Drowned Book starts with a flashback to the beginning of season one, when magic surges back through the ley lines. An older man summons a character from Sherlock Holmes; “I have need of your genius, sir.” Fast forward to present day, everyone ends up invited to the same New York museum, but on different cases. Eve suggests working together, but they’ve all gotten used to doing their own thing. A strange storm blows in and Eve and Flynn meet James Worth (played by the dashing David S. Lee; he’s been in episodes of Castle, NCIS and NCIS:LA), head of antiquities from Oxford. James charms Eve and can match Flynn for deducting. The three younger Librarians end up teaming up again to solve their problems and Flynn realizes that Worth is a fictional. His first guess is Sherlock Holmes (and he’s ever so excited), but Worth is actually Moriarty. But he’s not the true mastermind connecting all the artifacts. That would be Prospero, Shakespeare’s wizard from The Tempest. Prospero is a Fictional so powerful, he rose from his own tale. But he wants to control his own story, not be bound by what Shakespeare wrote. He and Moriarty manage to disappear, but the Librarians have to deal with the storm that is spiraling out of control. They end up using a sun from the Library to burn off the cold air and save New York. Flynn sulks that he liked being able to do things his way, but Eve points out that pooling information works just as well.
In Broken Staff, Flynn and Eve follow up clues to keep Prospero from regaining more of his power, while Prospero and Moriarty manage to make it into the Library. They hold Jenkins hostage for a bit, asking about the Heart of the Library, the Tree of Knowledge. Again, it takes all of the Librarians, including Flynn and Eve to defeat the traps Prospero has laid. Flynn burns a Tree to thwart Prospero (not actually the Tree of Knowledge, he hopes it wasn’t important). But the Library has also been re-arranging itself and sixteen artifacts are missing. Eve again suggests that Flynn carry on searching for the artifacts alone while she helps the other three Librarians settle the Library.
The three younger Librarians head to Jacob’s home state to solve a rift in the Earth in What Lies Beneath the Stone. Jacob’s not thrilled about returning home; he kept his academic life very secret at home and he’s been saying “family ain’t easy” for a while. He has strong disagreements with his father, but the Librarian job is more important. They pass Ezekiel off as the expert since Stone’s father is dismissive of him and eventually work out that it’s a Native American trickster who has been set free and causing chaos; feeding off lies. It looks like Jacob reconciles with his father for a moment, but it was the shapeshifter. Jacob fights him off and locks him away again. He still does not tell his father the truth, because he has realized that he doesn’t need his father’s approval. So he signs his own name to the academic paper he is writing. The team heads to Wexler University in Cost of Education, where people are strangely disappearing. Cassandra meets another girl who is tracking magic and linking it with science. A tentacle monster from another dimension is stealing people who are full of ego. Cassandra follows her new friend into the wormhole to rescue her, but is stopped for a brief moment by the ladies of the Lake Foundation, interested in combining science and math. Cassandra is content with being a Librarian, but the invitation stands. She disagrees with Jenkins on whether magic should be studied or not. Ezekiel sadly loses his new gargoyle friend, Stumpy.
In Hollow Men, Flynn pops back in to find the Eye of Zarathustra, which “is the key to the door of Lost Knowledge, the Staff summoned by Sun and Rue.” But he’s quickly separated from the rest of the Librarians, held by a strange man who somehow knows Flynn, but not really. Prospero is also after the staff and Moriarty still flirts with Eve. She ends up having to team up with the antagonist in order to find Flynn. And it turns out, Flynn is traveling with the intelligence of the Library. Meanwhile, the other three work with Jenkins to keep the Library from completely dying. Ray regains his memories, though Moriarty has to take the staff to save him. The Library is wholly restored. Baird visits an old friend in Infernal Contract; Sam Denning (Michael Trucco, he’s appeared in several TV shows, including Castle as a similarly named Detective Tom Demming that was interested in Kate) is running for mayor in a small town. But turns out that his opponent’s family has had a long running deal with a devil (played by John de Lancie, a few episodes of Charmed and Stargate SG-1, and Q in Star Trek); a bit like crossroad demons in Supernatural. Eve, Jenkins, and the Librarians manage to trick the devil and rescue Sam and the town. Jenkins sweetly takes care of the three ill Librarians at the end and points out that Eve’s job as Guardian is to save the Librarians’ souls.
The team gets to go clubbing in London in Image of Image, trying to figure out how people are mysteriously dying from something they weren’t doing. They’re all connected to Club Effigy, where pictures mark them as the next victim. There’s a charming Englishman who turns out to be Dorian Gray. Any of his vices are passed onto his victims, keeping him young and beautiful. Until Ezekiel and Cassandra turn the tables on him. Jenkins once again counsels Eve on the upcoming battle between good and evil. Jenkins goes to a Fae for information on Prospero at the beginning of Point of Salvation. The rest of the team gets stuck in a video game scenario at a DARPA lab. Ezekiel is the only one who remembers each pass and gets tired of seeing his friends die. He forces them to believe him and follow him, even sacrificing himself at the end. Jacob and Cassandra figure out a way to bring him back and now he doesn’t remember his heroic deeds [or does he?]. Prospero attacks in the final moments. He created a spell that wiped the memory of Eve, Cassandra, Ezekiel, and Jacob from Jenkins’ mind in Happily Ever After. Flynn heads off to find them and discovers they’re leading new, but similar lives together on a small island. Eve is the sheriff, dating Moriarty. Cassandra has been to the moon, Jacob teaches eleven different classes at the university, and Ezekiel is an FBI agent, but their home base seems to resemble a library. Flynn teams up with the sprite, Ariel [she is adorable] to bring his family’s memories back. Eve has to do the same for Flynn at the end because his perfect life is one puzzle after another that he solves by himself. But they’ve been under the spell for three weeks, Jenkins reports. The ley lines have been supercharged by Prospero; it means the end of the world.
A giant forest begins to cover the earth in Final Curtain. Due to a wet hand, Flynn and Eve finally realize the strange note they found in John Dee’s estate in Drowned Book was written by Flynn in his left hand. They use time travel to go back to when Shakespeare wrote The Tempest, but it breaks upon their departure. Now Jenkins and the other three Librarians have to follow the rest of the clues to stop Prospero in the present. Prospero has one final task for Moriarty and sends him back in time as well. But Moriarty wants vengeance on his taskmaster for holding him prisoner and decides the best way to do that is to try to kill Shakespeare. Obviously, that does not work out, but Flynn and Eve discover that Prospero is Shakespeare transformed. His quill is magical, part of the Tree of Knowledge gifted to him by John Dee. With it, Shakespeare transforms into the wizard so he can escape a failure in his career. Moriarty is swiftly dealt with by Prospero, and he almost drowns Eve. She rises out of the water, like the Lady of the Lake (aided by the ladies of the Lake), throwing Excalibur to Flynn to defeat Prospero. So it follows that old adage of King Arthur, that he who wields Excalibur will do so once more and save England. The other three turn Prospero back into Shakespeare in the present, using some of Shakespeare’s’ work to define themselves. A portal opens that can send Shakespeare back to his time, but Flynn and Eve cannot come forward. However, they figure out how to do time travel the long way round, leaving the notes they need for themselves and asking Shakespeare to use his magic quill one last time to make them into a statue that is delivered to the Library for safekeeping. The other three free them from their very long kiss and heck, even Cal is back.
It’s adorable how much this team continues to become a family. Since I am not fully versed in Shakespeare, I probably miss some of the nuisances of Prospero being the villain, but Moriarty is excellent; almost sympathetic at times. I’m glad that Flynn takes Eve with him to defeat Prospero, rather than leaving her behind and handling the mission on his own; and I’m even happier that they don’t stay stuck in Elizabethan England forever.
Flynn Carson is back, still protecting the world from dangerous magical artifacts (Noah Wyle is billed as “special guest star” since he couldn’t star in two television shows at the same time). He’s been doing the job, alone, for eleven years. Though it turns out that the Library wants to add to the team. It recruits Colonel Eve Baird (played by Rebecca Romijn, who was Mystique/Raven in the 2000’s X-Men trilogy), head of a NATO terrorist task force, to become Flynn’s Guardian. As Charlene points out, Flynn hasn’t had a proper Guardian since Nicole (in the first movie). We also find out that Judson passed away five years previous, though his spirit still speaks to Flynn in a mirror (and Flynn’s mother apparently had passed as well).
In The Crown of King Arthur, Eve helps Flynn solve the mystery of why experts are being killed; one professor had been trying to reach Flynn regarding a painting. The connection? He had been invited to interview at the Library the same day Flynn was hired; the professor was only a few people behind Flynn. There are a few top candidates left alive. Cassandra Cillian (played by Lindy Booth who has starred in a few Hallmark movies, including playing a librarian falling in back in love with a football star) is startlingly brilliant with math and science, but they sometimes get cross-wired with her other senses and a brain tumor pushes her death sooner rather than later. Ezekiel Jones (John Harlan Kim, he has appeared in a few episodes of NCIS: LA and Hawaii Five-0) is a master thief, and Jacob Stone (Christian Kane, previously starred in Leverage, and I absolutely loved his appearance as an old friend of Dean’s in Supernatural; complete with singing Good Ol’ Boys [one of my favorite scenes of the entire show]) is a genius art historian who hides out in his hometown. Yes, apparently ninjas do pop up in Oklahoma, sent by the Serpent Brotherhood.
Eve and Flynn bring the other three to the Library to keep them safe. One of them excitedly asks if vampires are real. Flynn answers yes to vampires, no to Dracula, because he killed him (call back to the third movie). Cassandra is glad to have lived long enough to find out magic is real, but Jacob wants to know why no one sees is. Response: it’s buried in ley lines. Long ago, the world was filled with magic, but it was drained off and stored in artifacts; which is why the Librarian travels the world to collect the artifacts and house them safely in the Library. As technology has risen, magic has faded away. Stone helps solve the mystery of the painting; it’s The Crown of King Arthur. The actual crown was apparently created by Merlin to allow Arthur to control the magic of Camelot in order to rule. Hence why the Serpent Brotherhood wants it; they want to release wild magic back into the world and create chaos; that they will rule.
Flynn catches up to Eve and the trio in Munich. The painting supports the Roman hypothesis of Arthur [we’ve seen that in a few of the prior Arthurian legend movies], but the painting is actually a fake, Stone points out. They quickly discover that the museum was built around the painting; it’s a clue (after arguing for a bit, it’s like the inside of Flynn’s mind has spilled out, but louder). It leads outside to a sundial, which leads to a henge in the German forest. All the while, trying to keep ahead of the Brotherhood, led by Lamia, a skilled female fighter. The good guys recover the crown with a bit of shenanigans.
Flynn intends to send the three newcomers home, but an alarm is set off. The Serpent Brotherhood has gotten inside the Library. But with the security upgrade, someone would have had to let them in. Sadly, it was Cassandra. The Brotherhood promised her magic would cure her brain tumor. Lamia gains the crown and calls Excalibur to her, though Flynn puts up a fight. He’s stabbed with Excalibur, and even though he takes a healing tonic, it cannot cure wounds dealt by a magical weapon. Flynn will die.
The adventure immediately picks up in Sword in the Stone. Judson and Charlene work together to protect the Library, meaning they lock it into its own pocket dimension. Flynn mourns the their loss and the loss of his home. Eve and the three men are met by an elderly gentleman who agrees to help them and takes them to the Library’s Annex. You can still access any of the books from the Library. Its’ caretaker is Jenkins (the veteran John Larroquette, got an early start with Black Sheep Squadron, then broke out in Night Court amongst his long career), who is eager to send them on their way so he can return to his peace and research. Jenkins encourages Eve to help Flynn; she gives him a pep talk so he will save the world one last time.
Meanwhile, Cassandra meets, Dulaque (Matt Frewer, who provided several animated voices to various series and appeared as Pestilence in Supernatural), the leader of the Serpent Brotherhood. Excalibur is the key to unlocking the Stone, which will release magic. And the stone is in London. Through a secret entrance in Buckingham Palace, the royal family has been guarding it for years. Cassandra helps the Brotherhood, until she discovers their true purpose and is then locked up for her troubles. She does aid her new friends; Flynn understands why she chose to initially help the Brotherhood, to save herself. Lamia places Excalibur back in the Stone, but distractions help Flynn gain the Crown and regain Excalibur. The Brotherhood runs off, but Flynn is still dying and now so is Excalibur. He offers the sword to heal Cassandra, it has that much magic left. With Judson and Charlene gone, and Cal dying, it’s Flynn’s time. Instead, Cassandra chooses to save Flynn.
Flynn feels it is safer for the three young adults to leave, but he vows to find the Library and bring it back. Though he begins thinking; if he’s in charge now, he can change the rules. There can be more than one Librarian. And they can train the Librarian instead of throwing them into sink or swim situations. He tells everyone to open their envelopes; there are new invitations inside. Flynn will go off by himself, he’s used to it, but Eve will stay and protect the new Librarians, with Jenkins’ help. He’s offering them a life a mystery and misery, of loneliness and adventure. A chance to save the world, twice before Friday. Flynn bids farewell to Eve who makes him promise not to die, and there is a parting kiss (squee!) [And I still totally want this job!]
The new crew continues their adventures in Horns of Dilemma, where they have to solve the labyrinth of the Minotaur and recover the twine. (Familiar face is Tricia Helfer, who has been in several Hallmark Channel movies). And yes, Santa Claus is real (and played by Bruce Campbell, who played Sam Axe in Burn Notice) in Santa’s Midnight Run. The Serpent Brotherhood plans to kill Santa and the Librarians must stop them. Eve ends up taking on the role of spreading goodwill back to the human race on Christmas Eve. She was in fact named “Eve,” for being born on that night.
Ezekiel and Jenkins have to team up and entertain a conclave of magical beings in Apple of Discord while Stone, Cassandra, Eve, and even Flynn shows up to retrieve the dragon’s pearl. Except hidden inside the pearl is the Apple of Discord, which brings out the worst in everyone. And Dulaque wants the conclave to vote to disband the Library. Of course, the heroes prevail and point out that the world needs the Library to protect it from harmful artifacts. Eve permanently transfers to the Library and sends Flynn back out to do his thing (of course, with a parting kiss). The Librarians’ next case is the Fables of Doom, where fairytales are coming to life in a small town. Eve does ask Ezekiel to not antagonize local law enforcement, though he argues it is fun. An old book, the Librus Fabula brings fairytales to life, but will re-write reality and sucks life from those trapped in its stories. The local librarian is using it on a young girl and our heroes slowly turn into archetypes: Jacob is the Huntsman, Cassandra is Prince Charming, and Eve is the Princess (their clothing and hairstyles change throughout the episode). Ezekiel is what he always is, the Lucky Thief and he helps the girl recover and rewrite the story so the good guys win.
They encounter magic occurring at a STEM fair in Rule of Three. Someone has created an app that doubles as a focusing spell, so when the students all imagine beating the leader, bad luck will befall them three times over. Cassandra gets to shine by combining science and magic. And they encounter a new foe; Morgan le Fay (played by Alicia Witt, another actress who has appeared in Hallmark Channel movies, and even an episode of Supernatural [I think I may have figured out why so many Hallmark stars are in Supernatural; they both film in Canada]). Jenkins is furious to encounter her (she calls him Galais) and warns Eve that there is a larger battle coming. The Librarians save the day, but hints are dropped that something bigger is coming.
Heart of Darkness reminds me of a Supernatural episode. There is a haunted house that traps people inside. Eve keeps trying to protect Cassandra, but it is ultimately Cassandra who faces off against Katie. The house is actually the House of Refuge, until a family of serial killers, the Bloody Benders, moved in [yep, really sounds like a Supernatural episode]. Jacob befriends the local archivist in City of Light. It is ultimately a town designed by Tesla, but the citizens got trapped between worlds and the streetlights are the only thing tying them to this world. They try to recreate Tesla’s plan to bring everyone back, but Cassandra works out that too much could go wrong and harm too many people. Mabel sacrifices herself to shut it off. Though there is a ray of hope at the end; Jenkins has Eve write down an appointment for future Librarians, so maybe there will be a way to bring them back.
The season ends with Loom of Fate. It begins with Flynn meeting the team at an Egyptian tomb; he has an idea on how to bring the Library back. The team helps out with the artifacts they have recovered throughout the year. But just when Flynn is about to succeed, Dulaque enters and kills Lamia so he can view the Loom of Fate. Eve and Flynn jump through and Dulaque cuts the Loom at the spot where Camelot fell. Eve and Flynn then bounce through different timelines, where Flynn did not become the Librarian. In each case, one of the junior Librarians took the job and they all lost Eve. In one case, it’s Jacob Stone and Eve who pair up, instead Flynn. In Cassandra’s case, she studied under Morgan and has a few more clues. Camelot was the height of magic and power, but with the Loom cut, time is fraying and it will require all three Librarians to get Eve and Flynn back to the Annex and then to the River of Time. Flynn reweaves the Loom with the labyrinth twine, while Jenkins faces off against a younger Dulaque…as in Lancelot du Lac (played by Jerry O’Connell, among his many television and movie roles, he does play Sheldon’s older brother in Big Bang Theory [Rebecca Romijn’s real-life husband]. Jenkins is actually Galahad [the son of Lancelot and Elaine of Corbenic] and argues against Lancelot wanting to return to Camelot; it wasn’t as great as Lancelot remembers and mortals have earned the right to rule themselves. Jenkins bests Lancelot and Flynn reverts to his usual self. They have to get Eve help; Lancelot stabbed her. But first, Flynn has to finish bringing back the Library. The Library holds the solution for curing Eve…the same potion Flynn took in Sword in the Stone will actually work on Eve’s wound, though it’s a close thing. Flynn refused to let Eve die like she had in all other timelines; he does not believe in Fate. But he’s glad to be home in his Library. They send the three young Librarians off on their own adventures, and Eve will accompany Flynn on his adventures.
I adore the show even more than I love the movies. With a television show, there is more time to develop characters and plot lines further. And of course, I love the integration of Arthurian legend into the story. Cassandra is a sweetheart, Jacob is the big brother, Ezekiel is the annoying little brother, and Eve just tries to keep them all together.
Actually based on a book by Ian Fleming. Yes, that Ian Fleming, the one who wrote all the James Bond books that the movies are based on. Roald Dahl, the famous children’s author, was the screenwriter. Desmond Llewelyn, famous as Q in James Bond, appears as Coggins in the beginning. Gert Fröbe, aka Goldfinger, is antagonist Baron Bomburst. The film also stars Dick Van Dyke (Mary Poppins) as Caractacus Potts and Benny Hill appears as the Toymaker. The Sherman Brothers also wrote the music for this film, though it is not a Disney film (though we all kind of assume it is since it shares many elements). This was another of my brother’s and mine favorite movies as young children; our mother didn’t mind too much, aside from the repeated watches and the long run time.
The film actually begins in the dark, with just car engine sounds, then reveals Edwardian car races. The main car wins several Grand Prix races in Europe between 1907 and 1908, until it crashes and burns in its last race after swerving to avoid a child. Now it’s a wreck on a lot, though two children are happily playing in it. The junkman wants to buy it as scrap and seems to dislike children. But they race home to tell their father he can buy it, though they narrowly avoid being run over by a young woman. Truly reprimands them for running in the road, and not being in school, so she takes Jeremy and Jemima home. Their father is Caractacus Potts is an inventor and we first see him trying to propel into the air with rockets. His experiment doesn’t go quite according to plan and while the children laugh at their father’s antics, because they’re children and don’t quite realize the danger, Truly throws water on him to put him out. He’s annoyed and is not at all bothered by the fact that his children were not in school. Truly tries to reason with him, and is marginally impressed by his other inventions housed in his windmill workshop.
Potts uses a series of machines to cook sausage and eggs for dinner, sweetly telling his children that they are his reason for being. “Someone to care for/ to be there for/ I have You Two.” They’re joined by Caractacus’s father, who tries to bring his son’s head out of the clouds; though he is known to go out to a small shed and say he is off to India, or Antarctica. Caractacus decides to try to sell his whistle sweets (they make noise through the holes when you blow in them) to a local sweet factory, run by Lord Scrumptious. He’s aided by Truly, Scrumptious’s daughter. Caractacus calls in invention Toot Sweets, “the candy you whistle/ the whistle you eat” and soon the whole factory joins in dancing. But all that whistling has brought several dogs into the sweet factory.
Jeremy and Jemima are selfless children and offer their father their “treasures” as money for his inventions rather than their beloved car. Their father sings the lullaby Hushabye Mountain to them to encourage sweet dreams. Then he decides to try one of his inventions at the evening’s fair. The haircut machine unfortunately fails and Caractacus is chased through the fair. He hides amongst a dancing troupe and has to join in on Me Ol’ Bamboo (this is such a fun song). He does well and is surprised by the tips that are tossed into his hat. He surprises his children the next morning by bringing home their car. Then spends the next several days closed up in his workshop, fixing the car. And when it finally comes out, it is a sight to behold.
The trio go on a picnic and pick Truly up on the way when they accidentally run her car off the road into a pond. Caractacus offers to carry Truly in her pristine white dress out of the pond and she is even intrigued by the car. And the unusual sound its engine makes: Chitty Chitty Bang Bang. “Oh you/ pretty Chitty Bang Bang/ Chitty Chitty Bang Bang we love you…near, far/ in our motorcar/ oh what a happy time we spend.” All four spend a happy day at the beach. The children are extremely fond of Truly and she seems fond of them as well. Jemima comments that Truly’s name fits her well, Truly Scrumptious, for she had to be called something lovely. Jeremy and Jemima wish together that their father would marry Truly.
Caractacus begins a story for his children about pirates, led by Baron Bomburst of Vulgaria, who has heard of the marvelous Chitty Chitty Bang Bang and wishes to have the car for himself. And the story comes to life. Chitty is in fact a magic car and air bags come out so Chitty can float away. They stow as it drives back onto dry land, after avoiding the Baron’s ship. The Baron sends spies ashore to capture the car, or Caractacus. The family takes Truly back home and she sings on her estate how she has fallen in love with a Lovely Lonely Man. (It’s a pretty song, but rather forgettable. I just remember the swing at the end for some reason). The spies do not do a good job of their mission, though they are rather funny. They manage to capture Truly’s father instead of the family. So the two spies pretend to be gentlemen to visit the Potts’ home and they come across the grandfather, thinking he’s the inventor. They call in the Baron’s zeppelin and lift the small shed, with Grandpa Potts inside. His family spot him and follow the zeppelin in Chitty. Except they drive off a cliff, almost into the sea.
And…Intermission! Of course, Chitty saves them, because Chitty is magic and can fly. Grandpa Potts is now not in immediate danger and rather enjoys traveling in Posh style. The zeppelin does lose altitude, which gets Grandpa Potts a bit wet until they toss out the two spies. It’s a long flight to Vulgaria, but Chitty knows the way. A castle greets the Potts family (Neuschwanstein). The Baron in turn is mainly a large child; he rides a toy horse to his meetings. He demands Potts makes a car float. Potts senior despairs, but the other tinkers locked in the basement cheer him up with The Roses of Success, “up from the ashes/ grow the roses of success…from the ashes of disaster/ grow the roses of success.”
When Chitty lands, the villagers are not terribly helpful and they stare at the foreigners. Truly realizes there are no other children about. A horn sounds and the villagers scatter. A toymaker begrudgingly takes the family inside and hides them. And explains there is a law in Vulgaria that children are not allowed; the baroness hates them. A creepy man, called the Child Catcher comes through the square, claiming he can smell children. The Potts and Truly disguise themselves as Jack-in-the-box in the toymaker’s basement. But Chitty is captured. The toymaker takes Caractacus to view the castle’s defenses. Truly is left in charge of the children, but she goes out to get food and orders Jeremy and Jemima to stay put. But the Child Catcher comes back, gaily bedecked and claiming he has lollipops and ice cream. And well, children are easily attracted to lollipops and ice cream; except his wagon is a cage. Some of the villagers try to warn the children, but he makes off back to the castle with them. That evening, the toymaker shows Caractacus and Truly where the villagers hide their own children underneath the castle. Caractacus tries to give the children hope by singing them Hushabye Mountain, though Truly has to finish. Now, he has a plan.
The next day is the baron’s birthday. He starts with a visit to his wife, whom he actually can’t stand. The previous day, he had gleefully aimed a shotgun at her full skirt when Chitty launched her into the air, only slightly claiming it as an attempt to get her down. He does hit the skirt and she falls into the lake, unharmed, to his disappointment. Today, she’s in some odd lingerie and very long braided pigtails. To a child, their funny nicknames of Cootchie Face are cute and the baron keeps trying to kill the baroness, though as a kid, didn’t fully realize that. His later celebration is full of elderly purple-wearing court members miserably dancing. The baroness orders the toymaker in with a surprise; two lifelike dolls. (Actually, Caractacus and Truly in disguise). Truly is a Doll on a Music Box, Caractacus is a clown doll. He eventually joins in with the harmony of Truly Scrumptious. They distract the baron and the children sneak in. A few drop a hook from the ceiling and lift up the baron. A net is dropped, trapping the court and the children get a bit of revenge, even trapping the Child Catcher in a net. Caractacus, Truly and the toymaker search for Jeremy and Jemima and get them out. The villagers also enter the castle to save their children. Baron Bomburst and his baroness try to escape, but are caught in the cage by the children. Grandpa Potts emerges from the cellars and Chitty drives itself in to rescue its family. The whole family flies out and Vulgaria is now a free country.
The family is on the beach again and Jemima and Jeremy eagerly finish the story that their father and Truly get married. Caractacus doesn’t say much, just drives Truly home. Then tries to pass his children’s notion off as silly and puts his foot in his mouth. They discover Lord Scrumptious at the Potts home, happily playing with Grandpa Potts, who was his batman most likely during the Zulu wars (a batman was a solider assigned to a commissioned officer as his personal servant). Lord Scrumptious offers Caractacus a contract to produce his “Toot Sweets” for dogs. It will make him rich. Before he signs the paperwork, Caractacus races out to find Truly, running her off the road again. It’s now no longer ridiculous for him to marry Truly and she readily agrees, so he kisses her. Grandpa Potts refers to his son as an eccentric, and has no idea where he could have gotten it from (hmm…). Caractacus and Truly fly off in Chitty, passing over the house where their family waves to them.
I adore the theme song for this movie. The car is magical and I just smile at it. I see a lot of my brother and I in the Potts children (though we diligently went to school), but playing together and making up stories together. They are sweet children and though Caractacus may not be the best father, he is kind and loving and is even potentially willing to put his own dreams on hold to take care of them. I think the part in Vulgaria is funny; still nostalgic.
And interesting note: Peter Jackson owns one of the Chitty cars. He showed it off on the set of the Hobbit when they were filming Old Took’s birthday scenes. The young children were not interested, but the adults clamored to see it. I would be one of them! It’s revealed during the behind the scenes appendices…I forget at the moment if it’s with the extended edition or the theatrical edition.
(Not to be confused with “Aragorn” from Lord of the Rings) Based on the first book of Christopher Paolini’s Inheritance Cycle of which I have not actually read the final book. Flew through Eragon before it was even mentioned as a movie, and the second, Eldest. By the time the fourth, Inheritance came out, I wasn’t able to immediately get it and it had been so long. Now…I’ve forgotten most of the actual plot. I do remember being impressed by the world building; but after getting involved with other fantasy series and doing my own research and work; it borrows heavily from other classics. Which all writers do. Heck, most of my work currently resides as a sort of fanfiction until I develop where I actually want things to go.
The movie differs from the book at times, but is filled with familiar faces. Eragon is played by Ed Speleers, who has gone on to appear in Downton Abbey and Outlander. And he looks remarkably like Lucas Till (new MacGyver) at times. Brom is the ever-talented Jeremy Irons (voice of Scar, Henry IV in Hollow Crown, Aramis in Man in the Iron Mask, and we’ll see him in Kingdom of Heaven). Man in the Iron Mask alum John Malkovich (Athos in that film, he’s also Edward ‘Blackbeard’ Teach in Crossbones [I watched the first season or so once, another series that was a bit too violent for me]) is the evil king Galbatorix. Robert Carlyle (Rumple/Mr. Gold from Once Upon a Time, also in the Stargate TV series, and in the Bond film The World is Not Enough) plays the evil magician Durza. Other people that you may recognize: Dijmon Hounsou as one of the Varden, as well as Gary Lewis (he appeared a couple times in Merlin and Outlander), Steve Spiers (a bit part in Dead Man’s Chest and Phantom Menace, as well as Porthos in The Musketeer) lives in Eragon’s village, and Joss Stone (Anne of Cleaves from Tudors) is a soothsayer.
We are informed in the opening narration (done by Jeremy Irons) that this fantasy land was once ruled by dragon riders and enjoyed peace. Until one turned and took power for himself: Galbatorix. He has crushed all rebellion. Well, until a woman (elf? I think?) steals a stone, is chased, then magics the stone away. A young lad, Eragon discovers the stone and hides it away. Except it’s not a stone; it’s a dragon egg. When it hatches, he touches the baby dragon (which is rather adorable) and is burned. Others throughout the land sense this moment, including the elf (Arya), an old man (Brom) and the king.
Eragon has to bid farewell to his cousin/brother (I forget the precise backstory). Then his village is set upon by evil creatures (who look a lot like Orcs). He’s not home when they find his uncle; his dragon (who has miraculously grown in a matter of days) Saphira keeps him away for his protection. Like Luke Skywalker in Star Wars (which this film plot borrows elements), he returns home to find his uncle dead. Brom finds him instead (and like Obi-Wan, tells the lad that it is good he was not home, for he also would be dead) and carts him off. They must make it to the resistance, to the Varden, to be safe. Druza is still hunting Eragon.
Brom is a wise mentor. He demonstrates that Eragon is not as skilled as he thinks he is and his sole purpose at the moment is ensuring that Eragon and Saphira make it to the Varden alive, in order for there to be any hope for the land. Eragon starts discovering his powers and also discovers that Brom was once a dragon rider. But his dragon was killed years ago. A rider can live past their dragon; but if the rider is killed, the dragon dies. So Eragon shouldn’t do stupid things. Well, he’s a teenage boy; he does stupid things.
He gets a vision of Arya in danger (courtesy of Durza) and decides to rescue her. Walking straight into a trap. Good thing a mysterious young man shows up and is on his side (he reminds me of Will Scarlett in Prince of Thieves). Brom is also killed, protecting Eragon. The new trio manages to make it to the Varden with Arya (who has also been poisoned by Durza). Then they start preparing for battle. Because yeah, personalized armor appears overnight. Durza is on his way with an army (which reminds me of Saruman at the Orthnac in Two Towers).
The duel between Eragon and Saphira and Durza and his dark magic shadow monster is rather good. Eragon defeats Durza, but we wonder for a minute if the good guys will actually survive. They do, yay. Except now Galbatorix is pissed; and has a dragon of his own.
I liked the film when it first came out, since it had dragons! And sword fights! And magic! The effects are rather well done. Elements of the book have sunk in to influence my own fantasy series; like magic has consequences and there is a language. But those are common to other fantasy series. Now…it’s like a knock-off of Lord of the Rings. After watching it this time round, I had to put on scenes from How to Train Your Dragon to see better dragons. The performances by the veteran actors are well done. Druza is reminiscent of Rumple in retrospect. Jeremy Irons is his usual badass self; John Malkovich plays a villain well. The film overall just seems like it’s trying too hard. And hmm, in retrospect, Arya is a bit of a peculiar choice in name. Nothing like the Arya in Game of Thrones. This one, we are told is badass. Arya Stark is no doubt a badass. And any sort of romance between this Arya and Eragon is stupid. They barely know each other! Rescuing someone or thinking they are pretty does not make a solid foundation.
As I commented above, the film plot (since I do not remember the variations of the book plot) has strong similarities to Star Wars, which follows the hero’s journey laid out by Joseph Campbell and explained in The Hero with a Thousand Faces. It examines the common elements that make up popular hero stories, that date back to mythology. Star Wars follows it, Harry Potter follows it. I have an article sitting on my computer comparing it to How to Train Your Dragon, waiting for me to find somewhere to publish it. And it’s fine for a story to follow that path; my objection is that this story follows it a little too closely.
In the first leg, the hero is called to another world and initially resists the call (here, to dragons and being a dragon rider), then meets a mentor (Brom). There is a road of trials (get more into in the books), involvement of a woman (Arya), atonement with the father (not per say in this case, but delved into in the books in an interesting way from what I recall), and finally the return and mastering two worlds; which would occur in the sequel books. There’s supernatural help and a magical flight – Saphira. It just seems like the movie is going down a checklist of “must haves in a fantasy story.” Dragons, magic, crazy old guy, and they don’t try to mask it.
Let me know your thoughts. If you have any opinion on Campbell’s Hero Journey.
Next Time: We jump into historically-set movies, starting with Troy
Based on the novel of the same name by Neil Gaiman, an author well known for Urban Fantasy stories. I’ve heard of him, considering my preference for fantasy stories, but I have not read him. Though I did enjoy this movie. It’s also an example of “hey it’s that guy!” with an all-star cast. The film opens with narration by Ian McKellen. Ben Barnes (titular Prince Caspian) is the young Dunstan Thorn. His older counterpart is played by Nathaniel Parker (uh yeah, that’s Agravaine from Merlin, and he apparently briefly appeared as the remembered father to Prince Caspian in Voyage of the Dawn Treader. So old Dunstan plays father to the young Dunstan). Henry Cavill (the newest Superman, Charles Brandon from Tudors, and Melot from Tristan and Isolde) is almost unrecognizable as Humphrey (it’s the colored wig). The great Peter O’Toole has a few scenes as the king. He has seven sons. Primus is played by Jason Flemyng (who is surprisingly Azazel in X-Men First Class and Vadim in the Musketeers). Also from Musketeers is Rupert Everett (he was decrepit Feron) as Secundus. The featured brother is Septimus, played by Mark Strong (definitely should be familiar to my followers; he’s a bad guy in Tristan and Isolde, the bad guy in Sherlock Holmes with Robert Downey Jr., and the bad guy in Robin Hood with Russell Crowe; he’s not terribly nice in this film either). Michelle Pfeiffer is Lamia the witch, Claire Danes stars as Yvaine, Ricky Gervais makes an appearance, as does Mark Williams (Mr. Weasley). Robert De Niro pops in as Captain Shakespeare.
The story explores the notion that there is a secret, magical realm that exists alongside England, called Stormhold, that is only separated by a wall. Dunstan Thorn is the first to cross over and finds a bustling market going on. He meets a beautiful young woman, the captive of a witch. He would free her, but only the witch’s death will bring that about. Instead, the woman pulls Dunstan into her wagon. Dunstan returns to England, but nine months later, a baby is left for him, Tristan. Eighteen years later, Tristan hopes to win the heart of a stuck-up snob, Victoria. Of course, to him, she’s the most beautiful and most lovely lady. He doesn’t really stand a chance against a traditional gentleman like Humphrey. Dunstan counsels his son that it is a good omen that he does not fit in with everyone else. Tristan tries again to woo Victoria, planning a romantic dinner under the stars.
Meanwhile, in Stormhold, the king dies. Their tradition is that the younger sons all kill each other off, so the only one left standing becomes king. At this point, there are four left. To decide the succession, whichever son can restore the ruby to the king’s pendant will get the throne. There is mention of a single sister; but she cannot inherit. One brother is pushed off the balcony. Another is poisoned before the quest begins, leaving now Septimus and Primus to compete. Incidentally, the ruby that fled the pendant hits a star, causing it to fall to Earth. Victoria and Tristan see the star, and Tristan vows to bring it to her to prove his feelings. So Tristan ventures past the wall. Well, it takes two tries. The old guard beats him off the first time and Tristan comes to find that his father had ventured past the wall. His mother had left a Babylon candle (terribly useful for travel) with him as a baby.
There is another group that hunts the star; three elderly witches. If they consume her heart, they retain their youth and life. (They’re a bit creepy, keeping animals around to sacrifice. I avert my gaze during those scenes). Tristan finds the crater of the fallen star and comes to realize that the young injured woman is the star. She’s kept the necklace that hit her and Tristan intends to march her back to Victoria. Yvaine, the star, is not as keen on the idea, particularly since Tristan had landed on her. But he starts back. He does have to leave her for a bit to get supplies. A unicorn comes along and helps the fallen star, but unfortunately leads her to an inn created by the witch to trap the star. Tristan ends up at the inn eventually with Primus. The witch is about to kill Yvaine when they knock. When Primus becomes too nosey, the witch kills him and advances on Tristan and Yvaine. There’s a bit of a mix up in their escape and they end up in the clouds during a storm.
They’re rescued by Captain Shakespeare and his band of pirates. Shakespeare loudly interrogates the pair and seems to throw Tristan overboard. It was all an act for his crew; Shakespeare is actually a kind man, but has to keep a fearsome reputation to stay in command. He grew up on tales of England, like Tristan grew up on tales of the realm on the other side of the wall. Shakespeare passes Tristan off as his nephew and teaches him to properly sword fight. Over the course of the week they are traveling together, Yvaine falls in love with Tristan. And Tristan realizes that Victoria is not the woman for him. Shakespeare sends the couple on their way.
The morning of Victoria’s birthday, Tristan leaves Yvaine so he can take a piece of hair to fulfill his oath and deal with Victoria quietly. Sadly, the message is garbled when it reaches Yvaine and she believes he left her for Victoria. Tristan gets a chance to intimidate Humphrey and tell the spoiled pair they’re perfect for each other. Then realizes that Yvaine is in danger if she crosses the wall. He rushes back. But Yvaine is already making her way to him. The woman from the beginning of the film (who slept with Dunstan and thus Tristan’s mother) rushes to help Yvaine, realizing she’s a star. The witch meets up with them, killing the woman’s captor, an opposing witch. She takes the two young ladies with her to her castle, where she plans to sacrifice the star with her sisters.
Septimus in on their trail as well (the brothers, who are all ghosts and follow about since they cannot pass on yet, had noticed that Yvaine was wearing the pendant and Septimus plans to use that to his advantage). He and Tristan pair up outside the castle. Septimus attempts to fight off the witches, but is ultimately killed, though he did take out one of the three witches. He is magically drowned, only to be brought back to fight Tristan. Tristan takes out the other witch, leaving only the main witch. She seemingly lets Tristan and Yvaine goes, but tries to bring the castle down on them. Yvaine uses her shine to take out the witch in the end. When he picks up Yvaine’s pendant, the stone becomes a ruby again. The woman, who is actually Una, the king’s long lost daughter, informs him that he is the last male heir of the king of Stormhold. Tristan is crowned, Yvaine is his queen. It seems that Una and Dunstan may get to be together. Overall, a happy ending.
Again, I find this to be just a fun movie to watch. It has nice fantasy elements. I like when Shakespeare trains Tristan. There is a hilarious scene to the tune of Can Can between Shakespeare and Septimus; my favorite scene of the film. The fight between the pirates and the guards is excellently timed to the music. And the crew always knew that their captain was a little…different (he has a closet full of costumes, including dresses). There’s times it gets dark; the brothers murdering each other; the witches. But it ends with a tidy happy ending. At least the young couple had a week to get to know each other. Since they were around each other constantly for a week, it did give them significant time (unlike Tristan’s parents: like, a minute? Really?).
Based on the book, which I believe I actually read before I saw the movie; a friend lent it to me in high school to demonstrate how to write dueling scenes. Since I had already fallen in love with Lord of the Rings by that point, I just take it as a fun medieval/fantasy story. I have friends who dearly love the movie. Billy Crystal appears in the film as Miracle Max. Fred Savage, older brother to Ben Savage (Boy Meets World) is the grandson. Andre the Giant plays the giant Fezzik. Robin Wright who played Buttercup, kicks butt in the 2017 film Wonder Woman as General Antiope. This is probably Cary Elwes’s most famous role as Westley, though he’s gone on to play Lord Arthur Holmwood in Bram Stoker’s Dracula (I’ve seen parts of it), starred as Robin Hood in Men in Tights, played against type as the villainous Edgar in Ella Enchanted and I guess is now part of Stranger Things (no, I am not going to watch the show; I’ve fallen into too many fandoms as it is).
This is a case of a story within a story; the premise is that a grandfather reads this story to his grandson when his grandson is sick. The tale opens with a beautiful young girl named Buttercup, who torments the farm boy Westley, ordering him about. He always responds with “as you wish.” One day, Buttercup comes to realize that he is secretly telling her he loves her. She then realizes that she loves him; they are true loves. (Fans picked up on this notion in Once Upon a Time, when Hook tells Emma “as you wish,” when she orders him to wait after they share a searing kiss.) Westley leaves to seek his fortune so he could marry Buttercup, but word comes that his ship was attacked by the Dread Pirate Roberts, who never leaves survivors. Five years pass and Buttercup is now raised to a princess and engaged to marry Prince Humperdinck. But she does not truly love the prince. She is abducted during one of her daily rides the day of her engagement announcement by Vizzini, Inigo, and Fezzik. They have orders to kill her and blame it on a neighboring kingdom, thereby starting a war.
First, they set sail. Inigo notes that they are being followed. “Inconceivable!” Vizzini declares (Inigo later points out: “I do not think it means what you think it means.”) Buttercup attempts to escape by jumping overboard, but the water is filled with shrieking eels. They next come to the Cliffs of Insanity; only Fezzik is strong enough to climb, they should lose their tail. Nope, a man in black makes his way up the cliffs as well. Vizzini cuts the rope, but still he persists. Inigo is left behind to deal with him. It is a rather fantastic duel; both are gentlemen about it, Inigo even helping his opponent finish the climb and giving him a chance to catch his breath. (Behind the scenes notes state that the actors performed the duel themselves, tutored by legendary sword masters). We learn that Inigo is hunting for a six-fingered man who killed his father. The man in black wins after a dizzying circle of his sword, knocks Inigio out and continues. He faces Fezzik next and manages to choke him asleep, after being rammed into a rock a few times. Finally, the man faces Vizzini in a battle of wits. He pours iocaine powder into a goblet and Vizzini is to guess which one. Vizzini is a smug man, believing he is smarter than any famous philosopher. Then he relies on a simple trick to switch goblets, thinking he’s won. The man in black was more cunning; he put powder into both goblets, but he’s spent the past several years building up an immunity to it. He then pulls the princess along, even though Humperdinck is tracking them.
Buttercup admits to her new captor that she does not love the prince; her first love was killed by the Dread Pirate Roberts, whom the man admits he is. Then admits he remembered the lad, but calls Buttercup out for being unfaithful, moving on to Humperdinck. “I died that day!” she declares. Humperdink is close; she pushes the man in black down a hill, telling him “you can die for all I care.” “As you wish,” the man stutters down the hill. She realizes it is her beloved Westley and follows him down the hill. Westley’s mask is now off, revealing it is the same man. They take refuge in the Fire Swamp to evade Humperdink, facing bursts of fire, lightning quick sand, and R.O.U.S (Rodents of Unusual Size, which are creepy and remind me in hindsight of creatures from Merlin). Westley is injured in a fight against a rodent. When they emerge from the Fire Swamp, Humperdinck is waiting for them. Westley is all ready to return to the swamp to protect Buttercup. But she sacrifices her happiness so Westley won’t be killed. Humperdinck promises his fiancée that he will not harm Westley and will return him to his ship. He takes his bride-to-be back and rides off. Westley makes eye contact with Count Rugen; they both know the prince is lying. Interestingly enough, the Count has six fingers on one hand.
Rugen takes control of Westley and plans to torture him on his machine, which sucks the life out of people. Buttercup in the meantime has decided she cannot marry the prince; she loves Westley and will be reunited with him. Humperdinck then promises that he will send word to recall Westley, but if that does not come to fruition, Buttercup will still marry him. In truth, he was the one who had hired the trio to abduct and kill Buttercup; now he plans to murder her on their wedding night; still planning to blame another kingdom and start a war.
Fezzik is reunited with Inigo before the wedding and they decide the break the man in black out, discovering that he is the princess’s true love. Except Buttercup has figured out that Humperdinck never followed through with his promises. She believes that Westley will still come for her and calls Humperdinck a coward. Humperdinck is enraged and cranks Rugen’s machine up to fifty, killing Westley. Everyone can hear his scream. Fezzik and Ingio recover Westley and buy a miracle; they need his brains to sneak into the castle so Inigo can have his revenge. It works only because Westley is “mostly” dead, compared to completely dead. Miracle Max creates the pill to get back at Humperdinck for firing him.
Our heroes storm the castle with some illusions, breaking up Buttercup and Humperdinck’s wedding (the priest has a hilarious manner of speaking), though Humperdinck gets the priest to declare them “man and wife.” Rugen faces off against Inigo, who simply advances on the man despite his wounds declaring “My name is Inigo Montoya, you killed my father. Prepare to die.” Buttercup, despaired that she is married to Humperdinck and Westley is dead, per Humperdinck’s word, decides she will kill herself before Humperdinck reaches their marriage bed. But Westley is waiting for her. He is still not back to full strength but gives the prince an epic speech; they will fight to the pain and Westley will leave his ears so the prince can hear every word against him and his promised hideousness. He stands and orders the prince “Drop your sword.” Humperdinck complies and Buttercup ties him up. Inigo finds them and Fezzik is waiting with horses. Westley and Buttercup share the most epic kiss that has ever been recorded.
The boy decides that he doesn’t mind the kissing and maybe his grandfather will read him the story again tomorrow.
There are times this movie reminds me of Mel Gibson’s work, or a bit of a spoof on traditional fantasy movies. Maybe it’s the inclusion of typically comedic actors. Vizzini is a laugh, there’s a little bit between Miracle Max and his wife whom he calls a witch. Maybe it’s the fact that it simply includes a lot of typical fantasy elements, presented straight forward, without trying to add anything. Buttercup is admittedly not a simple damsel in distress. She does try to help Westley fight off the giant rat, after standing there most of the time. They speak of true love often and I can see it once Westley and Buttercup are separated, but not so much while they’re growing up. Westley is an excellent, dashing hero. The costumes are over all fine; but those huge crowns are ridiculous. There is admittedly some epic dialogue. At the end of the evening, a fun movie to put on, not something that needs to be processed deeply.
I’d love to hear from anyone who truly loves this movie as to their reasons, since I didn’t really connect with it. Maybe I found it too late to completely fall in love?
A 2001 film set in medieval Europe featuring jousting…and rock music. It’s a fun movie that’s good to throw on when bored with TV. It stars Heath Ledger (later to reinvent the role of Joker in Dark Knight; he also features in Brokeback Mountain, 10 Things I Hate About You, The Patriot [haven’t seen those], Brothers Grimm [saw it once, don’t remember liking it], and Ned Kelly [eh, all star cast, the plot confused me] as peasant squire William Thatcher. This is the first role I saw Rufus Sewell in, playing the antagonist Count Adhemar (he’s an antagonist in Legend of Zorro, good guy Marke in Tristan and Isolde, decent guy in Amazing Grace, bit of a jerk in The Holiday, and lately was Lord Melbourne in the show Victoria). Paul Bettany (voice of Jarvis in the first Marvel movies, then became Vision in Age of Ultron. He was Lord Melbourne in the movie Young Victoria, bit ironic. Also featured in as the albino in The Da Vinci Code, and surgeon Dr. Stephen Maturin, best friend of Russell Crowe’s Captain Jack Aubrey in Master and Commander: Far Side of the World) is Geoffrey Chaucer, yes, that writer. Alan Tudyk (now known for his voice acting abilities in Frozen and Star Wars, but would later play pilot Wash in Firefly) is fellow peasant Wat alongside Roland, played by Mark Addy (Robert Baratheon in Game of Thrones and Friar Tuck in Russell Crowe’s Robin Hood). And if Sir Ector in the flashback looks familiar, he’s played by Nick Brimble, who was Little John in Prince of Thieves.
The film opens with the death of Sir Ector, master of Wat, Roland, and William. He’s due to joust again in a few minutes, or else they forfeit and the young lads haven’t eaten in three days. William gets the idea to wear Ector’s armor and finish the match, with Queen’s We Will Rock You occurring in the stands. Then, when he wins, this could be their chance to change their stars. He takes the name Sir Ulrich von Lichenstein from Gelderland (and apparently, a real knight and real place; though not as used in the movie). They come across as naked Chaucer trudging the road. Being peasants, no, they have not read any of his works (takes place before The Canterbury Tales), but they do have use of a writer to forge papers of nobility. He also becomes Sir Ulrich’s herald, to announce him at tournaments.
William discovers a beautiful woman, Lady Jocelyn and decides to woo her. He’s…somewhat successful. He starts following her, on horseback, into a church. And doesn’t even get her name. Count Adhemar also discovers Jocelyn and helpfully explains the rules of jousting for the audience while Taking Care of Business plays in the background. William faces Sir Thomas Coleville (another historical character, but not from this time) and mercifully draws on the last pass so they both retain honor.
Will continues to compete and pines after Jocelyn. She sends him a token to wear at the next tourney. William faces Adhemar, who proves why he has never been unhorsed. They break lances on each other on their first pass. The second pass, Will scores and avoids Adhemar’s lance. But on the third pass, Adhemar knocks William’s helm off, causing a flashback to when Will was a child and seeing knights with his father. Adhemar returns Jocleyn’s favor to her and tells “Ulrich” “see me when you’re worthy.” William loses the jousting portion, but wins the sword. He now had enough to pay Kate the blacksmith, who fixed his armor. She wants to join his crew and even offers to make new armor for him. He dismisses her first, until he finds out he needs to attend the ball in order to see Jocelyn. Chaucer, does not do the best job of teaching Will to dance, so Roland makes Will politely ask Kate (since he’s going through the trouble of making a new tunic for his friend). Chaucer and Wat are not boon companions, but they’re funny. And we’re treated to Golden Years, and modern dancing. Knight’s Tale does not try to be wholly accurate (most certainly in their female costumes. Which is disappointing, because some of the gowns from that period can be gorgeous).
Some of the heralds’ introductions are hilarious; Adhemar’s messes up at one point and declares his master “a shining example of chivalry and champagne” and “defender of his enormous manhood.” Chaucer certainly has a way with words and whips the crowds into a frenzy for Sir Ulrich. When Adhemar is about to face Coleville, he withdraws when he finds out that the other knight is actually Prince Edward in disguise. Chaucer in turns reports this to William, but he still jousts. The royal endangers himself and has obviously disguised himself so he can truly compete. Coleville appreciates the gesture. William wins the tournament, but his victory his hollow since he did not defeat Adhemar.
William goes on to win the next slew of tournaments, aided by Prince Edward sending Adhemar back to the front and the Battle of Poitiers. In the meantime, Will has Chaucer help him write a rather romantic letter to Jocelyn, aided by all his friends. The couple meets for the Paris tournament and William unfortunately cannot produce poetry on demand. Jocelyn insists that if “Ulrich” truly loves her, he will lose the tournament, rather than win it in her name. She’s got a point. But, Will has to take a pounding first (this is also after his friends have made a substantial bet with a group of Frenchmen). Still loves her. Mercifully, she sends word that he is to win the tournament, which he does. Chaucer sees Jocelyn enter William’s tent after the tournament and remarks “as Guinevere comes to Lancelot. Bed him well, m’lady. Bed him well.” (By this age, I knew what he meant). She discovers what exactly Will went through to prove his love, and has noted that his friends slip call him “William” instead of “Ulrich.” His name matters not, only that she can call him hers, and the good that comes with the bad will be of her doing as well.
William and his friends return to England, bring about another flashback of when they left. They enter London for the World Championships to The Boys Are Back in Town (and now I cannot hear that song and not think of that scene). Adhemar will compete; Prince Edward has recalled him for his company’s behavior in France. Will takes the opportunity to visit Cheapside, where he grew up and finds his father still alive, though blind. Unfortunately, Adhemar manages to spy on him and uses the information to prove the lie William has been leading. The next day, Jocelyn and Chaucer bring word that guards will arrest Will if he competes. His friends all urge him to run. He refuses. He is a knight. (Only those of noble birth can become knights; but Will points out in the beginning that many became noble by taking the title at the point of a sword).
Adhemar visits Will in jail, declaring “you have been weighed; you have been measured; and you have been found wanting.” Will is put in the stocks the next day; his friends stand alongside him. The crowd easily turns on their champion; earlier chanting his name, now throwing food. Prince Edward emerges from the crowd and declares that his own research has proven that William is descended from an ancient royal line; and as prince, his word is above contestation. He frees Will and knights him. William will face Adhemar.
Knowing he stands a chance of losing, Adhemar cheats and tips his lance. On the first pass, he embeds it in William’s shoulder. On the second pass, William drops his lance. Adhemar murmurs to his opponent, “in what world can you ever have beaten me? Such a place does not exist.” William can’t breathe and has his friends remove his armor. Neither can he hold a lance, they must strap it to his arm. To buy time, Chaucer has missed his introduction. “Here he is! One of your own! Born a stone’s throw from this very stadium and here before you now. The son, of John Thatcher…Sir William Thatcher!” Will’s father is in the stands; he heard that. He sits near Prince Edward. Revitalized, William unseats Adhemar. We pause, as the group tells Adhemar “you have been weighed; you have been measured; and you absolutely have been found wanting. Welcome to the new world.” The crowd goes nuts as the action picks back up. Edward kisses his wife. Jocelyn races down to see William, who dismounts and removes his gloves and such so they can share an epic kiss. The film closes as Chaucer decides he needs to write this tale down and we go to black on Shook Me All Night Long.
As I stated, it’s a fun movie. I like the music they feature for the most part. I understand some of the costuming choices; I believe one feature states that they were going for a rock ‘n’ roll look with the knights, since they held that sort of status in medieval times; a more modern fit pant, lots of leather. It’s the women’s costumes that drive me nuts. The exotic hair styles that you know could not have been done at that time. Sheer fabric on display, an Audrey Hepburn hat. Now, after being blown away by other films, the romance falls a bit flat. Will sees that Jocelyn is pretty and that’s why he loves her. Not because he sees her do anything particularly good or special. Jocelyn likes Will because he’s not like other nobles who have courted her.
We’ve come to the end of the series. I feel they rushed this series; maybe they were surprised how quick they would have to wrap things up. My one friend came back and asked me where the season was that they end up in modern times, since she had seen pictures of it everywhere (I can find them on Pintrest, maybe they’re on Tumblr; I’m not on Tumblr, I don’t know). Sadly, no, that’s not how this season ends. I feel that they should come back and do that season, or a movie at the very least.
Arthur’s Bane, begins the season in two parts. Three years have passed since Guinevere’s coronation. Arthur meets with his knights at the Round Table. Unfortunately, Gwaine and Percival are missing after an expedition. Morgana is suspected, even though they haven’t heard from her in the three years. Morgana is indeed behind the disappearances; she’s capturing men to work searching for the key to the knowledge of Arthur’s Bane, his downfall. Joined by Liam Cunningham whose character isn’t named until the second episode. (Since I’ve been wandering down the Game of Thrones path, when I saw his name in the opening credits I was surprised. I haven’t seen this season as often as the previous ones, so a lot of this was unfamiliar to me.) Arthur and his knights, and Merlin, go looking for their brethren. Merlin receives a vision that Arthur is in danger and even Gwen worries about Arthur going on the mission himself; he is Camelot’s king, he needs to be cautious. But Arthur is the type of king who will show his people he is not afraid of any task.
Sadly, Gwen’s new maid who is adorable with Merlin is also a traitor, for her father who is harboring Morgana. Her father (played by Liam Cunningham) ultimately rescues his daughter, but also dies in the aftermath. Morgana doesn’t seem particularly bothered, more concerned with the overarching search for Arthur’s destruction. Arthur is injured on their quest and he and Merlin are captured by Saxons, and a familiar looking young man. Mordred is back and now a young man (don’t think too hard on what ages they look). He shows Arthur and Merlin kindness even though Merlin does not trust him. Arthur saved his life as a child and he will repay that debt. Arthur and Merlin manage to escape and sneak into the castle where they find Percival.
Gwaine has been missing for a few days. An alien-looking being (really BBC? Let’s bring aliens into the mix) finds him and heals him after guards beat him. (And they’re all shirtless for no apparent reason. Again, does BBC really need to do this to attract viewers?) Percival starts gathering men and taking out the guards. Morgana comes across Arthur while Merlin is chasing after Aithusa. Mordred is with her and prevents her from killing Arthur. He recognizes that Morgana has gone a bit crazy; she has chosen hate. He has not. He carries Arthur to his knights. Merlin finds Gwaine and the creature. He is granted one question. Who is Arthur’s Bane? Himself.
Everyone is back in Camelot; Arthur knights Mordred. Merlin honestly likes Mordred, but doesn’t trust him. He asks why Mordred saved Arthur. “Because he’s right, the love that binds us is more important than the power we wield.” Merlin knows that for good or ill, the die is cast. Albion’s greatest trial has begun.
The Death Song of Uther Pendragon brings to light Arthur’s doubts whether he is being a good ruler. He does a lot of things his father wouldn’t approve of. He’s then gifted a chance to see his father again when he saves an old sorceress for a horrible death and no trial. And Uther is disappointed with his son. He knighted commoners, he married a commoner and not for an alliance for the kingdom. He feels that his son has failed to strengthen and protect the kingdom; he’s destroying Uther’s legacy. Meanwhile, we, along with Merlin, counsel Arthur that he is better than his father. His people love and respect him and his is a more wise and just ruler. But Uther’s spirit is released and haunts the castle. Percival is attacked. Gwen is almost killed. Merlin and Arthur set out to put Uther’s spirit back. Uther attacks Merlin and discovers that he has magic. Uther tries to warn Arthur, but Arthur sounds the horn dismissing the spirit before he is able.
Mithian’s kingdom is attacked, bringing her back to Camelot in Another’s Sorrow. It’s a ploy between Odin and Morgana. Morgana disguises herself as Mithian’s maidservant so Mithian will persuade Arthur to rescue her father. Merlin suspects the maid and discovers it is Morgana, but she knocks him out before he can warn Arthur. Arthur proceeds with the plan and walks into the trap. Merlin comes to, with magical aid from Gaius, in time to take Gawine and rescue Arthur. Arthur faces Odin and Merlin prevents his friend from killing the other king. There is a better way. Arthur asks for a truce; else, their blood feud will simply continue on. Odin accepts. And we start a trend this season of seeing Merlin injured more often. I think it’s good, because it shows that he is vulnerable and we like vulnerability in our heroes.
The Disir, the mouthpiece of the Triple Goddess, pass judgment on Arthur and find him lacking. He has persecuted sorcerers as a carryover from Uther. His fate is set; while Camelot flowers, already the seeds of its destruction are sown. Arthur argues he makes his own path, but he still wants to protect his people, so he appears before the Disir. He is not respectful the first appearance though and they attack. Mordred takes a spear meant for Arthur. Arthur now has a choice; to save Mordred, he must allow magic to be freely practiced in Camelot again. If not, Mordred dies. We can see Merlin struggle to advise his friend. Merlin desires for magic to return, for his sake and his people. But even Kilgarah warns him that Arthur’s fate is bound with Mordred. So Merlin tells Arthur there is no place for magic in Camelot, thereby sentencing Mordred to die. Yet when they return to Camelot, Mordred lives. This gets terribly confusing for Merlin; every step he takes toward not bring the future to pass actually helps it along.
Morgana kidnaps Gwen in The Dark Tower and tortures her in a way. She locks her former maidservant in a dark room with mandrake root, listening to screams, and seeing visions of people she loves. Elyan and Arthur mount a rescue attempt, though they are waylaid in a magical forest. Merlin trusts his magic and leads them out, but Elyan darts ahead to rescue his sister. An enchanted sword runs him through. At the very end of the episode, we see Gwen sneak out to visit Morgana. She now believes that only Morgana has her best interest at heart; after all, they were close friends for many years, they know each other best.
Gwen begins to work behind the scenes to help Morgana and bring down Camelot and kill her husband. Accidents begin to befall Arthur in A Lesson in Vengeance. (Yes, the stable hand is played by John Bradley, who plays Samwell Tarly in Game of Thrones. And due to when this season was filmed, he had already begun playing Sam. So we are correct to gasp, “Oh my gosh, it’s Sam!”) The stable hand Tyr Seward takes the fall and Gwen stabs him to prevent him from talking. Morgana gives Gwen a magical poison to slowly and painfully kill Arthur. She has no hesitation in giving it to Arthur; she plays her part as grieving wife well. Gwen next arranges for Merlin to take the fall; he’s close to Arthur and has access to cause him harm. Gaius helps Merlin out of the cell while Leon pledges the knights to follow Gwen who will succeed Arthur should he die. Merlin ages himself (we can see he is having a lot of fun in his Dragoon character). Only Merlin’s magic can save Arthur, but he doubts he has the strength for both the aging and the healing. Gaius informs his ward that the only one who doubts Merlin’s abilities is Merlin. Merlin cries when he thinks Arthur has died, but Arthur survives. Merlin sneaks back into his cell so he can be released the next day. Arthur never suspected Merlin. Well that’s good, but why didn’t the knights stand up for him? Gwen gets the credit when she finds a new suspect and pins the blame correctly on Morgana.
Arthur meets with potential allies in The Hollow Queen while Gwen arranges a distraction for Merlin. A “Druid” boy sneaks into Camelot and asks Merlin for help. He leads Merlin into a trap by Morgana (she and Gwen are just trying to get Arthur’s biggest defense away while Gwen arranges for Arthur’s assassination). She poisons Merlin and throws him into a ravine. The boy returns for Merlin; the young man had shown him kindness and helps Merlin heal. They make it back to Camelot just as the assassin sets up. The boy is killed helping Merlin. Gwen had fed Arthur the tale that Merlin was sneaking off to see a girl when Arthur began to worry about Merlin. Now Gaius and Merlin know that Gwen is working against them.
They come up with a solution in With All My Heart. Merlin helps Arthur spy on Gwen when she meets with Morgana. They know it’s Morgana’s magic this time betraying Arthur. Which means it will take even more powerful magic to undo the spell. Merlin gets the solution off of an old sorceress and must lead Arthur to a magical lake and summon the White Goddess. Gwen must enter the lake of her own will. Arthur and Merlin sneak Gwen out of the castle, keeping her unconscious. Mordred follows them, which was a good thing because both Merlin and Arthur fall off a cliff and Arthur’s arm is pinned. Merlin has to transform into an old woman so as to not arouse suspicion (though Mordred does note that Merlin is missing at one point). The magic works and Dolma (Merlin in disguise) asks that Arthur remembers that magic can save, as well as hurt. “She” tells him off when they almost forget Merlin and tells Arthur “one day, he will recognize the true worth of those around him.” Mordred finally realizes that Merlin has magic, but promises to keep his secret. They share the dream of magic returning to Camelot.
Alator returns in The Kindness of Strangers; Morgana has hunted him down and tortures him to reveal Emrys’s identity. He refuses, but has recruited others to his cause. An old woman warns Merlin that the great battle is approaching. Mordred and the other knights give chase when they discover the old woman, since Gaius does not trust her. She is not in league with Morgana, but Morgana finds out about her, so she too is hunting for the woman. Merlin goes to help and is injured. The woman sacrifices herself to protect Merlin and he is not discovered. He hears the prophecy of Camlan and receives word that Morgana has declared war.
A familiar face for us pops up in The Drawing of the Dark. Alexandra Dowling (Roslin Frey in Game of Thrones and Queen Anne of Austria in Musketeers) is Kara, an old friend [and love interest] of Mordred’s. She’s injured and Mordred tends to her in the woods. Merlin finds out, but Mordred swears him to secrecy. Arthur and Merlin discover Kara themselves, even after Merlin tries to lure Arthur away. Kara attacks Arthur and is arrested. She proudly defies the king; “I will not rest until you are dead and your kingdom is no more.” Mordred pleads for her life, but she shows no repentance. Arthur cannot risk her being free. Merlin even pleads on Mordred’s behalf, but Arthur believes Mordred will see that Arthur had no choice and eventually forgive him. Merlin suspects that Mordred will try to free Kara, Mordred throws in Merlin’s face, “wouldn’t you do the same for a woman you love?” We know that Merlin tried, but Arthur killed Freya when she attacked Camelot. And Merlin forgave Arthur and serves him faithfully to this day. Merlin does not tell Mordred this (there is a fanfiction story Love Lost by Revhead where Merlin does tell Mordred and changes the story a little).
Mordred breaks Kara out, she kills a guard along the way, but they’re captured. Arthur offers her one last chance, but she will not change her ways. Mordred is in a cell when she is led to her execution. His magic breaks him out of his cell and he goes directly to Morgana. He has information for her, which will lead to Arthur’s death. He knows the identity of Emrys: Merlin.
The Diamond of the Day completes the season in two parts. Morgana sends a mook into Camelot to sneak into Merlin’s chambers, planting some sort of slug. It attacks Merlin’s face and somehow steals his magic. While that happens, Morgana and Mordred attack on outpost. Gwaine rescues a young woman and they make it back to Camelot to give word. Arthur decides to ride out and meet Morgana and her army on the field, to keep the fighting away from the people and other villages. The best place is Camlan, where the path narrows. Merlin sadly cannot accompany Arthur on this great battle; he must secretly journey to the Crystal Cave in an effort to restore his magic. But Gwaine’s new friend is a spy for Morgana, she passes along the information about Arthur and Mordred surmises where Merlin is heading. Morgana is waiting for the warlock and causes a cave in.
Merlin is injured and when he wakes, he sees his father. Balinor urges his son to not let go, don’t give in. Merlin is magic itself; he cannot lose what he is. Rest, he advises, believe in the crystals. When Merlin wakes again, he is healed and sees a secret path that Mordred plans to cut Arthur off with. Merlin warns Arthur in a dream, then bursts out of the cave.
Arthur misses having Merlin with him; the man who has stood beside him in every other instance is now gone for this vital confrontation. Gwen has accompanied him, not to fight, though she will help behind the scenes, but so they can spend what time they have together. She knows there is a good chance that Arthur may not return from this battle. Arthur receives Merlin’s message (Gwen has already begun to suspect there is more to Merlin that appears) and sets the camp to business. Percival and Gwaine will meet the band coming around behind. Arthur rallies his troops; fight for a united kingdom, fight against tyranny. The battle has begun.
Aithusa spews fire on Arthur’s troop, but a sorcerer (an aged Merlin, his true Emrys form) calls him off, then directs lightning on the Saxons, saving Arthur. He knocks Morgana down. Mordred hunts down Arthur on the field and stabs him with a blade forged on Aithusa’s breath. Arthur kills Mordred. Merlin finds Arthur on the field, bypassing Mordred, and carries him off.
When Arthur wakes, Merlin is back to his normal form. Merlin apologizes to his friend; he thought he was in time to defy the prophecy. Arthur doesn’t know what Merlin is talking about. Merlin reveals he was the sorcerer.
Arthur…doesn’t take it well. He responds to Gaius, when the old man finds them, but shies away from Merlin. They need to get word back to Guinevere in Camelot. Leon is giving her updates; but they have not found Arthur. Gaius tells Arthur that Merlin is his friend; he needs him far more than he needs Gaius. The wound is fatal, due to the blade. The only place Arthur could heal is the Isle of Avalon. Gaius can take the royal seal to Gwen.
Back in Camelot, they realize that truth of Gwaine’s traitorous female friend. She is executed, after passing along misinformation to Morgana. Percival and Gwaine set out to take down Morgana. Sadly, she bests them, knocking out Percival, then torturing Gwaine. Percival frees himself in time to watch his friend die. And so starts the “how many stabs does it take to kill Morgana?” Gwen confronts Gaius about the truth of Merlin. She seems pleased and knows that Merlin will care for Arthur.
Merlin continues to care for Arthur, confusing the man. Arthur slowly comes around to the fact that his manservant has had magic all along, but it still takes time for him to get over the fact that Merlin lied about it the whole time he knew Arthur. Merlin insists, it has always been to help Arthur; he is proud of what he has done and he wouldn’t change a thing. Arthur finally apologizes for the way he has treated Merlin. Morgana finds them just as the reach the shore of the lake. Merlin faces her and stabs her with Excalibur. That does her in. He has brought peace at last to Albion. But Arthur is fading fast. “It’s too late,” he tells the young warlock and asks his friend to hold him in his final moments, and says what he has never said before: “Thank you.” We cry alongside Merlin.
Pardon my blubbering
Merlin calls Kilgarah one last time to carry them to the Isle. But it is too late, the dragon tells his young friend. Fear not, he has not failed. All that he has dreamt has come to pass. “I can’t lose him! He’s my friend!” Merlin cries. Some lives are foretold, Kilgarah counsels. Arthur is the Once and Future King. When Albion’s need is greatest, Arthur will rise again. Merlin throws Excalibur into the lake, caught by a hand. Again, we cry alongside Merlin as he lays Arthur to rest in a boat and sends it to Avalon. Gwen is crowned queen; Leon, Gaius, and Percival are alongside her in Camelot. The parting shot of the show is a truck passing the tower on the Isle of Avalon and an old man, Emrys, walks along the side of the road.
Gosh, the last two episodes hurt. Part of me expected, hoped, that it would turn out different than legend, that Arthur and Merlin would work together and see the fruits of their labors. There is a chance that Gwen was carrying Arthur’s child at the end, maybe the writers threw in her accompanying Arthur to the camp in order for that to be a possibility. I have no doubt she made a just and wise ruler, but it’s not the same as if Arthur would have been around. Yes, it’s a deviation from legend, but I prefer a happy ending where heroes get some peace and quiet and rewards. You make us love these characters and then you separate them. We have no idea if Merlin even returned to Camelot, or just stayed away. (Check out fanfics, we’ve got lots of ideas. And fixes!)
Heck, I was even beginning to hope that Mordred would turn out alright. Again, doesn’t follow legend, though I like how they wrote around the incest nature of Mordred. And Merlin’s reveal has so little time to sink in. (Again, check out fanfics!) I would have preferred at least another season to the show. Again, I think they were surprised at when they had to wrap and had to bring about so much to end it, it all ended up rushed. Did not like Gwen’s storyline for several episodes. You’ve already done the “Gwen is a threat to Camelot.” They keep her a good character since none of it is her actual fault, she’s always influenced by Morgana. Still haven’t gotten over her turn and sudden descent into madness. “Oh, I’m a witch, so I must turn evil.” I don’t buy it. Never bought that mentality. (That is why my female characters who have magical powers are good. Well, they fight bad ones, but they’re still good after wielding phenomenal power).
I still like the show and I love the portrayal of characters, most specifically the relationship between Arthur and Merlin. Banter is my favorite. Yes, they insult each other, but they genuinely care for each other and they see that, even though they don’t say it (until the end and that makes us cry). I just wish it had ended different. Please, BBC, do a movie!
Next Time: Continuing a bit with fantasy type movies, Knight’s Tale (Well, it fits with the medieval setting).
The intro to season four upgrades Merlin to “young man” instead of a boy. We pick up in the two-parter The Darkest Hour about a year after the events of season three. Morgana is walking with Morgause in a cart and is discovered by knights. They report back to Arthur that she is on her way to the Isle of the Blessed. Arthur has taken over the running of the kingdom; Uther is frail and aged; he has taken Morgana’s betrayal hard. Agravaine, apparently Ygraine’s brother has shown up to help Arthur as a promise to his deceased sister (why there has been no mention of him before, we’re never told). It is Samhain and Morgana sacrifices Morgause, ripping a tear in the veil between worlds, unleashing spirits of the dead to attack the living. Merlin feels this and collapses. Attacks begin in outlying villages so Arthur, Merlin, and the knights ride out, but they can do nothing against the spirits. Then Camelot is attacked. Not even Gaius knows how to defeat their new foe, but he suggests maybe a sacrifice on the Isle of the Blessed. Arthur, being the self-sacrificing hero who will take on any challenge to protect his people, volunteers. Merlin secretly plans to sacrifice himself in Arthur’s stead. Oh, and Agravaine is in league with Morgana, reporting that the throne will be open to the “rightful heir.” The knights of Camelot ride out, Merlin continues to protect Arthur, even jumping into a spirit and collapsing frozen to the ground.
Arthur sends Lancelot back with Merlin to Camelot, despite Merlin’s weak protestations. On their way, Merlin has Lancelot lay him next to a river. Those spirits heals Merlin so he can return to Arthur and fix the veil. There’s an adorable scene when Lancelot returns to the knights and tells Arthur “bad news…he’s still alive.” We see that Arthur has really come to rely on Merlin. They make it to the Isle of the Blessed and Merlin knocks Arthur out before he can make his sacrifice. But while Arthur is dealing with the old woman in charge of the veil, Lancelot has offered himself as a sacrifice. The world is returned to rights, but now Merlin, Arthur, and Gwen must mourn their friend.
Meanwhile, Morgana has begun to receive visions of a powerful old sorcerer, Emrys, who will be her downfall. Merlin overhears Agravaine asking Gaius about the sorcerer.
It is Arthur’s birthday in The Wicked Day (another title from Mary Stewart’s Arthurian Saga) and a circus arrives in Camelot for the occasion. Uther breaks out of his stupor to attend the festivities. Unbeknownst to the inhabitants of the castle, the circus owner wishes to kill Arthur. They drug him and then try to attack him. Uther steps in the way, taking the blade meant for his son. Arthur is desperate to save his father and considers asking an old sorcerer “Dragoon” for help. (Really, it’s Merlin in a disguise. Arthur actually almost sees through it; he recognizes the eyes). Meanwhile, Agravaine has gone to Morgana and she places a charm on Uther that will reverse any healing magic. So when “Dragoon” goes to heal Uther, the effect is reversed and Uther dies. Arthur blames Dragoon and Merlin feels like it is his fault. But a new day has come and he and Arthur must face their new roles. Merlin waits outside the great hall for Arthur all night, so the young man wouldn’t be alone. Arthur is crowned King of Camelot.
Merlin and Arthur are drawn into a journey to discover a dragon’s egg (if the thief looks familiar, he is; he played Bonaire, the thief in Musketeers) in Aithusa. Merlin manages to save the egg and takes it to Kilgarah. He calls to it in the language of the Dragon Lords, giving it the name “Aithusa.” A white dragon is extremely rare. Kilgarah tells the young warlock that it bodes well for Albion, Arthur, and Merlin.
Arthur is tested as king in His Father’s Son. Agravaine talks Arthur into killing the King of Carlion. Word gets back to his wife, who marches on Camelot. Morgana joins her, referring herself as Gorlois’s daughter and wishes payback on Camelot as well. Arthur decides to fight single combat against the Queen’s champion in order to spare lives; he’s reconsidering his earlier decision, starting to make his own decisions about what kind of king he wants to be. (He even tries to break off his relationship with Gwen, considering to be inappropriate). Merlin helps a little in the battle; Morgana is helping her side as well, so it’s not really cheating. Arthur gets his large opponent to the ground, but does not kill him. He seeks peace with the queen and she agrees. She has a few choice words for Morgana, telling her she clings to bitterness.
Morgana attempts to turn Merlin against Arthur in A Servant of Two Masters, using magic. Luckily, Merlin is very inept at killing Arthur (it’s a bit funny to see him try, and Leon doesn’t bat an eye when Merlin says he’s going to kill Arthur). Merlin manages to disguise himself as Dragoon, who Morgana takes to be Emrys, and destroy the mother beast that’s inhabiting him. There are a few endearing scenes; Arthur is genuinely worried about Merlin when he’s missing and sends knights out to find him. Even when he gets a more efficient servant, he misses Merlin and the banter they have. Gwen happens to see Arthur without clothes while she’s trying to knock Merlin out.
Morgana and Agravaine suspect that Gaius knows the true identity of Emrys, so they come up with a plan in The Secret Sharer to kidnap the old man and use a magical interrogator to wrangle the truth out of him. Agravaine makes accusations against Gaius, but Merlin won’t listen to them and goes after his mentor. He saves Gaius, but Gaius has unfortunately revealed to the interrogator (played by Gary Lewis, he is Colum Mackenize in Outlander and Hrothgar in Eragon) that Merlin is Emrys. But the interrogator is loyal to the old ways and won’t reveal his identity to Morgana. He helps Merlin escape. Arthur apologizes to Gaius; he knows the old man has always had his best interests at heart. Gaius tells the young king that there are others out there protecting him.
Arthur sends Merlin as a physician to a village in trouble in Lamia. Merlin quickly deduces that the ailment the victims are suffering is the result of magic. He and the knights begin to make their way back to Camelot, until they run into bandits who are tormenting a young woman. Proving themselves gallant, the knights rescue the girl. But she shies away from Merlin and Gwen. And then the knights start arguing with each other and turn on Merlin. (There are several fanfiction stories that detail the emotional toll that takes on Merlin; his friends, who have protected him against others, now scorn him). Merlin determines this Lamia girl is the cause of the problem and it’s due to magic. Indeed, Gaius informs Arthur when they go to investigate that the Lamia were created by the Priestesses of the Old Religion to control men, but they grew too powerful. The knights start falling prey to her; Gwen and Merlin to the rescue, well, Arthur helps a bit.
Lancelot is back from the dead in Lancelot du Lac. Morgana finds out that Arthur proposes to Gwen and decides to bring Lancelot back to throw a wrench in the works. Lancelot enters the jousting tournament held in honor of the proposal. Merlin and the knights are pleased that Lancelot is back, but Merlin quickly discovers all is not well. Lancelot doesn’t remember that Merlin has magic. (That’s because Morgana didn’t know, so couldn’t plant that information in Lancelot). Merlin starts to worry that Lancelot is after Arthur. No, Lancelot means to beguile Gwen, through an enchanted bracelet. Arthur discovers the couple kissing (with some help from Agravaine; it’s all a trap). Lancelot and Gwen are thrown in the dungeon; Lancelot, coached by Agravaine, drinks a potion to die. Agravaine counsels Arthur to put Gwen to the death for her betrayal. Arthur cannot see her dead, so exiles her. They were one day from their wedding; she had waited years, why could she not wait one more day, Arthur asks. Gwen cannot answer. She still loves Arthur but she couldn’t help herself around Lancelot. Merlin, who had figured out that Lancelot was a shade, takes his friend for funeral rights and rids him of the enchantment. Lancelot wakes for a moment to thank Merlin, dying peacefully again. Merlin knows Morgana is behind the events, but cannot prove it to Arthur.
An old mission comes back to haunt Arthur in A Herald of the New Age. The knights accidentally disturb a druid shrine; Elyan drinks from the well. He’s taken over by the spirit of a child who had been slaughtered and goes after the king. The other knights assume he’s acting out due to his sister being banished. Arthur in the meantime is out of sorts after visiting the shrine. Merlin and Gaius investigate the shrine and try to stop Elyan’s attack. Arthur eventually admits to Merlin that Uther had ordered Arthur to lead a raid on a druid camp. Arthur was not able to stop his men from killing innocent women and children, resulting in the restless sprits at the shrine. He was young and inexperienced and wanted to prove himself. Elyan, still possessed, confronts Arthur and Arthur apologizes, offering himself for the mistakes he made. The child spirit forgives Arthur and leaves Elyan. (A little jolt from the episode when I realized that they were using salt circles to repel spirits; a basis of Supernatural, lol).
We catch up with what Gwen is doing in The Hunter’s Heart. She has moved to a village where she has old friends; but it’s attacked by bandits. Their leader spares her and speaks to her. Unfortunately, he’s in league with Morgana. Morgana discovers that Gwen is at the camp and sets after her. She catches her and transforms her into a deer. Meanwhile, Arthur has made an alliance with the promise of marriage to the Princess Mithan of Nementh. Mithan is beautiful an kind and we really can’t dislike her. She gently chastises Arthur for causing Merlin more work. She genuinely likes to hunt, a favorite pastime of Arthur’s. Merlin tries little tricks to put Arthur and Mithan off each other, due to loyalty to Gwen. Then comes the hunt, and they cross paths with a transformed Gwen. Merlin realizes the disguise and goes after the deer after Mithan shoots her. He heals her, but Gwen refuses to return to Camelot; she understands the damage she did. Arthur has also found the ring that he had proposed to Gwen with, that Gwen was still wearing until her transformation. He is in no mood to continue the hunt. Arthur realizes that Merlin was right; he still loves Gwen, despite her betrayal, which confuses him. But he cannot marry Mithan. He draws up a new treaty, giving her the disputed lands. She graciously leaves.
Morgana’s plans come to fruition in the two-parter season finale The Sword in the Stone, bringing in more elements from classic legend. Agravaine signals the attacking army into Camelot. Arthur is injured, but Merlin drags him out of the castle, magically taking his will (though there’s not much left after seeing both Morgana and Agravaine at the head of the army). Gaius, Elyan, and Gwaine are left in Camelot to aid Arthur’s escape. Morgana tortures Elyan for information and makes Gwaine fight to win supper. Leon and Percival are in the woods with the townsfolk who could escape. Merlin plans to take Arthur to Ealdor. They come upon battle couple and smugglers Tristan and Isolde. Arthur acts as a simpleton until his will returns, but Tristan dislikes kings and they butt heads. Arthur also feels defeated; he must not be the king he should be if his family members keep betraying him. Merlin points out that it’s not his fault; they just desire Arthur’s power for themselves. Morgana sends Agravaine after Arthur (I can’t tell if Agravaine truly cares for Morgana or if he just doesn’t trust her and wants to stay on her good side).
Merlin and Arthur do make it to Ealdor, along with Tristan and Isolde. They reunite with Gwen, but have to run again when Agravaine catches up. Merlin offers again to hang back and protect the rear. Kilgarah comes in handy to destroy most of the force chasing them and in the caves, Merlin uses magic to defeat the rest. Agravaine is impressed by Merlin’s deception, claiming that they are more alike than they had realized. Another toss when he makes a move against Merlin and Agravaine is dead. Tristan is surprised that Arthur risks his life to go back for Merlin.
They reunite with the other knights, but Merlin still has to convince Arthur to continue the fight. He spins a tale for his friend, claiming it’s from Gaius, about a sword that the first king of Camelot had buried in a stone. When Camelot’s need was most, only the true king of Camelot could retrieve it. Merlin convinces Arthur to try. Arthur struggles at first, but Merlin urges him to believe. And the sword comes clean out (well, it was Merlin who had put Excalibur in the stone in the first place). Arthur is back and leads his knights into Camelot. Tristan and Isolde agree to fight alongside him. Sadly, Isolde is killed in a face off against the leader of Morgana’s army. Merlin had earlier snuck into Camelot disguised as Emrys and puts a burning straw doll under Morgana’s bed. So when he and Arthur face her, she cannot cast any spells. She flees. She faces off with Gwen and almost finishes the other woman, but Merlin secretly rescues her at the last minute. Morgana is wounded and flees into the woods.
Arthur mends his relationship with Gwen and proposes again. She is crowned queen. And the little white dragon, Aithusa returns and heals Morgana in the woods.
I liked the twist that the sword in the stone was more about raising Arthur’s confidence. Merlin keeps leading Arthur to his destiny to become the greatest ruler Albion has ever known. Gwen’s brief affair with Lancelot did not bring down the kingdom and it was more brought on by magic. Merlin is proving to be Arthur’s most loyal companion and I love that Arthur is recognizing that. There’s times he will be kind and sincere to his friend, but they keep up their banter. I don’t think they would know what to do with themselves if they weren’t giving each other and hard time and calling each other names.
My apologies that I forgot to post this last week.
Merlin-Season 3
We come back to Camelot a year after the ending of season two with the two-parter Tears of Uther Pendragon; Morgana has been missing a year. Uther refuses to give up on finding her. She wanders into a camp that Arthur and Merlin are investigating. And for a moment everything seems well. She’s happy to be home in Camelot, telling Uther she’s seen the evil he’s fighting and promises to be a better ward. She puts Merlin’s mind at ease over his worry that she’ll remember him poisoning her. Morgana forgives him; he was just trying to protect his friends. Then, the smirking starts. She rides out to meet Morgause, calling her “my sister.” Morgause has a spell that requires the tears of Uther, which Morgana has collected. They’re put into a cauldron along with a mandrake root, it emits a magical cry. Morgana is to tie the dripping root under Uther’s bed every night. It will twist his unconscious fear and make him lose his mind. Back in Camelot, the root takes effect; Uther starts seeing those who died at his hand, ghosts of the past haunting him.
Merlin stumbles upon the root, hiding under Uther’s bed and witnesses Morgana change it. He follows her and discovers her meeting Morgause. He’s subsequently captured, tied up, and left to die. Those creepy scorpions are back and sting Merlin. He cannot break the chains, even with magic. He calls Kilgarah and the dragon saves him. The dragon counsels the young warlock; the boys did what he thought was right, which takes courage. But his seeing goodness in people could be his undoing. Morgana is the darkness to Merlin’s light, the hatred to his love. Back in Camelot, Cenred’s army marches on the citadel (I equate it to Helm’s Deep). Morgause and Morgana are aligned with Cenred, Morgana their traitor on the inside. Merlin and Gwen show their support for Arthur, who has to take control while his father is incapacitated. Merlin tells his friend “it is your fate t be the greatest king Camelot has ever known…victory today will be remembered for every age until the end of time.” Gaius follows Morgana when she sneaks away and discovers that the young woman has raised an undead army. Merlin rushes down to stop her. Morgana makes the same mistake as Morgause and underestimates Merlin, not knowing he has magic. He triumphs and the skeletons collapse. Cenred leaves when that force fails.
Goblin’s Gold is a lighter story, after the dramatic start to the season. Merlin accidentally releases a goblin into the castle. When he tries to capture the devil, it flies into Gaius and overtakes him. He then plays tricks on the castle, at one point hilariously giving Arthur the ears and bray of a donkey. The goblin, as Gaius, frames Merlin for magic and he’s arrested. The young man escapes and takes refuge at Gwen’s home. They come up with the plan to temporarily kill Gaius to force the goblin out. Things get hairy when they have to scramble for the antidote, but everything is put to right. Arthur believed Merlin about the goblin and even laid a trap for Gaius; he knew that Gaius would never condone Merlin executed. It shows that he views his servant truly as a friend.
Gwaine is introduced in the episode named after him. He ends up helping Merlin and Arthur during a bar fight; he’s injured in the process, so they take him with back to Camelot for Gaius to heal. Merlin instantly befriends the young man. A melee is to take place in Camelot and two of the thugs from the tavern intend to kill Arthur for standing up to them, using magic blades that appear blunt but really aren’t, and crystals to disguise themselves as knights. As knights, they harass Merlin. He stumbles upon the truth and intends to get proof for Arthur. Gwaine helps and takes the blame. But Uther is firm in his knight’s code; a peasant cannot accuse a knight. Gwaine is banished from Camelot. Arthur tries to argue for his new friend, but Gwaine distrusts nobles (even though his father was one) and willingly leaves. During the melee, Merlin has no choice but to secretly use magic to protect Arthur. It ends up Arthur against the two thugs, though another knight steps into help. The thugs are killed and Gwaine is revealed. Uther holds to his decision to banish the man, even though that’s twice he’s saved his son.
The Crystal Cave recalls common elements of Arthurian legend. (The Crystal Cave is the first book in Mary Stewart’s Arthurian saga series). While Arthur and Merlin are out in the woods, they’re attacked and Arthur is injured. Merlin tries to use magic to heal when an old man appears; Taliesin. He heals Arthur then shows Merlin to the Crystal Cave, where magic began. Merlin is a powerful sorcerer and can use the crystals to see all of time. Merlin sees a future where Morgana stabs Uther. Back in Camelot, Gaius cautions that all may not be as it seems. But things start happening that Merlin saw in his vision. Arthur gives Morgana a dagger for her birthday, matching the one that Merlin saw, at Merlin’s inadvertent advice ironically. When Morgana sneaks off to see Morgause, Merlin follows and causes her to fall down a flight of stairs. She’s slowly dying. When Merlin can no longer stand watching everyone else’s grief, he goes out to call Kilgarah. The great dragon at first refuses to help save Morgana, but Merlin uses his power as Dragonlord to force the dragon. Merlin has also overheard Uther reveal to Gaius that Morgana is actually his daughter, begging the older man to use magic to save her. Gorlois was away fighting and Viviane had gotten lonely, he explains. No one can know, for Arthur’s sake. We see Morgana’s eyes move minutely. Later, after Morgana is healed, she tells Morgause. The older woman realizes that this gives Morgana a legitimate claim to the throne. Now they’ll redouble their efforts to kill Uther. Merlin’s vision proceeds, he’s stopped nothing. He races after Morgana who decides no time like the present to kill the king. She uses magic and accidently starts a fire and blows a window, waking Uther, but smoothly covers, cowering like a damsel in distress. Life is more complicated now; Arthur is all that stands between Morgana and the throne.
The Sidhe return in The Changeling, the hid a faerie in a baby princess and twenty years later, she’s old enough to wed Arthur in an effort to permanently bind the two kingdoms. This will put a Sidhe at the heart of Camelot (and that can’t be good). Her nurse, Grunhilda, is played by Professor Sprout from Harry Potter. Turns out, Grunhilda is a pixie, servant to the Sidhe. Arthur struggles with his love for Gwen, which Morgana has begun to notice. Uther insists that Arthur for the sake of the kingdom, his own feelings be damned. Arthur goes through with the proposal. Merlin slips Elena a potion to eject the faerie, killing it, Grunhilda, and the leader of the Sidhe. An instant effect takes on Elena; she’s more polished and prim, but still her personality (which is kind of awesome). She and Arthur stand in front of Camelot, prepared to take their vows, but come clean to each other that they don’t have feelings for the other. The wedding is called off and her father tells Uther that Arthur has the makings of a great king; times are changing. Merlin tells Arthur he knows what it’s like to have a destiny you cannot escape, for everything to be planned out and have no say.
Gwen is reunited with her brother, Elyan in The Castle of Fyrien. She is kidnapped by Cenred as a way to get Arthur. Cenred threatens Elyan if Gwen does not bring Arthur to him. She doesn’t want to tell Arthur, but Merlin convinces her that the best way to have help is to tell Arthur. Merlin, Gwen, and unfortunately Morgana ride out with Arthur to rescue Elyan. They’re caught, since Morgana is a traitor and Cenred plans to torture Arthur. The young people escape, grabbing Morgana in the process. Elyan is reported to have been away for four years and felt like he couldn’t come home, even when his father died.
Arthur takes on a quest in The Eye of the Phoenix to prove that he is worthy of the throne. He is to retrieve the trident from the Fisher King in the Perilous Realms. Legends state that the Fisher King was a powerful sorcerer and when he was wounded and it became infected, so did his land. But he’s supposedly still alive. Arthur is to undertake this quest alone and unaided. Merlin worries for Arthur, but the prince orders him to stay home. Then Merlin spots the bracelet Morgana gifts Arthur and its strange stone. Gaius uncovers that it is a phoenix’s eye and it will consume Arthur’s life force. Merlin races after Arthur, but stops for help; Gwaine. Arthur, steadily weakening, makes it to the bridge in the Perilous Lands, guarded by a dwarf (we recognize Warwick Davis, famed as Wicket from Return of the Jedi, Professor Flitwick and Griphook from Harry Potter and Nikabrik from Prince Caspian). He informs Arthur “you must be Courage,” he will need Strength and Magic to complete his quest. When Arthur dismisses magic, he warns the lad not to. Arthur almost drowns, due to the bracelet and Merlin and Gwaine come to the bridge, meeting the dwarf. Magic and Strength have arrived. Back in Camelot, Gwen reveals to Gaius that she suspects Morgana to have magic. Wyvern, an offshoot of dragons, almost eat Arthur in the Dark Tower, but Merlin’s there to save him. He’s separated from Arthur and Gwaine and speaks to the Fisher King. The king has been waiting for the right time. This was truly Merlin’s quest. The real prize is water from the lake of Avalon. When need is greatest, it will show Merlin what to do. In exchange, Merlin gives the king the cursed bracelet so he may be released to death.
An old friend of Gaius’s return in Love in the Time of Dragons. Alice was his fiancée years ago, right before the Purge. Gaius helped her escape, but stayed behind to not draw suspicion. Now she’s returned to Camelot with magical remedies, and a creature in a box: a manticore. Merlin hears them speaking one evening and doesn’t trust Alice. Gaius won’t hear it. Alice helps Gaius with his potions, including one for Uther. She drops poison in it one day and administers it to Uther. At that point, Gaius believes Arthur and they rid the world of the manticore. Uther blames Alice (Arthur figured out she was the one to give Uther is remedy) and sentences her to death. Gaius cannot plead with the king, but still manages to help his old love escape.
Morgana tries to split up Gwen and Arthur in Queen of Hearts when she has a vision of Gwen as queen. She gets the couple to spend alone time in the woods (it is a rather romantic picnic), then arranges for Uther to ride by them, catching the couple kissing. Uther orders Arthur to end the relationship, Arthur refuses. Morgana then plants an enchantment in Arthur’s room, so Gwen will be arrested as a witch. Merlin plans to invent a sorcerer to get Gwen freed; he’ll disguise himself as an old man, Dragoon the Great. That part works. The changing back doesn’t. He’s arrested and sentenced to be burned at the stake; though he gets a chance to tell Uther and Arthur off. Gaius works out a potion to change him back and Merlin escapes long enough to down it. This is the start of the running joke that if Arthur cannot find Merlin due to magical needs, people claim the young man is in the tavern. Gwen is free and the young couple’s feelings haven’t changed, but they cannot show it.
Another sorcerer comes to Camelot for a tournament in The Sorcerer’s Shadow. Ghillie (Harry Melling again [Dudley]) is tired of being bullied and uses magic to help in the tournament. Morgana has also pitted Uther and Arthur against each other (probably hoping that Uther will be killed in the tournament). When the two face each other, Arthur has to let his father win to save face. Then Uther has to face Ghillie in the finals. Merlin tries to get Ghillie to promise not to use magic, but Ghillie is enjoying the fame he’s gotten. He even shows the other man his powers; he understands how lonely it is to be more powerful than any man you know and live like a shadow. To be special and pretend to be a fool. Merlin has to make the choice; let Ghillie kill Uther, or protect Uther and harm another sorcerer. Kilgarah cautions that if Uther is killed by magic, it will harden Arthur’s mind. Thus, Merlin works against Ghillie. Uther spares the boy in the end (obviously not knowing about the magic). Uther reveals he knew what Arthur had done; he’s followed his son’s progress all along, but he’s grateful for the actions. Arthur is truly ready to be king.
Another two-parter ends the season, The Coming of Arthur. It opens on a scene of slaughtered knights, figures moving through them. They come to Sir Leon and heal him with a magical cup. Sir Leon returns to Camelot and reports that Cenred was responsible for the attack and it was the Druids who healed him. Gauis and Uther realize that the Druids have the Cup of Life, as Gauis informs Merlin, it was not destroyed on the Isle of the Blessed, it is eternal. Uther wants the cup and sends Arthur after it, for there is another legend attached to the cup; a warlord used it to create an immortal army. Camelot is in danger. Arthur doesn’t tell Merlin where they’re going but takes him anyway. Morgana overhears the plans and reports to Morgause, who instructs Cenred to be ready. But a slave trader captures Merlin and Arthur first. There, they’re reunited with Gwaine, whom Arthur has to face in a challenge. The boys try to throw the fight without appearing to do so, but Merlin causes a distraction that gets them out. The trio continue on the search and find the Druid camp. The Druids hand over the cup to Arthur, but really to Emrys. An attack from Cenred’s men injures Arthur and lets the cup fall into enemy hands. Morgause creates an immortal army, then kills Cenred and marches on Camelot. The trio does eventually make it back to Camelot to discover dead littering the streets from the attack, they discover Elyan and make their way into the castle. Arthur and Merlin go after Uther, the rest are to wait for them in the woods. Uther is being led into the great hall, facing Morgause. She takes his crown and Morgana steps out. She claims the throne, as daughter to Uther. Arthur is shocked by the news and he and Merlin withdraw.
The second part picks up a week after that ending; Merlin, Arthur, Gaius, Gwaine, and Elyan are hiding in the woods. Morgana is trying to persuade the knights of Camelot to her side, but they resist. She lines them up in front of a firing squad and instead shoots the crowd. Gwen plays along as a loyal servant, but plans to help Sir Leon escape; Leon will know where Arthur is hiding and he is the only hope Camelot has. Morgana and Morgause eavesdrop and figure they can use Gwen as a way to find Arthur, a simple tracking potion in a drink does the trick. Merlin uses the water from Avalon that the Fisher King gave him, revealing Freya. She tells him that only one weapon can slay the dead, a sword burnished by dragon fire, which lies in the lake. Kilgarah still serves Merlin and helps the young sorcerer retrieve the blade, but has him swear that when he is finished with the sword, he put it where no man can wield it. If the blood is emptied from the Cup of Life, the immortal army will fall.
L-R: Leon, Percival, Arthur, Lancelot, Elyan, Gwaine
Arthur and his companions are forced to retreat once Leon and Gwen finds them. They’re aided by Lancelot and a new man, Percival (Merlin had sent word to Lancelot), taking refuge in an abandoned castle from the time of the ancient kings. Inside, Arthur discovers a round table. He instructs his companions to sit and speaks of the old tradition of equality for all. Tomorrow, he will rescue his father, who is with him. Lancelot is the first to stand. These men believe in the world that Arthur will create. All join him; well, Merlin tries to stay seated as a joke, but he doesn’t have a choice. Arthur then does something he know his father would disapprove of, he knights Elyan, Lancelot, Gwaine, and Percival. Lancelot comments to Merlin that evening that the servant is the bravest of them and Arthur should really be knighting him, but doesn’t know. The men make their way back to Camelot, Lancelot planning to help Merlin destroy the Cup. Gaius enters the fray against Morgause after she flings Merlin, giving Merlin the chance to knock over the Cup. The immortal army explodes. Morgana enters to find an injured Morgause and screeches. Her magic is out of control, the walls start crumbling and they disappear.
A new time is dawning. Arthur may need to take charge; Uther is very distressed by the events with Morgana and her betrayal. Gaius tells Merlin, since no one else will, “Well done.” Merlin follows his promise and sticks the sword in a stone.
I liked the inclusion of more traditional elements of Arthurian legend, such as the Crystal Cave, but Merlin does run into the problem that often arises from prophecies; as Yoda has taught us, the future is always in motion. This is one possibly future and Merlin gets consumed by it. In trying to prevent that future from happening, he almost causes it. But he also doesn’t get the best instructions. Downfall of many fantasy wizards: I’m going to warn you about this but be very cryptic. Like the dragon. The Fisher King story was a nice inclusion as well and more and more Arthur is being shown that magic is not inherently evil, but circumstances always come about that he can’t trust it. Woo at seeing the knights of the Round Table, finally! Arthur is coming into his own now. Merlin still staunchly supports him, even behind the scenes. They’ve come a long way from wanting to kill each other.
Now, my Shide and Fae are not like the ones in this show, but it’s good to see differing views, so I can craft my own. Pick and choose which bits I like. As much as Morgause is the enemy, there is something I admire in the way she deals with Cenred, an attitude I hope to emulate in my characters: commanding, she does not outright threaten Cenred until the end. She pulls him along and I swear Cenred wants to sleep with her and she may even let him, knowing that ultimately she has the upper hand.