These two particular films came out in 2005 and 2007, right when superhero movies were starting to take off. They re-did Fantastic Four in 2015 and appears they are trying again in 2024…I don’t know why they think they need re-done that often; these weren’t too bad. Not mind-blowing, but not bad. These particular films star Ioan Gruffudd (again, I adore him in Amazing Grace and my brother knows him from the miniseries Horatio Hornblower based on the novel series; he also briefly appeared in Titanic, was Lancelot in the King Arthur movie with Keira Knightley, and star of the short run Forever show on ABC) as Reed Richards, Jessica Alba as Sue Storm, Chris Evans (we’ll be seeing him in the MCU as Captain America soon) as Johnny Storm, Michael Chiklis (this guy reminds me of Mike Holmes from HGTV) as Ben Grimm, and Julian McMahon (I know him best as Cole Turner in Charmed [the early 2000’s version, not the remake that CW has decided to do…seriously, has TV run out of completely new ideas?) as Victor Von Doom.
The film opens with Reed and Ben going to Von Doom Industries to secure funding for a project Reed has in mind. Victor agrees, mainly because he wants the satisfaction of Reed Richards begging for his help after making him feel inferior in M.I.T., and to show off that Reed’s old girlfriend, Sue Storm, works for Victor now. And there is a history between Ben and Sue’s brother, Johnny, going back to NASA. Doom also wants the research from Reed’s trip because it will boost his own company. And Reed of course, has to utter “what’s the worst that can happen?” when talking to Ben about the trip. Well, the worst that can happen is that the cloud accelerates and they have to get Ben inside before it hits. Sue leaves Victor in the middle of his proposal so she can help.
The team returns to Von Doom’s medical facility on Earth. Everything seems fine at first (and Reed gets a small scene to showcase that he remembers special things about his former girlfriend, when he instructs a nurse to move the orchids away since she’s allergic and instead, put the sunflowers closer to her since they’re her favorite…and Sue hears him, but doesn’t let on). Johnny heads out with a nurse to go skiing and discovers that he can light himself on fire. Sue manages to turn invisible during a conversation with Reed and he quickly discovers his new ability to stretch himself. They run to check on Ben, who got hit with more of a direct blast, but he’s run off to check on his wife. His wife is now terrified of him because his skin has turned rocklike. (The way the cloud hit them teases what kind of powers they received, which is cool). So he sits on a bridge to think about his life and tries to save a suicide jumper, only to cause a traffic jam for his trouble. But when a fire engine starts to fall off the bridge, the team leaps into action. Johnny protects a little girl from an explosion, Ben pulls the truck back on to the bridge, Reed stretches to save a falling firefighter, and Sue can project an energy shield which holds back the fire. The crowd applauds their actions and the four are deemed superheroes.
Reed suggests everyone stays at his apartment in the Baxter Building while he theorizes what happened, mainly, the cloud fundamentally altered their DNA.” [And cameo by Stan Lee; I think I watched this film before I ever watched X-Men, since I like Ioan Gruffudd, so this was the first time I saw him in a superhero film.] Victor was not unaffected by the cloud, but hides his symptoms, like controlling electricity. He orders Reed to figure out what went on, but is also secretly plotting. He’s not pleased that the investors drop out of his company and is desperate to get his wealth and good name back. And win Sue back; only to get back at Reed, as he admits to his assistant. Victor is also turning into metal and kills his doctor when it’s suggested they inform the CDC. That begins his power trip; he next targets the head of the board.
Reed vows to Ben that he will fix his friend. Along the way, Ben meets a blind woman who is not scared of him (played by Kerry Washington). Johnny’s had enough of being cooped up, so he enters into an extreme motorcycle competition, which leads to a public argument between the four. Victor, who has cameras in Reed’s apartment, learns that Reed is working on a cure, by re-creating the cloud in a hope to reverse the wave. And Victor knows he needs to take Ben out first, as the strongest and most loyal to Reed. He points out to Ben that Reed and Sue are getting cozy again and that is delaying the cure. Which leads to Ben and Reed fighting. And then Reed tests the machine on himself because he’s willing to risk his life to make sure the machine is perfect for his friend. And they think it works for a minute, until Reed melts. Victor brings Ben back to the Baxter Building and uses his power to increase the output from the machine so Ben becomes human again. Which leaves Ben vulnerable and gives Victor more power. He then electrocutes Reed and drags him back to Von Doom Industries, hooked up to freezing spray. Victor uses a heat-seeking missile to try to take out Johnny, who luckily learns to fly at that point divert the missile.
Sue sneaks in invisibly to rescue Reed and tries to take on Victor, who asks his ex-girlfriend: “do you really think fate turns us into gods so we could refuse these gifts?” Not the first time Victor thought he was a god, according to Sue. Ben also realizes he needs his new powers in order to save his friends, and uses the machine again, clobbering Victor to save Sue and Reed. The battle ends up outside and Reed uses science to take down Doom, now masked in a metal mask from his home country of Latveria (like Doom was doing to Reed). Reed has Johnny superheat Doom, then has Ben spray a fire hydrant on the guy: “what happens when you rapidly cool hot metal?” The heroes are victorious and Victor is now due to be shipped back to Latveria. There’s a cheerful party at the end, Ben now dating the blind Angela and happier with his lot in life. And Reed finally proposes to Sue (using a gasket from the space station because he’s a dork). Everyone is happy for the couple and Jonny lights a flaming “4” in the sky to celebrate, and to escape Ben.
Rise of the Silver Surfer picks up with the team a few years later, with Reed and Sue attempting to get married; but apparently the ceremony keeps getting postponed. However, there is a strange shooting star flying over the earth (which wakes up Von Doom in Latveria) and the military wants Reed to help track it. He initially turns them down because he wants to be a good husband-to-be and focus on his upcoming wedding. But of course, he actually does work on the tracking system and Ben drags him away an hour before the ceremony. Sue is a little nervous about getting married since she wants a normal life and family and that’s impossible as a superhero. Their wedding begins beautifully, until an alarm goes off on Reed’s PDA, then a cosmic entity descends on NYC and disrupts the ceremony. Johnny flies after the Silver Surfer (voiced by Laurence Fishburne; Morpheus from The Matrix), then gets choked and dropped. Now, when he touches one of his teammates, they switch powers. Johnny also overhears Reed promise Sue that, after this mission, they can quit the team and have a quiet, normal life.
The team figures out that the next crater will appear in London, so they try to stop him. But Johnny flies into Reed and switches powers, which almost puts the mission at risk. At the same time, Victor is back and has spoken to the Surfer, but tells the military that he wants to help. The key is that the Surfer’s power comes from his board, so they need to enlist Reed again to figure out how to get the two apart. But Victor secretly works on his own plan. Reed manages to stand up to the general, highlighting that he is one of the greatest minds in the twentieth century and it’s the general who came to him, asking for help.
Sue meets the Surfer and tries to have a conversation, until the military takes over and fires a missile. The Surfer protects Sue, but they still have to use Reed’s device to get the board so they can talk to the Surfer, which the military takes over. Doom shows his true colors when he takes the board and uses his enhanced powers to kill the general. Sue sneaks in to speak to the Surfer, who admits that he is acting as a beacon to Galactus, the Devourer of Worlds, in order to save his own world. The Fantastic Four break the Surfer out in order to take on Galactus, after they get the board off of Doom. They use Reed’s new jet, which can also split apart, to track down Doom. But it’s too late, the Devourer has arrived. Sue protects the Surfer from a spear that Doom throws, getting impaled in the process. Johnny offers to take on all four powers to take on Victor and Ben even follows him. The Surfer gives Sue some of his life force, when it appears she’s died, Reed cradling her body. With his board back, he flies up into Galactus, with a bit of a push from Johnny. A bright light explodes and the cloud disperses.
Hugs all around at the end, Sue is not dead, and now Johnny has his own powers back and no switching. Reed and Sue decide to keep the team together because that’s the best way to save the world. They have one more wedding and both agree to cut it short when they get another alert. Sue tosses the bouquet, but Johnny burns it when it looks like his new girlfriend might catch it. They hop back in their new jet and make another “4” in the sky.
As I already commented, these are not the most epic of superhero movies, but they’re a pleasant watch. Victor von Doom doesn’t really have much of a reason to be a villain aside from the general “I want power,” spiel. It’s fun to watch the four interact and know that there is already a backstory to them; it’s not just a new team. Yes, I agree that Chris Evans makes a better Captain America than Human Torch, because he’s just immature and a jerk part of the time. (And apparently, Michael B. Jordan was the Human Torch in the 2015 remake, before getting cast as Erik Killmonger in Black Panther; so there’s a joke that those who are Human Torches get better roles in the MCU). So, overall, the films are OK. I’ll still probably watch them because I like a few of the actors, but they’re not favorites. I never got into them as much as I got into the newer X-Men or as much as the MCU.
Up Next: For me, taking a break to work on some plotting and worldbuilding, but come the new year, I’ll hop back in with the MCU, starting with Iron Man.
The final X-Men movie I will cover (and really the last one I’ve watched; I’m aware Dark Phoenix came out afterwards and continues the story, but it definitely looks like it is not a fun story, and there are several other Logan/Wolverine movies that also look depressing…superhero movies should have a good dose of fun). Sophie Turner (equally famous for her portrayal of Sansa Stark in Game of Thrones, and is now married to Joe Jonas) joins the cast as Jean Grey, and Oscar Isaac (Poe Dameron in the Star Wars sequel trilogy and Prince John in Russel Crowe’s Robin Hood) is the lead antagonist, En Sabah Nur.
Charles’ voice opens the film, saying that mutants are still searching for guidance. Their gifts can be a curse and when they are given “the greatest gift of all, powers beyond imagination, they may think they are meant to rule the world.” We go way back in history, to 3600 BCE and the Nile valley. There is a ceremony going on in ancient Egypt, the crowd chanting “En Sabah Nur.” There is to be a transference between an ancient mutant and another mutant. But the guards betray En Sabah Nur and collapse the pyramid, though a few mutants remain loyal and protect their leader or god. Now, we’re in 1983 and a high school class in Ohio is learning about mutants being “discovered” at the 1973 Paris Peace Accords. One of the students is Scott Summers, who discovers his powers that day.
At the same time, in East Berlin, there are cage fights between mutants, with Angel as the reigning champion, now to face Nightcrawler. Raven is in the audience and knocks out a guard in order to overload the electric fencing, so the mutants can escape. She takes Nightcrawler and is going to get him set up with a new identity. Meanwhile, Erik is living fairly peacefully in Poland, with a wife and young daughter. Nina shows an affinity with animals (and is rather adorable). Note: he has to live like a human in order to survive, but it’s good to see him happy.
Alex picks his brother up and brings him to Xavier’s school (Charles is already teaching The Once and Future King, like we see in a later/earlier movie…boy, that’s confusing). They meet a young Jean Grey and Hank is still at the school. Scott unfortunately destroys Charles’ favorite tree, but the professor is excited to help him nonetheless. Across the globe, Moira McTaggert is investigating in Egypt and discovers a group chanting “En Sabah Nur” again. Sunlight touches the capstone of the pyramid and makes its way into the Earth, awakening the ancient mutant. This causes an earthquake across the world. In Poland, Erik saves a coworker at the factory, then hopes he wasn’t spotted. In the mansion, the earthquake is just the precursor to Jean’s terrifying nightmares that Charles attempts to comfort her. When he puts on Cerebro later, he comes across Moira and the next day, has Alex take him to the CIA to see her.
The group was part of a cult that views mutants as a sign of god and actually believe that the first mutant lived thousands of years prior, in contrast to the popular held belief that mutants only evolved in the twentieth century. Wherever this god that was raised went, destruction followed, and he always had four key supporters; like the four horsemen of the apocalypse. The way this god lived so long, before being buried, was by transferring his consciousness from body to body and thus, gaining more powers. And now this god is out and about in Egypt. He discovers a young mutant thief, we know to be Storm by her powers. She leads him back to her hiding spot, where there is a poster of Mystique, her hero. En Sabah Nur touches her television screen and begins to soak up the world news. He sees the clip of Magneto at the White House and calls the nuclear weapons and state of the world false gods and idols. When finished, he declares to young Storm his intent to take over and rule the world as he did in days of old. He calls it “saving” the world, but really means “cleansing.” He makes Storm his first follower and her hair turns its’ signature white.
Back in Poland, Erik’s actions were noted and reported to the police; men he viewed as friends. Erik is trying to run, but has to collect his daughter from the woods, where the police are holding her. They point-blank ask if he’s Magneto. All Erik wants is for them to release his daughter; he even offers to come quietly. But when they’re traded, Nina reaches for her father, like young Erik did decades ago, pleading that she will not let the men take her father away, like his parents were taken. The animals react to her distress and scare the policemen. One accidentally released his drawn arrow, instantly killing Nina and her mother. Erik cradles his babies, then uses Nina’s locket to eliminate the guards. “Is this what I am!” he shouts to the sky.
News quickly spreads. Raven discovers it from her informant and has Nightcrawler/ Kurt Wagner take her back to the mansion. Charles is still out, so she talks to Hank, while Kurt befriends Scott, Jean, and their friend Jubilee. The teens escape to visit a mall and see a movie [Return of the Jedi and they have a humorous discussion about movie trilogies]. Hank tries to persuade Raven to stay; start the X-Men like they talked about years ago. Charles is still hopeful for the world, but Hank is a little more realistic; they should hope for the best, but prepare for the worst. Raven just wants to find Erik. En Sabah Nur and Storm recruit more mutants, gathering Angel, with new wings, and a woman with a laser sword. Then they come upon Erik at the factory, ready to make the men who betrayed him pay (to which Erik asks the intruders, “who the fuck are you?” He gets the swear word this film). En Sabah Nur easily takes care of that, then takes Erik back to Auschwitz to teach him to pull metal directly from the earth. (Note that he picks mutants who are angry with the world.)
Charles is pleased to see Raven, though disappointed she’s only there to find Erik and to argue the point that Charles should be teaching his students to fight. Mutants in the outside world still live in fear; they’re not accepted, people just have to be polite to them now. Charles reaches out with Cerebro to speak to Erik, which En Sabah Nur senses. He then turns that conversation on Charles and takes him over; “thank you for letting me in.” He uses Charles to release all the nuclear weapons straight up, and destroy them. “No more weapons! No more systems! No more superpowers!” [If the music sounds familiar, it is Beethoven’s Allegretto.] Charles gets ahold of himself long enough to ask Alex to destroy Cerebro; “wreak havoc,” is his order. Alex does so, but once they have the professor safe, En Sabah Nur and his followers arrive at the mansion. Alex is still enough of a hot head, he charges the god while Erik pulls Charles to him by his wheelchair; Alex lets loose a blast, but the horsemen escape and the blast creates a chain reaction.
Peter Maximoff has seen the news on Erik and plans to track him down, so he goes the mansion. Just in time to rescue everyone from the blast (rather hilariously too). Well, almost everyone. Scott instantly notes when he arrives, that Alex is missing. He was closest to the blast and already gone before Peter arrived. Scott, Jean, and Kurt separate off from the rest of the group, Scott grieving for his brother, when the military arrives. They blast the mutants unconscious, and Stryker collects Raven, Moira, Hank, and Peter. The other three follow, intent on rescuing their leaders. Stryker wants Charles, but no one knows where he is at. There are barriers in place to prevent the teens from entering, and Peter reveals to Raven that he is Erik’s son.
En Sabah Nur brings his horsemen and Charles to Egypt. His plan is to wipe the face of the earth and rebuild it as he remembers, ruling as god. And now, with Charles, he can control every mind on earth. Charles, of course, tries to reason with Erik, but his old friend is still too hurt, too angry. En Sabah Nur’s message that Charles passes along is to warn the world of his plan. That the strongest among you, those with the greatest power, the earth will be yours. Charles also manages to send a secret message to Jean, letting her know where they are. And Charles changes the message at the last second, telling those with the greatest power…protect those without. That is Charles’ message. And that has always been and will always be Charles Xavier’s message to the world. (And we love him for it). En Sabah Nur’s not happy with the change, but his plan is not over yet.
The trio find Wolverine (because that apparently needed rehashed again), who goes on a rampage. Jean manages to set him free and gives him “Logan.” And no Scott, that is not the last you’ll see of him. But they manage to free Hank, Raven, Peter, and Moira. And find a plane to take to Egypt. Raven speaks to the teens, telling them about her first mission and tells them that Havok was brave. Raven doesn’t feel like a hero because she couldn’t save everyone. But the teens still view her as a hero, so she will lead them. Their objective is to rescue Charles. Raven and Peter will try to get Erik.
En Sabah Nur’s final plan is to transfer into Charles; then he gains Charles’ power, but not his morality. The transference is how Charles loses his hair. The teens take on the horsemen, and Kurt manages to get inside the pyramid and get Charles out. But their plane is caught before they can escape, so he has to get everyone out at once. They hide, Scott and Hank taking on the other horsemen. Raven tells Erik she’s going to go save her family and gives him the choice (and he recalls moments from First Class). Peter uses his speed to punch the ancient mutant, until his leg is caught and broken. Then Raven disguises herself as one of his horsemen to get close and uses the blade to slice him. But he chokes her. Storm watches as mutants fight mutants and the god she is following attempts to kill her hero. Yet, En Sabah Nur and Charles are still connected. Charles wants to save his sister and uses that connection to distract En Sabah Nur. In his mind, he gets a few good punches in, until En Sabah Nur grows and beats Charles up. Erik puts a metal X between En Sabah Nur and his friends. He will no longer betray them. Hank and Scott rescue Peter and Raven, then Scott uses his powers in conjunction with Erik’s to take on their opponent. Charles asks for Jean’s help, telling her to let go. Unleash her power without fear. She walks into mid-air and flames erupt, in the shape of a phoenix. Her powers pull back the ancient mutant’s armor, giving the men an opening. But he tries to get away. Until Storm electrocutes him.
Everyone is safe. Charles gives Moira her memories back; she later has Stryker arrested for kidnapping her. Peter and Storm decide to stay at the rebuilt mansion, courtesy of Erik and Jean working together. And Raven has decided to stay to train the new batch of X-Men. Erik and Charles have a conversation outside the simulation room, Charles now looking like his older counterpart with the bald head. Charles was right about Erik and he was right about Raven. There is still hope for the world. But Erik cautions him, “doesn’t it ever wake you up in the middle of the night? The feeling that one day they’ll come for you and your children?” Charles responds: “I feel a great swell of pity for the poor soul that comes to my school looking for trouble.” [I love that this is a call back to the last scene of the first X-Men movie!]
Overall, I prefer the prequel trilogy of the X-men franchise to the original trilogy, but the stories get a little wonky. Honestly, the time jumps between the three newer films almost get in the way of the characters. Sure, the ones who were introduced in First Class are still around twenty years later, but realistically, they shouldn’t be the same actors, as much as we love them. If the studio wants to keep the same actors, great, just don’t show the same person looking the same twenty years later. Also, while I love that Raven is Charles’ sister and that dynamic, this doesn’t work fully in retrospect: our Mystique could have never poisoned Charles like Mystique did in the first X-Men movie. I’m sure the executives would explain that with the time travel, the future that was the original X-men films changed…ultimately boiling down to alternate universes in combination with wibbly-wobbly timey-wimey stuff.
Up Next: The two Fantastic Four films with Chris Evans; then I’ll be taking a bit of a break to work on some other writing, mainly the fantasy epic I have intentions of writing. I figure this is a good place to pause, before jumping into the twenty-or-so Marvel Cinematic Universe films.
This unites the older cast with the newer cast, with Bryan Singer back at the helm. Peter Dinklage (Tyrion Lannister in Game of Thrones, Eitri the Dwarf in Avengers: Infinity War, Trumpkin the Dwarf in Prince Caspian, and the lead in the recent Cyrano movie) joins as Dr. Bolivar Trask, Evan Peters is Peter/ Quicksilver (yes, he appeared in WandaVision and SPOILER [in case you’re even later than me watching the show]: he plays the other version of Pietro…I just laughed when I saw in on the show and really wish more had been done because, he’s Peter, just the other one). Booboo Stewart (he’s Seth in the Twilight movies and Jay in the Disney Descendants movies [haven’t seen those]) is another mutant, named Warpath.
We open in a dark future, ruled by Sentinels, machines that hunt down and kill mutants and any humans who try to help. But there is a ray of hope left, for what’s left of the X-men are making for a hideout to meet with a few fighters, including familiar faces Bobby and Kitty. Professor Xavier (yep, he’s alive, not sure how, but it’s X-men, we’re not really going to ask) has a crazy idea, have Kitty send him back in time to 1973 to prevent Raven/Mystique from killing Trask and thus causing the Sentinels to be built. (Another quick question, how does Kitty have time travel abilities? She phases through walls.) Unfortunately, Xavier would not physically be able to withstand a trip that far. So Logan volunteers and has to meet a very different Charles and Erik, and convince them to work together when they couldn’t be further apart.
The time travel works and Logan tracks down the Professor, only to find the mansion run down, with only Hank McCoy as a companion. Oh, and he can walk. But, the tradeoff is he doesn’t have his powers. And wants nothing to do with Logan or his hope for the future; he’s a broken man, leave him alone. However…he relents and will do it for Raven. He still cares for her and will save her if he can. Except they’re going to need some more help, particularly to get Erik out of…wherever he’s being kept. Logan happens to know a mutant who is a teenager in the seventies: Peter Maximoff. He gets to break in and get Erik out of prison in the Pentagon; Erik was arrested for killing JFK. Peter is in fact very helpful, rescuing the men for a rain of bullets (Charles does get to hit Erik, then insist on no killing).
We see a brief glimpse of Havok in Vietnam, though Mystique impersonates a Colonel to rescue the mutants before they’re shipped off to Trask Industries under a young Stryker. She’s taken Erik’s lesson on one-track mind to heart. She later sneaks into Trask’s office and finds the reports on the dead mutants Trask has experimented on. And gets the clue to head to Paris, for the Peace Accords. There, she seduces a Vietnamese general and impersonates him to get into the meeting.
It’s a very tense plane ride for Charles, Hank, Erik, and Logan. Charles and Erik finally confront each other; it’s a wonderful scene and hints at the mental headspace that Charles was in following First Class. “You took her away and you abandoned me!” Charles shouts at Erik. Erik’s comeback is that Charles abandoned all the other mutants; “we were supposed to protect them.” Charles storms away and Erik levels the plane. Logan points out that Erik has always been an arse.
Erik later offers a game of chess to Charles as a peace offering. They discuss Raven, a woman they both love, in different ways. Charles remains concerned for her. Erik also admits he didn’t kill JFK, the bullet curved because he was trying to save him, because he was a mutant. The friendship starts to mend, but it has a long way to go, so Charles starts the game.
Action comes to a head at the Trask meeting, who is trying to convince foreign governments now of his machines since the American government shut him down (some members didn’t like the idea of targeting Americans who are living peacefully). Raven reveals herself and is briefly taken down by Stryker, but our heroes arrive. Logan glimpses Stryker and loses control for a moment, not remembering any timeline. Charles hilariously tries to pass it off as a bad acid trip, until Logan comes back. Raven is genuinely happy to see her brother, until Erik picks up the gun and is willing to kill her to prevent Trask from getting his hands on her and her DNA and thus wiping out all mutants. Raven tries to escape, but is nicked in the leg. Erik pursues her, and Beast jumps after him. Mind you, all of this is caught on camera when they land outside and use their powers. Trask escapes, but manages to get his hands on a small blood sample. Trask next meets with President Nixon himself and offers his machines once again as a response to the “mutant problem.” (And that’s apparently what the deleted recording was about.)
Raven is patched up, then catches up with Erik and demands answers. Erik attempts to persuade her to work with him to strike while they have the upper hand. But Raven draws a line. She’ll kill Trask because of what he’s done to her friends. But this won’t become genocide. Meanwhile, Logan convinces Charles to stop taking the serum, so that his powers will come back. They need Cerebro in order to find Raven and prevent the murder she is still planning. But Cerebro overloads since Charles is rusty. So Logan has young Charles read his mind into the future and talk to older Charles (another brilliant scene). Older Charles counsels his younger self that the pain Charles feels and fears will make his stronger if he embraces it. His greatest gift is to bear their pain without breaking. And that is born of hope. Charles needs to get his hope back; only then will the future change. Energized, Charles uses his powers to talk to Raven through others at the airport. She’s still set on her path and dislikes that Charles is trying to make a decision for her.
Everyone manages to meet up again in D.C., where the President is making an announcement with Trask to showcase the Sentinels that will protect Americans. Erik breaks into the Pentagon to retrieve his helmet to keep Charles out. He’s also put metal inside the Sentinels so he has control, which he has go off on the crowd at the White House. At the same time, the Sentinels of the future have found the hidden X-men. Young Erik wraps metal into Logan and sends him off to drown, then uses the cameras to speak to hidden mutants, calling for them to unite and fight for their rights. Raven duplicates the President as an offer to Erik, then shoots him. Charles, pinned under a structure, uses his powers to convince Raven to choose a different path. She can show the world that not all mutants need to be feared. She puts the gun down (which erases the future, one where everyone was on the brink of being destroyed), and Trask lives. But his program is scrapped and Stryker gives information to the President that Trask was selling secrets to foreign governments. Raven takes the helmet off Erik so that Charles can use him to free himself. He lets Erik fly off and lets Raven walk away. Though she appears to impersonate Stryker to rescue Logan.
And Logan is in the new future now. The mansion is full of students, Bobby and Rogue make a brief appearance. Hank McCoy is teaching, and even Scott and Jean are back. Logan needs a bit of help from the Professor, clearing up with the new history is after 1973.
Where we started with Patrick Stewart’s Charles asking if we’re destined to destroy ourselves, or can we change our fate. Is the future truly set? We end with James McAvoy’s Charles giving us hope that the past is “a world of endless possibilities and infinite outcomes. Countless choices define our fate: each choice, each moment, a moment in the ripple of time. Enough ripple, and you change the tide” and answering that “the future is never truly set.”
I adore that they brought familiar faces back and it’s wonderful to see on the same screen the differences between their younger and older selves. The greatest scene is watching James McAvoy and Patrick Stewart play the same character at two different points in life in the same shot. Patrick Stewart always gives us hope for humanity. I continue to enjoy the sibling relationship that they developed between Raven and Charles. They still care for each other, but Raven has grown. She wants to please her brother deep down, but now she’s own person. And she realized that Erik wasn’t going to lead her where she wanted, so she struck out on her own. And becomes the badass woman we love. Charles ultimately lets go and has faith, but he’ll pull himself out of a hole in order to save her. Work alongside the man who let him down in order to save her. And of course, Ian McKellen and Patrick Stewart are adorable alongside each other; there’s a funny blooper where Ian spouts some BS line and Patrick looks at him with “what did you just say?” on his face.
Really wish Erik would stop trying to rule the world! You’ve gotten your revenge, leave it alone. There are better ways to fight for mutant rights than reverting to killing all humans. Also, we want you to settle down with Charles…hey, older versions of them are friends again, we want to see them come around. Again, I encourage you to read Rumor Has It on either fanfiction.net or AO3.
Overall, this movie tends to give me a bit of a headache trying to keep timelines straight and I get that this re-writes a lot of what happened in the original trilogy and I like the happy ending, but it’s not always one I want to re-watch.
The start of the prequel-ish series and brings in James McAvoy (I adore him in Becoming Jane and he’s Tumnus the Faun in The Lion, the Witch, and the Wardrobe) to play Charles Xavier and Michael Fassbender (he’s the reason I went to watch the Jane Eyre movie that came out around the same time and led me to actually reading the book [that sometimes works]) to play Erik Lensherr. Oliver Platt (Porthos in the 90’s Three Musketeers) is simply “Man in Black Suit,” though Kevin Bacon (star of Footloose) brings dimension to Sebastian Shaw. Jennifer Lawrence (this came out a year before the first Hunger Games film, where her fame skyrocketed. She has since won a Golden Globe for American Hustle and an Oscar for Silver Linings Playbook [no, I have not watched those, but I love her in this role]) is Raven, while Nicholas Hoult (now you see him all the time for ads for The Great, and he’s remarkable in Tolkien) is Hank McCoy, and Lucas Till (the new MacGyver) is Alex Summers. A few older adults are familiar; Rade Serbedzija (Prince Kragin in the first Downton Abbey movie and Gregorvitch in Deathly Hallows, and Emile de Becque in the TV movie of South Pacific with Glenn Close) is the Russian general, Glenn Morshower (he shows up in a bunch of TV shows, usually as someone in charge) is General Hendry, and the senior William Stryker is played by Don Creech (yep, that’s Mr. Sweeney from Nickelodeon’s Ned’s Declassified School Survival Guide).
The film begins the same as the first X-Men film, in Poland in 1944. But this time, we see someone watching young Erik Lensherr pull down the gates. This man is known as Klaus Schmidt and he’s very interested in discovering Erik’s abilities. The Nazis are only partially correct in their idea of genes unlocking a new age, but Schmidt is focused on latent abilities. He offers Erik chocolate to move a metal coin. When that fails, he brings in Erik’s mother and threatens to shoot her after the count of three, unless Erik can move the coin. Sadly, the teenager cannot move the coin, and Schmidt shoots Mrs. Lensherr. Erik goes on a rampage, destroying everything else metal in the room, to Schmidt’s great delight. As a “reward,” he gives Erik the coin at the end, noting that he can unlock the boy’s gift with rage and pain (that does not bode well). At the same time, in Westchester, New York, a young Charles Xavier discovers a young Raven in his kitchen. At first, she morphs into Mrs. Xavier, but Charles quickly realizes she’s a fake since his mother has never stepped foot in the kitchen and has never offered to make him hot chocolate. But when Charles realizes it’s another mutant, he’s excited, as is Raven.
Eighteen years later, in Geneva, Switzerland, Erik tracks down a former Nazi banker to make him give up the location of Klaus Schmidt. He’s sent to Argentina, where he notices a photo of Schmidt aboard a ship based out of Miami. Erik kills the men, after remarking that he is Frankenstein’s monster, and he’s looking for his creator [this sequence highlights Michael Fassbender’s talent with languages]. At the same time, Charles is finishing his degree at Oxford University and hitting on girls in pubs, while his “sister” Raven watches on. While Charles praises pretty girls for their “mutations,” such as two-colored eyes and brown hair, Raven has to hide her true form in order to fit in. She mocks a girl for saying “mutant and proud,” but the relationship between Charles and Raven is very sweet: Charles is very much a brother by saying that the overall concept of his sister dating is that “any man would be lucky to have you,” while the actual thought is, “you’re my sister, I don’t think of you that way.” And he genuinely fears Raven slipping up and what the consequences would be. [And excellent editing, playing Charles’ thesis over the scene where Erik walks into the bank, stating “the mutated human species meant the extinction of its less-evolved kin.”]
In the States, CIA agent Moira McTaggert is investigating the Hellfire Club in Las Vegas, discovering several officials and important people are all meeting, including General Hendry, so she sneaks in. And overhears Shaw pressuring the general to put nuclear missiles in Turkey, extremely close to Russia and almost certainly a declaration of war. But some of his mutant companions help sway the general. When her report is not believed, she sets out to find an expert in genetic mutation. Which leads her to Charles, who initially tries to flirt with her, until he discovers that there is something more interesting going on. So, Charles and Raven accompany Moira back to the CIA headquarters, where Charles gives his presentation, but isn’t taken seriously, until he uses his abilities. Of course, they think he’s a spy, until Raven transforms into Styrker. They’re still not trusted, so the man in the back ground [Oliver Platt] offers to house them in his facility, since it’s secure and off-premises. Then a lead comes in about Shaw’s whereabouts, and Charles persuades Moira to take him.
Erik has caught up to Shaw (who is in fact Klaus Schmidt) after Shaw has killed Hendry by demonstrating his mutant power: he absorbs energy and can redistribute it, which also keeps him young. Erik is knocked off the boat by Shaw’s associates, then uses the anchor to begin tearing the ship apart. Emma Frost and Shaw escape into their submarine, which Erik attempts to stop using his powers. But the U.S. Coast Guard is also on the scene, with Charles on board. Charles senses Erik in the water, after mentally running into Emma, who is also a telepath. Charles urges Erik to stop and let the sub go; he’ll drown. When the man doesn’t listen to him, Charles jumps into the water himself and calms the man down. “You’re not alone.”
Charles brings Erik back to the “Covert CIA Research Base,” where they investigate the application of paranormal powers in a military setting. Or as Charles jokingly calls them, the “mutant division.” They meet young Hank McCoy, who on top of being extremely intelligent, has abnormal feet. Charles accidentally outed Hank, but Raven is pleased to meet the young man. It’s someone else who has a physical mutation. Hank has developed a supersonic plane [looks an awful lot like the SR-71 Blackbird], (which appears in the other X-Men films). When the two teens talk afterwards, Hank wants some of Raven’s blood in order to develop a serum that will mask their physical mutations, but not their actual powers. Erik walks by in time to stop a kiss, but also points out they shouldn’t have to hide. Erik is still bent on revenge, but Charles stops him before he leaves. Charles wants to help Erik, and stresses that Erik has a chance to be a part of something bigger. Erik in fact, stays, but they find out that the missiles have been placed in Turkey and Shaw is on his way to Russia. He also has a helmet that blocks a telepath’s ability to read his mind.
It’s time for Charles and Erik to gather mutants of their own. Hank developed a transmitter, he calls Cerebro, that can amplify Charles’ brainwaves and abilities, so Charles can locate other mutants. Hank suggests shaving Charles so the helmet would fit closer, to which Charles definitively says “don’t touch my hair.” They first find a club dancer whose tattoos are actually wings; then there’s a cab driver, then Alex Summers who is in solitary confinement. Next, there’s a teenaged boy on a date, but he can drive fish away. They find Wolverine in a bar, but all he says is “go fuck yourself,” and they leave. The teens get to know one another and show off their powers and decide on nicknames. The club dancer is Angel, the cab driver is Darwin, because he adapts to survive. Raven becomes Mystique and the red-headed boy is Sean and he goes by Banshee because of his sonic blast. Alex becomes Havok due to his laser blasts. Erik and Charles are trying to plan their next step and are disappointed to find the kids having a party and goofing off (and destroying part of the building). Raven does manage to tell them their nicknames; Charles is Professor X and Erik is Magneto. The adults head off for Russia to hopefully head Shaw off, but he doesn’t show, Emma is leading the meeting with the Russian general. Erik is determined to take her instead, so Charles chases after him. Erik wraps Emma in metal hard enough to crack her diamond form, which allows Charles to read her mind for Shaw’s plan: place U.S. missiles in Turkey, place Russian missiles in Cuba and then make a nuclear war happen. “Radiation gave birth to mutants; what will kill the humans will only make us stronger,” and Shaw can take over the world.
Shaw, in the meantime, has discovered that Erik and Charles are recruiting, so he heads for Virginia to find them. His minions accompany him and start ripping the agents apart. The agents attempt to protect the kids, even though some of them were teasing them not too long ago. Until the last guy is very eager to hand the mutant teenagers over to the psychopath. Shaw only wants to make an offer to the kids, saying that the humans will eventually rise against the mutants and they need to pick their sides now: either wait to be enslaved, or rise up to rule. Angel willingly goes with Shaw. Darwin starts to go with Shaw, then signals for Alex to let loose a laser, hoping to take out the bad guy. Unfortunately, they did not realize that Shaw would absorb the power, then feed it to Darwin. Shaw, Angel, and his minions leave. When Erik and Charles return, Charles initially wants to send the kids home, but they point out it’s too late for that. Erik convinces Charles to train the teenagers. And Charles knows where.
At the mansion, Charles teaches each teenager that they need to control their powers, not let their powers control them (we see this lesson repeated in the previous trilogy). Seeing Sean learn to fly is humorous, just the way he falls into the bush, and then Erik simply pushing him when Charles tries to let him out of trying. It’s Erik who points out to Raven that she is splitting half of her attention in order to look normal. She wants society to accept her, but she won’t accept herself. And Charles and Erik work together, Charles showing Erik that he doesn’t need to use anger to fuel his power; that true focus lies between rage and serenity. Charles feels the good in Erik. Hank finishes the serum and shows Raven, but she’s realized the truth in Erik’s words and it doesn’t help that Hank calls the serum a cure. She’s finally mutant and proud. When Hank tries the serum, it initially works, but then goes the wrong way. Meanwhile, Erik and Charles are playing chess and discussing the mutant issue, fundamentally on opposing sides, but for the moment acting like gentlemen. Raven sneaks into Erik’s room to wait for him and even tries her older form, but he doesn’t say “perfection,” until she’s in her natural blue form. She confronts Charles afterwards and he struggles to see her point.
The team heads out to try to put an end to the Cuban Missile Crisis, using the plane that Hank developed. He’s now blue and furry, thanks to his serum, but he’s now become Beast. When they reach the embargo line, Charles makes the Russians fire on their own ship, so the Americans won’t have to fire and then start the war. They figure Shaw is nearby, perhaps underwater, so they use Sean as sonar (and he stays away from Erik, so he won’t get pushed out). Shaw is indeed on site and plans to become the weapon, draining the nuclear reactor of his sub. But Erik manages to lift the sub out of the water and crash it on the beach. The plan crashes shortly after. Erik heads for the sub, and Beast, Havok, and Banshee take on Angel, Riptide, and Azazel. Erik realizes that smashing the mirrored walls of the reactor will allow Charles telepathy to work, so he can freeze Shaw. Shaw attempts to win Erik over to his side, and Erik admits that Shaw made him into a weapon. Then Erik puts on the helmet so Charles can’t stop him from using the coin to pierce Shaw’s head in final retaliation for killing his mother. [Excellent editing, following the path of the coin and overlaying Charles’ face occasionally, indicating that he feels what Erik is doing.]
Stryker is causing problems and orders both sides to hit the mutants on the beach. This just adds fuel to Erik’s argument that the humans are against the mutants and they all need to band together. Charles still holds hope that there are some good humans out there. Erik manages to stop the missiles and turns them back to the ships, but Charles tackles him, breaking his concentration so the missiles start exploding in midair. The two men wrestle, then Moira starts shooting at Erik. He deflects the bullets, but one lands in Charles’ back. Erik retaliates by cradling his friend and strangling Moira. Charles points out this was Erik’s doing. He releases Moira, but pleads with Charles that he needs the man by his side; they’re brothers, they want the same thing. No, my friend, we do not (and we’re hit by James/Charles’ piercing blue eyes). Erik leaves Charles, makes one last plead to gain allies. Raven steps towards him, though she detours to her brother, who gives her permission. “Mutant and proud,” are her parting words. The rest of the team swarm their leader and Charles can only say he can’t feel his legs.
They’re back at the mansion, formalizing plans to make it a school. And Charles has to protect the anonymity of his students, so with a kiss, he wipes Moira’s memory. Erik breaks Emma Frost out of prison, now wearing the repainted helmet and a cape and going by Magneto.
This has become my favorite X-Men film, because it’s a story that can really stand on its own. They make it fit well into the Cuban Missile Crisis, so we wonder, could this really have happened? There’s also more energy to the movie. It’s nice to see older Charles and Erik get along on occasion, but it’s even better to see how they started. Yes, some continuity snarls show up, but since none of the movies were exactly planned out years in advance to fit together, it still works. And I probably allow much more leeway since I have never read the comics. It’s also not as dark as many of the previous movies were. Several mistakes were made by characters in complete innocence. The soundtrack also heightens the energy of the film, with the electric guitar and steady pace.
And yes, I totally subscribe to the theory that Charles and Erik are a couple. And utterly adore the new fact that Charles and Raven are siblings. These people need more hugs!
I love blueink3’s Rumor Has It, which picks up where this film left off and adds an unknown child of Charles’ to the mix.
A prequel to the trilogy with a lot of familiar faces. Danny Huston (we just saw him as Ludendorff in Wonder Woman and briefly as King Richard the Lionheart in Robin Hood) is Stryker and say hello to Dominic Monaghan (he will always be Merry) as Chris Bradley. And there’s Kevin Durand (Little John in the same Robin Hood movie) as Fred Dukes. Liev Schreiber (he was in Kate and Leopold with Hugh Jackman in 2001) is Victor Creed and Ryan Reynolds (he’s been opposite Sandra Bullock in The Proposal and is famous as Deadpool now…and that’s a confusing bit I will attempt to explain later) is Wade Wilson.
Wolverine’s origins actually begin in the mid 1800’s in Canada’s Northwest Territories. James is an adolescent with a friend/half-brother Victor. There is an altercation downstairs between James’ mother and another man, with James’ father investigating and getting killed. It is quickly revealed that the other man is James’ actual father and Victor’s father as well and since they share the same mother, they’re full-blooded brothers. James also has bone claws that extend from his hands, revealed when he attacks the other man for killing his “father.” He and Victor run away and brief scenes show that they fight together in wars throughout the next century, including the American Civil War, both World Wars, and ending up in Vietnam. Victor takes things too far and James (going by his surname of Logan by this time) jumps in to protect his brother; for their actions, they face a firing squad, but bullets do not harm the brothers. That’s when Stryker shows up and offers the men the chance to join a special team, that enjoys “special privileges.”
The special team is a black ops team that touches down in Africa to confront a businessman (played by Hakeem Kae-Kazim, who has voiced Krogan in Race to the Edge, as well as has appeared in the rebooted MacGyver series, NCIS: Los Angeles, Black Sails, Jomo in The Librarian: Return to King Solomon Mines [the second film] and Jocard in Pirates of the Caribbean: At World’s End) about a meteorite fragment he has on his desk. Logan is displeased at Stryker’s willingness to kill an entire village to gain the location, and leaves. Victor stays, once again enjoying killing.
Six years later, Logan is enjoying the simple life in the Canadian Rockies with his girlfriend. Kayla Silverfox [who looks like Jennifer Lawrence a bit] is a schoolteacher and Logan is a lumberjack. We cut briefly to a fair in Springfield, Ohio, where Bradley is working. Until he is visited and killed by Victor. Afterwards, Stryker pays a visit to Logan, asking for his help. “Your country needs you!” Logan points out, “I’m Canadian.” That evening, Kayla tells Logan a Trickster story about the moon’s lover, Kuekuatshue (which means “the wolverine”).
Of course, the next day, Victor tracks down Kayla. Logan senses it and runs to the woods, finding Kayla’s bloody body. He hunts down Victor, but takes a lot of hits in his rage. Stryker finds Logan at the hospital and promises him revenge, but first, he must endure pain in order to become indestructible. Logan agrees, warning Stryker that afterward, he will be out for blood and no code of conduct nor law will stop him. The procedure (at a familiar looking facility) involves the metal they found in Africa; adamantium [which is harder than vibranium, but not harder than Captain America’s shield according to the comics], which will be grafted to his skeleton. Logan wants new dog tags that say Wolverine since he plans to become to animal in order to get his revenge. There are visiting generals observing the creation of Weapon X; as in the Roman numeral for ten. There is a moment where the procedure appears to have killed Logan, but the heart monitor starts up again. Then Stryker tells one of his agents to erase Logan’s memories, which Logan hears. He emerges from the pool furious and escapes, butt naked. Stryker now tells his agent to cut off Logan’s head.
Logan manages to find a kind elderly couple to stay with for an evening. But he’s found and they’re kill. He rides their motorcycle out and takes down armored trucks and a helicopter (the fireballs are rather impressive). Stryker is still trying to play both sides; give Logan his revenge, but keep him as a weapon. Logan isn’t having that anymore. Stryker is informed that the only thing that can kill Logan now is an adamantium bullet to the skull. Logan goes to some of his old teammates to get information on what exactly Stryker is planning. He finds out that Stryker was having the team hunt down mutants and he’s still doing that with Victor, and we see Victor go after Scott Summers at school. Turns out, Stryker is collecting mutant powers in order to combine them into the perfect weapon. They’re held on an island that only one mutant ever escaped from, Remy LeBeau, known as Gambit. So Logan heads to New Orleans to find him. But there is a miscommunication between Remy and Logan and Remy throws him out of the casino, then interrupts Logan and Victor’s fight
Back at the island, the general shuts down Stryker’s project, citing a conflict of interests in regard to Stryker’s son being a mutant. Stryker kills the general and proceeds with creating Weapon XI. Turns out, said island is actually Three Mile Island, the nuclear power plant in central Pennsylvania…where better to operate in secrecy? Remy drops Logan off and Logan confronts Stryker only to find out that Kayla is actually alive, and a mutant and planted in order to keep an idea on him. She is able to influence people by touching them (she did that by deescalating a fight between Logan and another man earlier). Logan is furious and walks out. Victor goes to Stryker, because he wanted a fight. So Victor goes after Kayla; her scream calls Logan back and he dukes it out with Victor. He knocks his brother out, but doesn’t kill them, instead rescuing the trapped mutant children with Kayla, including her younger sister who has diamond skin. Kayla sends the kids on their own, staying to watch Logan take on Weapon XI, who is Wade with a lot of new powers, and a sewn-shut mouth (because that man would not shut up, not while he was awake and Stryker had commented earlier that he’d be the perfect soldier if he didn’t have that mouth). Victor joins in on the fun and fights back-to-back with his brother again; “nobody kills you but me.” Logan manages to decapitate Wade, but still walks away from his brother.
Logan finds Kayla wounded and they try to leave, but Stryker arrives with a gun with adamantium bullets. He downs Logan and puts two bullets in his skull; which doesn’t kill him, but does erase his memories. Kayla keeps from being shot by grasping Stryker’s leg and ordering him to turn and walk away. Remy has come back and after seeing Xavier take the children, discovers Logan, with no memory (at least he’s smart enough to realize that two bullets to the skull of someone who is indestructible is not good and yeah, probably causes memory problems). Logan discovers Kayla, but has no recollection of who she is, then tells Remy he will find his own way. Which brings us to how the first X-Men movie started; how Logan had no memory of how he became the Wolverine.
Oh, and Wade survived. Which brings us to the conundrum of Deadpool’s place in Marvel. I will be honest; I’ve only watched the first Deadpool movie once and not really my cup of team, but I believe that a few X-Men do show up and I recall Deadpool calling out Wolverine (or that was Ryan Reynolds calling out Hugh Jackman). The Deadpool character is part of the Marvel universe (but not the huge cinematic universe that Disney owns now) and I read somewhere that technically, Deadpool does exist in some way in the whole wibbly-wobbly timey-wimey timeline that Days of the Future Past created. However, it does appear that Ryan Reynolds enjoys playing Deadpool.
In a similar vein of honesty, this used to be my favorite X-Men movie and why I began liking Hugh Jackman as an actor. And it fits fairly well with the previous trilogy of films, though we do have a question now about Sabertooth, because Victor Creed is supposed to be Sabertooth, but in the first film, he does not have any brotherly tendencies towards Logan. Bit confusing if you stop and think about it. But things do get out of whack with the prequel films; however, I like those movies a little more in general; I think the stories are more nuanced, but we’ll get into that with the next batch of films. Overall, this is a straight-up action film, which we expect from Wolverine. He is caring, but doesn’t focus on the warm and fuzzy notions. And from the bits I’ve seen of later Logan-centric films, this doesn’t wallow in angst, which is appreciated.
The third in the original trilogy of X-Men films. There are a few new faces in the crowd, including Kelsey Grammer as Dr. Hank McCoy and Ellen/Elliot Page as Kitty Pryde. But the film starts with a flashback to twenty years prior, where Erik and Charles meet the Greys, proving that the two men were indeed friends and began searching for mutants together, though their outlooks already differ. Charles comments on his feeling of the misuse of power to Erik and they try to present a united front for Mr. and Mrs. Grey. They ask to speak to Jean privately and Charles warns her that she has more power than she can imagine, but she should control it lest it controls her. Jump to the “not too distant future” and Ororo and Logan are teamed up with some of the older teenagers, fighting against giant robots. It’s only a simulation to get them to work as a team, which Logan is not keen on. But he’s only a sub, because Scott hasn’t been the same since Jean’s death. So when Scott starts hearing her voice again, he heads out alone to Alkali Lake to investigate.
Meanwhile, there is a meeting with the Department of Mutant Affairs, a relatively new department put in place by a sympathetic president, headed by Dr. McCoy. They hope they are a step closer to re-capturing Magneto because they have managed to capture Mystique/ Raven Darkholme. Dr. McCoy theorizes that yes, Magneto will come for her. But there is more troubling news; a “cure” for mutants has been discovered. It is an antibody, naturally produced by a mutant boy that permanently suppresses the X gene. When McCoy visits the boy, his blue fur fades away, revealing a human hand. News spreads and some mutants are for the cure, like Rogue, and many are against. Magneto speaks to a group, warmongering that the government will force the cure upon mutants. He recruits more mutants to his Brotherhood, claiming that the other option is genocide.
With his new crew, Magneto is able to find Mystique, along with a few more newcomers. The Juggernaut is played by Vinnie Jones (he has been in episodes of NCIS: LA and MacGyver and was Labarge in The Musketeers and Gareth in Galavant), and they gain a man who can duplicate himself. But when they try to get away, one of the guards was not completely unconscious and fires off a shot of the cure towards Magneto. Mystique stands in the way and turns human. Then Erik leaves her because she is “not one of us anymore.”
At Alkali Lake, Jean is still alive, though she doesn’t know how. And she can control Scott’s laser eyes; she wants to see them. They kiss, but something is wrong. Back in New York, Charles senses something and sends Ororo and Logan to investigate. When they arrive at the lake, stones are floating, as are Scott’s glasses. Logan finds Jean, still alive, but no sign of Scott. Back at the mansion, Charles reveals to Logan that because of Jean’s immense power, Charles put in physic barriers to help her control her power, meaning she developed dual personalities: Jean and Phoenix. Now, with what happened at the lake, Phoenix may be getting free. Logan now distrusts Charles, so when Jean awakes, he makes out with her, though he too sense something is off. This is not the Jean he knows. She becomes confused when Logan asks “where’s Scott?” She pleads “kill me before I kill someone else,” but Logan doesn’t.
She returns to her old home, where Charles and Erik meet up again. Erik is determined to recruit Jean to his side and points out that Charles never let her fully be herself and tried to control her. Charles insists he is helping her. Jean’s powers flair and while the two mutant groups face off against each other, Charles turns to dust. Erik is horrified and tries to tell Jean to stop, but he is comfortable with taking Jean with him at the end. Logan and Ororo are left to mourn. Bobby comforts Kitty after the funeral [because that’s what this movie really needed was a teenage love triangle] and Rogue decides to leave. Logan lets her, though cautioning her that she should go because it’s her decision, not because of some boy. But Rogue has always wanted to be able to touch people again after her mutation developed.
In the Brotherhood camp, the other members don’t trust Jean, and former student Johnny spouts he would have gladly killed the Professor, if given the chance. Erik retorts “Charles Xavier did more for mutant than you’ll ever know. My single greatest regret is that he had to die for our dream to live.”
Events only escalate. Magneto sends Pyro to torch a cure facility, bumping into Bobby looking for Rogue. Magento also issues a threat to humanity, so in retaliation the Army is deployed, making sure to use no metal. McCoy returns to the school, that Ororo keeps open. Logan begins to hear Jean and goes looking for her, overhearing Magneto’s rallying cry to the Brotherhood. Their plan is to go to Alcatraz Island, where the boy forming the cure is kept and burn it to the ground. With information from Mystique, the President hopes to entrap Magneto, but when the raid goes down, all the mutants they saw turn out to be just the replicating man. The X-Men form up and go to Alcatraz to face off against the Brotherhood. Magneto is fine with letting the meaningless hoards of his troops go first and be shot with the cure by the Army. He holds his more powerful allies in reserve, sending a few of the newcomers to take care of the kid. Kitty heads in to save the kid, distracting the Juggernaut. Pyro and Bobby get the rematch they’ve been waiting for, with Bobby ultimately freezing Johnny. Logan works with the team and distracts Magneto while Hank comes from behind and jabs Magneto with the cure.
When we think that the X-Men have won, reinforcements arrive and Jean’s powers obliterate them. Erik murmurs “what have I done?” as he escapes. The rest of the X-Men get the remaining people off the island and Logan faces off against Jean. His healing ability gives him the time to get close, though it is painful. His claws are out and Phoenix growls “you would die for them?” “No, for you,” Logan admits. Jean comes through for a moment, pleading again “save me.” “I love you,” Logan declares as he runs Phoenix through.
The world attempts to return to normal, rebuilding the Golden Gate Bridge that Magneto destroyed. Xavier’s school re-opens, with headstones for Jean, Scott, and the Professor. Hank McCoy is the new representative for the whole United States to the United Nations. In the theatrical version, Rogue did take the cure so she can touch people (I prefer the alternative scene where she didn’t take it, because she realizes it is important to be a mutant, whether she can kiss her boyfriend or not). At the end, Erik is disguised as an old man in a park, attempting to move chess pieces like he used there. There is also a scene amidst the credits where the coma man that was part of an ethics question earlier wakes up with Charles’ voice.
We’ll notice more once we get to the prequel trilogy that some of the backstories no longer line up. But Erik’s comment about Charles is the nicest thing he’s said in this trilogy and you want to see a glimmer of humanity in Erik. Then we recall he didn’t do that much to keep Jean from destroying Charles and his friend’s death does leave an opening for his own agenda to make traction. And his decision to let Phoenix free comes back to bite him in the butt later, so maybe Charles wasn’t in the wrong.
The romantic relationships still fall flat to me. [Though the thought did pop into my head during the scene between Logan and Jean/Phoenix in the mansion: “it’s the return of Onatopp”]. And I do want to know, did Jean really kill Scott, or if Charles can come back, can Scott? Is the cure a permanent thing, considering that Erik must feel something to think he can try to move the chess pieces. And how is he not in custody? Many questions, with no answers, the least of which, the actual ethical question of Charles taking over a coma patient.
My final thoughts? I love the gravitas that Ian McKellen and Patrick Stewart bring to Magneto and Charles Xavier; they’re wonderful together. The story itself was lacking, I feel. I’m looking forward to diving into the prequel-ish trilogy, but first:
The leads from the first film are back and joined by Brian Cox (Agamemnon in Troy, Argyle Wallace in Braveheart, and Killearn in Rob Roy) as Colonel William Stryker and Alan Cumming (Boris in Goldeneye) as Kurt Wagner. And once again the film opens with an introduction about mutation and the comment from Professor Xavier that “sharing the world has never been humanity’s defining attribute” [and who else thinks this is something Captain Picard would tell another being?] After that, the action kicks off with a mutant who can pop around in a cloud of blue smoke attacks the president, but once he’s shot, he leaves behind a knife with a banner reading “Mutant Freedom Now” on it. Logan has made it to Alkali Lake in Canada, but it’s deserted. He does spy a white wolf, which can hold various symbolism, including a search for truth I believe.
Back in civilization, Jean, Storm, and Scott are leading a field trip and a trio of teenagers, John, Bobby, and Rogue, get in a bit of trouble. Jean is also experiencing some problems with her powers; they’ve been off in a way since Liberty Island. Her dreams have been worse and she feels something terrible is going to happen. Professor Xavier has to freeze the food court and reprimand John for showing off in front of humans. But then the news story comes in about the attack on the President, so they quickly leave. Colonel Stryker visits the President to request authorization for a special operation, namely to “investigate” Xavier’s school for children. He has access to Eric Lensherr, which Senator Kelly is very interested in (reminder, that is Mystique in disguise). The President agrees that Stryker may “enter, detain, and question,” but he doesn’t want to see a dead mutant kid on the news. Kelly warns Stryker about turning this into some kind of war. (We can tell there is something suspicious going on.)
Logan returns to the mansion and gets left to watch the children while Jean and Storm track down the mutant who attacked the President [there is an error in editing; Jean comments to Logan they’re going to Boston before Xavier uses Cerebro to find the mutant.] Scott and the Professor are going to visit Eric. Charles realizes that Stryker has been using Eric against his will for information against Charles; gas is pumped in and the two older mutants collapse. Stryker’s assistant takes care of Scott. Jean and Storm are able to find the mutant, a teleporter named Kurt Wagner, known in the Munich circus as the Incredible Nightcrawler. He remembers the attack, but like he was watching himself and couldn’t stop it. The back of his neck is scarred (like Magneto’s). Mystique shifts into Stryker’s assistant in order to find out information on the prison where Eric is kept; she also discovers plans for a second Cerebro at a classified location.
Meanwhile, Rogue is very happy to see Logan back at the school and introduces him to Bobby, her boyfriend (and isn’t that a whole load of awkward). Logan wakes in the middle of the night, at the same time that black ops men break into the school and shoot stun darts at the children. Some are able to get away, led by a kid that can cover himself in metal. John and Bobby go back for Rogue while Logan takes out the men. Logan instructs the big kid to watch after the other children. Rogue convinces Bobby to go back for Logan, who is now distracted by Stryker; he remembers this man for some reason and Stryker seems to know things about him. Bobby erects an ice wall between Logan and Stryker. Logan tells Rogue, “Go I’ll be fine.” “But we won’t,” she responds. So Logan takes the three teens. They head to Boston, where he knows Jean will be. Bobby suggests they go to his parents’ house for clothes and he has to reveal that he’s actually a mutant. His younger brother is upset and his mother asks him to try to “not be a mutant” [cringe].
Stryker has kidnapped Charles and Scott and is using his own mutant son to control Charles, having him send illusions into Charles’ head. Charles protests Stryker’s use of his son, but Stryker also won’t admit that the young man is his son whom he’s holding prisoner. His true son died; this is simply mutant number 143. He will admit that mutants serve a purpose, as long as they can be controlled. Charles also realizes that it was Stryker who arranged the attack on the President. Create a situation where his expertise will be required and manipulate the situation to get what he wants. He needed a reason to attack the school and get the specifications of Cerebro. After the attack, the President gave him permission. And breed enough fear against mutants, his method of controlling them will be desired. Mystique charms a man and drugs him in order to gain access to Eric’s prison; by injecting him with lead that Magneto pulls out of him and creates pellets to free himself.
Jean is able to contact Logan, but Bobby’s brother called the cops. Logan tries to calmly talk his way out, but with his claws out, he’s shot for his trouble. John, who controls fire, shoots fireballs at the cops, until Rogue uses her power to stop him and put the fires out. Jean and Storm pick up the teens and Logan. Then two other jets come up on the mutants’ jet and Storm has to distract them. They take a hit and Rogue is sucked out of the plane, though Kurt rescues her. Magneto helps land the plane and both groups have to work together to free Charles. Stryker’s son, James, is putting the illusion in Charles’ head that he has to use Cerebro to locate all the mutants. But the danger is, if Charles concentrates on all the mutants too long, he can kill them. Which is what Stryker wants. Jean is able to read Kurt’s mind to discover that the secret base is underneath Alkali Lake.
They send Mystique in as Wolverine since Stryker is less likely to kill him on sight, but Mystique will be able to man the control center. She gets in, but Stryker recognizes that she is not the true Wolverine, thought she is still able to complete her part of the mission. She lets the others in. Storm and Kurt will free the other children the men captured, while Jean goes with Magneto and Mystique for Charles. Wolverine sneaks out to go after Stryker. Jean runs into Scott, who is being mind-controlled, so Magneto and Mystique go on to Cerebro on their own. Wolverine finds the lab from his nightmares and faces off against Stryker’s assistant, who is also a mutant with adamantium nails and a healing ability like Wolverine’s. He manages to win by injecting her with more adamantium. Then he goes after Stryker and is ready to kill him, despite Stryker’s insistence that he will tell Logan everything. Except he finds out that the dam is going to flood their escape route and goes back in to save his new friends.
A blast from Scott knocks both him and Jean out and when he wakes, he’s back to normal and Jean’s injured her leg. Kurt and Storm manage to get the children and Mystique and Magneto do find Cerebro. “From here it doesn’t look like they’re playing by your rules. Maybe it’s time to play by theirs.” Instead of simply pulling Charles out, Magneto has James tell Charles there is a change of plans. Kill all the humans now. Storm has Kurt teleport her inside since Magneto and Mystique have left. She freezes the inside so James has to stop his control. Kurt gets Storm and Charles out and they are all almost to the spillway when Logan closes the door, right in time to keep them from being flooded. He leads them out, but Stryker’s helicopter is gone, courtesy of Magneto and Mystique. They’ve also gained a follower in John, who goes by Pyro. Magneto told him on the way in that his power makes him a god among insects. Stryker is still alive and once again tries to convince Logan he’s only an animal and who else can give him the truth? Well, Logan will take his chances with the mutants. Stryker shouts after him “one day someone will finish what I’ve started!”
Rogue and Bobby have brought the jet around to rescue everyone, but it won’t start again. Jean senses that the dam is about to give, so she limps out of the plane. She starts it and gets it in the air and won’t let the ramp back down for Scott to come after her. She also manages to keep the water away from the jet and uses the Professor to say good-bye to Scott. Then the jet is in the air and she drowns in the water. All Logan can say is “she’s gone,” and Scott finally breaks down. But they’re not finished yet. The Professor freezes a press conference in the Oval Office and points out the truth of Stryker to the President and urges him to work together for a better future rather than repeating the mistakes of the past. Back at the mansion, Charles tries to comfort Logan and Scott, but they don’t seem terribly convinced. He then goes on to start a lesson with the students on T.H. White’s Once and Future King, which Eric was reading earlier in jail.
The pairings and relationships in this movie…to start, it seems like Rogue may view Logan more as a surrogate father-type figure, since she’s dating Bobby and Bobby seems like a nice guy. He’s not trying to push Rogue, but he would enjoy a kiss once in a while. And it evens works for a second, until it lasts too long. And Logan probably views Rogue in a protective sense, but he doesn’t grill Bobby. As for Logan and Jean; that is a ship that never should have set sail. While Logan’s reaction to her death tugs at the heartstrings, I definitely side with the notion that she should be with Scott; she has a history with him and an understanding. And yes, the two men are united for a moment in their grief for the loss of Jean, but even with Logan telling Scott that Jean chose Scott, I don’t see these two becoming friends. Then there’s Mystique obvious interest in Wolverine which could be interesting in one respect, though creepy how she switched through the various ladies (one of whom may have been Rogue and yeah, definite creepy factor there).
There are hints of Jean’s growing power throughout the film and that is an epic display at the end, lifting the jet and holding back the dam at the same time. And we are left with the notion at the end that all may not be what it seems. But Magneto may be right, that there is a war coming and these are the warning shots.
The first of a whole series of films made, including a prequel set. It has a stellar cast, helmed by Patrick Stewart (Captain Jean Luc Picard of Star Trek: Next Generation, John Gaunt in Hollow Crown, he voiced the Pharoah in Prince of Egypt, he appeared as King Richard at the end of Robin Hood: Men in Tights and an overall acting career that dates back to the sixties) as Professor Charles Xavier and Ian McKellen (Gandalf in the Lord of the Rings and Hobbit trilogies [the director, Bryan Singer, even adjusted the filming schedule so Ian could travel to New Zealand], Cogsworth in the live action Beauty and the Beast, Sir Leigh Teabing in The Da Vinci Code, and a career as long-spanning as Stewart) as Eric Lensherr/Magneto [the two actors are friends in real life and it’s adorable]. This was Hugh Jackman’s first major role (he had done a recorded stage production of Oklahoma before this and was known elsewhere for his singing, but most American audiences knew him from X-Men first) as Wolverine (he goes on to star in Australia, Kate and Leopold, Van Helsing, The Greatest Showman, and Les Misérables, and is now on Broadway in The Music Man). Halle Berry (Jinx Johnson opposite Pierce Brosnan in Die Another Day, the titular Catwoman in the 2004 film, and she won the Oscar in Monster’s Ball) is Storm, James Marsden (Prince Edward in Enchanted, he appears in Hairspray and 27 Dresses as well) is Cyclops, while Famke Janssen (Xenia Onatopp in GoldenEye, so that’s two Bond women in this movie) is Jean Grey. You kind of can’t tell, but that’s Rebecca Romijn (Eve Baird in the Librarians series) as Mystique and Ray Park (you can’t recognize him in his other role either, but he’s Darth Maul in Phantom Menace) as Toad.
The film opens with narration on mutation and evolution, explaining that in this universe, mutants are the evolution of humans. Then we’re in 1944 Poland, at a concentration camp as evidenced by the yellow stars the prisoners are wearing. A family is torn apart and the mother cries for her son; he reaches out to her, despite guards holding on to him and pulls the metal gate back before he’s knocked out. Time jump to the “not too distant future” in Mississippi. A teenage couple is discussing the girl’s desire to go on an adventure. When she kisses the boy, he becomes paralyzed and non-responsive. She screams at her parents “don’t touch me.” Meanwhile, there is a Senate hearing going on about a mutant registration act, headed by a Senator Kelly, who views all mutants as dangerous while Dr. Jean Grey is trying to explain that they are still people and often their mutations are brought on at puberty by heightened emotions. After the hearing, two older gentlemen have their own conversation. Charles is in favor of hope, while Eric views humans as lesser beings; “we are the future,” he tells Charles and warns him not to get in his way.
The teen girl has made her way to Canada where she enters a bar with a cage fight going on and meets “the Wolverine,” a champion fighter. She warns him afterwards of a man threatening him, but Wolverine has claws that extend from his hands, so he’s got it covered. Later, Wolverine, whose real name is Logan, discovers the girl as a stowaway and his heart is kind enough to not simply leave her on the side of the road. Her name is Marie, but she goes by “Rogue” now. They get in an accident and Logan is thrown from the truck. He faces off with another mutant, while Marie is stuck in the truck, about to go up in flames (thanks to Logan’s cigar). They are saved by two other mutants, one who controls the snow storm and one with laser eyes.
When Logan wakes up, his first instinct is to escape, though there is a voice following him and leading him to…Professor Charles Xavier. And his school for the gifted, a cover for mutants. His primary instructors are Storm, Cyclops (real name is Scott), and Jean Grey. Marie is attending classes and hopes to fit in with the other wayward students. Charles explains about their counterparts, led by Magneto, who foresees a war involving mutants. Magneto was an old friend of Charles’, when he went by the name Eric Lensherr. Charles also knows that Logan has lost his memory of his life before the incident that gave him an adamantium skeleton. He makes a deal with Logan; give Charles forty-eight hours to discover Magneto’s plan and then Charles will use his skill at mind reading to help Logan discover his past.
In the meantime, Magneto has Mystique kidnap Senator Kelly and he uses a machine to expose the Senator to radiation. Kelly ends up a mutant (whose body can now squeeze through bars), just like the Brotherhood of Mutants. Afterall, humans fear what they don’t understand, so Magento is changing their minds about mutants. Back at the school, Marie visits Logan when he has nightmares [why, not explained, and someone really ought to be asking that question]; he’s startled awake and accidentally stabs Marie. Before she collapses, she touches Logan and heals herself, but knocks Logan out. Charles explains once Logan wakes, that Rogue’s gift drains the life force of someone, and in the case of mutants, borrows their powers for a time. Outside, Rogue’s new friend Bobby tells her to leave. Except it’s not really Bobby; the yellow eyes give her away as Mystique. Charles introduces Logan to Cerebro, the machine he uses to find other mutants, since their brainwaves are different. He sends Cyclops and Storm after Marie, but Logan also goes. Then Mystique gains access to Cerebro and plugs in a poison.
Logan is the one to track Marie to the train and comforts her. He suggests she gives the school another chance because the Professor is one of the few people who understand what is going on and may be able to help her. Logan also promises to take care of her, managing to give her a hug without skin contact. But Magneto and his goons find them, Sabretooth and Toad taking on Cyclops and Storm while Magneto tears apart the train and throws Logan back so he can take Marie.
Logan intends to go back out to find Rogue, while Storm urges him to fight with her and Scott. That’s when Senator Kelly shows up at the school, begging for help. Charles reads his mind and finally realizes what Eric’s plan is. To use his machine to turn the world leaders gathering at a U.N. Summit on Ellis Island into mutants so that the mutant cause becomes their cause. And since the machine weakens him, he’ll use Marie’s power to transfer his power through her to power the machine. However, a side effect of the machine causes Kelly to dissolve into water. Charles attempts to use Cerebro, but is poisoned. So the four adults have to work together to take on Magneto and his Brotherhood and rescue Marie. Logan makes a crack about their suits and Cyclops comes back with a joke about wearing yellow spandex (apparently what they wore in the comics).
It’s an interesting fight since Mystique can transform into anyone on the team, so at one point we have two Wolverines fighting each other. Storm eventually electrocutes Toad, Scott saves Jean, and when Logan returns, Scott knows it’s the real him because he calls him a name. But Magneto pins the team and raises the machine. Logan eventually stabs himself with his claws to get free, then takes on Sabretooth. He helps the others get free and has them raise him up to Marie. Cyclops gets a shot at Magneto, distracting him enough for Logan to slice the controls. Marie now has a white streak in her hair and isn’t breathing at first. Logan takes off his glove and attempts to siphon his power. There’s a delayed reaction and Marie starts breathing, but Logan’s wounds begin bleeding.
Charles recovers and gives Logan a clue that there is an abandoned facility at Alkali Lake in Canada that may hold some answers. Mystique survived and is posing as Senator Kelly so now he’s changing his view on the mutant registration law. And Charles visits Eric in a plastic prison to play chess. Eric asks his old friend if he stays awake at night, worried that someone may come for his children? Charles responds: “I feel a great swell of pit for the poor soul who comes to that school looking for trouble.” They’re still on opposite sides of the war, but they’re still old friends.
I have to admit, after watching the later X-Men and other superhero movies, this one feels a bit slow. I understand that it sets up a lot of what takes place in later movies, but I had trouble getting back into the film after several years. Of course, Patrick Stewart and Ian McKellen are excellent. I think Hugh Jackman’s performance gets better over time in the movies. Jean is a bit flat and Cyclops and Storm are almost relegated to sidekicks. As for the “love triangle” between Logan, Jean, and Scott; there is absolutely no chemistry between any of them and the only reason Logan is at all interested in Jean is because she’s pretty. They have no interaction before he’s interested. I do appreciate how they all work together at the fight at the Statue of Liberty at the end. Also, looking back at the relationship between Rogue and Wolverine, it doesn’t sit quite right. You can clearly tell that Rogue has a crush on Wolverine, but due to the age difference and the fact that they had only just met, it’s a bit awkward. Now, it is sweet that Wolverine is concerned about Rogue and even persuades her to return to the school and promises to take care of her.
Takes place in the DC extended universe films that have come out recently. Wonder Woman actually made her first appearance in Batman v. Superman: Dawn of Justice (I watched it after this film since Wonder Woman was in it and still not impressed. Yes, Batman and Superman have canonically butted heads but would they really dissolve into fighting each other?) She also later appears in the full Justice League film (again, only watched once and not one I’m going to revisit).
However, this film is directed by Patty Jenkins and stars Gal Gadot as Diana. Chris Pine (most famous now as Captain Kirk in the new Star Trek films, but he’s played romance before in Princess Diaries 2) is the lead male, Captain Steve Trevor. Robin Wright (Buttercup in The Princess Diaries; there’s a saying going around with the movies that came out in the 2010’s, that our princesses, i.e. Buttercup and Leia, became our generals) is General Antiope. David Thewlis (Professor Remus Lupin in the Harry Potter franchise) is Sir Patrick, Danny Huston (a brief appearance as King Richard in Russell Crowe’s Robin Hood and we’ll see him as Stryker in X-Men Origins Wolverine) is Ludendorff, and that’s James Cosmo (he’s been in period films like Troy and Braveheart and is Father Christmas in The Lion, The Witch, and the Wardrobe, and was Jeor Mormont of the Night’s Watch in Game of Thrones) as Field Marshall Haig.
The film actually starts in modern days, with a Wayne Enterprises truck pulling up outside the Louvre, to deliver an old photograph to Diana. The story then turns to her upbringing on Themyscira; her desire to train alongside the other Amazons, but her mother forbidding it. She wants her daughter the remain a child as long as possible and tells her the story of Zeus’ creation of man and Ares’ jealousy. He poisoned the kind hearts of mankind, so Zeus created the Amazons as protectors of humans. The queen herself led the revolt against Area, but many gods were killed. They believed Area perished as well, but Hippolyta fears he is still out in the world and is content to remain hidden on Themyscira. Diana begins training with Antiope in secret for several years before her mother finds out (slightly retconned in the beginning of the sequel). Hippolyta demands that Antiope train Diana harder than any she has trained before, but the young woman cannot know the truth.
Fast forward several years, and Diana is sparring with the other Amazons, Antiope pushing her to release her full potential; “you’re stronger than you believe.” When Diana crosses her gauntlets, they create a shockwave, stunning Antiope. Diana is starting to wonder if there is something else going on, so she visits the cliffs to collect herself. And discovers an airplane crashing into the water by the island; the first outsider. She dives into the water to save the man, then the pursuing Germans attack. The Amazons fight back, their arrows somewhat effective against the soldiers, but they’re not prepared for the guns. Antiope takes a bullet for Diana when she’s distracted. The Amazons take the man Diana rescued for questioning, using the Lasso of Hestia to compel him to tell the truth. His name is Steve Trevor and he is an American assigned to British Intelligence to spy on the Germans. He discovered General Ludendorff’s and Doctor Maru’s newest toxic gas and stole the notebook so it cannot be fully developed and used on people. The Germans followed him to the island. Diana, raised on her mother’s stories and belief that the Amazons’ purpose is to protect humans, wants to join Steve fighting this terrible war. Obviously, Ares is behind it and it is the Amazons’ duty to defeat him. Hippolyta, knowing the truth of the world, feels they are better on their island and forbids Diana from going.
Diana decides to help Steve anyway and sneaks into the tower where there is the God killer sword, a shield, and a brightly colored set of armor (modeled after gladiator garb). She will sneak Steve off the island in exchange for him taking her to the war so she can defeat Ares; she believes it will be so simple. Hippolyta catches them before they board a boat, but she admits she cannot force Diana to stay. However, she can never return to the island. Steve and Diana have a rather…awkward conversation about relationships between men and women.
In the meantime, Maru continues working on her gas, though she discovered another one that restores a man’s strength and gives it to Ludendorff (yeah, there’s definitely some magic going on there because his reaction is not natural). Steve and Diana make it to London and meet Steve’s secretary, Etta. First, they need new clothes because Diana is going to standout in just her cape at some point. But she’s not accustomed to early twentieth-century garb and the fact that women are not meant to fight; corsets are not armor. She eventually settles on a long skirt and shirt. Steve puts glasses on her and as Etta points out, not the most camouflaging. The pair run into German spies who try to kill Steve, until Diana uses her gauntlets to stop bullets. When they go to British command, the men are dismissive of Diana and Steve is forced to take her out of the room. However, she’s the only one who can decipher the combination of languages Maru is using to make her notes. And she gets very upset when the men all insist that they cannot go after the gas factory because they cannot endanger the imminent armistice. Outside, Steve admits, using the Lasso to prove his sincerity, he is planning on doing the mission anyways.
Steve gathers his buddies; an actor named Sammy, a sharpshooter named Charlie, and a smuggler referred to as Chief so they can infiltrate Belgium, find the factory, and destroy it. Sir Patrick, from command, pays them a visit and even helps them along, allowing Etta to coordinate in his office. In Belgium, Ludendorff visits the other German generals (who do point out that this ongoing war is costing the Germans just as much as it is costing the allies and are willing to sign an armistice) and uses the gas on them. He and Maru giggle like children at the destruction they cause and set in motion the rest of their plan.
Steve and Diana pass through No Man’s Land, and Diana finally insists she can do something to help; there is a village trapped behind the German line. She drops her cloak, revealing her armor, shield, sword, and headband, and steps out of the trench. She draws the German’s fire and Steve leads his men after her, giving her an opening to take out the German weapons. They go on to the village (where we are treated to the energizing theme as Diana takes out her adversaries), Steve fighting alongside Diana. He recalls a move he saw the other Amazons use and launches Diana into the bell tower to take out a sniper. A local commemorates their victory with a photograph (the one from the beginning of the movie). There are a few tender moments between Steve and Diana that evening, after Steve has reported to Etta and Sir Patrick. Ludendorff will be at a gala nearby, but Patrick forbids Steve from going in. Diana has also come to the conclusion that Ludendorff is Ares. Everyone knows that Steve will disobey that order and go anyway. I do love the scene between Steve and Diana in the bedroom for the fact that there is no dialogue. Without words, Diana asks Steve to stay and he agrees. There is a kiss between the two and that is all we see.
On the way to the gala, Steve tells his friends the truth about Diana, and of course, Sammy wants to visit, since he’s been flirting with Diana in half a dozen languages. Steve attempts to order Diana to stay back while he sneaks into the gala, but she steals a dress and enters, breaking his focus on charming Doctor Maru. Ludendorff dances with Diana and Steve catches her before she executes the man. And admittedly, Ludendorff sounds very much like a god of war. Steve takes Diana out of the gala and they see a “firework” set off. Except it’s actually the gas and it hits the village they just saved. Diana is not pleased with Steve, but they follow the Chief’s signal to Ludendorff at a nearby airstrip. Diana goes after Ludendorff while Steve and his friends go after the gas being loaded onto a plane.
Diana has a bit of a fight with Ludendorff, but she overpowers him and runs him through with her sword. And the Germans don’t stop. How can this be? You kill the god of war; you stop the war. Steve doesn’t know either. Maybe humans aren’t wholly good like Diana believes; maybe there is no one bad guy to blame. He asks Diana to help him stop the gas, but she’s now disheartened and doesn’t follow him. Sir Patrick shows up and tells Diana that mankind only deserves destruction. It’s not Ludendorff who was Ares; Sir Patrick is Ares. “I’m not what you thought I was.” He did not spout war; he was not obvious. He hid in plain sight and manipulated behind the scenes where no one would suspect him. He tells Diana he is not the enemy; instead, he is the only one who truly knows her. He saw from the beginning that his father’s creation was evil; humans are inherently cruel and selfish [oh boy, does he sound like Lucifer from Supernatural]. Diana gears up for another fight, but Ares is able to break the sword. And reveals that the sword wasn’t the god killer, Diana herself is. “Only a god can kill another god.” Diana was not simply sculpted by clay and brought to life by Zeus, she is the offspring of Zeus and Hippolyta. Ares tries to convince Diana to join him, destroy mankind and the world will be beautiful again. He goes on, claiming that it was not him who made humans use weapons and wage war against each other, he only whispered inspiration in their minds.
Diana refuses to join Ares and their battle hits the tarmac. Steve intends to stop the plane, but he can’t ground it since it’s on a timer and they can’t blow it up because it will still kill everyone in the vicinity. The only way he can stop it is to take it in the air and hit it then. But he finds Diana first. Except the blow from Ares has messed with her hearing, so she doesn’t hear him at first. He leaves her to fulfill his mission and she goes back to her fight with Ares. He grounds her and she watches the plane explode, crying out and bursting from her bonds. She rips through the soldiers and Ares is pleased. He brings Maru in front of Diana and she picks up a tank. Ares goads her, saying again that humans are weak. Including Captain Trevor; he deserved to burn. Diana spares Maru and goes after Ares, finally recalling what Steve told her: “I wish we had more time. I love you.” Before Diana strikes her final blow, she tells her brother, “I believe in love.” There is a huge explosion as she shoots lighting back at Ares. And everyone is just grateful to be alive afterwards that they all hug one another.
At the victory celebration afterwards, Diana quietly meets up with Etta and the men and visit the memorial wall. Back in present day, she remarks that she decided to stay and fight and protect humanity. It is her mission, now and forever.
There are several aspects of this movie that I enjoyed. First and foremost, it shows a female superhero as the lead and she kicks butt! The action focuses on her and she gets herself out of trouble. (And totally cool that it is directed by a female.) And it’s sweet that Steve accepts her as she is; of course he has to struggle to get her to fit in with early-twentieth century London, but that’s to avoid awkward questions. He’s seen the Amazons in action and know they can defend themselves, so he trusts Diana to look after herself in that respect. It’s the minutia of “in polite society you really can’t do that” that he has to worry about (like, don’t assassinate the general in a room full of witnesses who are going to take the general’s side).
Part of why this film was moved to World War I as a setting compared to its run in the comics was to differentiate it from Marvel’s Captain America; you don’t want tow Captain Steves running around. But, it makes sense in a historical sense; the people who lived and fought in the first World War did not know there would be a second. It was called the Great War and they thought it was the war to end all wars, so that’s a perfect time to find this amazing warrior who helps turn the tide. And packs more of a punch when you realize that these people will live through another tragedy and Diana herself will witness the horror of the world dissolving into war again.
Also, Ares’ game plan. Upon first viewing, and taking into account that many of the audience view this character as kind Professor Lupin, Sir Patrick’s actions are good. He’s trying to end the war peacefully; he helps our heroes get to their destination. Yet, it’s Ares playing the long game. He knows how to maneuver people where he wants them without anyone suspecting. Let Diana see her friends try and fail to end the violence. It just cements his view that humans are inherently cruel and violent. Of course, he weakens his argument when he reveals that he is the inspiration behind Maru’s gasses and behind weapons’ designs.
Diana and Steve were cute together, so I was happy to see Steve return in Wonder Woman: 1984, though I do question why he had to take over someone else’s body (and that opens the door to questions we possibly don’t want answered.) The film features Kristen Wiig (oh hey, she voices Ruffnut in the How to Train Your Dragon films) as Barbara Minerva and Pedro Pascal (a big name recently as Oberyn Martell in Game of Thrones and the titular Mandalorian) as Maxwell Lord. And the guy simply credited as “handsome man” is played by Kristoffer Polaha, a mainstay on the Hallmark Channel, including their Mystery 101 series. On the whole, the sequel was an enjoyable film, but there were plot holes. And stick around till the end because SPOILER, Lynda Carter (who played Wonder Woman in the 70’s TV series) makes a cameo as Asteria. There are also rumors of a third film in the works.
Definitely watch the first film, mainly because Gal Gadot is awesome as Wonder Woman.
Famously directed by Christopher Nolan; there is a third film to complete the trilogy, Dark Knight Rises, but it is more depressing and not one I really wanted to revisit (more on that later). Christian Bale (who is technically Welsh and played Jack Kelly in Newsies, the voice of Thomas in Pocahontas, and known for American Pyscho, Ford v Ferrari, and The Fighter. He will also be in the upcoming Thor: Love and Thunder film and The Pale Blue Eyes [the main reason I’d be interested in this film is because it filmed near where I live]) leads the film as Bruce Wayne, with Gary Oldman (Air Force One, Bram Stoker’s Dracula, voicing the bad guy in Quest for Camelot, Red Riding Hood, and most recently known for Tinker, Tailor, Sailor, Spy and Darkest Hour. And of course, no one of my generation is going to forget him as Sirius Black in the Harry Potter films) as Jim Gordon. Liam Neeson (Qui-Gon Jinn in Phantom Menace and the voice of Aslan in The Chronicles of Narnia, also known for A-Team, Taken, and Schindler’s List) is Ducard, Michael Caine (whose acting career goes back to the fifties and was in Zulu, The Battle of Britain, The Eagle Has Landed, and A Bridge Too Far [we blame my father for my knowledge of some of these movies], and more recently in Miss Congeniality and Muppet’s Christmas Carol) is Alfred, while Ken Watanabe (Katsumoto in The Last Samurai) appears as Ra’s Al Ghul. Katie Holmes is Rachel Dawes, Morgan Freeman (he needs no introduction) is Lucius Fox, and Colin McFarlane (he appears in Outlander, Dr. Who, and Torchwood, and is not terribly nice in Hallmark’s Crown for Christmas movie) is Commissioner Loeb. Charles Edwards (Michael Gregson from Downton Abbey) also makes a brief appearance, as does Jack Gleeson (most famous as Joffrey Baratheon in Game of Thrones) as a little boy.
The film opens with a young Rachel and Bruce playing on the grounds of Wayne Manor. Bruce falls down an empty well and bats fly out of a cave underground. He wakes up and it’s a memory from his childhood; he’s now a grown man in a foreign prison (somewhere in Asia, I presume). A fight begins and he comments that his opponent is not the devil, just practice. In solitary, a cultured man finds him and knows him to be Bruce Wayne [I actually forgot that Liam Neeson was in this film until I heard him speaking]. His name is Ducard and he works for Ra’s Al Ghul [pronounced Raz, unlike Batman Beyond]. He offers Bruce a path with the League of Shadows, where men share his hatred of evil and he can devote himself to an ideal, becoming a legend. If he wants this path, pick a blue flower on the side of the mountain, then journey to the top.
Bruce picks the flower and makes his way up the mountain. He is asked what he is seeking and responds that he wants to fight injustice and turn fear on those who prey on the fearful. Ducard starts a fight to test Bruce, warning him that he faces fear and death in training. What does Bruce fear? He fears the bats that swarmed him as a child. His memory continues with his father rescuing him. “Why do we fall? So we learn to pick ourselves up,” his father teaches. They take the new train into the city for a night at the opera, built by Wayne Enterprises and makes their tower the center of the city. Unfortunately, the demons in the opera are reminiscent of bats and Bruce begs to leave early. The family take a side door out into an alley, where they are confronted by a man with a gun. Thomas Wayne easily hands over his wallet, attempting to keep the situation calm, but when the other man points the gun at Martha, Thomas steps in front and is shot, followed by Martha. The crook runs and Bruce is left to hear his father tell him “don’t be afraid,” before he dies.
There is a kind police officer who drapes Thomas’s coat over Bruce that night at the precinct, assuring him “it’s okay.” The crook is caught, but now all Bruce has is the manor and Alfred. The boy blames himself for his parents’ death. In the present, Bruce tells Ducard his anger outweighs his guilt. Ducard instructs him to confront his guilt and counsels him that theatricality and deception are powerful agents. Criminals thrive on society’s “understanding.” Bruce recalls the hearing he attended as a young man against his parents’ murderer. Alfred continues to support Bruce and gives a damn about him and his family’s name. Bruce takes a gun to the proceedings and plans to shoot Joe Chill afterwards. But someone else, connected to the Falconi mob beats him to it. When Rachel, now part of the DA office, finds out, she slaps Bruce and tells him off. What chance does Gotham have when the good people do nothing? Bruce attempts to confront Falconi, but the man sees through Bruce’s bravado. Falconi revels in the fear he creates and the power it gives him. So Bruce makes a decision. He leaves Gotham. And spends the next years studying the criminal world by becoming a part of it.
Ducard continues to instruct Bruce that to conquer fear, one must become fear. One must become a wraith and one with the darkness. Bruce faces his final test to become a member of the League of Shadows; he fights Ducard amidst a room full of identically dressed men. Bruce triumphs, using a bit of deception, but now is told to execute a man. Bruce refuses; he’ll fight, but he won’t kill. His compassion separates him from his enemies. Ducard warns him against it, he and Ra’s wish Bruce to join them and bring down Gotham. It is the city’s time to fall. Bruce takes the sword offered and throws a branding iron into the building, starting a fire. He fights Ra’s and ultimately kills him. Bruce saves Ducard and carries him down the mountain. Then he calls Alfred to return home; he wants to show Gotham that the city doesn’t belong to the criminals. Well, after he’s brought back from the dead; it’s been seven years, Alfred points out.
Back at the manor, Bruce follows a bat and discovers a large cave underneath the foundation of the house. He stands in the center of a swirl of bats. Then, he walks into Wayne Enterprises, surprising the CEO. He’s fine with things for now, though he wants a job so he can learn about the company his family built. He joins Lucius Fox in Applied Sciences. Lucius knows it’s a dead end, but Bruce is surprised to find out considering all of the useful prototypes that are sitting there. Which will help him with his “spelunking.” He gains his black suit and utility belt. He and Alfred make arrangements to put the cowl together. And Bruce picks out his first ally; Jim Gordon, one of the few good cops left.
Meanwhile, Rachel is facing off against Dr. Crane, who gets Falconi’s men out of jail and into his asylum. Crane is working with Falconi; though it’s more like Falconi is working with Crane, who is working for someone else. They agree that Rachel Dawes needs stopped before she ends their criminal activities.
Bruce gains a few more gadgets, like memory cloth to make his cape, and the “Tumbler” as his Batmobile. Lucius may be suspicious, but he tells Bruce that everything is his anyways as a Wayne and the less that Bruce actually tells him, the less he’ll have to lie when asked. Just don’t treat Lucius like an idiot. Batman’s first foray is at the docks, where drug shipments are coming in for Falconi. But part of them get diverted to the Narrows. Batman easily handles the goons and declares “I’m Batman” when asked. He also grabs Falconi. He then quickly tracks down Rachel in order to save her from a mugging. She got a few good moves in and even is armed with a taser, which does nothing to Batman’s suit. He gives her evidence to leverage the corrupt judge and get the ball rolling on putting the mob in jail. His first Batsignal is made from Falconi on a light.
Commissioner Loeb is not pleased with the Batman; “no one takes the law into their own hands in my city,” nor is he impressed when Gordon points out that Batman was the one to capture Falconi for them. Falconi requests Crane visits and tries to leverage his partner to get him out. He also wants in on the deal Crane has with his overseer. Crane gasses him with his toxin and Falconi loses his mind.
Bruce also has to develop his playboy lifestyle in order to throw suspicion off him and to potentially explain bruises and such. Rachel is not impressed when she sees her old friend and tells him “it’s what you do that defines you.” And things look better for a moment. Gordon believes that Batman is trying to help. Rachel’s boss insists on seeing one of Falconi’s crates and discovers it has something from Wayne Enterprises inside. Then he’s shot and we find out that Wayne Enterprises developed a weapon that is now missing. Batman visits the Narrows and manages to find Crane’s stash, but Crane comes in and gasses Batman, then lights him on fire. Alfred has to pick up Bruce and Lucius gets involved to develop an antidote to the weaponized hallucinogen.
Crane manages to capture Rachel at his asylum and gasses her with a stronger dose. He’s been dumping the toxin into the city water supply, but it needs one more thing in order to work. The police surround the asylum, but that’s to capture Batman. Gordon goes in alone and Batman sends him out with Rachel under the cover of bats. Batman manages to gas Crane and discovers that he is working for Ra’s Al Ghul. At the Batcave, Batman uses an antidote on Rachel, then tasks her with finding Gordon and inoculating him. Soon that gas will be all over Gotham.
Bruce Wayne has to make an appearance at his thirtieth birthday party even though he wants everyone to leave; they’re all in danger and he needs to be Batman to save them. Alfred encourages him to keep up appearances at least and yes, he cares about the Wayne name because two people charged him with their most precious treasure. Bruce gives Fox his task, then is pulled over to meet someone. A Ra’s Al Ghul. The man standing there is certainly not the man Bruce killed. But Ducard comes up behind him. Ducard is Ra’s. So Bruce has to act like a jerk to get everyone to leave. Then Ducard starts a fire, like Bruce did to his home. The League of Shadows has existed for thousands of years and whenever a civilization reaches the pinnacle of decadence, they are the ones to restore balance. They sacked Rome, let loose the plague ships, burnt London. Bruce asks for more time, but Ducard has decreed that it is Gotham’s time. Bruce had been his greatest student, but Bruce now puts himself between Ducard and the people of Gotham. And Ducard and the League were behind Bruce’s parents’ death; create enough hunger and criminals emerge. A falling beam knocks Bruce out, but Alfred comes along and comments “what’s the use of all those push ups if you can’t lift a bloody log.” They escape into the cave, Alfred encouraging Bruce once again that he’s never given up on him and “why do we fall?” Bruce suits up.
Arkham Asylum is emptied into the Narrows (by the League) and the police go in force to clean things up. But that’s where the gas is first vaporized, using the Wayne Enterprises weapon. Ducard and his men load it onto the train, intending to run it over the water supply and hit Wayne Tower, causing an explosion and the gas to spread citywide. Rachel gets to Gordon, then protects a boy (the same one Batman met earlier). She uses her taser on Crane, who is trying to imitate the Headless Horseman. Batman arrives to help Gotham. He has Gordon drive the Batmobile, then manages to save Rachel before heading off after Ducard. Rachel insists that Batman tells her his name; he could die. His response is to echo her words to Bruce earlier, “what I do that defines me.”
Ducard’s remark to seeing Batman is that Bruce took his advice on theatricality a bit literally. The two opponents fight inside the train, while Gordon shoots out the support structure, causing the train to crash. Ducard asks if Bruce has finally learned to do what is necessary, when Batman has him pinned. Batman won’t kill him, but he doesn’t have to save him either. The train and weapon both explode after Batman flies out.
A new day dawns. Fox now has the CEO job at Wayne Enterprises, per Bruce, who bought most of the public shares through various foundations and such. His company is in good hands. Rachel visits Bruce at the charred remains of the Wayne manor. She tries to apologize for what she said to him seven years ago, but Bruce points out that what she said was true. She kisses Bruce, then sadly tells him that Bruce Wayne is the mask. His true face is what he shows Gotham’s criminals and the man she truly loved never returned from abroad. But maybe someday, when Gotham doesn’t need Batman anymore, they can be together. Bruce tells Alfred he will rebuild the manor brick by brick (when he was an angry younger man, he had declared he would tear down the manor brick by brick). Alfred suggests improvements be made to the foundation.
Gordon has a new Batsignal and meets with his ally. While Batman is doing good, he is causing escalation. Like there’s a new threat in town, calling himself the Joker. Batman will look into it. Gordon tries to thank Batman. Batman assures the cop he never has to say thank you.
Our core cast is back in The Dark Knight, though Maggie Gyllenhaal replaces Katie Holmes as Rachel Dawes and Aaron Eckhart (he was fairly decent in No Reservations with Catherine Zeta-Jones) joins as Harvey Dent. Heath Ledger (A Knight’s Tale) won the Academy Award for Best Supporting Actor posthumously as the Joker in this film and is practically unrecognizable [I stayed up that Oscars night to specifically watch and see if Leger won the award].
Men in clown masks hit a bank, and then have been instructed to kill the other members as their parts are finished. At the end, only one man is left, wearing creepy make-up under his mask, declaring that “whatever doesn’t kill you, makes you stranger.” He then drives a school bus with all the cash out a building and into a line of other buses. Things haven’t changed too much from the end of the previous movies; Gordon still uses the Batsignal, though now he’s head of Major Crimes Unit, and the Scarecrow is still in business. And now there are copycat Batman out there, trying to take down the drug dealers, but the real Batman is not happy to see them. And the Scarecrow even knows they are phonies when they use guns. The real Batman rounds them up along with the drug dealers, his parting comment is that at least his armor isn’t hockey pads. Back at the new cave, since Wayne Manor is not yet complete, Alfred is worried about Bruce. While Batman has no limits, Bruce as a man does, but replies that he can’t know them.
We meet Gotham’s new District Attorney, Harvey Dent, who happens to be dating Rachel. Harvey meets up with Gordon; the two men don’t entirely trust each other, Dent knowing there are corrupt cops in Gordon’s unit, but Gordon doesn’t really have a choice. And Gordon doesn’t share all of the details of his plan with Batman with Harvey. Bruce later runs into Harvey and Rachel at a restaurant and talk turns to Batman. Harvey actually likes Batman and even comments that Batman won’t want to do the job of protecting Gotham forever. He will want someone to pass the mantle on to. And Harvey’s comment is that the people of Gotham elected Batman as their protector when they stood by and did nothing and they’re accepting his help right now. Rachel tries to get her boyfriend to see sense and he comes back with “you either die a hero, or live long enough to see yourself become the villain.” Bruce decides that he likes Harvey and offers to throw a fundraiser for him.
The criminals of Gotham are banding together, trying to protect their assets from being seized. Then the Joker walks in. He has a plan to kill Batman, because everything changed when the Batman showed up. But, if you’re good at something, don’t do it for free; he wants half of all the mob’s money.
Harvey uses the Batsignal to get Batman, then he and Gordon argue over how Lau escaped. Batman has to get him back. Bruce takes the Russian ballet away as an excuse to get near China so Batman can capture Lau. With Lau and his accounting (he holds all the mob’s money), Harvey can get the whole mob off the street. But the Joker kills one of the pretender Batman and delivers the message that Batman must take off his mask and reveal himself or people will die. The video ends with maniacal laughter.
Bruce continues with his fundraiser and publicly announces his support for Harvey Dent. He is the face of Gotham’s bright future. Afterwards, he talks to Rachel about the day when the Batsuit can be hung up. Gotham needs a hero with a face; they need their White Knight. But the Joker has announced his next victims, with their DNA on his calling card. He blows up the judge who put the mob away, and poisons the police commissioner. He personally shows up at Wayne’s party to get Harvey, but Bruce hides him away. (After Harvey has a similar conversation with Rachel about spending their lives together). Batman shows up at the party to take on the Joker, who has found Rachel to threaten. He starts to tell her to story of how he got his scars (after telling a crook that it was his father putting a smile on his face, demanding “why so serious?”) Now, it’s his wife who got in trouble and he just wanted to see her smile. The Joker demands that Batman take his masks off and Batman times his demand of the Joker to let go of Rachel badly; the Joker drops her and Batman dives after her.
At Wayne Enterprises, an accountant has been running the company’s numbers and found some discrepancies and finally took a look at Applied Sciences. He realizes that many of the gadgets Batman uses are from Wayne Enterprises. And he tries to blackmail Lucius Fox. Lucius points out that Reese is attempting to blackmail a very wealthy man who may very well get his kicks out of beating up bag guys; does he really think this is a good idea? Reese lets the matter drop, for the moment.
The Joker threatens the mayor at the funeral for Commissioner Loeb. Bruce goes to investigate, but he can’t stop the Joker from taking a shot at the mayor and Gordon stepping in the way. In the aftermath, Harvey calls Rachel and tells her to go somewhere safe. She goes to Bruce’s penthouse. Meanwhile, Harvey has captured one of the Joker’s henchmen and threatens to shoot him for information (and if the creep looks familiar, that’s David Dastmalchian, who plays Murdoc in the recent MacGyver series). Batman stops him. Harvey is the symbol of hope that Batman can never be. And Batman’s made up his mind; no one else will die because of him, he’ll turn himself in at a press conference.
Alfred tries to help Bruce. Nothing good will come of Bruce turning himself in. The Joker is not a man who can be reasoned with; some men just want to watch the world burn. As Batman, Bruce can endure. Batman is the symbol that can be hated, more than a hero, but Bruce is set. At the press conference, Harvey even tries to get people to see reason, but they still call for Batman’s head. Bruce steps forward, but Harvey announces himself as the Batman first. The Joker hits the convoy carrying Harvey, chuckling at the mayhem and destruction. Batman comes out to stop him. When the Batmobile takes a hit, the Batpod is released from it (which is super cool!). And Batman has the chance to hit the Joker, the Joker is begging him to do it. Because the Batman has rules, and the Joker doesn’t. The Joker wants Batman to break his one rule. Batman swerves to avoid the Joker. And he is saved by Gordon. The mayor gives him the commissioner job and Gordon doesn’t even get to relax that long because the Joker wants to talk to him.
Gordon ends up leaving the Joker with Batman, who gets a good hit in on him. And the Joker doesn’t really want the Batman dead; “you complete me.” In their conversation, the Joker reveals that he has both Rachel and Harvey Dent tied up somewhere and the Batman has to choose who to save. Batman attempts to beat the answers out of the Joker, but all the painted criminal does is laugh. Batman has nothing to do with all his strength. He finally reveals the locations and Batman goes after Rachel, Gordon and his men will go after Harvey. The couple are tied up amidst oil barrels rigged to explode. Rachel gives her answer to Harvey (the same answer she left Alfred to give to Bruce, that she would marry Harvey because Bruce will never not need Batman). But the Joker told them the opposite locations, so Batman drags Harvey out, whose face is half drenched in oil from his escape attempt and the police are seconds too late to save Rachel.
Harvey’s face is terribly burned, but he’s furious at Gordon. Now his nickname, Two-Face, from Internal Affairs is very true. “Why should I hide who I am?” Bruce is depressed at Rachel’s death, then Reese announces he will reveal the identity of Batman. While the Joker burns his half of the mob’s money, along with Lau, he calls to tell Reese that he’s changed his mind about Batman. A world without Batman would be boring. So, if Reese is not dead soon, the Joker will blow up a hospital. So now all the people who were calling for Batman to reveal himself, want that secret to stay secret to protect their loved ones. Bruce takes the Lamborghini and stops a truck from hitting the van carrying Reese. Of course, he blows the situation off.
The Joker visits Harvey Dent at the hospital, dressed as a nurse. His plea is that it was nothing personal against Harvey or Rachel. He doesn’t have plans; he doesn’t make schemes. He’s a wild dog chasing a car, he wouldn’t know what to do if he caught one. Gordon and the rest make plans. When things go “according to plan,” no one panics. But throw that plan off, introduce a little anarchy, and everyone goes mad. But anarchy, the Joker points out, is fair, showing Harvey his scarred coin that he flipped to make decisions. Once the Joker leaves, he blows the hospital, punching the button a few times when it is slow to finish. And he continues to rule the city. Now he announces that everyone who wants out and get out, but maybe don’t take the tunnel or bridge. Leaving the ferries. Which he’s actually rigged to explode and given the opposing ferry the detonator. One is filled with normal civilians. The other is filled with criminals because you really don’t want to leave them behind.
Batman and Gordon try to separately track down the Joker before either ferry blows, but Gordon is angry with Batman, even pulling a gun on him. Because Gordon has to save Harvey. Batman is forced to fight the SWAT teams before they rush in and kill the wrong people; the hostages the Joker has are dressed to look like clowns, while the doctors are the real threat. SWAT eventually realizes it, but Batman has to go after the Joker. They fight and look on as the ferries don’t explode. It just proves that there are good people out there. Batman throws the Joker off the building, but still drops a line to catch him. “This is what happens when an unstoppable force meets and immovable object.” Batman is truly incorruptible and the Joker can’t kill him; he’s too much fun. But Harvey Dent wasn’t. All he needed was a little push in the wrong direction.
Harvey has capture Jim Gordon’s family and threatens to shoot his son. He wants Gordon to lie to his son, like Harvey and Rachel lied to each other that everything was going to be okay. Batman of course tries to stop Harvey. Aim the gun at the one responsible. Harvey does, and shoots Batman. Gordon begs for his son’s life and Batman gets up to tackle the pair. He catches the boy, but Harvey falls. Gordon grabs his son and Batman falls. He gets up and again insists that Gordon doesn’t have to thank him. And they can’t let the Joker win; no one can know what Harvey Dent really did his last day. Batman can be the fall guy. Let Harvey remain Gotham’s hero. “You either die a hero, or live long enough to see yourself become the villain.” Batman will be the villain, he begs Gordon. Let him be hunted. Gordon gives in and consoles his son that Batman can take it. Because Batman is the hero that Gotham deserves, but not the one it needs right now. Batman is Gotham’s Dark Knight.
The trilogy is finished with Dark Knight Rises and as stated, it’s a depressing movie. I’ve watched it once and there’s a reason I don’t own it. Everything just falls apart in the middle. Yes, it ends relatively well, but Bruce Wayne and Batman have to die in order to have a better life. Batman is ultimately remembered as a hero, and Bruce Wayne runs off with Selena Kyle, but to Gotham, they’re dead. Bruce passes the mantle onto a young man (whose given name happens to be Robin) and gifts Gordon a new Batsignal and a hint to his true identity, recalling the coat incident from decades prior. Alfred catches a glimpse of his former charge, which alleviates his guilt a little, but the rest of the movie is just depressing.
So I focused more on the first two films. I like Batman Begins because it gives us a reasonable explanation. How Batman became who he is; the fighting, dressing in a suit, and pummeling bad guys. How he gets his tech and where it was logically developed. I find the movie to be well written and well-acted. Gary Oldman of course is excellent. Christian Bale is a believable Batman; yes, the growly voice is a bit much, but the idea is to a) scare bad guys and b) disguise his voice so he’s not recognized. And it technically works. Just maybe not the best thought out. Michael Caine is a caring Alfred. I prefer Katie Holmes as Rachel because she’s got a bit more sweetness to her than Maggie Gyllenhaal. And Liam Neeson is very believable in the beginning as a kind mentor. Not terribly fuzzy, but he’s not meant to; he’s meant to shape an angry young man into a keen weapon. And the first time viewing, I was very surprised to discover he was truly Ra’s Al Ghul.
While The Dark Knight is a dark movie, there’s a line of hope running through it and ultimately, it is an excellent movie. Well written again and Heath Ledger’s performance was stunning. He’s unrecognizable and yes, he’s a truly creepy Joker that no, you don’t want to meet. But that’s the point. This is why he’s Batman greatest enemy. I really don’t think that there needed to be another movie.
However…after watching my Batman collection in short succession, I realize that as much as I like the two Nolan movies, I do miss some of the comedy. Schumacher’s films are too comedic, while Nolan’s are too dark. Out of my collection, the best balance is Batman Beyond. There are dramatic storylines; Batman almost has to sacrifice himself for the city. But there’s also truly funny bits, like anytime a hero backhands a bad guy trying to sneak up on them. Of course, Mark Hammill’s Joker is a great combo of menacing laughter and actually wanting to hurt someone. Heath Ledger’s Joker really just wants the world to burn.
As for fanfiction recommendations; it’s been a while since I’ve visited this fandom, so I’m checking out what there is. I will update when I’ve found some good stories.