Season Two
A Scandal in Belgravia picks up right where The Great Game left off, in the pool, with Sherlock pointing a gun at a collection of bombs. Then Staying Alive echoes through the room from Moriarty’s phone. He asks to take the call and starts congenial, then becomes angry at what the mysterious caller is telling him; “and know that if you are lying, I will skin you,” he drags out. Turns out for Sherlock and John, “Sorry, wrong day to die,” but warns them he will be in touch. On his way out, still on the phone, he tells his friend, if they’re right, they will be rich, and if they’re wrong, they will become shoes. We see a woman end the call, then ask another mysterious person, “Have you been wicked, your highness?”
John’s blogs bring in clients, advancing the duo, particularly Sherlock, to the status of Internet phenomenon. The press start showing up at crime scenes and Sherlock has to don the infamous deerstalker hat to hide his face. Sherlock attempts to solve a case from home, wrapped in a sheet, while John does the legwork on location. Then they’re both taken to Buckingham Palace. And…Sherlock still can’t bother to put on pants. Mycroft comes in to tell Sherlock he has a new case, but the client must remain anonymous. Sherlock refuses at first, even threatening to walk away while Mycroft holds the sheet (there’s a hilarious blooper of Benedict falling over in one take). He does take the case; the royal family is being threatened with scandal due to a dominatrix, Irene Adler holding compromising photos on her phone. This is the woman from the start of the episode. Irene receives photos of Sherlock and prepares for his arrival while Sherlock prepares to meet her. He has John punch him in the face (which John always hears when Sherlock is speaking, “but it’s usually subtext”) so he’ll appear suitably distraught to gain entrance to Irene’s residence.
Irene shocks Sherlock by entering the room stark naked. He stumbles a bit and can’t read her like he normally does. She further turns the table and asks Sherlock about his latest case; “brainy is the new sexy” (I totally agree). She eventually dons Sherlock’s coat to make John more comfortable, but they’re ploy to find the phone is interrupted by American CIA agents. They threaten John to make Sherlock open the case (the combination is Irene’s measurements) and with a hint from Irene, Sherlock warns his sidekick “Vatican cameos!” so they all duck as a gun takes out their opponents. Sherlock almost gets away with the phone, but Irene drugs him and escapes. She does return the coat while Sherlock sleeps (and reveals the solution to the case, where a backfiring car covers up a boomerang accidentally killing its owner), and also has now programmed his phone to moan sensually whenever she texts. Which hilariously interrupts Sherlock telling Mycroft off for yelling at Mrs. Hudson to shut up.
This transitions into a Christmas party at Baker Street. Sherlock actually apologizes when he embarrasses Molly Hooper, then his mood turns when he discovers that Irene Adler has left her phone, her insurance policy, for him. He warns Mycroft that they will find the woman dead that evening. He and Mycroft identify the body later that evening. Mycroft even offers Sherlock a cigarette which signals that Sherlock is suffering emotional pain. Sherlock tries to unlock Irene’s phone, but only has four attempts and discovers that if the case is forced, measures are in place to destroy the information. John is picked up while he’s out; he assumes it’s Mycroft again, but really it’s Irene. She’s not dead and she needs her phone back. And…Sherlock is listening. he’s in a bit of a daze as he makes his way back to Baker Street, but then he’s frighteningly focused when he discovers that Mrs. Hudson is in danger. The CIA agents are back. The leader is taken away in an ambulance, after falling out the window, several times. Sherlock declares England would fall is Mrs. Hudson ever left Baker Street.
Then he discovers Irene in his bedroom. She has a case for Sherlock. She has an important e-mail she got a hold of that needs decoding. Sherlock manages to crack it in less than a minute. Irene is impressed: “I would have you right here on this desk until you begged for mercy, twice.” Sadly, if we recall, she’s in the league with Moriarty and sends damaging information out. Moriarty contacts Mycroft and Sherlock has just set back a joint operation that could lead to a dangerous group, just to impress a woman. Irene attempts to blackmail Mycroft into her demands, but Sherlock has finally figured out her code to unlock her phone: I AM SHERLOCKED.
This puts Irene in danger. Mycroft visits John later so the man can inform his flatmate that the woman is in witness protection when really she’s dead. However…when we see her send her final text, a phone moans nearby. Sherlock is on hand to save her.
Hounds of Baskerville brings a familiar BBC face to play, Russell Tovey has appeared in Doctor Who and plays George the werewolf in Being Human (I only watched that show because Aidan Turner [Poldark, Kili from the Hobbit, and ironically Luke the werewolf from The Mortal Instruments movie] played Mitchell the vampire). One of the bar owners was Little John in BBC’s Robin Hood series as well. In this episode Russell is the client Henry Knight who witnessed his father murdered as a boy on the moors outside the Baskerville Army installation. He believes he saw a gigantic hound with red eyes tear his father apart. Sherlock is desperate for a case (so desperate, he begs for drugs) and almost doesn’t take it, until Henry specifically says, “it was a gigantic hound.” Hound is a more archaic term, why does he use it?
We get some gorgeous shots of Dartmoor. The consulting detective and his blogger sneak onto the base using Mycroft’s keycard and find a connection to an e-mail a child sent; her mother works for Baskerville, which explains the glowing bunny that shortly afterwards disappeared. So there is something strange going on at Baskerville. Sherlock convinces Henry to take them to Dewer’s Hollow (where the devil supposedly pops up). It’s foggy, they hear rustling. Then Sherlock sees a hound. He denies it to Henry, but John finds him later freaking out. “Once you rule out the impossible, whatever remains, however improbable must be true.” John in turns call Sherlock “Spock” (There is Star Trek trivia that in the fourth movie [not the new ones], Spock quotes that line, claiming one of his ancestors said it, thus connecting Sherlock Holmes and Spock. NuSpock also quotes this line). Sherlock insults John, who goes for a walk.
Come morning, Sherlock apologizes in the way that he does. And another familiar face for him, Lestrade has come, on orders from Mycroft. John muses that it helps with Sherlock’s Asperger’s (I have no way of knowing one way or another if that is a true statement). Sherlock sends John to search the labs and freaks his friend out. Then discovers that the sugar he thought contained the drug does not. He must consult his Mind Palace. Henry had started to remember two words associated with the night his father was killed, “Liberty, In.” Sherlock also realizes that “hound” may actually be an acronym. It is. There was a CIA project years ago codenamed “H.O.U.N.D.” that took place in Liberty, Indiana. It was supposed to be part of chemical warfare and drive the enemy to terror and fear. But it adversely affected the subject and the project was scrapped. But a doctor from that time has started it up again.
Henry, with a gun because he’s starting to see the hound at his place, heads to the Hollow. Sherlock, Lestrade, and John race after him and run into his old family friend, Doctor Franklin, who has worked on the American project. Turns out, what young Henry had seen was Doctor Franklin wearing a gas mask and killing his father. The drug is aerosol form and is hidden in the fog of the hollow. Oh, and there is an actual dog; the pub owners had one that they hoped to capitalize on the tourist craze, but it grew too wild. They claimed to have had it put down; no, they just let it loose in the hollow to terrorize people. Franklin runs to escape prison…into a minefield.
At the very end, Mycroft lets Jim Moriarty leave interrogation, after having written “Sherlock” around his cell.
This leads right into The Reichenbach Fall. Sherlock’s popularity is on the rise, not that he really cares. He’s started solving high profile cases, even receiving the insufferable deerstalker hat as a gag gift from Scotland Yard. Then Moriarty simultaneously breaks into the three most secure places in London, including the Crown Jewels. He goes on trial and Sherlock is called in as a witness. In the loo beforehand, he’s cornered by a “fan,” actually a journalist who wants “the real story” on Sherlock Holmes. He dismisses her. Sherlock deduces afterwards, that Moriarty wanted caught. And he manages to be found not guilty. Jim visits Sherlock at Baker Street and informs his nemesis that the final problem is approaching. Every fairytale needs its villain. Sherlock needs Jim. Mycroft warns John briefly of an upcoming exposé on Sherlock, but more concerning is four assassins moving in nearby.
There is a kidnapping case. Sherlock solves it. But when he goes to visit the girl, she screams at the sight of him. Donovan, alongside Anderson, who have never liked Sherlock, start to believe that he staged the whole thing, just so he could solve it. John knows Sherlock is not a fraud, but Lestrade gets in trouble from his superior and has to come arrest Sherlock. John is offended by the superior and punches him, Sherlock uses it as an opportunity for the two of them to escape. Sherlock tracks down the journalist, who startlingly has a clear history of Sherlock’s childhood and a mysterious source, Jim Moriarty, who claims to be an actor named Richard Brook that Sherlock hired to play his nemesis. I hate this part; I dislike this woman. She got turned down by Sherlock but is so desperate to prove her career that she eagerly laps up a story to explain that he’s an ordinary man. As Sherlock tells John, it’s a lie wrapped up in a truth, so people will believe it.
Sherlock retreats to St. Bart’s and quietly enlists Molly Hooper’s help. She is a kind hearted person and has offered to Sherlock, even after he’s mean to her, that if he ever needs help, she’s there. He trusts her and tells her, she has always counted. “I think I’m going to die,” he tells her. “What do you need?” she simply asks. “You.”
John races off to Baker Street, thinking Mrs. Hudson is in trouble. But she’s fine (aside from an assassin is standing next to her). John then races back to St. Bart’s figuring that Sherlock is planning to face Moriarty alone. The opposing players meet on the roof. Staying Alive plays again and the final problem is that Moriarty has grown bored of Sherlock. Claims he’s ordinary; he’s beaten him. Sherlock retorts to the criminal, “Oh, I may be on the side of the angels, but don’t think for one second that I am one of them” [and he sounds so much like Kahn at that moment.] There was no magic key. He paid off guards, just like he blackmailed the jury. And now, to end his story, Sherlock must die. Sherlock must commit suicide; if he doesn’t, three gunmen are set up to kill John Watson, Greg Lestrade, and Mrs. Hudson. Sherlock thinks for a minute he would be able to get the information out of Moriarty, he figured out that in German, Richard Brook translates to Reichenbach, Sherlock’s fame-making case and he can prove that Jim created a false
identity, but the insane man shoots himself in the head. Now Sherlock has no choice. John has arrived on scene; Sherlock makes him stay back. John calls his phone. Sherlock claims he has lied to John the whole time; John does not believe him. Sherlock jumps. John rushes to him, but is first hit by a bicyclist, and then the people won’t let him near Sherlock.
I still tear up at the end when John begs Sherlock for one more miracle, “just, don’t be dead.” John tells Sherlock’s tombstone that he was the best man, the most human person he had ever known and he will never believe that Sherlock was lying. He owes Sherlock so much. The camera follows John as he leaves the cemetery and pans to Sherlock watching.
I enjoy this season more than the first. I like the hour and a half long episodes because it allows the writers time to fully develop a story and delve into nuances. There’s humor and action mixed in with the mystery and drama. Sherlock still shows us that he is human and experiences human emotions, as much as he may deny them. He trusts Molly more than John at the end to help him pull off his suicide. He recognizes on his own that he hurt John’s feelings at Baskerville. I wish we had a more satisfying end to Moriarty, and more public, after what he put Sherlock through. And as Season Two ends, I desperately want to start watching Season Three.
Next Time: Season Three
Dreamer in the Mirror 