Jeddha [why do these all look like Tatooine?].  They are harvesting the kyber crystals from an old Jedi temple.  The pilot has made his way to Saw Guerrra, but Saw is a paranoid extremist and doesn’t believe the pilot.  Cassian and Jyn begin their search, but get caught in an attack by Saw’s men.  They also meet a blind guardian who speaks of the Force: “The Force is with me and I am with the Force.  And I fear nothing for all is as the Force wills it.”  Impressive fighting from both Chirrut and Jyn [which that staff is totally part of a lightsaber hilt].  Chirrut is followed by Baze who carries an arsenal to keep them safe.  All four are eventually taken to Saw’s headquarters, but only Jyn is allowed to see the man.  The other three find the pilot and when the attack comes, they hightail it out of the compound. 

Jyn finally gets to see the message from her father.  He obeyed the Empire because he knew that was the only way to destroy them.  He designed a flaw in the Death Star; Jyn only needs to recover the plans and get them to the rebellion.  Above the planet, Tarkin wants to make an example of Jeddha, so he has the Death Star fire on the holy city; also testing Krenic whether the station is operational.  Luckily for Krenic, it is, but Tarkin is also taking over command.  Krenic leaves to discover the depths of treachery that came from his science base.

The ragtag crew heads to Eadu to possibly rescue Galen, but we also know that Cassian carries orders to kill Galen.  But he hesitates.  Then an alliance squadron bombs the area anyway, almost hitting Jyn and mortally wounding Galen.  Cassian does rescue Jyn, but they have words later.  Director Krenic discovers Galen’s treachery and manages to get away.  He appeals to Darth Vader (who may be on Mustafar, not sure since it wasn’t label and why would he return there?).  Vader cautions Krenic “be careful not to choke on your aspirations.”  Krenic needs to ensure that the Death Star was not sabotaged.

The Alliance is not willing to trust the word of either Erso’s and will not commit their fleet to going after the plans.  So a volunteer squadron gathers and they head for the Imperial information station, giving themselves the call sign Rogue One.  Jyn and Cassian make it inside the building and Cassian’s sarcastic droid, K2 helps them find the correct data file.  But they have to beam out the information; it will be difficult to get it off world.  In the meantime, Bail Organa is heading back to Alderran and sends a trustworthy woman to speak to an old Jedi friend.  The Alliance finally decides to scramble part of the fleet, led by a few daring leaders (we even see R2 and 3PO for a brief moment.  And that is the same Red Leader we’ll see in A New Hope [they used unused shots from New Hope]).  A battle takes place over Scariff crashing to Star Destroyers into each other to take out the shield while Jyn tries to align the dish.  Krenic is about to  kill her, but Cassian limps in to save the day.  The couple sits on the beach as the planet is destroyed by the Death Star to protect the Empire’s data.

Vader boards a rebel ship, using his red lightsaber to slash through the men.  The disc manages to escape and is beamed to a familiar Rebel Runner with a familiar young woman aboard (another example of CGI).

This all leads directly into Episode IV: A New Hope

My thoughts on the film are mixed.  We could guess that it was a foregone conclusion that the new characters introduced would all die by the end of the film because they weren’t in the original trilogy.  Cassian [who apparently is getting his own Disney+ show] is not a wholly nice character, which some people would applaud as it builds dynamic.  But he’s trying to come off as a cross between Luke Skywalker and Han Solo (look at the shirt he wears in the last few scenes) and he has none of the charm.  I applaud him for following his conscious finally but you also want to smack him a lot in the beginning.  Jyn is very much like Rey from the sequels which makes it a bit confusing.

Overall, the movie is very slow.  It also relies on the audience knowing the current expanded universe; like I had no idea who Saw Guerra was before this but everyone in the film does.  [After watching some of Rebels, I did catch the shout out to General Syndulla (Hera), but it’s so small that you don’t notice it if it means nothing to you].  I wish we saw more of the battle at Scariff (it has been noted that Star Wars finally made a tropical beach base; then blew it up with the Death Star…this is why we can’t have nice things)

Speaking of Rebels, I have watched some of the first two season (and I hesitate to continue because I am aware of some things that happen and not sure I really want to actively sit and watch that) and it is hilarious.  Lots of good banter, wonderful to see some familiar faces.  And the family dynamic of the crew is heartwarming.  This is why Jedi should be allowed to have families!  I totally recommend the show.

Up Next: The one that started it all, A New Hope

Aggressive Negotiations: Negotiations with a Lightsaber

Episode II: Attack of the Clones

A lot of carry-over from Phantom Menace, though Hayden Christensen has been brought in to play an older Anakin Skywalker.  Ewan McGregor and Natalie Portman return as Obi-Wan and Padmé.  Esteemed Christopher Lee (sadly passed away in 2015, but is extremely memorable for playing Saruman in Lord of the Rings and Hobbit [he had met Tolkien once], as well as voicing the Jabberwocky in Tim Burton’s Alice in Wonderland.  He was also Rochefort in some of the older Three Musketeer movies featuring Michael York as D’Artagnan, and was a Bond villain in The Man with the Golden Gun; portrayed Dracula, and several different characters is various Sherlock Holmes renditions.  His filmography goes back to the mid-forties, with over 280 credits, after serving in the Royal Air Force in WWII) plays Count Dooku.  Jimmy Smits (spent a decade with NYPD Blue and a few years after that on The West Wing, and has a role in the new In the Heights movie.  Prior to that, he was with L.A. Law; I think that’s how my parents knew him…I do remember him hosting A Capitol Fourth  one year; the orchestra played Battle of the Heroes after Revenge of the Sith came out) joins as Senator Bail Organa (yes, Leia’s father down the road).

Takes place ten years after Phantom Menace, Anakin and Obi-Wan have grown as a Master-Padawan team and are assigned to protect Padmé Amidala, now a Senator after an attempt has been made on her life (the opening of the film).  Anakin still puts his foot in his mouth and apparently has not lost his crush on Padmé.  Obi-Wan cautions him, but Anakin is also distracted by dreams and visions he’s had about his mother.  That is why they almost miss a bounty hunter sending a droid to put two worm creatures into Padmé’s room.  Obi-Wan takes the quick way and jumps out the window after the droid (who’s reckless now?)  Anakin chases after his Master in a speeder, weaving in and out of Courscant traffic. The bounty hunter shoots down the droid and Obi-Wan almost plummets to his death, but Anakin catches him.  Then they banter back and forth a bit and Obi-Wan comments “if you spent as much time practicing your saber technique as you do your wit, you’d rival Master Yoda as a swordsman.”  “I thought I already did.”  “Only in your mind, my very young apprentice!”

What follows is a bit of a chase, where Obi-Wan is not fond of Anakin’s flying; “I don’t mind flying, but what you’re doing is suicide!”  [I did an excerpt of this scene from the novelization as a dramatic reading when I was on the forensics team in high school]  Until a shortcut doesn’t work out so well and the pair thinks they’ve lost the bounty hunter.  Anakin then leaps out of the speeder to catch the bounty hunter; “I hate it when he does that,” Obi-Wan mutters.  The bounty hunter tries to shake Anakin, but he persists, though he drops his lightsaber in the process.  Obi-Wan follows and catches his Padawan before he can run after the bounty hunter again.  They track their prey to a bar, Obi-Wan bemoaning a bit, “why do I have the feeling that you’re going to be the death of me?”  Anakin insists not, Obi-Wan is the closest thing he has to a father.  Obi-Wan sends Anakin to scan the crowd while Obi-Wan draws their prey out by having a drink at the main counter, after sending a patron away with a mind trick.  Obi-Wan catches the bounty hunter with his lightsaber and they attempt to question her, but another bounty hunter fires a toxic dart, leaving the Jedi with more questions and few answers.

The Jedi Council instructs Obi-Wan to track down the second bounty hunter.  Meanwhile, Anakin is to escort Padmé back to Naboo and keep her protected.  Chancellor Palpatine is eager to help young Skywalker and remarks he sees Anakin becoming the greatest Jedi, even more powerful than Master Yoda.  [This is not going to end well].  While Padmé is packing, Anakin complains to her about Obi-Wan; yes, his master may be as wise as Master Yoda and as powerful as Master Windu, Anakin still feels like he is ahead of Obi-Wan.  The older man is holding him back (fueled no doubt by the general consensus that Anakin is the Chosen One and probably nudged further by Palpatine’s slippery words).  An old informant of Obi-Wan’s sends him to Kamino; once he gets some help from Yoda and younglings when the Jedi Archives are incomplete regarding the planet.  They’re cloners, Obi-Wan is told.  They seem pleasant enough when he meets them, though they were expecting a Master Sifo-Dyus.  He ordered an army created for the Republic, using a man named Jango Fett as the base.  Jango claims he was recruited by a man named Tyranus.  Oddly, Sifo-Dyus was killed ten years ago.  When Obi-Wan reports to the Jedi Council, they confirm that this army was created without their authorization.  Obi-Wan is to bring Jango Fett in for questioning.  Jango Fett is undoubtedly the bounty hunter that Obi-Wan is searching for and they battle each other in the rain.  Jango has a young son named Boba (he’ll pop up down the road) who tries to help out (and that ship probably looks a bit familiar). Obi-Wan manages to plant a tracker on their ship and follows.

Padmé’s not terribly keen on hiding out on Naboo, but she can’t really go against everyone.  There are some deleted scenes that show more of Padmé’s family; very sweet.  And the scenery for Naboo is gorgeous, feels very Tuscan.  She and Anakin do manage to share a kiss while at the lake house (cue gorgeous love theme), but Padmé breaks it off.  Anakin tries to awkwardly talk about their feelings [the dialogue here is terrible], but Padmé keeps insisting that even if there was something between them, it is terribly unwise and forbidden.  While there, Anakin continues to have nightmares about his mother.  Padmé agrees to go with him to Tatooine.  There, they discover that Shmi is now married to Cliegg Lars.  But she’s not at the Lars homestead; she was taken by Tusken Raiders.  Anakin leaves Padmé with Cliegg, his son Owen and soon-to-be daughter-in-law, Beru (not the last time we’ve heard those names), so he can track them down (we hear Duel of the Fates reprised briefly).  He indeed finds his mother, but she dies in his arms.  Rage fills Anakin and he slaughters the entire village.  In the background we can hear Qui-Gon Jinn beg Anakin “no!”  Even Yoda hears it.  It does nothing to sway Anakin.  He confesses to Padmé after he brings his mother back.  She tries to comfort him, saying that to be angry is to be human.  Anakin retorts that as a Jedi, he is better than that.  He blames the Tusken Raiders, he blames Obi-Wan (and in pops a theme that will gain significance as we go).

Obi-Wan tracks the Fetts to Geonosis, after surviving an asteroid field; again, he’s not too keen on flying.  [Fun note, in the books that precede this film, mainly the Jedi Apprentice series, Obi-Wan didn’t mind flying, but there was an incident at some point that made him not as keen.  And Anakin is very reckless when flying, so that probably doesn’t help]  He transmits his report to Anakin to relay to the Council, then is captured.  We  finally meet the man behind a lot of this; Count Dooku (yep, over an hour into the film and we finally meet the big bad).  Dooku tries to sway Obi-Wan to his side, telling him that the Senate is under the influence of a Sith Lord named Darth Sidious.  We all know this is true, but Obi-Wan doesn’t trust a fallen Jedi.  Dooku was once Qui-Gon’s master and feels that his former Padawan would have aided him and attempts to sway Obi-Wan that way.  Together, they can destroy the Sith!  [All Sith seem bent on destroying something or someone].  Obi-Wan holds firm.

The Council is disturbed by the news from Geonosis.  They order Anakin to stay put.  Jar Jar is chosen to petition emergency powers being granted to the Chancellor in order to take control of the clone army (another reason for us not to trust the Gungan).  Palpatine makes a rousing speech promising to lay down the power that has been granted to him when the conflict is over.  [Liar!  And further disturbing note, this is very similar to how Adolf Hitler gained power in Germany].  Yoda will go to Kamino and Windu will take what Jedi he can to Geonosis to rescue Obi-Wan.

Luckily, Padmé firmly tells Anakin she is going after Obi-Wan, so if he wants to continue protecting her, as ordered, he will have to come with her.  They find a droid factory on Geonosis and almost make it through, even R2-D2 and C-3PO get in on the action, but the couple is captured.  They declare their love for each other, considering there is a good chance they’re going to die soon and share a kiss before taken into the large arena (sweeping love theme!)  Obi-Wan quips they did a good job of rescuing him.  Dooku announces that the three will be executed and three animals are released.  Padmé quickly makes it to the top of her tower (cause she was smart and snuck a lock-pick into her mouth); she’s showing up the men.  All three manage to get free, notwithstanding any injuries.  But droids roll out.  Countered by Mace Windu holding a purple lightsaber to Jango Fett’s throat, the cue for dozens of Jedi to enter. 

Battle commences.  Everyone gets in on the action, Padmé picks up a blaster and R2 has to rescue 3PO.  Jango and Windu face off and Windu decapitates the bounty hunter (with his son watching; I think the Jedi Master does regret it).  Dooku calls for a halt when the droids seem to be winning, offering the Jedi a chance to surrender.  Windu refuses for them to become bargaining chips.  “Then my friend, you will die.”  Not so fast, Yoda to the rescue with the clones.  Now it’s clone versus droid with the Jedi taking the lead.  Anakin, Padmé, and Obi-Wan follow after Dooku.  Unbeknownst to them, Dooku has secret plans for the ultimate weapon [and that picture should look familiar] in his possession.  The trio’s carrier is knocked about and Padmé falls out.  Obi-Wan insists to Anakin they continue with their mission (except he hasn’t missed what his Padawan’s reaction implies).

Obi-Wan and Anakin face off against Dooku [his fighting style is influenced by the fact that Christopher Lee was trained in fencing (Three Musketeers, etc)]  Anakin rushes in and Force lightning quickly throws him into a wall.  Obi-Wan lasts a few minutes against the master swordsman, but two cuts put him down.  Anakin leaps to his master’s defense.  For a moment he even has two blades, then they fight in dim lighting (call forward to some duels in the originals), but Dooku cuts off his arm (and I think he even regrets that for a moment).  Yoda hobbles in to face Dooku, who turns out to be his own former Padawan.  They’re equal in knowledge of the Force, so it comes down to skills with a lightsaber.  And Yoda jumps everywhere!  Just a blur of green!  Dooku can sense he’s losing, so turns his attention back to the fallen pair and tries to bring machinery down on them.  Yoda saves them, but that allows Dooku to escape.

Dooku meets with Lord Sidious on Courscant, revealing that he himself is now a Sith, named Darth Tyranus.  Everything is falling into place as Sidious planned.  The military parade outside the Senate building is ominous (paired with a very familiar theme).  Yoda sadly announces to Obi-Wan that the Clone Wars have begun (hinted at back in the original film).  And Anakin and Padmé secretly get married on Naboo.

There are elements of the film that I like; of course the music is amazing. As much as I may not like the love story between Anakin and Padmé, or at least how poorly it was developed, the love theme, Across the Stars does make me think of a grand romance with a hint of yearning; it’s just perfect for that deep passionate kiss…I mean, you could use it as inspiration for any favorite pairing.  There is a dramatic bit in the middle that signifies that all is not wonderful and happy in love.  (At times it does sound a bit similar to Fawkes the Phoenix from the soundtrack of Harry Potter and the Chamber of Secrets; the movies were released the same year and shared a composer; we’ll forgive him).

The arena scene is probably the best of the movie; very cool to see that many lightsabers.  Again, compared to the original trilogy, this is when the Jedi are at their height.  And it was fun to see how our main trio each fought their monster.  The duel between Dooku and our heroes was a bit of a letdown; he defeats Anakin and Obi-Wan fairly swiftly, though certainly left his mark (and it makes another connection between him and Luke).  Yes, it was rather cool to watch Yoda finally duel.

Often the middle movie in a trilogy will suffer a bit, because the set up has occurred, but you don’t get to the pay off yet (this occurred with Dead Man’s Chest).  Spoilers for those of you who have not managed to actually watch the rest of the series.  We know that a Clone Wars occurs during Obi-Wan and Anakin’s lifetime, though this was not how I was expecting it to occur; I always thought that the Jedi were fighting against the clones.  We know that Anakin at the very least sleeps with someone if not outright marries them and they clearly set that up back in Phantom Menace.  But what is supposed to be the main focus of this film, the developing love between Anakin Skywalker and Padmé Amidala falls flat.  There’s no chemistry between the couple.  Their conversations about feelings are almost painful.  Anakin feels he is entitled to Padmé because he had a crush on her as a boy and has thought of her for ten years.  She still sees him as that boy she helped rescue.  They just seemed forced together because it’s “supposed” to happen; and it’s Star Wars so there’s got to be some other action. 

We all kind of fall in love with Obi-Wan a little more; well, a portion of the fanbase at the very least.  Man, I love sarcasm.  Or quips.  Or snark, whatever you want to call it.  I appreciated all the bits thrown in to connect to the original films.  And yeah, we can now clearly see where design elements of the Empire originated, lot of clone influence.

For me, not the best Star Wars film, but better than basically all of the sequel trilogy…we’ll get to that rant in due course.  What are your thoughts?

Up Next: Revenge of the Sith

There’s Always a Bigger Fish

STAR WARS

Episode I: The Phantom Menace

I have a, we’ll say multifaceted relationship with Star Wars.  This was one of the first fandoms I got interested in as a teenager, but it certainly wasn’t love at first sight.  My parents put on the original trilogy, long before there were even rumors of prequels, when I was growing up; and I had no interest whatsoever.  The most interesting things I can remember from that was that Frank Oz voiced both Yoda and Fozzie Bear.  I was about ten when the prequels came out and still did not have much of an interest.  That changed when I volunteered to man the children’s librarian’s desk during the summer reading program.  All the new children’s books were right behind me, including the Jedi Apprentice series, which tells the tales of the early days of Qui-Gon Jinn and Obi-Wan Kenobi’s master/apprentice relationship.  One sounded vaguely interesting (Number 12, The Evil Experiment, if I recall correctly), so I gave it a go.  And enjoyed it.  And then borrowed all of the other books in the series (which I finished in quick order; they were easy reads for me).  So I favored the prequel movies for the longest time.  Still didn’t necessarily want to watch the original trilogy.  Until I picked up another book at the library: Young Jedi Knights, chronicling adventures of Han and Leia’s twins, Jania and Jacen…I’ll get into all of that when we hit the original trilogy.  Again, I was hooked and thus brought into the fold of the original trilogy.

It was not always fun being the only one of my friends in school interested in Star WarsHarry Potter was fine, everyone at that point loved it.  As a teenager, the Jedi Code sounded interesting, mastering one’s emotions.  I read Star Wars and Philosophy and ended up writing a paper for college writing based on it [Living Morally in a Business World; not the project I am most proud of].  For a while, Star Wars played a role in developing my fanfiction world.  Star Wars fanfiction was actually the first fanfiction I read.  Then, I got into Lord of the Rings and that eventually took over.  I still like Star Wars and definitely have favorite characters and there are some books I will re-read multiple times, but growing into an adult changed my perspective on certain things (like Qui-Gon Jinn might not be the epitome of best Jedi Masters…partially influenced by some awesome fanfiction stories on AO3) and I now heavily favor the original trilogy.  Except the lightsaber battles, because they’re just totally awesome in the prequels.

I know there are about a half dozen different ways to watch this film franchise; I seriously debated posting this in release order, but I felt it would be too much jumping around.  I also will not be covering any of the cartoons; I’ve seen a good bit of Clone Wars and Rebels, but not all of them.  And I have not watched and don’t necessarily intend to watch The Mandolorian…I do not have time.  (I’m also really behind on the MCU shows on Disney+ right now, so it becomes a choice).  I do intend to watch the Obi-Wan Kenobi series when it comes out.  Apologies for any disappointment.  Star Wars is such a huge part of pop culture that it is expected that one knows certain things going into the prequels. 

George Lucas put together a great cast for Phantom Menace.  Liam Neeson (Schindler’s List [no, haven’t watched and not one I think I will], Gawain in Excalibur [I probably should watch that movie], the Irishman played Scottish folk hero Rob Roy, appears in Kingdom of Heaven and Batman Begins.  He voices Aslan in The Chronicles of Narnia, and makes bad guys fear for their lives in the Taken franchise) is Jedi Master Qui-Gon Jinn, Ewan McGregor (he’s got a great voice in Moulin Rouge, is a bit funny in Down with Love, is dashing in Miss Potter, and voices Lumiere in the live-action Beauty and the Beast.  He appears in Nanny McPhee Returns, Angels and Demons, and a seriously weird movie The Island [I watched it because he was in it and I still get freaked out by memories of it]) is his apprentice, Obi-Wan Kenobi.  Natalie Portman (before she was Jane Foster in the MCU and Anne Boleyn in The Other Boleyn Girl) is Padmé Amidala and Keira Knightley (Pirates of the Caribbean, the 2005 version of Pride and Prejudice, The Duchess) briefly appears as her handmaiden Sabé (the girls looked remarkably alike at that age).  Samuel L. Jackson (before intimidating everyone as Nick Fury in the MCU) introduces Mace Windu, I recognize Terence Stamp now (Siegfried in the hilarious Get Smart movie in 2008) as Chancellor Valorum.  Ian McDiarmid returns to play Palpatine; Frank Oz, Kenny Baker, and Anthony Daniels all reprise their roles from the original trilogy.

Now, let’s venture “a long time ago, in a galaxy far, far away…”

Jedi ambassadors are sent to the Trade Federation blockade of Naboo to force a settlement.  Master Qui-Gon Jinn feels that negotiations will be short.  As young Obi-Wan Kenobi points out later, they are short indeed; the Trade Federation is under the control of a Sith Lord, Lord Sidious, who instructs them to kill the Jedi.  Not so easy, they find out.  The two Jedi sneak down to the planet and make their way to the Queen.  They pick up Jar Jar Binks along the way [I don’t hate him, but he is annoying], but make it in time to rescue Queen Amidala and her handmaidens.  Qui-Gon recommends taking Amidala to Courscant to plead her case with the Senate, but their ship is damaged while escaping the Trade Federation blockade.  Little R2-D2 to the rescue! 

They still have to divert to Tatooine to make repairs.  The Queen sends Padmé along with Qui-Gon to find parts and in town, they discover a little boy in the shop; Anakin Skywalker [who very awkwardly tries to flirt with Padmé; mind you, he’s nine and she’s fourteen.  Why a nine-year-old is using lines he picked up from spacers…]  Qui-Gon attempts to use Jedi mind tricks on the shop owner, but they don’t work, only money.  So Anakin chimes in when he takes the newcomers home that he has built a podracer.  He’ll pilot and win and his new friends can repair their ship.  Qui-Gon is intrigued by this boy, a bit to Padmé’s displeasure.  Anakin’s mother admits to Qui-Gon that her son has no father [um, when did the Chosen One become Jesus?  Though technically, there are several mythical heroes that do not have fathers; Geoffrey Monmouth’s legend of Arthur terms Merlin as one such lad].  But Shmi feels that Anakin was meant to help Qui-Gon and Padmé.  Qui-Gon does manage to use a Jedi trick in order to gamble for Anakin’s freedom; sadly, the owner will only let one go.

Anakin wins the podrace [space Nascar] and Shmi encourages him to go with Qui-Gon.  As any nine-year-old boy would, he doesn’t want to say goodbye to his mother; but this is his chance to live out his dreams of seeing the stars. On their way back to the ship, Qui-Gon encounters a man dressed in black, carrying a red lightsaber.  We know that this is Darth Maul, Lord Sidious’s apprentice, tasked with finding the Queen and Jedi.  Qui-Gon manages to escape and introduces “Anakin Skywalker, meet Obi-Wan Kenobi” (and those of us familiar with the original movies see foreshadowing!)  On Courscant, Queen Amidala meets with Naboo Senator Palpatine and Chancellor Valorum to discuss politics; Palpatine does not have much faith that their situation will be dealt with swiftly.  He urges Amidala to consider voting out Valorum.

Qui-Gon and Obi-Wan report to the Jedi Council.  The Sith (enemies of the Jedi) have returned.  Qui-Gon also informs them about Anakin, believing he was conceived by the Force (how is that a thing?), thus making him the prophesized Chosen One who will bring balance to the Force.  The Council doesn’t quite believe Qui-Gon, but allow the boy to be tested.  He is truly Force-sensitive, but he is too old, and too attached to his mother.  Attachments are forbidden within the Jedi Code.  Qui-Gon attempts to take Anakin as his Padawan.  One problem, he already has a Padawan.  So he declares Obi-Wan ready to face the trials to become a Jedi Knight.  The Council tables the discussion; Queen Amidala has chosen to return to Naboo to fight for her people.  The Senate is in an uproar over outing Valorum and Palpatine is nominated to replace him (more foreshadowing…some of us know where this is going).  Yoda warns Anakin “fear is the path to the Dark Side.  Fear leads to anger, anger leads to hate, hate leads to suffering.”

Our heroes return to Naboo and Amidala meets with the Gungans to form an alliance (and a background pilot is a younger Richard Armitage, fun fact).  And turns out, Padmé is the real queen!  Sabé has been pretending to be the queen in order to protect Padmé.  Boy, is Anakin surprised.  The Gungan army will be a distraction against the droid army [and you’ve listened to John Williams a bit too much when you can tell there is a note sequence in the droid invasion theme that is heavily reminiscent of Indiana Jones facing off against the Nazis; not identical, but pretty close] while Padmé and her people sneak into the palace and take the Trade Federation leaders hostage.

Qui-Gon orders Anakin to stay safe in the cockpit of an empty fighter.  Then Darth Maul enters (most dramatic scene of the film and to the amazing Duel of the Fates soundtrack).  The Jedi will handle him, Padmé will go around.  I must say, it is very cool to see a young woman take charge and kick butt.  But the best part of the movie is Duel of the Fates, Obi-Wan and Qui-Gon facing off against Darth Maul [fun note, the actor hired to portray Maul, Ray Park, is a professional martial artists and swordsman. Liam and Ewan did most of their own stunts and fighting as well; Ewan kept bending his prop lightsaber.  Further fun fact in regards to the words behind Duel of the Fates, they are taken from a Welsh poem and translated into Sanskrit; if you’re John Williams, of course you do that].  These are the Jedi warriors in their prime (compared to a disabled man and elderly man fighting in A New Hope).  There are flips and kicks and falling down platforms.  Maul manages to separate Qui-Gon and Obi-Wan, trapping them all in separate force fields [what that area is actually supposed to be, I have no idea.  It looks cool, so we go along with it].  Maul and Qui-Gon make it through the corridor, but there is one field left, holding Obi-Wan back.  And he witnesses Maul run his Master through.  His “no!” echoes through the chamber.  Maul is waiting for him and it is an aggressive duel.  Maul overpowers Obi-Wan enough to disarm him of his blue lightsaber and kick him into a shaft.

Meanwhile, Anakin has kept his promise to stay in the cockpit, along with R2-D2.  Then he tries to help Padmé by shooting droids, but that engages the autopilot and takes him into space above the planet.  He accidentally crash lands into the droid control ship and blows it up from the inside, escaping to the cheers of the other pilots.  Padmé outwits the Trade Federation leaders.  Obi-Wan summons up his strength and leaps over Maul, calling Qui-Gon’s lightsaber to him, and cutting his enemy in half.  Both halves fall down the shaft, but Obi-Wan runs to his fallen master.  Qui-Gon’s last words to his Padawan are to make him promise to train Anakin.  Obi-Wan agrees.

When the Jedi Council arrives alongside the newly elected Chancellor Palpatine, they confer the status of Jedi Knight on Obi-Wan.  Yoda personally disagrees with the decision to allow Obi-Wan to train Anakin; he senses grave danger in training the boy.  Obi-Wan is willing to go against the Council to honor his fallen master’s final wish.  Yoda retorts “Qui-Gon’s defiance I sense in you, need that you do not.”  Ultimately, the Council has agreed to let Obi-Wan train Anakin Skywalker.  At Qui-Gon’s funeral, Yoda and Mace Windu wonder if Obi-Wan has killed the master or apprentice Sith.  (Then the shot focuses on Palpatine…foreshadowing!)  The film ends with a joyful parade between the Naboo and Gungans, declaring peace.

Now that I am older and re-watching the movie, the first part just seems to drag.  As mentioned above, Duel of the Fates is the highlight of the film.  I understand the necessity of setting up the back stories for all these characters we know, but a good portion of this film falls flat.  John Williams’ score is of course, amazing.

Some fanfiction stories that I have discovered that tie-in with Phantom Menace include

It Takes a Village by Siri-Kenobi12

There is no Pain by Meysun

Both of these require some knowledge of characters introduced in the Jedi Apprentice books.

Up Next: Episode II: Attack of the Clones

“It’s Continuing Mission…to Boldly Go Where No One Has Gone Before”

Let me first thank all of my loyal followers; I am pleased to have hit the 100 mark. This is my 162nd post in just about three years and I’ve still got a ways to go! I hope you all are enjoying these and much as I am enjoying re-watching them!

Star Trek Beyond

The film released the same year as the fiftieth anniversary of the original series.  Idris Elba (Heimdall in the MCU) joined the cast as villain Krall.  Sadly, Leonard Nimoy passed away the year previous, but Spock Prime is mentioned in the film, and this was the last appearance of Anton Yelchin as Chekov; he passed away in an accident about a month before the film released.

The film begins with a goodwill mission gone awry, but still funny (and Chris Pine has a devil of a time saying the alien race’s name).  Alas, Captain Kirk is getting a bit jaded after 966 days in deep space; he’s starting to wonder what are they trying to accomplish.  But maybe some leave on the Federation station Yorktown will bring a reprieve.  Or as Bones classifies it, a snow globe in space waiting to break…ever the optimist.  Bones and Kirk toast to Kirk’s birthday, a little early considering the circumstances, sharing some of Chekov’s Scotch (acquired without his knowledge possibly).  Jim is now a year older than George ever became and he is seriously wondering what he believes in.  In Yorktown you seriously have to wonder which was is “up” and we discover that Spock and Uhura have broken up.  Sulu has a family and Chekov likes to flirt with alien females.  Spock also receives word that Ambassador Spock has passed away (in deference to Leonard Nimoy’s passing).

We, the audience discover that Kirk has applied for a Vice Admiral position, but the discussion is put on hold while the Enterprise embarks on a rescue mission through a nebula.  But the victim is a traitor.  There is a swarm of enemy ships waiting above the planet on the other side of the nebula.  They attack the Enterprise.  Kirk orders the crew to abandon ship after fighting off the invaders, led by Krall.  They are searching for the artifact he brought back from the last mission.  First, Kirk tries to separate the Bridge dish from the ship to give it a fighting chance, but the enemy is ruthless and cuts everything to pieces.  Then they take the escape pods.  The battle ends with survivors crashing to the surface and the dish of the Enterprise sliding into a field.  [Within the first half hour, they have utterly destroyed the Enterprise, again.  Why must every Star Trek film destroy the ship?]

Scotty finds an alien woman, Jaylah, who is willing to help him.  She wants to get off this planet as much as the Enterprise crew.  Spock and McCoy escaped together and Spock was injured.  The pair manages to get along, though they snip at each other all along the way, as they are wont to.  McCoy even gets Spock to reveal the reason behind his break-up with Nyota; Spock feels it is his duty to help repopulate New Vulcan and he wishes to step away from Starfleet.  [So both Spock and Kirk are planning on leaving, but haven’t told anyone…nice going.]  Uhura and Sulu are with the remains of the crew, held prisoner by Krall.  Chekov is with Kirk.  They make their way to the saucer supposedly to find what Kirk stashed, but it reveals their guest’s treachery.

Uhrua and Sulu discover why Krall wanted the artifact; with the technology left by the inhabitants of the planet, he can suck the life-force from his prisoners and extend his own.  With the artifact, he can do so on a grander scale.  And plans to attack Yorktown.  Scotty discovers that Jaylah has been living in the remains of the U.S.S. Franklin; a wreck over a hundred years old.  They eventually meet up with Kirk and Chekov (and there’s a wordless battle over the captain’s seat) and begin to plan their escape.  Scotty manages to find Spock and McCoy just as they are about to be attacked.  McCoy patches the Vulcan up a bit better and Spock reveals that he gifted Uhura with a rare gem from Vulcan, which emits low level of radiation, meaning they can lock on to that signature to try to beam out their crew.  Short version?  He low-jacked his girlfriend…which Bones helpfully points out.

Kirk gets to ride a motorcycle as a distraction against the guards, using Jaylah’s holographic technology and Jaylah gets to kick some butt.  Scotty beams the crew out of danger.  Then just comes the task of getting a spaceship that was never meant to take off from land and hasn’t run in a hundred years to fly back into space.  To start, just tip yourselves off a cliff and hope to reach terminal velocity before hitting the bottom.  The crew pulls it off and race after Krall, who has already left for Yorktown.  And worse news, Krall used to be Captain Balthazar Edison of the Franklin.  He feels that the Federation forgot about him and thus swears vengeance upon the Federation.

Once the Franklin passes through the nebula, they have to disorient the swarm ships.  They beam Spock and McCoy onto one enemy ship, cutting off Bones’ famous line “Damn it, I’m a doctor, not a -”  And in order to drown out the swarm’s communication, they blast rock music, which is classified in the twenty-third century as “classical.”  It is rather awesome to see the enemy ships just explode in a wave of sound and the Yorktown shields repel them in a similar fashion.  But a few of the enemy make it into Yorktown.  McCoy and Spock do what they can, but the Franklin has to burst out of the water to take them out.  But Krall now looks like Edison and blends in with the crowd.  He’s going to take the device to the central air circulator, hook it in, and watch everyone disintegrate in Yorktown.  It comes down to Kirk chasing after him and a midair fight between the two.  Kirk does attempt to talk sense into Edison, but the man is too far gone.  So Kirk attempts to vent the device into space and almost follows himself; better to die saving lives than live taking them, he declares to Edison.  That is the world Kirk was born into.  Edison is not so lucky.  Spock and Bones catch Kirk before he can go splat on the “ground” in Yorktown.  “What would I do without you, Spock?”

The recent events have proved to Kirk that he is not ready to settle down as a Vice Admiral.  His place is in the stars, with his crew.  We shed a few tears as Spock goes through Spock Prime’s final effects, and finds a picture of the original crew (from the fifth movie.  Only four of the original main cast of the Original Series are still alive.  James Doohan, the original Scotty, passed away in 2005.  DeForest Kelley, the original Bones, passed away in 1999.  That leaves William Shatner, the original Kirk, Nichelle Nichols, the original Uhura, Walter Koenig, the original Chekov, and George Takei, the original Sulu).

A fairly happy ending; Bones has arranged a celebration with the rest of the crew for Kirk’s birthday.  It appears as if Spock and Uhura are back together and the command crew all stand alongside each other, watching the new Enterprise being built for their continuing mission.  Both Spock and Kirk have decided to stay aboard.  All of the main cast share reading the ending titles.  In the middle of the crawl, the movie is dedicated in loving memory of Leonard Nimoy and for Anton.

Ready for new adventures

I appreciated the small moments they inputted in memory of Leonard Nimoy because he was a huge pop culture icon (and frankly, without him, there may not be any Star Trek.)  But this movie seemed to drag compare to the previous two.  Krall seems a stereotypical villain and while I’m okay with Kirk saving the day, can we give the poor guy a break?  And stop breaking his ship!  That part annoyed me the most.  I am ultimately glad that the crew is staying together because it would just be sad if they broke up.  To me, the best parts are when the command crew is all doing their job, surviving together through a crisis. And the theme is still amazing!

On the plus side, I have discovered some amazing fanfiction stories (and I want to investigate some more).  I highly recommend checking out

What Sulu Sees by IsmayDeVain

beamirang’s stories, particularly Genesis if you can find them

And I just discovered kcscribbler’s works on AO3; they are wonderful and leave me laughing for a full minute at times.

Next Time: A slight change in plans; I’m going to go ahead and start Star Wars, pending my schedule.  And yes, it may be a bit controversial, but to me it is the most logical, and I will progress in episode order, inputting Solo and Rogue One between Episode III and Episode IV.

“One day, I’ve been off this ship. One bloody day!”

Star Trek Into Darkness

The second of the new Star Trek movies, bringing back all of our favorite characters.  Joining them is Peter Weller (popped up recently as Elliott Mason in MacGyver) as Admiral Marcus, and yes, that is Noel Clarke (Mickey Smith from Doctor Who) that briefly appears at the beginning of the film.  And of course, Benedict Cumberbatch (Sherlock, Smaug and the Necromancer in the Hobbit trilogy, Dr. Stephen Strange in the MCU, amongst a dozen other roles) as John Harrison.

The film opens on an alien planet, Nibiru, where McCoy and Kirk are being chased by the natives.  This is a distraction so that Sulu and Uhura can drop Spock into a volcano and render it inert so it doesn’t destroy the planet and the entire civilization.  Events, of course, do not go entirely to plan.  Ash from the volcano forces Sulu and Uhura to head back to the Enterprise, leaving Spock in the volcano.  The Enterprise is actually sitting on the bottom of the ocean at the moment, but Kirk sees no other way of rescuing Spock aside from rising out and showing themselves to the primitive natives, and violating the Prime Directive (prohibits members of Starfleet from interfering with the natural development of alien civilizations).  So now, the Nibiruians worship the Enterprise.

In London, a couple visits their sick daughter until a man (Harrison) approaches the father, saying he can save her life.  Back at Starfleet Headquarters in San Francisco, Pike meets with Kirk and Spock to address their recent mission.  Spock reported Kirk’s actions, which Kirk tried to hide his wrongdoing, considering he did it in order to save Spock.  Starfleet command has voted to take the Enterprise from Kirk; he will be sent back to the Academy.  Their argument, Pike points out, is that Kirk feels like the rules don’t apply to him.  He’s been lucky and he uses that argument to support his actions.  Pike finds Kirk again that evening and reveals he has managed to become the new captain of the Enterprise and has finagled Kirk to be his First Officer; Spock has been reassigned.  “It’ll be okay, son.”

They get a call late in the evening, after the archives have been blown up in London (by the father we saw earlier.  Harrison’s blood managed to save his daughter).  Kirk wonders why Harrison, revealed to be part of Starfleet, targeted essentially a library.  Then formulates that Harrison’s next target must be their very meeting.  As soon as he shouts “clear the room,” a small craft appears outside the windows and open fires.  Kirk manages to get alongside the craft and attempts to jam the engine.  He succeeds, but Harrison warps out before it crashes.  And Kirk sadly discovers that Christopher Pike was killed in the attack, his last moments watched by Spock (who even mind-melded with the man).  [Wonderful acting on Chris Pine’s part; you can read his character’s devastation on his face]  The next morning, Kirk approaches Admiral Marcus for permission to hunt Harrison down.  He’s hidden on the homeworld of the Klingons, Kronos.  Marcus gives Kirk permission to sit on the edge of the Neutral Zone and fire new photon torpedoes to take out Harrison.

On their way to the Enterprise, Spock argues with Kirk over the morality of simply executing Harrison without a trial.  They are also joined by Carol Wallace, a Science Officer assigned to transfer the new torpedoes.  The torpedoes that Scotty doesn’t want to allow on the Enterprise.  He and Kirk get in an argument, Scotty uncomfortable with the militaristic nature of their endeavor.  Scotty ends up resigning.  Kirk then instructs Chekov to take over as Chief of Engineering, “go put on a red shirt.”  (Chekov looks appropriately worried; red shirted crew members are notorious for dying on Star Trek)  With a look to Spock, Kirk announces to the crew that they will covertly set down on Kronos in order to capture Harrison and bring him back for trial.  Kirk leaves Sulu in charge…and oh boy, Bones is right, we should never piss off Sulu, that message was on point.

Before they head down to Kronos, Spock deduces that Carol Wallace is actually Carol Marcus, the Admiral’s daughter.  She snuck aboard the Enterprise to take a look at the torpedoes.  Kirk warns the away team that they cannot be tied back to Starfleet, then there’s a brief argument aboard the shuttle between Spock and Uhura over his willingness to die in the volcano; Spock reveals he chooses not to feel the fear of death again, which he experienced the day Vulcan was destroyed and when he melded with Pike.  There’s a brief chase and Kirk makes them fit between two structures, Spock isn’t sure it counted, but they’re soon cornered.  Uhrua asks that Kirk let her speak Klingon and tries to negotiate their way out.  Until Harrison open fires, admittedly saving Uhura’s life, but everyone else begins firing.  Harrison surrenders to Kirk when he demands how many torpedoes were aimed at him.  Kirk accepts his surrender on behalf of Pike, then proceeds to beat Harrison until Uhura stops him.

Kirk’s questioning of Harrison doesn’t go quite according to plan; it raises more questions than answers.  He calls Scotty and asks the man to investigate the coordinates Harrison gave them.  And Carol and McCoy head to a deserted planetoid to open up the torpedoes.  “When I dreamt about being stuck on a deserted planet with a gorgeous woman, there was no torpedo!”  It’s all fun and games until McCoy gets his arm stuck in the torpedo as it’s about to detonate.  Luckily, Carol disarms it by pulling out the wiring.  And it’s not fuel inside the torpedoes; there are people locked in cyrotubes inside.  They were Harrison’s crew and he hid them there after Marcus woke him up for his military mind.  Admiral Marcus is preparing for a war and discovered a ship full of people genetically engineered to be superior in every way.  And Harrison’s real name?  Khan [which even a fairly Star Trek-illiterate person knew meant bad things].  Khan points out to Spock “you can’t even break a rule, how can you be expected to break bone?”  Marcus needed Khan’s savagery.  [Benedict’s performance is also excellent; precise and calm, which makes it all the more menacing]

A huge ship arrives, helmed by Admiral Marcus and he’s not pleased that Kirk didn’t do exactly as he was told, nor that he’s spoken to Khan.  Marcus demands that Kirk hand Khan over, but Kirk has Chekov take them to warp drive.  Marcus aboard the Vengeance is able to catch them and knock them out.  And now he’s deemed them criminals and intends to fire on them.  He beams his daughter out when she tries to protect her new friends and Kirk pleads for the lives of his crew.  They were only following his orders.  But Marcus will kill them all…until their system is rebooted.  Guess what Scotty found?

Now Kirk has a new idea; he’ll use Khan to board the Vengeance and get Marcus to stand down.  Kirk orders Spock to take command; the ship needs someone who knows what they’re doing in charge and Kirk is running on a gut feeling.  [Interesting note, at this point, there is still an hour left in the movie, meaning a lot more is going to happen, including the bulk of conflict and action]  While Kirk and Khan engage in a space jump, Spock calls his older counterpart.  He vowed to never reveal the future to his younger counterpart; they must follow their own path.  Nevertheless, Khan was the most dangerous adversary they ever faced and they only defeated him at great cost (reference to the second original movie I believe, I’ve only watched it once)  Luckily, we have Scotty to throw in some humor during the tense situations and all three men fight their way to the bridge.  Scotty stuns Khan and Kirk tries to get Marcus to step down.  The Admiral will have none of it.  “War is coming, and who is going to lead us?  You?  If I’m not in charge, our entire way of life is decimated.”  While everyone is distracted, Khan strikes.  He knocks out Scotty and breaks Carol’s leg.  He knocks Kirk out of the way with a few extra punches then crushes Marcus’s head.  “You should have let me sleep,” he hisses to the Admiral.  Khan calls the Enterprise and is not concerned that Spock has discovered that Khan truly is a war criminal, banished for mass genocide on anyone deemed less superior.  Khan makes it easy for Spock, give him the torpedoes of his crew and he’ll return Kirk.  Vulcans do not lie, the torpedoes are aboard the Vengeance.  Khan beams Kirk, Scotty, and Carol back to the Enterprise.  “After all, no ship should go down without her captain.”

Chaos erupts.  Khan fires on the Enterprise, then the torpedoes detonate aboard the Vengeance.  Spock was not so cruel as to kill Khan’s crew; all seventy-two cryotubes are safe with Bones.  But the Enterprise has sustained too much damage; the ship loses power and begins to fall.  Scotty and Kirk race to Engineering, with some help from Chekov when gravity flips around.  Spock orders everyone to abandon ship; he will stay behind and do what he can.  The bridge crew refuses to leave.  In Engineering, they discover the warp core is not aligned, meaning there’s no way to reboot power.  Kirk knows of a way.  He knocks Scotty out and opens the door to the core, which is filled with radiation.  He climbs in and kicks the components back into alignment.  The Enterprise is saved and rises out of the clouds (still awesome).  Spock knows there is no such thing as a miracle and runs to Engineering when Scotty calls him.

Accompanied by the amazing soundtrack theme

A door separates Kirk and Spock, keeping the radiation from everyone else.  Spock tells Kirk that he saved the ship, the crew is safe because of him.  Kirk comments that the stunt with Khan was something he would have done; and entering the core room was something that Spock would have done (the needs of the many outweigh the needs of the few…and what happened in the second movie).  Kirk admits he’s scared and asks Spock how to not feel.  But Spock cannot control his emotions at this time.  And he recognizes that Kirk rescued him from the volcano because he is Kirk’s friend.  Kirk puts his hand to the glass and Spock mirrors him; their fingers move to the Vulcan greeting, then Kirk’s hand falls.  Spock is silent for a moment, then yells “Khan!” in rage.

They’re not out of danger yet; the Vengeance falls past them and crashes into San Francisco Bay.  Khan jumps into the ruins and Spock beams down to pursue him.  Bones is devastated when Kirk is brought to him in a body bag.  Then the tribble on his desk trills; the one that was dead that he injected Khan’s blood into.  He orders Jim put in a cryotube, but he needs more of Khan’s blood.  Uhura goes down to stop Spock from killing Khan, protecting her boyfriend from being crushed to death like Marcus.  Spock manages to knock Khan down and proceeds to beat him…what was Khan saying about Spock not breaking bones?  Uhura has to explain that the madman is the only way to save Kirk.  A final uppercut knocks the psychopath out.

Over a black screen we hear bits of the first movie; George and Wionna naming Jim, Pike daring Jim to do better, and then Jim is awake.  McCoy was able to transfuse Khan’s blood, but it’s taken its toll.  Spock is there and Kirk thanks him for saving his life.  A brief final scene takes place after we see that Khan and his crew have been put back to sleep.  A memorial service for all the damage done the previous year and Kirk speaks to the crowd that there will always been those who mean to do us harm and we risk waking the same evil in ourselves trying to defeat them.  But vengeance is not who we are.  It is Chris Pine’s voice that gives us “Space, the final frontier.”  The Enterprise is rechristened and will begin a five-year mission.  We see the bridge crew preparing to depart, joined by Carol Marcus.  Kirk is excited and ready for a long journey.

Of the three new movies that are currently out, this is my favorite (there are rumors of a fourth installment coming in 2023).  It takes a bit for the story to truly get going, but the action all falls together at the end.  Excellent performances by the whole cast.  Benedict Cumberbatch plays Harrison fairly affable so you want to believe this strange man will help, while hiding his true identity…for those who didn’t guess early on; so it helps not being completely to speed on prior Star Trek lore.  And this Khan is less creepy than the original for some people, which helps as well.  I thought Kirk’s death was a strong, poignant moment and thought for a moment the first time through that they had actually killed off the main character.  (And there is lots of fanfiction to delve into this moment and the developing friendship between Bones, Spock, and Kirk.)

Up Next: Star Trek Beyond

“I have been and always will be, your friend.”

Star Trek

I will be the first to admit that I am not a huge Star Trek fan; I got more into Star Wars in my teens, but I fondly remember watching Next Generation while growing up.  So my captain was Jean-Luc Picard.  My parents watched the original series and there are pictures of me as a young girl in displays at the National Air and Space Museum when there was an exhibit; so I was at least aware of the original series.  But when a new movie was announced, I first dismissed it because I didn’t watch the original, why would I watch the new one?  My parents saw it and enjoyed it, so I eventually decided to go one evening when I was home from college.  And thoroughly enjoyed it.  It was filled with action, filled with characters in my generation.  I cannot speak for how it was received or how it measures up to longtime fans, but the new movies did create a new fan.  Can I quote minutia about the series or the craft or the larger universe?  No.  But I can do that with other shows, so I think it balances out, lol.

The rebooted movie series premiered in 2009 (and that is how it tends to be listed within fanfiction communities, or sometimes NuTrek), directed by JJ Abrams (who has gone on to do Star Wars Force Awakens and Rise of Skywalker).  It stars Chris Pine (a bit dashing as Nicholas Devereaux in Princess Diaries 2: Royal Engagement, then voiced Jack Frost in Rise of the Guardians, Cinderella’s Prince in Into the Woods, and became the ‘Chris’ for DC in Wonder Woman playing Steve Trevor.  He played a younger Jack Ryan in Shadow Recruit and stars as Robert Bruce, Earl of Carrick in Outlaw King…which I really need to watch) as James Tiberius Kirk, Zachary Quinto as Spock, Zoe Saldana (Gamora in Guardians of the Galaxy, Neytiri in Avatar, and before all of that success, she was Anamaria in Pirates of the Caribbean: Curse of the Black Pearl [Jack Sparrow had stolen her boat]) as Nyota Uhura, Karl Urban (yes, I know he joined the MCU as Skurge in Thor: Ragnarok and is one of The Boys [which recently gained Jensen Ackles, but no, I don’t believe I will be watching the show], but for me, he will always be Eomer in Lord of the Rings) as Leonard “Bones” McCoy, and Simon Pegg as Montgomery “Scotty” Scott.  Leonard Nimoy appears as Spock Prime, and that was wonderful.  Eric Bana (Bruce Banner in the 2003 Hulk movie [which is not part of the MCU], Hector in Troy, Henry Tudor in The Other Boleyn Girl)is Nero and Bruce Greenwood (the President in National Treasure: Book of Secrets) is Christopher Pike.  Rounding out the bridge crew is John Cho as Hikaru Sulu and Anton Yelchin as Pavel Andreovich Chekov.  Chris Hemsworth (before he was Thor) briefly appears in the beginning as George Kirk and Jennifer Morrison (Emma Swan in Once Upon a Time) is Winona Kirk.  [My father has made the humorous connection that in Thor  you join Kirk’s father and Anakin Skywalker’s  mother].  And Winona Ryder (I know her best from 1994’s Little Women) plays Spock’s mother, Amanda Grayson.

The film begins with the USS Kelvin facing a lightning storm in space.  A huge ship emerges and begins firing on the Kelvin.  The captain (played by Fahran Tahir, who has appeared in numerous television shows from JAG to Supernatural [Osiris] to Once Upon a Time [Nemo] and a bad guy in Iron Man) orders an evacuation and puts George Kirk in charge when he goes to meet the enemy.  George’s wife is in labor and anxiously awaiting her husband to join her, but autopilot has been knocked out, so George must pilot the starship manually in order to buy everyone else time to escape.  Winona delivers a son in the shuttle and they decide to name him after both their fathers: Jim Tiberius.  They’re a family barely a minute before the Kelvin is destroyed.  We fast forward a couple years and a young Jim Kirk is racing his stepfather’s antique car in Iowa, then crashes it into a ravine, barely escaping himself.  Meanwhile, on Vulcan, a young Spock is teased by agemates for being half human.  He cares not for his sake, but when one boy calls his mother a whore, Spock initiates a fight.  His father encourages Spock to embrace the Vulcan way of life and control his emotions, lest they control him.  And when asked why he married Spock’s mother, his response is “it was logical.”  Another time skip and Spock is being accepted into the Vulcan Scalene Academy.  A fine honor indeed, until one points out Spock’s disadvantage of having a human mother.  While Spock tells the leaders “live long and prosper,” you can tell he means something else and he elects to join Starfleet.

Back in Iowa, Jim starts flirting with Uhura at a bar and honestly, everything was going fine until other cadets got involved and started a fight.  Captain Pike enters the bar and a sharp whistle gets everyone’s attention.  He speaks to Kirk afterwards, commenting that the young man’s aptitude tests are off the charts and calls him a genius repeat-offender.  He encourages Jim to join Starfleet, then dares him to do better than his father; he was captain for twelve minutes and saved eight hundred lives.  Jim shows up for the shuttle the next morning (and riding the motorbike like he did reminded me of Top Gun [which apparently was an influence in Pine’s performance, along with Harrison as Indiana Jones and Han Solo]).  A man sits next to him, a doctor who is scared of space and flying, but only has his bones left.  “I may throw up on you.”

Three years later, which Kirk bragged he would complete his coursework compared to four, and Kirk takes the infamous Kobyashi Maru test…and wins.  By cheating.  Spock brings him up on charges, but they’re interrupted by a distress call from Vulcan.  Cadets are assigned to ships, but not Kirk, pending his hearing.  Bones sneaks him aboard the Enterprise under the pretense of a medical emergency.  Captain Pike comments that the maiden voyage of Starfleet’s newest flagship deserves more pomp and circumstance, but they will follow through on their mission.  Sulu is piloting (after a little bump) and Chekov makes his first shipboard announcement.  Jim hears about the “lightning storm in space,” and instantly knows they’re flying into a trap.  Despite some hilarious side effects, he manages to grab Uhura who intercepted a Klingon transmission earlier and reports to the bridge.  Spock first tries to get him off, but once Kirk calmly explains his logic, Spock backs the notion that all may not be as it seems.  Uhura takes over at communication and the Enterprise braces for battle when they drop out of warp, to find the rest of the fleet decimated.  Nero hails them and once again requests the captain to board his vessel.  Pike has Spock, Kirk, and Sulu follow him; Spock will have command while Pike is gone and Sulu and Kirk are to try to knock out the drill that is aimed at Vulcan.  And he makes Kirk second in command.

Sulu does get to break out his sword while battling Romulans on the platform and they succeed in knocking out the drill.  But the Narada shoots a pinprick of red matter into the core of Vulcan, which will eat the planet and create a black hole.  Chekov luckily is able to beam Sulu and Kirk aboard as they’re falling and Spock beams down to save the elders and his parents.  But Amanda falls to her death at the last second.  Spock orders the ship to rendez-vous with the rest of the fleet in another system, and we see Uhura privately comfort him, but Kirk urges they return to fight.  Spock works out that Nero is from the future and by coming back, has altered events, creating an alternate reality; their destines have changed.  “When you eliminate the impossible, whatever remains, however improbable, must be the truth.”  (Funny note: this was originally a quote from Sherlock Holmes, which Spock in the original series claimed was a distant ancestor.  Then, in the newer Sherlock series, Sherlock makes this remark and John calls him Spock.  It’s all just a big ball of wibbly wobblly, timey wimey stuff)

Onboard the Narada, Nero demands that Captain Pike tell him about Earth’s defenses so he may destroy it and continue with his retribution against Spock.  And…he uses creepy bugs.  Then Spock kicks Kirk off the Enterprise, stranding him on an ice planet.  Lo and behold, Kirk is saved by Spock…not the young one, the original Spock.  Who relates to Kirk, through a mind meld, how 129 years in the future, Spock tries to save Romulus from an exploding supernova, armed with red matter.  But he was too late.  And Nero, a “particularly troubled Romulan,” vows vengeance.  They both get sucked through the black hole, but Nero arrives first, destroying the Kelvin.  What was seconds for Spock was actually twenty-five years before he emerged.  Nero captured him and stranded him so he could witness the destruction of his home, Vulcan.  They find Scotty and Spock Prime gives him Scotty’s own equation on trans-warp beaming so the two young men can board the Enterprise.  Spock advises Kirk to gain captaincy of the ship; Spock has just lost his home and is of course, emotionally comprised.  Then Kirk can take on Nero.  But Spock Prime will not accompany them; he implies a catastrophe may occur  if both Spocks would meet.  Kirk points out before they leave that coming back to the past to change events is cheating.  Well, Spock learned from an old friend.

The bridge crew is obviously surprised to discover Kirk and Scotty aboard the Enterprise and Kirk has a rather uncomfortable confrontation with Spock, resulting in a fight.  Spock’s father has to call him off and Kirk does gain command.  Spock and his father share a quiet moment, and his father finally reveals that he married Amanda because he loved her.  So Spock rejoins the bridge as Chekov reveals his idea to hide behind Saturn’s moon so Kirk can beam aboard the Narada.  Spock volunteers first and Kirk insists on joining him.  “I could cite regulation, but I know you will just ignore it.”  Spock is learning.

Nero is starting the drill at Starfleet Academy while Spock and Kirk sneak aboard.  Well, they end up fighting Romulans pretty quick, but Spock makes it to the futuristic shuttle and escapes so he can blow up the drill.  Kirk goes after Captain Pike.  And Nero just shouts after Spock, “I want Spock dead now!”  Spock returns on a collision course, which of course would ignite the red matter, creating another black hole.  But Nero is past reason now and shouts to “fire everything!”  The Enterprise to the rescue (and it is so darn cool to hear the theme play and the ship rises up) and Scotty proudly manages to beam three people from two ships onto one pad.  Kirk tries to take the high ground and offer Nero and his crew compassion, which in this case Spock argues against, but Nero refuses.  Kirk has all weapons fire and destroys the Narada.  But the Enterprise is caught in the gravitational well of the black hole and while Scotty is giving it everything she’s got, they’re falling.  He suggests as a last ditch effort to eject the cores and they ride the blast wave out.

On Earth, the two Spocks do indeed meet; Spock Prime may have lied a little to Kirk.  The elder encourages his younger counterpart to remain with Starfleet and forge a friendship with Kirk it will define them both.  Put aside logic, do what’s right.  Kirk is given commendation and captaincy of the Enterprise, relieving Pike who is now an Admiral (and confined to a wheelchair as a result of those creepy bugs).  He enters the bridge of the repaired starship, finally wearing a gold command shirt.  Spock the enters and offers to be Kirk’s first officer.  The gang is back and ready for new adventures.

Leonard Nimoy gives us the final voiceover: “Space, the final frontier.  These are the voyages of the starship Enterprise.  Her ongoing mission, to explore strange new worlds.  To seek out new life forms and new civilizations.  To boldly go where no one has gone before.”  [The original tagline was a five-year mission, and was ‘where no man has gone before.’  I appreciate that they kept the  slight revision for this film.]  And the exit music is the original theme.

I felt this film was a good balance of action and drama, with the right amount of comedy thrown in.  The soundtrack is cool.  Poor Kirk gets beat up a lot throughout the story.  And ultimately, they got the characters to all be where they’re supposed to be.  It’s more fun to see Spock and Kirk at odds with each other and it will make their ensuing friendship deeper and the crew respects Kirk for his actions; keeping everyone safe and pulling them through a fire.  Scotty is hilarious, I certainly believe that Uhura could kick butt.  Bones is long-suffering but caring and Chekov is quite frankly adorable. 

Everything fit with the basics that everyone knows about the show simply from pop culture, without having to know every episode or movie and for someone who doesn’t know that, it made it an easy film to watch.  It was also written so it can all go together; they’re all canon because this is recognized as an alternate reality.  These familiar characters can have new adventures without taking anything away from the original.  (Of course, fanfiction comes up with their own ideas, which I’ll post my favorites with the last movie).  This was a solid update; technology was advanced enough to put it in our future without being cheesy or completely improbable.  Great cast, they made the roles their own and I certainly recommend this film.

Up Next: Star Trek Into Darkness